Complete works of g k ch.., p.300

Complete Works of G K Chesterton, page 300

 

Complete Works of G K Chesterton
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  “Why, my learned friends,” he went on contemptuously, “do you really suppose you are any fitter to write a report on my mind than I am on yours? You can’t see any further into me than I can into you. Not half so far. Didn’t you know a portrait-painter has to value people at sight as much as a doctor? And I do it better than you; I have a knack that way. That’s why I can paint those pictures on the wall; and I could paint your pictures as big as a house. I know what is at the back of your mind, Doctor Simeon Wolfe; and it’s a chaos of exceptions with no rule. You could find anything abnormal, because you have no normal. You could find anybody mad; and as for why you specially want to find me mad… why that is another disadvantage of being an atheist. You do not think anything will smite you for the vile treachery you have sold yourself to do today.”

  “There is no doubt about your condition now,” said Dr. Wolfe with a sneer.

  “You look like an actor, but you are not a very good actor,” answered Gale calmly. “I can see that my guess was correct. These rack-renters and usurers who oppress the poor, in my own native valley, could not find any pettifogging law to prevent me from painting the colours of their souls in hell. So they have bribed you and another cheap doctor to certify me for a madhouse. I know the sort of man you are. I know this is not the first dirty trick you have done to help the rich out of a hole. You would do anything for your paymasters. Possibly the murder of the unborn.”

  Wolfe’s face was still wrinkled with its Semitic sneer, but his olive tint had turned to a sort of loathsome yellow. Starkey called out with sudden shrillness, as abrupt as the bark of a dog.

  “Speak more respectfully!”

  “There is Dr. Starkey, too,” continued the poet lazily. “Let us turn our medical attention to the mental state of Dr. Starkey.”

  As he rolled his eyes with ostentatious languor in the new direction, he was arrested by a change in the scene without. A strange man was standing under the frame of the swing, looking up at it with his head on one side like a bird’s. He was a small, sturdy figure, quite conventionally clad; and Gale could only suppose he was a stray guest of the hotel. His presence did not help very much; for the law was probably on the side of the doctors; and Gale continued his address to them.

  “The mental deficiency of Dr. Starkey,” he said, “consists in having forgotten the truth. You, Starkey, have no sceptical philosophy like your friend. You are a practical man, my dear Starkey; but you have told lies so incessantly and from so early an age that you never see anything as it is, but only as it could be made to look. Beside each thing stands the unreal thing that is its shadow; and you see the shadow first. You are very quick in seeing it; you go direct to the deceptive potentialities of anything; you see at once if anything could be used as anything else. You are the original man who went straight down the crooked lane. I could see how quickly you saw that the swing would provide ropes to tie me up if I were violent; and that going first into this arbour, I should be cornered, with you on each side of me. Yet the swing and the arbour were my own idea; and that again is typical of you. You’re not a scientific thinker like the other scoundrel; you have always picked up other men’s ideas, but you pick as swiftly as a pickpocket. In fact, when you see an idea sticking out of a pocket you can hardly help picking it. That’s where you’re mad; you can’t resist being clever, or rather borrowing cleverness. Which means you have sometimes been too clever to be lucky. You are a shabbier sort of scamp; and I rather fancy you have been in prison.”

  Starkey sprang to his feet, snatching up the ropes and throwing them on the table.

  “Tie him up and gag him,” he cried; “he is raving.”

  “There again,” observed Gale, “I enter with sympathy into your thoughts. You mean that I must be gagged at once; for if I were free for half a day, or perhaps half an hour, I could find out the facts about you and tear your reputation to rags.”

  As he spoke he again followed with an interested eye the movements of the strange man outside. The man had recrossed the garden, calmly picking up a chair from one of the little tables, and returned carrying it lightly in the direction of the arbour. To the surprise of all, he set it down at the round table in the very entrance of that retreat, and sat down on it with his hands in his pockets, staring at Gabriel Gale. With his face in shadow, his square head, short hair and bulk of shoulders took on a new touch of mystery.

