Camera And Action, page 46
Clark, Paul. "L. B. Press-Telegram," 10 Jan. 1993. Production folder, Margaret Herrick Academy of Motion Picture Arts and Sciences Library, Beverly Hills, CA.
Clarke, Shirley. "Teaching Filmmaking Creatively." Journal of the University Film Producers Association, A Quarterly 17.3 (1965): 6-14.
"Cannes Chief Raps Award to `M.A.S.H."' Daily News, 18 May 1970.
"The Code Is Dead." Motion Picture Herald, 6 July 1966.
Coe, Richard L. "Support for New Talent." Saturday Review 50 (28 Dec. 1968): 22-23.
Cohen, Larry. "The New Audience: From Andy Hardy to Arlo Guthrie." Saturday Review 52 (27 Dec. 1969): 11.
"Col's `Easy Rider' Takes Two Awards." Hollywood Reporter, 29 May 1969.
Cooper, Anderson, and Elvis Mitchell. "Live from the Headlines." 6 Aug. 2006. CNN interview transcript, http://transcripts.cnn.com/TRAN SCRIPTS/0308/06/se.04.html.
Cooper, Marcia. "Glib?" Letter to the Editor. The New York Times, 3 Oct. 1971.
Corman, Roger. "The Godfather." Sight and Sound 12.9 (Sep. 2002): 32.
Crist, Judith. "Joltin' Joe Never Had it So Good." New York Times, 21 Dec. 1970.
Crowther, Bosley. "Mike Nichols, Winner `Best Director,' N.Y. Film Critics Award, Graduating with Honors," The New York Times, 3 Jan. 1967.
"The Current Cinema: Good-Time Girls," The New Yorker, 23 Sep. 2002, p. 99.
Curtiss, Thomas Quinn. "M*A*S*H Wins Top Picture Award at Cannes Festival." International Herald Tribune, 18 May 1970.
"Damone Drops Role in `Godfather' Film." New York Times, 5 Apr. 1971.
Dauphin, Gary. "Plastic Fantastic." Village Voice 42.7 (18 Feb. 1997).
"Demographics Favoring Films Future." Variety (3 Oct. 1975): 3, 34.
Denby, David. "The Moviegoers." The New Yorker (6 Apr. 1998): 94-98.
Dent, Maggie. "A Film Society Takes Root in Chapel Hill." Film Comment (Summer 1962): 46.
Docksai, Ronald. "George S. Patton: A Magnificent Anachronism." New Guard 10.8 (Oct. 1970): 7-12.
Downing. "Music Hall: Still the No. 1 Hit." Business Week, 25 Dec. 1965, pp. 44-49.
Dreifus, Claudia. "Arlo Guthrie." Progressive 57.2 (Feb. 1993): 32-36.
Drexler, Roslyn. "Do Men Really Hate Women?" The New York Times, 5 Sep. 1971.
Dumazedier, Joffre. "The Cinema and Popular Culture." Diogenes (Fall 1960): 103-113.
Dworkin, Martin S. "Seeing for Ourselves: Notes on the Movie Art and Industry, Critics, and Audiences." The Journal ofAesthetic Education 3.3 (July 1969): 45-55.
Dyer, Richard. Heavenly Bodies: Film Stars and Society. New York: St. Martin's Press, 1986.
"`Easy Rider' Wins Award." Los Angeles Times, 29 Dec. 1969.
"`Easy' Rides Record for Columbia in This Area." Hollywood Reporter, 17 Sep. 1969.
Edgerton, Gary. "A Breed Apart': Hollywood, Racial Stereotyping, and the Promise of Revisionism in The Last of the Mohicans." Journal ofAmerican Culture 17.1 (Spring 1994).
Ehrman, Mark. "Bikers and Celebs Mean Just One Thing." Los Angeles Times, 18 July 1994.
Ellis, Jack C. "The Big Picture." Film Society Review 1 (Jan. 1966): 7.
"The Little Ivy-Covered Giant." The Journal of the Producers Guild ofAmerica 19 (Mar. 1967): 19.
Evers, Mrs. Medgar. "A Distinguished Negro Mother Asks: Why Should My Child Marry Yours?" Ladies'Home journal 84.4 (Apr. 1968): 80-81.
Faulkner, Christopher. "Teaching French National Cinema." Cinema Journal 38.4 (Summer 1999): 88-93.
