Complete Works of G K Chesterton, page 544
You prosecute the man or woman Who steals the goose from off the common, But leave the larger felon loose Who steals the common from the goose.
But here, as in the case of the monasteries, we confront the strange problem of submission. If they stole the common from the goose, one can only say that he was a great goose to stand it. The truth is that they reasoned with the goose; they explained to him that all this was needed to get the Stuart fox over seas. So in the nineteenth century the great nobles who became mine-owners and railway directors earnestly assured everybody that they did not do this from preference, but owing to a newly discovered Economic Law. So the prosperous politicians of our own generation introduce bills to prevent poor mothers from going about with their own babies; or they calmly forbid their tenants to drink beer in public inns. But this insolence is not (as you would suppose) howled at by everybody as outrageous feudalism. It is gently rebuked as Socialism. For an aristocracy is always progressive; it is a form of going the pace. Their parties grow later and later at night; for they are trying to live to-morrow.
XI. THE HOMELESSNESS OF JONES
Thus the Future of which we spoke at the beginning has (in England at least) always been the ally of tyranny. The ordinary Englishman has been duped out of his old possessions, such as they were, and always in the name of progress. The destroyers of the abbeys took away his bread and gave him a stone, assuring him that it was a precious stone, the white pebble of the Lord’s elect. They took away his maypole and his original rural life and promised him instead the Golden Age of Peace and Commerce inaugurated at the Crystal Palace. And now they are taking away the little that remains of his dignity as a householder and the head of a family, promising him instead Utopias which are called (appropriately enough) “Anticipations” or “News from Nowhere.” We come back, in fact, to the main feature which has already been mentioned. The past is communal: the future must be individualist. In the past are all the evils of democracy, variety and violence and doubt, but the future is pure despotism, for the future is pure caprice. Yesterday, I know I was a human fool, but to-morrow I can easily be the Superman.
The modern Englishman, however, is like a man who should be perpetually kept out, for one reason after another, from the house in which he had meant his married life to begin. This man (Jones let us call him) has always desired the divinely ordinary things; he has married for love, he has chosen or built a small house that fits like a coat; he is ready to be a great grandfather and a local god. And just as he is moving in, something goes wrong. Some tyranny, personal or political, suddenly debars him from the home; and he has to take his meals in the front garden. A passing philosopher (who is also, by a mere coincidence, the man who turned him out) pauses, and leaning elegantly on the railings, explains to him that he is now living that bold life upon the bounty of nature which will be the life of the sublime future. He finds life in the front garden more bold than bountiful, and has to move into mean lodgings in the next spring. The philosopher (who turned him out), happening to call at these lodgings, with the probable intention of raising the rent, stops to explain to him that he is now in the real life of mercantile endeavor; the economic struggle between him and the landlady is the only thing out of which, in the sublime future, the wealth of nations can come. He is defeated in the economic struggle, and goes to the workhouse. The philosopher who turned him out (happening at that very moment to be inspecting the workhouse) assures him that he is now at last in that golden republic which is the goal of mankind; he is in an equal, scientific, Socialistic commonwealth, owned by the State and ruled by public officers; in fact, the commonwealth of the sublime future.
Nevertheless, there are signs that the irrational Jones still dreams at night of this old idea of having an ordinary home. He asked for so little, and he has been offered so much. He has been offered bribes of worlds and systems; he has been offered Eden and Utopia and the New Jerusalem, and he only wanted a house; and that has been refused him.
Such an apologue is literally no exaggeration of the facts of English history. The rich did literally turn the poor out of the old guest house on to the road, briefly telling them that it was the road of progress. They did literally force them into factories and the modern wage-slavery, assuring them all the time that this was the only way to wealth and civilization. Just as they had dragged the rustic from the convent food and ale by saying that the streets of heaven were paved with gold, so now they dragged him from the village food and ale by telling him that the streets of London were paved with gold. As he entered the gloomy porch of Puritanism, so he entered the gloomy porch of Industrialism, being told that each of them was the gate of the future. Hitherto he has only gone from prison to prison, nay, into darkening prisons, for Calvinism opened one small window upon heaven. And now he is asked, in the same educated and authoritative tones, to enter another dark porch, at which he has to surrender, into unseen hands, his children, his small possessions and all the habits of his fathers.