  “Hope I don’t interrupt,” he said. “Perhaps it would be more honest to say I hope I do interrupt. Because I want to interrupt. Honestly, I think you medical gentlemen would be very unwise to gag your friend here, or try to carry him off.”

  “And why?” asked Starkey sharply.

  “Only because I should kill you if you did,” replied the stranger.

  They all stared at him; and Wolfe sneered again as he said: “You might find it awkward to kill us both at once.”

  The stranger took his hands out of his pockets; and with the very gesture there was a double flash of metal. For the hands held two revolvers which pointed at them, fixed them like two large fingers of steel.

  “I shall only kill you if you run or call out,” said the strange gentleman pleasantly.

  “If you do you’ll be hanged,” cried Wolfe violently.

  “Oh, no, I shan’t,” said the stranger; “not unless two dead men can get up and hang me on that nursery gallows in the garden. I’m allowed to kill people. There’s a special Act of Parliament permitting me to go about killing anybody I like. I’m never punished, whatever I do. In fact, to tell you the truth, I’m the King of England, and the Constitution says I can do no wrong.”

  “What are you talking about?” demanded the doctor. “You must be mad.”

  The stranger uttered a sudden shout of laughter that shook the shed and the nerves of all three hearers.

  “You’ve hit it first shot,” he cried. “He said you were quick, didn’t he? Yes, I’m mad all right; I’ve just escaped from the same sanatorium next door, where you want to take your friend to. I escaped in a way of my own; through the chief doctor’s private apartments; and he’s kind enough to keep two pistols in his drawer. I may be recaptured; but I shan’t be hanged. I may be recaptured; but I particularly don’t want your young friend to be captured at all. He’s got his life before him; I don’t choose he should suffer as I’ve suffered. I like the look of him; I like the way he turned all your medical tomfoolery upside down. So you’ll understand I am at present wielding the power of a perfectly irresponsible sultan. I shall merely be rounding off a very pleasant holiday by blowing both your brains out, unless you will sit quite still and allow your young friend to tie you up with the ropes. That will give us a good start for our escape.”

  How he passed through the topsy-turvy transformation scene that followed Gale could afterwards barely remember; it seemed like a sort of dream pantomime, but its results were solid enough. Ten minutes later he and his strange deliverer were walking free in the woods beyond the last hedge of the garden, leaving the two medical gentlemen behind them in the arbour, tied up like two sacks of potatoes.

  For Gabriel Gale the wood in which he walked was a new world of wonders. Every tree was a Christmas tree bearing gifts; and every gap in the woods was like a glimpse through the curtain for a child with a toy theatre. For a few moments before all these things had nearly disappeared in the darkness of something worse than death; till heaven had sent him a guardian angel in the shape of an escaped lunatic.

  Gale was very young and his youth had not then found its vent and vocation by falling in love. There was in him something of those young Crusaders who made wild vows not to cut their hair till they found the Holy City. His liberty was looking and longing for something to bind itself; and at this moment he could think of but one thing in the world.

  Two hundred yards along the path by the river he halted and spoke to his companion:

  “It is you who have given me all this,” he said. “Under God, and so far as my life goes, it is you who have created heaven and earth. You set up along my triumphal way these trees like seven-branched candlesticks with their grey branches silver in the sun. You spread before my feet these red leaves that are better than roses. You shaped clouds. You invented birds. Do you think I could enjoy all these things when I knew you were back again in the hell that you hate? I should feel I had tricked you out of everything you have given me. I should feel like a thief who had stolen the stars. You shan’t go back there if I can help it; you saved me and I am going to save you. I owe you my life and I give it you; I vow I will share anything you suffer; God do so to me and more also, if aught but death part thee and me.”

