Complete works of g k ch.., p.317

Complete Works of G K Chesterton, page 317

 

Complete Works of G K Chesterton
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  He spoke the last words upon a note that shook her out of her statuesque stillness, and she came towards him with an unconscious movement, crying:

  “You are the most wonderful and amazing man in the world — to have done such a stupendously stupid thing.”

  He caught her as she came forward, with an abrupt and crushing compression of the hands, and then answered:

  “You are the most wonderful and amazing woman in the world, to have stopped me doing it.”

  “And that seems terrible, too,” she said. “I don’t want to feel that I smashed such a magnificent mad thing; perhaps I was wrong after all. But don’t you think yourself it was getting impossible — in other ways.”

  He nodded gravely, continuing to gaze into her eyes, which no one now would have thought languid and proud. “You know the story from the inside by this time. I began as a burglar of the Santa Claus sort, breaking into houses and leaving presents in safes and cupboards. I was sorry for old Crayle, whose confounded prig of a wife would not let him smoke, so I chucked him some cigars. But I’m not sure even there I may not have done more harm than good. Then I thought I was only sorry for you. I should be sorry for anybody who was secretary in our family.”

  She laughed on a low and tremulous note. “And so you chucked me a silver clasp and chain to cheer me up.”

  “But in that case,” he said, “the clasp caught and held.”

  “It also scratched my aunt a bit,” she said. “And altogether, it did make complications, didn’t it? And all that business of the poor people’s pockets — well, somehow I couldn’t help feeling it might get them as well as you into trouble.”

  “The poor people are always in trouble,” he said gloomily. “They’re all what you call known to the police. It was perfectly genuine, when I told you how it riles me that they aren’t even allowed to beg, and that’s why I started giving them alms before they started begging. But it’s quite true that it couldn’t have been kept up for long. And that has taught me another lesson as well, and I understand something in human life and history I never understood before. Why the people who do have those wild visions and vows, who want to expiate and to pray for this wicked world, can’t really do it anyhow and all over the place. They have to live by rule. They have to go into monasteries and places; it’s only fair on the rest of the world. But henceforward, when I see these great prisons of prayer and solitude, or have a glimpse of their cold corridors and bare cells, I shall understand. I shall know that in the heart of that rule and routine there is the wildest freedom of the will of man; a whirlwind of liberty.”

  “Alan, you frighten me again,” she said, “as if you yourself were something strange and solitary, as if you also. . . .”

  He shook his head, with a complete understanding. “No,” he said; “I’ve found out all about myself as well. A good many people make that mistake about themselves when they’re young. But a man is either of that sort or the other sort, and I’m the other sort. Do you remember when we first met and talked about Chaucer and the chain with Amor Vincit?”

  And without moving his eyes or hands from where they rested, he repeated the opening words of Theseus in the Knight’s Tale about the sacrament of marriage, and as he spoke those noble words as if they were a living language, I will so write them here, to the distress of literary commentators:

  “. . . The first Mover of the Cause above

  When he first made the fair chain of love

  Great was the effect and high was his intent:

  Well wist he why, and what thereof he meant.”

  And then he bent swiftly towards her; and she understood why that garden had always seemed to hold a secret and to be waiting for a surprise.

  THE LOYAL TRAITOR

  I

  THE MENACE OF THE WORD

  It will be best, both for the reader and the writer, not to bother about what particular country was the scene of this extraordinary incident. It may well be left vague, so long as it is firmly stipulated that it was not in the Balkans, where so many romancers have rushed to stake out claims ever since Mr. Anthony Hope effected his coup d’état in Ruritania. The Balkan kingdom is convenient because kings are killed and despotic governments overthrown with pleasing swiftness and frequency, and the crown may fall to any adventurer, good or bad. But meanwhile, in the same Balkan State, the farms remain in the same families, the plot of land, the orchard or the vineyard, descends from father to son; the rude equality of peasant proprietorship has never been greatly disturbed by large financial operations. In short, in the Balkan kingdom there is some safety and continuity for the Family, so long as it is not the Royal Family.

  But with the kingdom in question here, how different! Whatever name we may give it, it was at least a highly-civilized and well-ordered society, in which the Royal Family continued serene and safe under police protection and constitutional limitations; in which all the public services were conducted with a regularity verging on tedium, and in which nobody was ever ruined or overthrown except the butcher, the baker, the candle-stick-maker and the various types of tradesmen and common citizens who might happen to cross the path of large commercial operations. The country might well be one of the smaller German States that have been industrialized by dependence on mines and factories, or one of the former dependencies of the Austrian Empire. It does not matter; it is enough to secure the reader’s respect and interest to know that it was a thoroughly modern and enlightened community, which had advanced in every science and perfected every social convenience until it was within reasonable distance of revolution; not a potty little palace revolution, in which a few princes are murdered, but a real, international, universal social revolution; probably beginning with a General Strike and probably ending with bankruptcy and famine.