Whether this last opening be in truth any more inviting than the old openings of Puritanism and Industrialism can be discussed later. But there can be little doubt, I think, that if some form of Collectivism is imposed upon England it will be imposed, as everything else has been, by an instructed political class upon a people partly apathetic and partly hypnotized. The aristocracy will be as ready to “administer” Collectivism as they were to administer Puritanism or Manchesterism; in some ways such a centralized political power is necessarily attractive to them. It will not be so hard as some innocent Socialists seem to suppose to induce the Honorable Tomnoddy to take over the milk supply as well as the stamp supply — at an increased salary. Mr. Bernard Shaw has remarked that rich men are better than poor men on parish councils because they are free from “financial timidity.” Now, the English ruling class is quite free from financial timidity. The Duke of Sussex will be quite ready to be Administrator of Sussex at the same screw. Sir William Harcourt, that typical aristocrat, put it quite correctly. “We” (that is, the aristocracy) “are all Socialists now.”
But this is not the essential note on which I desire to end. My main contention is that, whether necessary or not, both Industrialism and Collectivism have been accepted as necessities — not as naked ideals or desires. Nobody liked the Manchester School; it was endured as the only way of producing wealth. Nobody likes the Marxian school; it is endured as the only way of preventing poverty. Nobody’s real heart is in the idea of preventing a free man from owning his own farm, or an old woman from cultivating her own garden, any more than anybody’s real heart was in the heartless battle of the machines. The purpose of this chapter is sufficiently served in indicating that this proposal also is a pis aller, a desperate second best — like teetotalism. I do not propose to prove here that Socialism is a poison; it is enough if I maintain that it is a medicine and not a wine.
The idea of private property universal but private, the idea of families free but still families, of domesticity democratic but still domestic, of one man one house — this remains the real vision and magnet of mankind. The world may accept something more official and general, less human and intimate. But the world will be like a broken-hearted woman who makes a humdrum marriage because she may not make a happy one; Socialism may be the world’s deliverance, but it is not the world’s desire.
PART TWO. IMPERIALISM, OR THE MISTAKE ABOUT MAN
I. THE CHARM OF JINGOISM
I have cast about widely to find a title for this section; and I confess that the word “Imperialism” is a clumsy version of my meaning. But no other word came nearer; “Militarism” would have been even more misleading, and “The Superman” makes nonsense of any discussion that he enters. Perhaps, upon the whole, the word “Caesarism” would have been better; but I desire a popular word; and Imperialism (as the reader will perceive) does cover for the most part the men and theories that I mean to discuss.
This small confusion is increased, however, by the fact that I do also disbelieve in Imperialism in its popular sense, as a mode or theory of the patriotic sentiment of this country. But popular Imperialism in England has very little to do with the sort of Caesarean Imperialism I wish to sketch. I differ from the Colonial idealism of Rhodes’ and Kipling; but I do not think, as some of its opponents do, that it is an insolent creation of English harshness and rapacity. Imperialism, I think, is a fiction created, not by English hardness, but by English softness; nay, in a sense, even by English kindness.
The reasons for believing in Australia are mostly as sentimental as the most sentimental reasons for believing in heaven. New South Wales is quite literally regarded as a place where the wicked cease from troubling and the weary are at rest; that is, a paradise for uncles who have turned dishonest and for nephews who are born tired. British Columbia is in strict sense a fairyland, it is a world where a magic and irrational luck is supposed to attend the youngest sons. This strange optimism about the ends of the earth is an English weakness; but to show that it is not a coldness or a harshness it is quite sufficient to say that no one shared it more than that gigantic English sentimentalist — the great Charles Dickens. The end of “David Copperfield” is unreal not merely because it is an optimistic ending, but because it is an Imperialistic ending. The decorous British happiness planned out for David Copperfield and Agnes would be embarrassed by the perpetual presence of the hopeless tragedy of Emily, or the more hopeless farce of Micawber. Therefore, both Emily and Micawber are shipped off to a vague colony where changes come over them with no conceivable cause, except the climate. The tragic woman becomes contented and the comic man becomes responsible, solely as the result of a sea voyage and the first sight of a kangaroo.