Fells, George. "What Ever Became of the Common Scolds?" Look 3 (Nov. 1970): 90-93.
Ferretti, Fred. "Corporate Rift in `Godfather' Filming." New York Times, 23 Mar. 1971.
Fiering,Alvin. "Film at Boston University." Film Society Review 1 (Feb. 1966): 16.
"Film at the Boston University." Journal of the University Film Producers Association 13.4 (Summer 1961): 4.
"Film Editor: Dede Allen." Look 3 (Nov. 1970): «M"
"Film History for Exhibitors: A Winnowing of `Boxoffice's' Winnowing of 50 Years' Headlines." Films in Review 21 (Oct. 1970): 473-477.
Fischer, Edward. "Film Studies Are ComingReady or Not." Journal of University Film Producers Association 14.4 (1965): 16-18.
Flatley, Guy. "So Truffaut Decided to Work His Own Miracle." The New York Times, 27 Sep. 1970.
Fonda, Peter. "On the Road Still, Riding Solo, Free and Easy." The New York Times, 27 June 1998.
Forbes 167, no. 5 (Feb. 26, 2001): 97.
French, Warren, ed. Twayne's Theatrical Arts Series. Boston: Twayne Publishers, 1977.
Friedan, Betty. "Unmasking the Rage in the American Dream House." The New York Times, 31 Jan. 1971.
. "What Makes These Characters Desperate?" The New York Times, 19 Dec. 1971.
Friedman, Lester D. "Celluloid Palimpsets: An Overview of Ethnicity and the American Film." In Unspeakable Images: Ethnicity and the American Cinema, edited by Lester D. Friedman. Urbana and Chicago: University of Illinois Press, 1991.
Gardiner, Beth. "Fonda Raises Money with `Easy Rider' Bike Rally." Entertainment Today, 22 Oct. 1999.
Gaskin, Stephen. Amazing Dope Tales and Haight Street Flashbacks. Summertown, TN: The Book Publishing Company, 1980.
Gelatt, Roland. "Those Under-Thirties Again." Saturday Review 52.28 (12 July 1969): 20.
Geller, Robert, and Sam Kula. "Toward Filmic Literacy: The Role of the American Film Institute." Journal ofAesthetic Education 3.3 (July 1969) 99-100.
Gelmis, Joseph. The Film Director as Superstar. Garden City, NY: Doubleday, 1970.
. "Midnight Cowboy." Newsday, 26 May 1969. In Film Facts: A Publication of the American Film Institute, edited by Ernest Parmentier. Vol. XII, No. 8: 171.
Georgakas, Dan. "They Have Not Spoken: American Indians in Film." Film Quarterly 25.3 (Spring 1972): 26-32.
Gerstel, Judy. "Robert Altman a Misogynist? He Just Tells the Truth About Women." Knight Bidder/Tribune News Service, 11 Nov. 1993.
Gessner, Robert. "Bachelors of Pix Biz." Newsweek 25 (2 Apr. 1945): 86.
Glatzer, Richard, and John Raeburn, eds. Frank Capra: The Man and His Films. Ann Arbor: The University of Michigan Press, 1975.
Gold, Ronald. "Ex-LBJ Aide's Film Vision." Variety 243.2 (1 June 1966): 1, 52.
"Jack Valenti Seeks New Ways." Film Daily, 1967.
Gomery, Douglas. The Hollywood Studio System. New York: St. Martin's Press, 1986.
Movie History: A Survey. Belmont, CA: Wadsworth Publishing Company, 1991.
. Shared Pleasures: A History of Movie Presentation in the United States. London: British Film Institute, 1992.
Gordon, Stanley. "Voight: Fresh Eye on Hollywood." Look 3 (Nov. 1970): 78.
"`Graduate' Nearing $ Million Income." Hollywood Citizen-News, 6 July 1968.
"`Graduate' Rates A-4 from Catholics, Recent B's Include `Brain,' `Dark of Sun,' Ambushers' Condemn Swedish '491."' Variety 250.2 (Jan. 10, 1968).
Graves, Ralph. "Bridging Two Worlds." Life 67.2 (11 July 1969): 1.
"Dusty and the Duke." Life 67.2 (11 July 11 1969): 36-45.
Greenberg, Caren. "Carnal Knowledge: A Woman Is Missing." Diacritics 5 (Winter 1975): 57-60.
