Camera And Action, page 45
29. Pauline Kael quoted in Biskind, Easy Riders, Raging Bulls, 281; ibid., 279.
30. Ibid., 424, 425.
31. "Demographics Favoring Film's Future," Variety (3 Oct. 1975): 3, 34.
32. Paul Lyons, New Left New Right and the Legacy of
the Sixties (Philadelphia: Temple University Press, 1996), 18.
33. David Farber, ed., The Sixties: From Memory to History (Chapel Hill and London: The University of North Carolina Press, 1994), 1.
34. "The Current Cinema: Good-Time Girls," The New Yorker (23 Sep. 2002): 99.
35. Ibid.
36. From an interview with D. W. Griffith by Richard Barry, New York Times Magazine (28 Mar. 1915): 16.
Historical Context
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Bailey, Beth. Sex in the Heartland. Cambridge and London: Harvard University Press, 1999.
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Brandy, Susan. "Kids Are Groovy, but Adults Are Not." The New York Times Student Weekly, 9 Sep. 1969, Special News Report Section II.
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American Left: 1945-1970. New York, Evanston, San Francisco, and London: Harper and Row, 1973.
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Lukas, Anthony J. Don't Shoot-We Are Your Children! New York: Random House, 1968.
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Morgan, Edward. The '60s Experience: Hard Lessons About America. Philadelphia: Temple University Press, 1991.
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"The Real Change Has Just Begun." Life 68.1 (9 Jan. 1970): 102-106.
Rehnquist, Justice William H. "Jenkins v. Georgia, Supreme Court of the United States" 418 U.S. 153 (24 June 1974).
Reich, Charles A. The Greening ofAmerica: How the Youth Revolution Is Trying to Make America Liveable. New York: Random House, 1970.
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. "The SummaApologica." New Politics 5 (Fall 1966): 257-269.
Rothman, Stanley, and S. Robert Lichter. Roots of Radicalism: Jews, Christians, and the New Left. New York and Oxford: Oxford University Press, 1982.
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Schuth, Wayne H. Mike Nichols. Boston: Twayne Publishers, 1978.
"The Search for Purpose: Among the Youth of America, a Fresh New Sense of Commitment." Life 62.17 (28 Apr. 1967): 66.
Smith, Stan. "Hippy Identity within Self." Daily Utah Chronicle, 2 Oct. 1947, 4.
Taber, Robert A. From Protest to Radicalism: An Appraisal of the Student Movement in the New Left: An Anthology. Boston: Beacon Press, 1966.
Thackeray, Lorna. "The Custer Connection: 'Amazing Disaster' Resonates Still, Especially in Big Horn County." Billings Gazette, 17 June 2001.
"This Was the Year That Kids Cooled It." Life 71.26 (31 Dec. 1971).
Tyler, Parker. Underground Film: A Critical History. New York: Grove, 1969.
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and , eds. The Times WereA Changin: The Sixties Reader. New York: Three Rivers Press, 1998.
Valenti, Jack. "The Movie Rating System: How It Began, Its Purpose, How It Works, The Public Reaction." New York and Washington DC: Motion Picture Association of America, n.d.
"We're Scared of Our Kids: A Journal of Readers' Poll." Ladies' Home journal 85.1 (Jan. 1968): n.p.
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Visual Media
"Coppola's Notebook." The Godfather: Bonus Material. Produced by Paramount Pictures, 2001. DVD, 2001.
Flashing on the Sixties: A Tribal Document. Produced by Lisa Law and Alton Walpole, directed by Lisa Law, 60 min. Flashback Productions, 1990. Videocassette, 1990.
Gimme Shelter: The Rolling Stones. Produced and directed by David Maysles, Albert Maysles, and Charlotte Zwerin, 91 minutes. A Maysles Films Inc. Production, 1970. Videocassette, 2000.
Medium Cool. Produced by Tully Friedman and Haskell Wexler, directed by Haskell Wexler, 111 min. Paramount Pictures, 1969. Videocassette, 1994.
Monterey Pop. Produced by Joe Adler and John Phillips, directed by D. A. Pennebaker, 98 min. Pennebaker, 1968. Videocassette, n.d.
Woodstock. Produced by Michael Richards, directed by Michael Wadleigh, 60 min. Virtue Films, 1970. Videocassette, 1995.
Woodstock. Produced by Bob Maurice, directed by Michael Wadleigh, 225 min. Warner Brothers, 1994. Videocassette, 1994.
Film Culture and Film Industry
"The After M*A*S*H of Robert Altman." Where It's At (Aug. 1971).
Alpert, Hollis. "The Falling Stars." Saturday Review (28 Dec. 1968): 15-17. . "Onward and Upward with the Institute." Saturday Review 50.25 (24 June 1967): 50.
"Something New in Movie Communication." Saturday Review (9 June 1962): 54-55.
