The Sketch Book of Geoffrey Crayon, Gent. THE VOYAGE. Ships, ships, I will descrie you Amidst the main, I will come and try you, What you are protecting, And projecting, What’s your end and aim. One goes abroad for merchandise and trading, Another stays to keep his country from invading, A third is coming home with rich and wealthy lading. Hallo! my fancie, whither wilt thou go? OLD POEM. To an American visiting Europe, the long voyage he has to make is an excellent preparative. The temporary absence of worldly scenes and employments produces a state of mind peculiarly fitted to receive new and vivid impressions. The vast space of waters that separate the hemispheres is like a blank page in existence. There is no gradual transition by which, as in Europe, the features and population of one country blend almost imperceptibly with those of another. From the moment you lose sight of the land you have left, all is vacancy, until you step on the opposite shore, and are launched at once into the bustle and novelties of another world. In travelling by land there is a continuity of scene, and a connected succession of persons and incidents, that carry on the story of life, and lessen the effect of absence and separation. We drag, it is true, “a lengthening chain” at each remove of our pilgrimage; but the chain is unbroken; we can trace it back link by link; and we feel that the last still grapples us to home. But a wide sea voyage severs us at once. It makes us conscious of being cast loose from the secure anchorage of settled life, and sent adrift upon a doubtful world. It interposes a gulf, not merely imaginary, but real, between us and our homes—a gulf, subject to tempest, and fear, and uncertainty, rendering distance palpable, and return precarious. Such, at least, was the case with myself. As I saw the last blue lines of my native land fade away like a cloud in the horizon, it seemed as if I had closed one volume of the world and its concerns, and had time for meditation, before I opened another. That land, too, now vanishing from my view, which contained all most dear to me in life; what vicissitudes might ...

Washington Irving’s short story of a New England schoolteacher and his chilling encounter with the Headless Horseman is one of the United States’ most celebrated literary works. The following version is a complete edition of the classic tale, including its original spelling and formatting. It is intended to be a free ebook version of Washington Irving’s haunting masterpiece.Washington Irving’s short story of a New England schoolteacher and his chilling encounter with the Headless Horseman is one of the United States’ most celebrated literary works. A classic for Halloween and campfires, the story has been adapted multiple times for stage and screen since its publication in 1820. The following version is a complete edition of the classic tale, including its original spelling and formatting. It is intended to be a free ebook version of Washington Irving’s haunting masterpiece. As a bonus, it contains an exclusive excerpt from "A Soul to Steal," The Sanheim Chronicles, Book One, which features the Headless Horseman in an entirely new mythology.

"The Legend of Sleepy Hollow" is a short story by American author Washington Irving, contained in his collection of 34 essays and short stories entitled The Sketch Book of Geoffrey Crayon, Gent. Written while Irving was living abroad in Birmingham, England, "The Legend of Sleepy Hollow" was first published in 1820. Along with Irving\'s companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction with enduring popularity.

For the bicentennial of its original publication—the first full-length book from the father of the American short storyIn 1809, New Yorkers were buzzing about a series of classified ads concerning the whereabouts of Dutch historian Diedrich Knickerbocker. They were unaware that Washington Irving had invented the man entirely and placed the ads himself. Knickerbocker's purported manuscript, A History of New York, was Irving's own. Told from Knickerbocker's point of view, A History of New York is a chronicle of New York's fifty years under Dutch rule in the 1600s that plays fast and loose with the facts, to uproarious effect. Irving's good-humored spoofing had staying power, and his satire provided the city with its first self-portrait. A History of New York propelled Irving to the heights of literary stardom and even made a little history of its own: New Yorkers are called Knickerbockers to this day.

When Washington Irving first published this collection of essays, sketches, and tales—originally entitled The Sketch Book of Geoffrey Crayon, Gent.—readers greeted it with enthusiasm, and Irving emerged as America's first successful professional author. "The Legend of Sleepy Hollow" and "Rip Van Winkle," two of America's most recognizable and loved works of fiction, display Irving's ability to depict American landscapes and culture so vividly that readers feel themselves a part of them. And it is on the basis of these two classic tales that Irving is generally credited with inventing the short story as a distinct literary genre. This volume also contains gently ironic pieces about life in England that reflect the author's interest in the traditions of the Old World and his longings for his home in the New.

'I'm not myself - I'm somebody else - that's me yonder - no - that's somebody else got into my shoes...I can't tell what's my name, or who I am!'Touching and comic short stories from the 19th century American master of the genre.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.