Griffith, D. W. "Interview with D.W. Griffith by Richard Barry." New York Times Magazine (28 Mar. 1915): 16.
Hamilton, Jack. "Where, Oh Where Are the Beautiful Girls?" Look 3 (Nov. 1970): 62-71.
Hardin, Nancy, and Marilyn Schlossberg, eds. Easy Rider Original Screenplay, by Peter Fonda, Dennis Hopper, and Terry Southern. New York: Signet, New American Library, 1969.
Harmnetz, Alijean. "The American Film Institute." Show 1.5 (20 Aug. 1970): 16.
. "Custodian for Cinema Culture." Show 1.5 (Aug. 1970): 16.
Harpuder, Eric. Letter to the Editor. The New York Times, 21 Jan. 1968.
Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies, 2nd ed. Chicago and London: The University of Chicago Press, 1973, 1987.
Hayden, Tom. Reunion: A Memoir. New York: Random House, Inc., 1988.
Herndon, William. Letter to the Editor. The New York Times, 21 Jan. 1968.
Hess, John. "Godfather II: A Deal Coppola Couldn't Refuse." Jump Cut, A Review of Contemporary Cinema 7 (May-July 1975): 1-11.
Hoberman, J. "Blazing Saddles." Village Voice (29 Nov. 2005). http://www.villagevoice.com/ film/0538,hoberman2,68001,20.html.
Hodgkinson, Anthony. "What Is a Film Society For?" Film Society Review (Apr. 1967): 24-29.
"Hollywood: The Year You Almost Couldn't Find It." Look 3 (Nov. 1970): editor's page.
"How College Girls Really Are." Life 59.25 (17 Dec. 1965): 66B.
Hutton, Paul A. "The Celluloid Custer." Red River Valley Historical Review 4.4 (Fall 1979): 20-42.
From Little Bighorn to Little Big Man: The Changing Image of a Western Hero in Popular Culture." The Western Historical Quarterly 7.1 (Jan. 1976): 19-45.
"Italian Descenters Hit `Graduate' `Slur."' Film and TV Daily, 16 May 1968.
Jacobs, Diane. Hollywood Renaissance. London, Brunswick, and New York: A. S. Barnes and Co., 1977.
James, David E. Allegories of Cinema: American Film in the Sixties. Princeton: Princeton University Press, 1989.
Javits, Senator Jacob K. "Politics or Pix - You Gotta Make Your Audiences Believe." Variety 252.13 (13 Nov. 1968): 31, 157.
Jelinek, Pauline. "Army Closes MASH." The Outlook, 12 June 1997, World Section.
Johnson, Robert K. "Francis Ford Coppola." In Twayne's TheatricalArts Series, edited by Warren French. Boston: Twayne Publishers, 1977.
Jewett, Garth. Film, The Democratic Art: A Social History of American Film. Boston: Little, Brown, 1976.
Joy, Daniel F. "Editor's note." New Guard 10.8 (Oct. 1970): 3.
Kael, Pauline. Going Steady: Film Writings 1968-1969. New York and London: Marion Boyers, 1968, 1969, 1970, 1994.
Kantor, Bernard R. "Film Study in Colleges." The Journal of the Producers Guild of America 19 (Mar. 1967): 3-5, 8.
Kasdan, Margo, and Susan Tavernetti. "Native Americans in a Revisionist Western: Little Big Man." In Hollywood's Indian: The Portrayal of the Native American, edited by Peter Rollins and John E. O'Conner. Lexington: University Press of Kentucky, 2003.
Kauffmann, Stanley. "Stanley Kauffmann on Films: Midnight Cowboy." New Republic, 23 Dec. 1967, pp. 20-33.
Kelly, Karin, and Tom Edgar. Film School Confidential: The Insider's Guide to Film Schools. New York: The Berkeley Publishing Group, 1997.
Kilday, Gregg. "`Knowledge' Obscenity Ruling to Be Appealed." Los Angeles Times, 3 Aug.1973.
Kilpatrick, Jacquelyn. Celluloid Indians. Lincoln: University of Nebraska Press, 1999.
King, Vance. The Film Daily Yearbook ofMotion Pictures 53 (1969): 90.
"The King of Intermissions." Time Magazine, 9 July 1965, pp. 93-94.
Klemesrud, Judy. "Feminist Goal: Better Image at the Movies." The New York Times, 13 Oct. 1974.
