A four-volume “postmodern sword-and-sorcery” epic from a multiple Hugo and Nebula Award–winning author (The Washington Post Book World). Tales of Nevèrÿon: After his parents are killed during a political coup, Gorgik is taken into captivity and forced to work the government obsidian mines in Nevèrÿon’s Faltha Mountains. Years later, he is sold to serve one of the royal families, and eventually the army. When he is finally free, he leads a rebellion against Nevèrÿon’s rulers to end the tyranny of slavery. Neveryóna: Or, The Tale of Signs and Cities: One of the few in Nevèrÿon who can read and write, Pryn escapes her village on the back of a dragon. On her journey across the civil war–torn land, Pryn has a fateful encounter with Gorgik the Liberator, whom she finds herself fighting beside in his war against slavery. Flight from Nevèrÿon: A smuggler, witness, and worshipper of Gorgik the Liberator follows his idol’s bloody trail on a quest to meet him. But a disease has ravaged Nevèrÿon. Men, rich and poor, are dying. The illness seems to have first come from the Bridge of Lost Desire, a hangout for male and female prostitutes, and is spreading fast. With no hope of recovery or cure, it will change Nevèrÿon’s sexual and political landscape forever. Return to Nevèrÿon: Slavery is outlawed and the land is finally free. At a deserted castle in the countryside, as Gorgik the Liberator regales a young barbarian about his deeds, he prepares to return to the mines where his own slavery began for one final battle.

Classic 1960\'s Science Fiction from an established master! "He was some place he had never been before. He did not know how he had gotten there. He did not know how to get back. And the close horizon, the double shadows ... now he realized that this was not Earth of the Thirty-fifth Century. "But the City.... It was on earth, and he was on earth, and he was—had been—in it. Again the negations: the City was not on a desert, nor could its dead, deserted towers cast double shadows, nor was the transit ribbon broken. "The transit ribbon! "No! "It couldn\'t be broken. He almost screamed. Don\'t let it be broken, please...."

"Reading is a many-layered process — like writing," observes Samuel R. Delany, a Nebula and Hugo award-winning author and a major commentator on American literature and culture. In this collection of six extended essays, Delany challenges what he calls "the hard-edged boundaries of meaning" by going beyond the customary limits of the genre in which he's writing. By radically reworking the essay form, Delany can explore and express the many layers of his thinking about the nature of art, the workings of language, and the injustices and ironies of social, political, and sexual marginalization. Thus Delany connects, in sometimes unexpected ways, topics as diverse as the origins of modern theater, the context of lesbian and gay scholarship, the theories of cyborgs, how metaphors mean, and the narrative structures in the Star Wars trilogy. "Over the course of his career," Kenneth James writes in his extensive introduction, "Delany has again and again thrown into question the world-models that all too many of us unknowingly live by." Indeed, Delany challenges an impressive list of world-models here, including High and Low Art, sanity and madness, mathematical logic and the mechanics of mythmaking, the distribution of wealth in our society, and the limitations of our sexual vocabulary. Also included are two essays that illustrate Delany's unique chrestomathic technique, the grouping of textual fragments whose associative interrelationships a reader must actively trace to read them as a resonant argument. Whether writing about Wagner or Hart Crane, Foucault or Robert Mapplethorpe, Delany combines a fierce and often piercing vision with a powerful honesty that beckons us to share in the perspective of these Longer Views.

Appearing in book form for the first time, The Atheist in the Attic is a suspenseful and vivid historical narrative, recreating the top-secret meeting between the mathematical genius Leibniz and the philosopher Spinoza caught between the horrors of the cannibalistic Dutch Rampjaar and the brilliant “big bang” of the Enlightenment. Also Delany’s “Racism and Science Fiction” combines scholarly research and personal experience in the unique true story of the first major African-American author in the genre. This collection features a bibliography, an author biography, and the candid and uncompromising Outspoken Interview.

A mysterious disaster has stricken the midwestern American city of Bellona, and its aftereffects are disturbing: a city block burns down and is intact a week later; clouds cover the sky for weeks, then part to reveal two moons; a week passes for one person when only a day passes for another. The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized. Dhalgren is many things, but instantly accessible isn't one of them. While most of this big, ambitious, deeply detailed novel is beautifully pellucid, the opening pages will be difficult for some: the novel starts with the second half of an incomplete sentence, in the viewpoint of a man who doesn't know who he is. If you find the early pages rough going, push on; the story soon becomes clear and fascinating. But - fair warning - the central nature of the disaster, of its strange devastations and disruptions, remains a puzzle for many readers, sometimes after several readings.

In the far future, after human civilization has spread through the galaxy, communications begin to arrive in an apparently alien language. They appear to threaten invasion, but in order to counter the threat, the messages must first be understood.

These are [at least some of] the ways you can read NOVA: as a fast-action farflung interstellar adventure; as archetypal mystical/mythical allegory (in which the Tarot and the Grail both figure prominently); as modern myth told in the S-F idiom... the reader observes, recollects, or participates in a range of personal experience including violent pain and disfigurement, sensory deprivation and overload, man-machine communion, the drug experience, the creative experience - and inter-personal relationships which include incest and assassination, father-son, leader-follower, human-pet, and lots more! The balance of galactic power in the 31st century revolves around Illyrion, the most precious energy source in the universe. The varied and exotic crew who sign up with Captain Lorq van Ray know their mission is dangerous, and they soon learn that they are involved in a deadly race with the charismatic but vicious leader of an opposing space federation. But they have no idea of Lorq's secret obsession: to gather Illyrion at the source by flying through the very heart of an imploding star.

