Camera And Action, page 48
Zimmerman, Paul D. "Alice's Restaurant's Children." Newsweek 74-13 (29 Sep. 1969):101-106.
Cosmopolitan on Women's Liberation
"16 Men's Jobs You Can Do Now (Most of Which You Couldn't Do Before)." Cosmopolitan 168.5 (May 1970): 78-91.
"72 Ways to Jolt a Man into Loving You Again." Cosmopolitan 169.6 (Dec. 1970): 80, 82.
Allerton, Jane. "Help Bring Back the Seducer." Cosmopolitan 169.3 (July 1970): 26.
Brown, Helen Gurley. "Step into My Parlor." Cosmopolitan 168.4 (Apr. 1970): 6.
. "Step into My Parlor." Cosmopolitan 168.5 (May 1970): 6
"Step into My Parlor." Cosmopolitan 168.6 (June 1970): 6.
"Step into My Parlor." Cosmopolitan 169.3 (Sep. 1970): 2.
"Step into My Parlor." Cosmopolitan 169.6 (Dec. 1970): 6, 40.
Collins, Hillary. "The New Puritanism." Cosmopolitan 168.3 (Mar. 1970): 50.
Dichter, Ernest. "How Well Do You Know Him? Test." Cosmopolitan 169.3 (Sep. 1970): 73-74.
"The Driven Girls Who Have to Make It." Cosmopolitan 169.3 (July 1970): 80-83, 135.
Fleming, Alice. "Girls Who Buy and Sell (in the Stock Market)." Cosmopolitan 169.6 (Dec. 1970): 130.
Fromme, Alan. "Masturbation, A Doctor's Report." Cosmopolitan 169.6 (Dec. 1970): 98-102.
Green, Gael. "Hardened: What Is It with Bachelors Like Maximilian Schell? Why Won't They Make Some Little Girl Happy?" Cosmopolitan 169.3 (July 1970): 84-89.
Houck, Catherine. "The Crisis at Thirty or Over the Hill and into the Trees." Cosmopolitan 169.4 (Oct. 1970): 84-90.
Millett, Kate. "Sexual Politics." Cosmopolitan 169.5 (Nov. 1970): 84-106.
Raffeld, Joan. "I Love the Establishment!" Cosmopolitan 169 (July 1970): 26, 78.
Schary, Joll. "How to Get married if You're Over Thirty." Cosmopolitan 168.5. (May 1970): 58-59, 116.
"The Sensuous Woman." Cosmopolitan 169.4 (Oct. 1970): 84-94, 105+, 114, 139-143.
Shaber, David. "The Military Male." Cosmopolitan 169.6 (Dec. 1970): 116-121.
Web sites and Internet
Altman, Robert. http://www.geocities.come/Holly- wood/8200/altman.htm.
Curry, Andrew. "Custer's Bluster." U. S. News and World Report. http://www.usnews.com/us news/doubleissue/mysteries/custer.htm.
Danks, Adrian. "Just Some Jesus Looking for a Manger: McCabe and Mrs. Miller," Senses of Cinema, 2000. http://www.sensesofcinema. com/contents/00/9/cteq/...
http://www.ezrider.co.uk/Easy-Rider/easy-rider- links.html. Accessed 14 Mar. 2003.
http://www.filmsite.org/easy.html. Accessed 5 Nov. 2002.
http://www.lather.com/fsc/fscl.html. Accessed 22 Nov. 2002.
http://www.seeing-stars.com/Dine/ThunderRoad house.shtml. Accessed 26 Aug. 2003.
Films
Alice's Restaurant. Produced by Hillard Elkins and Joe Manduke, directed by Arthur Penn, 1 hr. 51 min. MGM/UA, 1969. Videocassette, 1988.
Carnal Knowledge. Produced by Joseph E. Levine, directed by Mike Nichols, 1 hr. 38 min. MGM, 1971. Videocassette, 1999.
"Coppola's Notebook." The Godfather DVD Collection. Produced by Paramount Pictures, 2001. DVD, 2001.
Easy Rider. Produced by Peter Fonda, directed by Dennis Hopper, 94 min. Columbia, Videocassette, 1985.
The Godfather. Produced by Albert S. Ruddy, directed by Francis Ford Coppola, 175 min. Paramount Pictures, 1972. DVD, 2001.
The Godfather: Part II. Produced and directed by Francis Ford Coppola, 200 min. Paramount Pictures, 1974. DVD, 2001.
The Graduate. Produced by Lawrence Turman, directed by Mike Nichols, 1 hr., 46 min. Embassy Pictures, 1967. Videocassette, 1999.