Knebel, Fletcher. "Hollywood: Broke - and Getting Richer." Look 3 (Nov. 1970): 50-52.
Knight, Arthur. "Adult Film Group in Quest to Gain Respect." LosAngeles Times, 17 Feb. 1974. "Engaging the Eye-Minded." Saturday Review 51 (28 Dec. 1968): 17-22.
Koch, Stephen. "Fiction and Film: A Search for New Sources." Saturday Review 52 (27 Dec 1969): 12-14, 38.
Kosnett, Jeff. "Easy Rider It's Not." Kiplinger Personal Finance Magazine 46.9 (Sep. 1992): 13.
Kovaks, Steven. "Misplaced Concern." Letter to the Editor. The New York Times, 3 Oct. 1971.
Laurent, Tirard. Moviemakers'Master Class: Private Lessons from the World's Foremost Directors. New York and London: Faber and Faber, 2002.
Lebo, Harlan. The Godfather Legacy: The Untold Story of the Making of the Classic Godfather Trilogy Featuring Never-Before Published Production Stills. New York: Simon and Schuster, 1997.
Leglise, Paul. "The Hidden Face of the Cinema, Pt. III: An Audience of 12,000,000,000." UNESCO Courier (Feb. 1963): 26-27.
Lehman, Peter, ed. Masculinity: Bodies, Movies, Culture. New York and London: Routledge, 2001.
Lenburg, Jeff. Dustin Hoffman: Hollywood's AntiHero. New York: St. Martin's Press, 1983.
Loo, Darrell. "Student Film Making Hits University." Daily Utah Chronicle, 27 Sep. 1968.
Levy, Emanuel. AllAbout Oscar: The History and Politics of the Academy Awards. New York and London: Continuum International Publishing Group, Inc., 2003.
Lonsfoote, Sandra A. "Making Out `The Graduate."' Letter to the Editor. Saturday Review 51.30 (27 July 1968): 19.
Lichtenstein, Grace. "`Godfather' Film Won't Mention Mafia." The New York Times, 28 Mar. 1971.
Limbacher, James. "Film Societies Reply to Exhib Fears: 16-Millimeter Shows Divert No Biz." Variety 237.7 (8 Jan. 1965): 51.
. "Forever Faithful Film Fans." Variety 233.7 (8 Jan. 1964): 15, 52.
Linklater, Kristin. "Demeaning." Letter to the Editor. The New York Times, 14 Nov. 1971.
Lithgow, James. "Filmmakers' Distribution Center." Film makers'Newsletter 2.6 (Apr. 1969): 10.
Livingston, Guy. "Levine Tells His Home Burg `Graduate' Hits $44,000,000, Might Reach $120 Mil." Variety (W), 24 July 1968.
Loo, Darrell. "Student Filmmaking Hits University." The Daily Utah Chronicle, 27 Sept. 1968.
Lynch, Dennis F. Clozentropy: A Technique for Study- ingAudience Response to Films. New York: Arno Press, 1978.
Lynes, Russell. "After Hours: Flicks for the Fastidious." Harper's Magazine (June 1968): 24.
Macklin, Anthony F. "Benjamin Will Survive...." Film Heritage 4.1 (Fall 1968): 1-6.
Maddox, Kate. "From `Easy Rider' to Breezy Pitcher," tele.com 6.5 (5 Mar. 2001): 18.
"The Making of the Godfather." Time Magazine (13 Mar. 1972): 62.
Maltby, Richard. Harmless Entertainment: Hollywood and the Ideology of Consensus. Metuchen and London: The Scarecrow Press, Inc., 1983.
Manoogian, Haig P. "New Spirit in Young Film makers." The journal of the Producers Guild of America 9.1 (1967): 23.
Martin, Paul E. ""Happier Now." Letter to the Editor. The New York Times, 23 Nov. 1969.
Mastoianni, Tony. "Sensationalism Obscures Point of `Carnal Knowledge,"' Cleveland Press, 3 July 1971.
Matthews, Linda. "Court May Refine Ruling on Obscenity." Los Angeles Times, 11 Dec. 1973.
Mayer, Arthur. "Motion Picture Courses in American Universities: A Report by an Old Instructor." The Journal of the Producers Guild of America 19 (Mar. 1967): 25-27.