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"The American Film Institute." Dialogue in Film 2.1, n.d.
"Art House Boom." Newsweek 59.11 (28 May 1962): 102.
Bachman, Gideon. "The American Federation." Film 17 (Sep.-Oct. 1958): 24.
"Change or Die." Film 20 (Mar.-Apr. 1961): 17.
Balio, Tino. United Artists: The Company That Changed the Film Industry. Madison: Wisconsin Press, 1987.
ed. The American Film Industry. Madison: University of Wisconsin Press, 1985.
Barry, Iris. "The Film Library and How It Grew." Film Quarterly 22.4 (Summer 1969): 19-27.
Bart, Peter. The Excitement Is All from Europe." The New York Times, 3 Apr. 1966.
"Europe's Successes Worry Hollywood." The New York Times, 20 Sep. 1965. . "Hollywood Scholars: College Groups Try for Improvement in Screen Teaching Techniques." New York Times, 2 Aug. 1964.
Barta, Tony, ed. Screening the Past: Film and the Representation ofHistory. Westport, CT, and London: Praeger, 1998.
Basinger, Jeanine. American Cinema: One Hundred Years of Film making. New York: Rizzoli International Publications, 1994.
Benon, Shelly. "Motion Pictures." Show (Mar. 1971), microfiche, Core Collection, Margaret Hertrick Academy of Motion Picture Arts and Sciences Library; Beverly Hills, CA.
Beresford, Bruce. "Decline of a Master: John Ford." Film 56 (Autumn 1969): 6.
Bergan, Ronald. Francis Ford Coppola: The Making of His Movies. New York: Thunder's Mouth Press, 1998. . The United Artists Story. New York: Crown Publishers, 1986.
Bernard, Weinraub. "Arthur Penn Takes on General Custer." The New York Times, 21 Dec. 1969.
Billingsley, K. L. The Seductive Image: A Christian Critique of the World of Film. Westchester, IL: Crossway Books, Good News Publishers, 1989.
Bingham, Dennis. Acting Male: Masculinities in the Films of fames Stewart, Jack Nicholson, and Clint Eastwood. New Brunswick: Rutgers University Press, 1994.
Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood. New York: Touchstone, 1998.
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and . Film as Film. Boston: Allyn and Bacon, 1971.
Braxton, Phyllis N. Letter to the Editor. Saturday Review 51.30 (27 July 1968): 19.
Breakwell, Ian, and Paul Hammond, eds. Seeing in the Dark: A Compendium of Cinemagoing. London: WBC Print (Bristol) Ltd., 1990.
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Browning, Norma Lee. "A Plum for Annie." Chicago Tribune, 9 July 1970.
Burgess, Jackson. "Student Film-Making." Film Quarterly 19.3 (Spring 1966): 29-33.
Buruma, Ian. "John Schlesinger." Preview (Dec/Jan 2006).
Buscombe, Edward, and Roberta E. Pearson, eds. Back in the Saddle Again: New Essays on the Western. London: British Film Institute, 1998.
Business Week (14 Mar. 1970): 29.
Byron, Stuart. "Rules of the Game." Village Voice 27.2 (6-12 Jan. 1982): 48.
Callenbach, Ernest. Sight and Sound 35 (Winter 1965): 12-17.
ed. "Editor's Notebook: American New Wave?" Film Quarterly 23.2 (Winter 1969-1970): 1-2.
Campbell, Elizabeth. "Rolling Stone Raps with Peter Fonda." In Easy Rider Original Screenplay, edited by Nancy Hardin and Margaret Schlossberg. New York: New American Library, 1969.
Canby, Vincent. "Critic's Choice: Ten Best Films of 1970." The New York Times, 27 Dec. 1970.
Carnes, Mark C., ed. Past Imperfect: History According to the Movies. New York: Henry Holt and Company, 1995.
Carton, Evan. "Vietnam and the Limits of Masculinity," American Literary History 3.2 (Summer 1991): 294-318.
Cashin, Fergus. "Beastly Men Give Ann Her Chance." The Sun (16 Sep. 1971). Box 33, no. 7. Jules Feiffer Collection, Library of Congress, Washington, D.C.
"Center for Advanced Film Studies Established in California." Filmmakers Newsletter 2.8 (June 1969): 4.
Chamberlin, Phillip. "Philip Chamberlin: The Big Picture." Film Society Review 1 (Dec. 1965): 28.
"What About Film Societies?" Journal of the Screen Producers Guild 11.5 (Sep. 1963): 35-38.
"The Chief." Newsweek, 25 Jan. 1971, p. 80.
Christgau, Robert. "Easy Rider's Soundtrack." In Easy Rider Original Screenplay by Peter Fonda, Dennis Hopper, and Terry Southern, edited by Nancy Hardin, 22-25. New York: Signet, New American Library, 1969.