  It was all the more possible, because breezy events of this sort had already broken out in a neighbouring industrial state, and after some months of very bewildering civil war, had ended in the victory of one out of the six revolutionary generals fighting each other in the field; the victor being a certain General Casc, an able soldier who had originally come with the Colonial troops garrisoned in the neighbourhood, and who was credited in local gossip with being partly a negro, a fact which considerably consoled those who had been defeated by him. For our own territory, which we will call Pavonia, he was only of importance — as an unluckily lucky example.

  The public crisis became acute in Pavonia with the appearance of the rather mysterious agitation about “The Word”. To this day there are disputes about the nature of the movement. Some of the government agents and inquirers swore the ignorant populace did really believe that, with the discovery of a new Word, everything in the world would be explained. A wild pamphlet did actually appear, in which the writer argued with insane ingenuity that, as all modern publicity and popularization consist of concentrating a book into a paragraph, or a chapter into a sentence, so at last the whole truth about the present problem would be concentrated into a word. Crowds of impatient malcontents were adjured to Wait for the Word; and apocalyptic visions were provided, of the scenes of world-change that would follow, when once The Word was spoken. The Word would contain in itself, it was gravely asserted, a complete plan of operations and an explanation of the whole organized strategy of the revolt. Some said the whole fancy had originated with one Bohemian poet, who signed his poems, “Sebastian”, and had certainly composed a lyric invocation full of allusions to The Word. Many repeated the lines which ran:

  As Aaron’s serpent swallowed snakes and rods,

  As God alone is greater than the gods,

  As all stars shrivel in the single sun,

  The words are many, but The Word is one.

  But nobody in office ever saw the revolutionary poet who tossed these little trifles at the Government and the public; until he was identified one day in the street by the very last person who was likely to meet him.

  The Princess Aurelia Augusta Augustina, etc. etc. (who had embedded somewhere in her stratified Christian names the name of Mary, by which she was called for convenience by her family), was the niece of the reigning monarch, and, having only just left school, did not as yet fully appreciate the difference between reigning and ruling. She was a vigorous young woman with red hair and a Roman nose, and having as yet learned more about Royalties in history than in politics, took their position with a certain simplicity and could even imagine (just as if she had really been in the Balkans) that they might be worth murdering or worth obeying. She had come back into the life of the Court and the capital, which she had left as a mere child, full of that irrepressible desire to be useful, which is so normal in women and so dangerous in great ladies, and she was at present making herself a nuisance by asking questions of everybody about everything. She naturally asked questions about the popular political riddle of The Word, and generally, as Mr. Edmund Burke would say, about the cause of the present discontents. She was all the more intrigued when nobody could tell her what The Word was and very few, in her world, what the row was all about. It was therefore with a considerable glow of superiority that she returned to her family one afternoon and announced that she had actually seen the seditious minstrel, who was apparently responsible for the somewhat obscure revolutionary rhyme and the somewhat mysterious revolutionary movement.

  Her car was moving slowly down a quiet street, because she was on the look-out for a curio shop she had known in childhood and could not immediately locate. Just beyond the curio shop was a café, with a few tables outside it in the continental manner, and at one of these tables was seated in front of a green liqueur an odd-looking person with very long hair and a very high stock or cravat. I have said that historical and geographical identification matter little in this case; and the reader may, if he likes, clothe this queer episode in any outlandish or antiquated fashion of fantasies of costume, for indeed the most recent fashion is full of quaint revivals and modes that might be either very old or very new. The man with the stock might have been some eccentric contemporary or creation of Balzac; he might equally well have been an art student of today, with the most Futurist views but the most Early Victorian whiskers. His mane of long hair was of an incredible dark auburn that looked like dim crimson rather than ordinary red; his forked or cloven beard was of the same unnatural colour and was shown up by the high cravat which was of a vivid sort of peacock-green. The colour of the cravat varied, however, from day to day; sometimes it was of a brighter green when the spirit of spring inspired his songs; sometimes of purple when he was lamenting the rich tragedy of his loves; sometimes completely black when he had decided that the time had really come to destroy the universe. He would explain to his friends that he followed without faltering the clue of the mood and the sky of morning, but they never recommended a necktie that did not contrast effectively with his beard. For this was no other than the poet Sebastian, whose verses counted for so much in the revolutionary movement of the moment.

  The Princess, of course, was quite unaware of his identity, and would have passed him with no particular comment beyond a disapproval of his necktie. But he returned to her attention and remained in it because of the curiously different conditions in which she saw him only an hour or two later, when the shops and factories had shut their doors and poured forth their populations. When she came back again through the quiet street, it was no longer quiet. It was especially the reverse of quiet in the neighbourhood of the café where the stranger had been drinking the green liqueur, and if the car moved slowly now, it was because of the difficulty of making its way through an ever-thickening crowd. For the long-haired person in the cravat was now standing on the café table and declaiming what appeared to be alternate fragments of prose and verse, with some modern intermediate types difficult to define. She came just in time, however, to hear the end of the now familiar jingle or rhymed motto:

  “As God alone is greater than the gods,

  As all stars shrivel in the single sun,

  The words are many, but The Word is one.