To Imperialism in the light political sense, therefore, my only objection is that it is an illusion of comfort; that an Empire whose heart is failing should be specially proud of the extremities, is to me no more sublime a fact than that an old dandy whose brain is gone should still be proud of his legs. It consoles men for the evident ugliness and apathy of England with legends of fair youth and heroic strenuousness in distant continents and islands. A man can sit amid the squalor of Seven Dials and feel that life is innocent and godlike in the bush or on the veldt. Just so a man might sit in the squalor of Seven Dials and feel that life was innocent and godlike in Brixton and Surbiton. Brixton and Surbiton are “new”; they are expanding; they are “nearer to nature,” in the sense that they have eaten up nature mile by mile. The only objection is the objection of fact. The young men of Brixton are not young giants. The lovers of Surbiton are not all pagan poets, singing with the sweet energy of the spring. Nor are the people of the Colonies when you meet them young giants or pagan poets. They are mostly Cockneys who have lost their last music of real things by getting out of the sound of Bow Bells. Mr. Rudyard Kipling, a man of real though decadent genius, threw a theoretic glamour over them which is already fading. Mr. Kipling is, in a precise and rather startling sense, the exception that proves the rule. For he has imagination, of an oriental and cruel kind, but he has it, not because he grew up in a new country, but precisely because he grew up in the oldest country upon earth. He is rooted in a past — an Asiatic past. He might never have written “Kabul River” if he had been born in Melbourne.
I say frankly, therefore (lest there should be any air of evasion), that Imperialism in its common patriotic pretensions appears to me both weak and perilous. It is the attempt of a European country to create a kind of sham Europe which it can dominate, instead of the real Europe, which it can only share. It is a love of living with one’s inferiors. The notion of restoring the Roman Empire by oneself and for oneself is a dream that has haunted every Christian nation in a different shape and in almost every shape as a snare. The Spanish are a consistent and conservative people; therefore they embodied that attempt at Empire in long and lingering dynasties. The French are a violent people, and therefore they twice conquered that Empire by violence of arms. The English are above all a poetical and optimistic people; and therefore their Empire is something vague and yet sympathetic, something distant and yet dear. But this dream of theirs of being powerful in the uttermost places, though a native weakness, is still a weakness in them; much more of a weakness than gold was to Spain or glory to Napoleon. If ever we were in collision with our real brothers and rivals we should leave all this fancy out of account. We should no more dream of pitting Australian armies against German than of pitting Tasmanian sculpture against French. I have thus explained, lest anyone should accuse me of concealing an unpopular attitude, why I do not believe in Imperialism as commonly understood. I think it not merely an occasional wrong to other peoples, but a continuous feebleness, a running sore, in my own. But it is also true that I have dwelt on this Imperialism that is an amiable delusion partly in order to show how different it is from the deeper, more sinister and yet more persuasive thing that I have been forced to call Imperialism for the convenience of this chapter. In order to get to the root of this evil and quite un-English Imperialism we must cast back and begin anew with a more general discussion of the first needs of human intercourse.
II. WISDOM AND THE WEATHER
It is admitted, one may hope, that common things are never commonplace. Birth is covered with curtains precisely because it is a staggering and monstrous prodigy. Death and first love, though they happen to everybody, can stop one’s heart with the very thought of them. But while this is granted, something further may be claimed. It is not merely true that these universal things are strange; it is moreover true that they are subtle. In the last analysis most common things will be found to be highly complicated. Some men of science do indeed get over the difficulty by dealing only with the easy part of it: thus, they will call first love the instinct of sex, and the awe of death the instinct of self-preservation. But this is only getting over the difficulty of describing peacock green by calling it blue. There is blue in it. That there is a strong physical element in both romance and the Memento Mori makes them if possible more baffling than if they had been wholly intellectual. No man could say exactly how much his sexuality was colored by a clean love of beauty, or by the mere boyish itch for irrevocable adventures, like running away to sea. No man could say how far his animal dread of the end was mixed up with mystical traditions touching morals and religion. It is exactly because these things are animal, but not quite animal, that the dance of all the difficulties begins. The materialists analyze the easy part, deny the hard part and go home to their tea.