  Thus were spoken in that wild place the wild words that determined the life of Gabriel Gale for so many years afterwards; and the walk that began in that wood turned into a wandering over the whole country by those two fantastic outlaws. As a matter of fact a sort of armed truce fell between them and their enemies, for each had something to fear from the other. Gale did not use all he discovered against the two doctors lest they should press the pursuit of his friend; and they did not press it lest he should retaliate with his own revelations. Thus the two came to roam practically unmolested until the day of that adventure, already described in the beginning of all these things, when he fell in love, and his crazy companion fell into a paroxysm which went very near to murder.

  In every sense that dreadful day had changed all. That murderous outbreak had at last convinced a sadder and wiser Gabriel that he had other responsibilities besides those of his chivalric vow to his companion-in-arms; and he concluded that their companionship could only be rightly continued in some safe and more secluded form. Then it was that he put his friend into the comfortable and secret house in Cornwall, and spent most of his own time there, leaving a trustworthy servant on guard during his brief absences. His companion, whose name was James Hurrel, had been a business man of great ability and even audacity, until his schemes grew a little too big for his brain; and he lived happily enough in Cornwall, covering the tables with prospectuses and the walls with posters relative to various financial enterprises of the most promising kind. There he died, to all appearance equally happily; and Gale walked back from his funeral a free man.

  Next morning, after a few hours’ walking a rise and change in the rolling and wooded country told him that he was on the borders of his enchanted ground. He remembered something in the grouping of the trees, and how they seemed to huddle and stand on tiptoe with their backs to him, looking into the happy valley. He came to where the road curved over the hill, as he had come with his friend in former times; and saw below him the meadows falling steeply as thatched roofs and flattening out till they reached the wide and shallow river, and the ford and the dark inn called the Rising Sun.

  The gloomy inn-keeper of old days was gone, having found it less gloomy to take service in some stables in the neighbourhood; and a brisker individual with the look of a groom was the recipient of Gale’s expansive praises of the beauty of the scene. Gale was good enough to inform the inn-keeper of the beauty of the skies in the neighbourhood of his own inn, telling how he, Gale, had once seen a sunset in that valley quite peculiar to it and unequalled anywhere in the world; and how even the storm that had followed the sunset had been something very sublime in that style. His generalizations however were somewhat checked and diverted by a note which the inn-keeper put into his hand, a note from the great house across the river. It was without any formal opening, as if the writer had hesitated about a form of address; and it ran:

  “I want to hear the story and hope you will come over tomorrow (Thursday). I fear I shall be out today, as I have to go to see a Dr. Wilson in Wimbledon about some work I have a chance of doing. I suppose you know we are pretty hard up in these days. D.W.”

  The whole landscape seemed to him to darken for an instant as he read the letter, but he did not lose his brisk demeanour and breezy mode of speech.

  “I find I made a mistake,” he said, putting the note in his pocket, “and I must leave here almost at once. I have to visit another spot, if possible more picturesque and poetical than this one. It is Wimbledon that has skies of a strange and unique character at the present time. The sunsets of Wimbledon are famous throughout the world. A storm in Wimbledon would be an apocalypse. But I hope I shall come back here again sooner or later. Good-bye.”

  The proceedings of Mr. Gale after this were rather more calculated and peculiar. First he sat on a stile and frowned heavily as if thinking hard. Then he sent off a telegram to a certain Dr. Garth, who was a friend of his, and one or two other telegrams to persons in rather responsible positions. When he got to London he went into the offices of the vulgarest and most sensational newspaper he knew, and looked up the back files for the details of forgotten crimes. When he got to Wimbledon he had a long interview with a local house agent and ended up towards evening, outside a high garden wall with a green door, in a wide but empty and silent suburban road. He went quietly up to the door and barely touched it with his finger, as if seeing if the paint were wet. But the door, which was barred across with bands of decorative metal work and had every appearance of being shut, immediately fell ajar, showing the patchy colours of garden beds within. “I thought so,” said Gale to himself and slipped into the garden, leaving the door ajar behind him.