Stars in My Pocket Like Grains of Sand is a science fiction masterpiece, an essay on the inexplicability of sexual attractiveness, and an examination of interstellar politics among far-flung worlds. First published in 1984, the novel's central issues--technology, globalization, gender, sexuality, and multiculturalism--have only become more pressing with the passage of time. The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is--you!

As this novel begins, the peaceful village of Çiron faces conquest and domination by the army of Myetra, as led by a cruel prince. The Myetrans subdue Çiron, killing many and enslaving the rest. But Rahm escapes—and then befriends one of the fearsome Winged Ones, humanoids with batlike wings. Meanwhile, led by the young village garbage collector and an itinerant singer, the Çironians resist where they can, as the Myetran lieutenant Kire struggles with his conscience and tries to ease the Çironians' burden. They Fly at Çiron—appearing here in its first paperback publication—offers "vintage Delany in his finest fantasy mode" (Ursula K. Le Guin).

The Tides of Lust is a powerful, erotic and violent encounter with the voices and experiences of characters who linger in a small American seaport. Here is an insatiable African-American ship's captain, a dangerously young slave mistress, an aimless drifter and a supreme artist of the perverse. Written by acclaimed and award-winning author Samuel R. Delany, The Tides of Lust, first published in 1973, is a wild ride along the oceans of unleashed sexuality at its most exuberant. A true modern classic.

"A very moving, intensely fascinating literary biography from an extraordinary writer. Thoroughly admirable candor and luminous stylistic precision; the artist as a young man and a memorable picture of an age." -William Gibson "Absolutely central to any consideration of black manhood. . . . Delany's vision of the necessity for total social and political transformation is revolutionary." -Hazel Carby "The prose of The Motion of Light in Water often has the shimmering beauty of the title itself. . . . This book is invaluable gay history." -Inches Magazine Born in New York City's black ghetto Harlem at the start of World War II, Samuel R. Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city's new bohemian quarter, the Lower East Side, in summer 1961. Through the decade's opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters. Winner of the 1989 Hugo Award for Non-fiction Samuel R. Delany is the author of numerous science fiction books including Dhalgren, other fiction including The Mad Man, as well as the best-selling nonfiction study Times Square Red, Times Square Blue. He lives in New York City and teaches at Temple University. The Lambda Book Report chose Delany as one of the fifty most significant men and women of the past hundred years to change our concept of gayness, and he is a recipient of the William Whitehead Memorial Award for a lifetime's contribution to lesbian and gay literature. This ebook features an illustrated biography of Samuel R. Delany including rare images from his early career.

The surface story tells of the problems a member of an alien race, Lo Lobey, has assimilating the mythology of earth, where his kind have settled among the leftover artifacts of humanity. The deeper tale concerns, however, the way those who are 'different' must deal with the dominant cultural ideology. The tale follows Lobey's mythic quest for his lost love, Friza. In luminous and hallucinated language, it explores what new myths might emerge from the detritus of the human world as those who are 'different' try to seize history and the day.

A, B, C: Three Short Novels contains the first three novels of Samuel R. Delany’s long and illustrious career.   The Jewels of Aptor is a science-fantasy story about a seafaring quest that sets out to find powerful magic jewels on a mystical, forbidden island where unimaginable danger lies. The Ballad of Beta-2 is about a future academic searching for the true story behind an interstellar voyage, a journey over multiple generations that ended in tragedy. They Fly at Çiron is a fantasy about the clash between a marauding army and a peaceful village at the foot of a mountain from which a race of winged people oversees both sides. Presenting these three novels in this omnibus volume for the first time, along with a new foreword and afterword by the author, A, B, C showcases Delany’s masterful storytelling ability and deep devotion to his craft.

From the Hugo and Nebula–winning author, three literary tales trace the intricate interdependencies of memory, experience, and the self. Wesleyan University Press has made a significant commitment to the publication of the work of Samuel R. Delany, including this recent fiction, now available in paperback. The three long stories collected in Atlantis: three tales—"Atlantis: Model 1924," "Erik, Gwen, and D. H. Lawrences Aesthetic of Unrectified Feeling," and "Citre et Trans" —explore problems of memory, history, and transgression. Winner of both the Hugo and Nebula awards, and Guest of Honor at the 1995 World Science Fiction Convention in Glasgow, Delany was won a broad audience among fans of postmodern fiction with his theoretically sophisticated science fiction and fantasy. The stories of Atlantis: Three Tales are not science fiction, yet Locus, the trade publication of the science fiction field, notes that the title story...

Five inter-connected stories set in a mythical past focus on the experiences of the slave Gorgik and deal with aspects of the beginning of civilization. Contents: "The Tale of Gorgik" "The Tale of Old Venn" "The Tale of Small Sarg" "The Tale of Potters and Dragons" "The Tale of Dragons and Dreamers."