Little Big Man. Produced by Stuart Miller, directed by Arthur Penn, 139 min. Hillar Productions, 1970. Videocassette, Paramount Pictures, 2000.
M*A*S*H. Produced Ingo Preminger, directed by Robert Altman, 116 Minutes. Ingo Preminger Productions, 1970. DVD, Twentieth Century-Fox, 1997.
McCabe and Mrs. Miller. Produced by David Foster and Michael Brower, directed by Robert Altman, 121 min. Warner Brothers, 1971. Videocassette, 1999.
Midnight Cowboy. Produced by Jerome Hellman, directed by John Schlesinger, 113 min. MGM, 1969. DVD, 2006.
True Grit. Produced by Hal Wallis, directed by Henry Hathaway, 128 min. Paramount Pictures, 1969. Videocassette.
Television Series
All in the Family. Produced by Norman Lear, directed by John Rich. Tandem Productions, Inc., 1971. DVD, 2003.
Novels and Nonfiction
Puzo, Mario. The Godfather. New York: Putnam, 1969.
Webb, Charles. The Graduate. New York: New American Library, 1963.
Wolfe, Tom. Electric Kool-Aid Acid Test. New York: Quality Paperback Books, 1990.
The Pump House Gang. New York: Farrar, Straus, and Giroux, 1963.
Theoretical Framework
Barra, Tony, ed. Screening the Past: Film and the Representation of History. Westport, CT, and London: Praeger, 1998.
Bhadha, Homi. Location of Culture. London and New York: Routledge, 1994.
. Nation and Narration. London: Routledge, 1990.
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement [sic] of Taste. Richard Nice, trans. Cambridge: Harvard University Press, 1984.
. In Other Words: Essays Towards a Reflexive Sociology. Matthew Adamson, trans. Stanford: Stanford University Press, 1990.
Carnes, Mark C., ed. Past Imperfect: History According to the Movies. New York: Henry Holt and Company, 1995.
Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press, 1995.
Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington and Indianapolis: Indiana University Press, 1993.
Ciongoli, Kenneth, and Jay Purini, eds. Beyond The Godfather: Italian American Writers on the Realltalian American Experience. Hanover and London: University Press of New England, 1997.
de Lauretis, Teresa. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington and Indianapolis: Indiana University Press, 1987.
Deloria, Philip J. Playing Indian. New Haven and London: Yale University Press, 1998.
During, Simon, ed. The Cultural Studies Reader. London and New York: Routledge, 1993.
Foucault, Michel. The Archeology of Knowledge. London: Tavistock, 1972.
. The History of Sexuality: An Introduction. Robert Hurley, trans. New York: Vintage Books, Inc., 1978, 1990.
Friedberg, Anne. "Cinema and the Postmodern Condition." In Viewing Positions: Ways of Seeing Film, edited by Linda Williams, 29-83. New Brunswick, NJ: Rutgers University Press, 1995.
"The Mobilized and Virtual Gaze in Modernity: Flaneur/Laneuse." In The Visual Culture Reader, edited by Nicholas Mirzoeff, 253-262. London, New York: Routledge, 1998.
Gardaphe, Fred. Dagoes Read: Tradition and the Italian/American Writer. Guernica: Gurenica Editions, Inc., 1996.
Greenblatt, Stephen. "Culture." In Critical Terms for Literary Study, edited by Frank Lentricchia and Thomas McLaughlin, 225-232. Chicago and London: University of Chicago Press, 1990.
Shakespearean Negotiations. Berkeley and California: University of California Press, 1988.
Hall, Stuart. Representation: Cultural Representations and Signifying Practices. London, Thousand Oaks, CA, New Delhi: Sage Publications, 1997.
and Paul du Gay, eds. Identity, Genealogy, History in Questions of Cultural Identity. London, Thousand Oaks, CA, New Delhi: Sage Publications, 1996.
Hebdige, Dick. Subculture: The Meaning of Style. London and New York: Routledge, 1979, 2001.
Hunt, Lynn, ed. The New Cultural History. Berkeley, Los Angeles, and London: University of California Press at Berkeley, 1989.
Jacobson, Matthew Frye. Whiteness of a Different Color: European Immigrants and the Alchemy of Race. Cambridge, MA, and London: Harvard University Press, 1998.
Jameson, Frederic. GeopoliticalAesthetic: Cinema and Space in the World System. Bloomington: Indiana University Press, 1992.
. Signatures of the Visible. New York and London: Routledge, 1992.
Lears, T. J. Jackson. "The Concept of Cultural Hegemony: Problems and Possibilities." American Historical Review 90.3 (1985): 567-593.