It is complete error to suppose that because a thing is vulgar therefore it is not refined; that is, subtle and hard to define. A drawing-room song of my youth which began “In the gloaming, O, my darling,” was vulgar enough as a song; but the connection between human passion and the twilight is none the less an exquisite and even inscrutable thing. Or to take another obvious instance: the jokes about a mother-in-law are scarcely delicate, but the problem of a mother-in-law is extremely delicate. A mother-in-law is subtle because she is a thing like the twilight. She is a mystical blend of two inconsistent things — law and a mother. The caricatures misrepresent her; but they arise out of a real human enigma. “Comic Cuts” deals with the difficulty wrongly, but it would need George Meredith at his best to deal with the difficulty rightly. The nearest statement of the problem perhaps is this: it is not that a mother-in-law must be nasty, but that she must be very nice.
But it is best perhaps to take in illustration some daily custom we have all heard despised as vulgar or trite. Take, for the sake of argument, the custom of talking about the weather. Stevenson calls it “the very nadir and scoff of good conversationalists.” Now there are very deep reasons for talking about the weather, reasons that are delicate as well as deep; they lie in layer upon layer of stratified sagacity. First of all it is a gesture of primeval worship. The sky must be invoked; and to begin everything with the weather is a sort of pagan way of beginning everything with prayer. Jones and Brown talk about the weather: but so do Milton and Shelley. Then it is an expression of that elementary idea in politeness — equality. For the very word politeness is only the Greek for citizenship. The word politeness is akin to the word policeman: a charming thought. Properly understood, the citizen should be more polite than the gentleman; perhaps the policeman should be the most courtly and elegant of the three. But all good manners must obviously begin with the sharing of something in a simple style. Two men should share an umbrella; if they have not got an umbrella, they should at least share the rain, with all its rich potentialities of wit and philosophy. “For He maketh His sun to shine....” This is the second element in the weather; its recognition of human equality in that we all have our hats under the dark blue spangled umbrella of the universe. Arising out of this is the third wholesome strain in the custom; I mean that it begins with the body and with our inevitable bodily brotherhood. All true friendliness begins with fire and food and drink and the recognition of rain or frost. Those who will not begin at the bodily end of things are already prigs and may soon be Christian Scientists. Each human soul has in a sense to enact for itself the gigantic humility of the Incarnation. Every man must descend into the flesh to meet mankind.
Briefly, in the mere observation “a fine day” there is the whole great human idea of comradeship. Now, pure comradeship is another of those broad and yet bewildering things. We all enjoy it; yet when we come to talk about it we almost always talk nonsense, chiefly because we suppose it to be a simpler affair than it is. It is simple to conduct; but it is by no means simple to analyze. Comradeship is at the most only one half of human life; the other half is Love, a thing so different that one might fancy it had been made for another universe. And I do not mean mere sex love; any kind of concentrated passion, maternal love, or even the fiercer kinds of friendship are in their nature alien to pure comradeship. Both sides are essential to life; and both are known in differing degrees to everybody of every age or sex. But very broadly speaking it may still be said that women stand for the dignity of love and men for the dignity of comradeship. I mean that the institution would hardly be expected if the males of the tribe did not mount guard over it. The affections in which women excel have so much more authority and intensity that pure comradeship would be washed away if it were not rallied and guarded in clubs, corps, colleges, banquets and regiments. Most of us have heard the voice in which the hostess tells her husband not to sit too long over the cigars. It is the dreadful voice of Love, seeking to destroy Comradeship.