  The suburban family which he was presumably visiting, and with which the impoverished Diana Westermaine was presumably to take some post as governess or secretary, was evidently the sort who combined a new neatness with a certain early Victorian comfort and indifference to cost. The conservatories were of antiquated pattern, but full of rich and exotic things; there were things still more old-fashioned, such as a grey and rather featureless classical statue in the centre. Within a few yards of it were things so Victorian as croquet hoops and croquet mallets, as if a game had been in progress, and beyond it under the tree was a table set out with tea things, for people for whom tea was not a trifle. All these human things, unused at the moment by human beings, seemed to emphasize the emptiness of the garden. Or rather, so far as he was concerned, they emphasized the fact that it was almost empty, save for the one thing that could so strangely fill it with life. For far away down one of the paths pointing towards the kitchen garden he saw a figure moving as yet unconsciously towards him. It came out under an arch crowned with creepers and there, after so many years, they met. There seemed something symbolical of seriousness and crisis in the accident that they were both in black.

  He had always been able to call up the memory of her dark vivid eyebrows and the high-tinted distinction of her face in connexion with corners of the blue dress she had worn; but when he saw her again he wondered that the face had not always annihilated all its lesser associations. She looked at him for a moment with bright motionless eyes and then said:

  “Well, really. You seem to be a rather impatient person.”

  “Possibly,” he replied; “and yet I have waited four years.”

  “They are coming out to tea in a moment,” she said somewhat awkwardly. “I suppose I must introduce you to them. I only accepted the post this morning; but they asked me to stay. I was going to wire to you.”

  “Thank God I followed you,” he answered. “I doubt if the wire would have reached me… from this house.”

  “What do you mean?” she asked, “and how did you follow?”

  “I did not like your Wimbledon address,” he said: and with that, strange figures began to fill the garden, and she walked across to the tea-table. Her face was somewhat paler and more severe than it used to be, but in her grey eyes there was a light not altogether extinguished, curiosity still shot with defiance. By the time they reached the table two or three people had collected round it; and the somewhat irregular visitor had saluted them in a regular and even punctilious fashion.

  The host or hostess had apparently not yet become visible; there were only three gentlemen, presumably guests and perhaps members of a house-party. One was introduced as Mr. Wolmer, a young man with a fair moustache and a tall fine figure that made his head look small; with a fine bridged nose that ought to have been like a hawk’s if the prominence of the eyes and some deficiency of the chin had not somehow made it more like a parrot’s. The second was a Major Bruce, a very short man with a very long head streaked with iron grey hair, and an expression which suggested, truly enough, that he very seldom opened his mouth. The third was an elderly person with a black skull-cap on his bald head and a fringe or fan of red beard or whiskers; he was evidently a person of some importance and known as Professor Patterson.

  Gale partook of tea and indulged in polite conversation in quite an animated fashion, wondering all the time who it was who ought to have been at the head of the table, where Diana Westermaine was pouring out the tea. The demeanour of the man named Wolmer was rather restless; and in a little while he stood up and began, as if from the necessity of doing something, to knock the croquet balls about on the lawn. Gale, who was watching him with some interest, followed suit by picking up a mallet and trying some particular trick of putting two balls through a hoop. It was a trick which needed a test of some minuteness, for he went down on his hands and knees to examine the position more closely.

  “Going to put your head through the hoop?” asked Wolmer rudely; for he had been growing more and more impatient, almost as if he had taken a mysterious dislike to the newcomer.

  “Not quite,” answered Gale good-humouredly as he rolled the balls away. “Uncomfortable position, I should think. Like being guillotined.”

  Wolmer was glaring balefully at the hoop and said something in a thick voice that sounded like “Serve you right.” Then he suddenly whirled his mallet above his head like a battle-axe and brought it down with a crash on the hoop, driving it deep into the turf. There was something indescribably shocking about the pantomime, following instantly on the image that had just been suggested of a human head in the hoop. They felt as if an act of decapitation had been done before their very eyes.

 

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