  “But The Word will not pass my lips, nor those of the Four Wardens of The Word who already know it, until the first part of the work has been accomplished. When the powerless have risen against the powerful, when the poor have risen above the rich, when the weak have risen and proved stronger than the strong, when—”

  At this moment he and his hearers suddenly became conscious of the sober but elegant vehicle which was pushing its prow like a boat above the popular waves, and the somewhat haughty countenance that appeared above it, just behind the wooden countenance of the chauffeur. Most people present recognized the lady and there was a sudden stir and stoppage, as of embarrassment, but the poet standing on the table struck a new attitude of sublime impudence and cried aloud:

  “But how hard it is for ugliness to rise against beauty. And we are an ugly lot!”

  And the Princess drove on in a condition of towering rage.

  II

  THE PROCESSION OF THE PLOTTERS

  It has already been explained that Pavonia was governed on enlightened modern principles. That is to say, the King was popular and powerless; the popularly elected Premier was unpopular and moderately powerful; the head of the Secret Police was much more powerful, and the quiet and intelligent little banker, to whom they all owed money, was most powerful of all. But all four of them were moderate in their respective rôles; none of them had ever pushed matters to a rupture and all four of them were often in the habit of discussing, at an informal Privy Council, the growing problems of the State.

  The King, whose historical title was Clovis the Third, was a lank and rather melancholy man with yellow moustaches and imperial and rather hollow eyes; well-bred enough to make his weariness appear impersonal rather than personal in its application, but not otherwise exciting company. The Prime Minister was short and stout, and very vivacious for his stoutness; though a Pavonian of bourgeois origin he was rather like a French politician, which is by no means the same as being like an ordinary Frenchman. He had pince-nez and a short beard and spoke to individuals in a guarded, but to large crowds in a confidential tone of voice. His name was Valence and he had been considered rather a Radical, until the new revolutionary movement had suddenly revealed him as a rather obstinate capitalist, turning, as it were, his sturdy figure black against the red glare. The Chief of Police was a big, bilious soldier named Grimm, whose yellow face told of fevers in many countries and whose tight mouth told very little of anything. He was the only person present who looked as if he would be in any way formidable in an hour of national peril, and he was always the most pessimistic of the four about his own hopes of dealing with it. The last was a slight, refined little figure with straight, grey hair and a hooked nose rather large for his attenuated features. He was dressed in dark grey so that his streaks of limbs seemed to repeat his streaks of hair, and only when he carefully fitted on a pair of tortoise-shell goggles, did his eyes seem suddenly to stand out and come to life, as if he were a monster who put his eyes on and off like a mask. This was Isidor Simon, the banker, and he had never taken any title though many had been offered to him.

  The occasion of their special meeting was that the wild and hitherto rather vague movement called the Brotherhood of The Word had suddenly received support from a very unexpected quarter. The poet Sebastian was only a poor Bohemian freelance, of obscure origin and apparently illegitimate birth. Even his surname was doubtful: it was easy for the newspapers to make fun of his real affectations and to underrate his real influence. But when it was actually announced that a man like Professor Phocus had declared himself a friend and follower of the poet, everybody felt that the whole social situation had changed. Phocus was quite another matter; he was the scientific world: the world of colleges and committees. He was a name; he was not indeed very well known personally, being much of a recluse, but his quaint figure with high and narrow top-hat, more like a pipe than a hat, and the green spectacles which he wore to protect his dim eyes from ordinary daylight, was a familiar enough object in certain places, especially the great National Museum, where he not only specialized in certain Palaeo-Pavonian antiquities, but conducted select groups of students round to inspect the relics and sculptures which illustrated that branch of study. He was universally recognized as a man of vast learning and laborious accuracy, and when it was stated in cold print that he, Professor Phocus, had found prophecies concerning The Word in the prehistoric hieroglyphics of Pavonia, only two explanations seemed possible, both equally catastrophic. Either the great Phocus had suddenly gone mad, or there was really something in it.

  For some time the banker had succeeded in allaying the fears of the Council, by what might seem a professional, but is in these days a practical argument. A popular poet might set all the crowds in the streets singing his songs, and a learned man of European reputation might induce all the dons in the world to read his book. But the salary of the learned man, for taking the tourists a tour of the hieroglyphics, was a little more than five guineas a week, and the salary of the poet was an unknown quantity that was frequently a minus quantity. You cannot make a modern revolution, or anything modern, without money. It was difficult to see how the poet and the professor managed to pay for the occasional leaflets they circulated or the printing of the poem about The Word; let alone for munitions or commissariat or soldiers’ pay or anything that is necessary for the higher purposes of civil war. Mr. Simon, the financial adviser, therefore, had advised the King to disregard the movement until its backing was a little more financial. But to this Council the Chief of Police had brought news which seemed to alter everything.

  “Of course,” he said in his slow fashion, “I’d often seen the poet going into the pawnbroker’s.”

 

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