Mannino, Mary Ann Vigilante. Revisionary Identities: Strategies of Empowerment in the Writing of Italian American Women. New York: Peter Lang Publishing, Inc., 2000.
Mast, Gerald, Marshal Cohen, and Leo Braudy. Film Theory and Criticism: Introductory Readings. 4th ed. New York and Oxford: Oxford University Press, 1992.
McDonald, Terrence J., ed. The Historic Turn in the Human Sciences. Ann Arbor: The University of Michigan Press, 1996.
Scott, Joan W. The Evidence of Experience." Critical Inquiry 17 (Summer 1991): 773-797.
. Feminism and History. Oxford: Oxford University Press, 1996.
Seidler, Victor J. Rediscovering Masculinity: Reason, Language and Sexuality. New York and London: Routledge, 1989.
Staiger, Janet. Interpreting Films: Studies in the Historical Reception ofAmerican Cinema. Princeton: Princeton University Press, 1992.
Stam, Robert, and Toby Miller. Film and Theory: An Anthology. Malden, MA: Blackwell Publishers, Ltd., 2000.
Susman, Warren I. Culture as History: The Transformation of American Society in the Twentieth Century. New York: Pantheon Books, 1984.
Tamburri, Anthony. A Semiotic ofEthnicity: In Recognition of the Italian/American Writer. Albany: State University of New York Press, 1998.
Wallace, Joann. "Where the Body Is a Battleground: Materializing Gender in the Humanities." Resources for Feminist Research (22 Sep. 2001): http://www.encyclopedia.com/doc/1G1-9044 5821.html.
Press Books and Production Notes
AuWerter, Russ. "A Conversation with Robert Altman." Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"Carnal Knowledge Hailed as a Picture Whose Time Has Come." Publicity Department Avco Embassy Pictures Corp. Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library; Beverly Hills, CA.
"Easy Rider." Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Fairbairn, John. "First Ever Round-the-Clock London Showing for Cannes Festival Winner." A News Special, M*A*S*H. Twentieth Century-Fox, Special Collections, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"The Graduate." Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Harmetz, Aljean. "The 15th Man Who Was Asked to Direct `M*A*S*H' (and Did) Makes a Peculiar Western." Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"John Wayne Explains the Meaning of `True Grit,"' press book, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Little Big Man. Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"M*A*S*H." Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"M*A*S*H." Press book. Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"McCabe and Mrs. Miller." Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Special Collections
California Historical Society at The North Baker Research Library, San Francisco, CA.
Folder 1, M53159,1966-1969 and MS3159/1, "Diggers," Mar. 1967-3 Mar. 1969 and n.d.
Folder 2 MS3159/3, Communication Company, 24 Jan. 1967 - 28 July 1967 and in folder M5315915.
. Folder 2 MS3159/4, Free City News Mar., June, July 1968 and n.d.
Folder 2 M53159/6.
. Folder 1, MS4008, The Friends of Perfection Collections, 3 July 1969-4 Sep. 1969.
Folder 2 MS4008, issues of Kali flower.
Jules Feiffer Collection. Library of Congress, Washington DC.
Marty Weiser Special Collections, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"The Mirth of a Nation," 17 Sep. 1976. Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Lardner, Ring, Jr. Folders 21, 22, 25. Special Collections Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Lardner, Ring, Jr. Script. Special Collections, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
McCabe and Mrs. Miller. Script. Special Collections, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Publicity Folder for M*A*S*H. Core Collection, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
"Script #27 for Easy Rider." In Easy Rider File. Special Collections, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Personal Interviews
Folias, Vickie. Interview by author, Feb. 2001, Salt Lake City, UT.
Parker, Susan. Interview, Feb. 2001, Salt Lake City, UT.
Sotiriou, Margo. Interview by author, Feb. 2001, Salt Lake City, UT.
Yeo, Rob. Chair Department of Film, University of Wisconsin - Milwaukee. Telephone interview by author, 3 Dec. 2002.
Numbers in bold italics indicate pages with photographs.
The paint-wiping scene advances the plot and also reveals the film's form of revisionism. Paint has been smeared on Jack's face to disguise his origin. Washing it off allows him to cross back into white society where the narrative indicts everyone from preachers to snake oil salesman to icons of the Western. Cleansing Jack's color symbolically erases his identity and implies it is something on the surface, suggesting identity can be acquired, cleaned away, and determined by choice. This short scene exemplifies the belief circulating in the larger society that Americans are multicultural and diverse. At the time of the film's release, protest against the American past included questioning the assimilation process that forced ethnicity to recede from view in favor of the "American way." The aim was to supplant the "assimilated" persona with a "truer," more authentic model. The criticism over Hollywood's role in ignoring diverse
Elaine M Bapis, Camera And Action