Mayer, Michael. Foreign Films on American Screens. New York: Arco, 1965.
McBride, Joseph. Filmmakers on Filmmaking: The American Film Institute Seminars on Motion Pictures and Television. Los Angeles: J. P. Tarcher, Inc., and Boston: Houghton Mifflin Co., 1983.
Merrill, Robert. "Altman's McCabe and Mrs. Miller as a Classic Western." The New Orleans Review (1990): 79-86.
Meyers, Christene. "Western Movies Turn 100: Montana Takes Star Turn in Film." Billings Gazette, 21 Sep. 2003.
Minkow, David L. "Fighting It." Letter to the Editor. The New York Times, 5 Dec. 1971.
Mintz, Steven, and Randy Roberts. Hollywood's America: United States History Through Its Films. St. James, NY: Brandywine Press, 1993.
Mitchell, Lee Clarke. Westerns: Making the Man in Fiction and Film. Chicago and London: The University of Chicago Press, 1996.
Mitchell, Rick. "After `Midnight."' Letter to the Editor. Los Angeles Times, 6 Mar. 1994.
"Modern Movies: No Kids, No Popcorn." World Journal Tribune (17 Oct. 1966): 13.
Mothner, Ira. "Now Faces." Look 3 (Nov. 1970): 73-77.
"Movie Theaters Stage Comeback." The New York Times, 5 July 1964, Part III.
Mulvey, Laura. Visual and Other Pleasures. Bloomington and Indianapolis: Indiana University Press, 1989.
Neale, Steve, and Murray Smith, eds. Contemporary Hollywood Cinema. London and New York: Routledge, 1998.
"Newsweek Extra: The 100 Best Movies." Newsweek, Summer 1998.
Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
"Not so Sad Sack." Time Magazine (27 July 1962): 65.
"The Now Movie: SR's Annual Report on the Cinema." Saturday Review 50 (28 Dec. 1968), full issue.
Obst, David. Too Good to Be Forgotten: Changing America in the '60s and 70s. New York, Chichester, Weinheim, Brisbrane, Singapore, and Toronto: John Wiley and Sons, Inc., 1998.
"On Wednesday," Variety 191 (8 Apr. 1964): 5.
Ortega Murphy, Brent, and Jeffery Scott Harder. "1960s Counterculture and the Legacy of American Myth: A Study of Three Films." Canadian Review of American Studies 23.2 (Winter 1993): 57.
Osborn, Robert. Seventy Years ofthe Oscar: The Official History of the Academy Awards. New York, London, and Paris: Abbeville Press, 1999.
"Paramount Repudiates Italo-Am Group vs. 'Godfather."' Variety 62.6 (24 Mar. 1971): 1, 21.
Parker, David L. "Projection Room-A University Film Series." journal ofthe University Film Producers Association 19.1 (1967): 26-29.
Parker, Melody. "Korean War Vets Lend Authenticity to `M*A*S*H' Production." Waterloo Courier, 29 Sep. 2006.
Peary, Danny, ed. Close-ups. New York: Workman Publishing, 1978.
Pease, Jude. Letter to the Editor. The New York Times, 3 Oct. 1971.
"Peggy Rusk: First Pictures of Her Interracial Marriage." Ladies'Home journal 84.4 (Apr. 1968): 80-81.
Penn, Stanley. "Focusing on Youth: A New Breed of Movie Attracts the Young, Shakes Up Hollywood." The Wall Street Journal, 4 Nov. 1969.
"Peter Fonda." Biography 4.7 (July 2000): 22.
Phillips, Gene. "John Schlesinger: Social Realist." Film Comment 5.4 (Winter 1969): 58-63.
Pintoff, Ernest. The Complete Guide to American Film Schools and Cinema and Television Courses. New York: Penguin Group, 1994.
Pontecorvo, Lis. "The Raw Material: Film Resources." In The Historian and Film, edited by Paul Smith. Cambridge, London, New York, and Melbourne: Cambridge University Press, 1976.
Powell, Dilys. "War Games." The London Times, 24 May 1970.
Price, John A. "The Stereotyping of North American Indians in Motion Pictures," Ethnohistory 20.2 (Spring 1973): 153-171.
Prince, Stephen, ed. Sam Peckinpah's The Wild Bunch. Cambridge: Cambridge University Press, 1999.
Program Notes. Cinema Texas 22.1 (25 Jan. 1982).
