A collection of twenty-eight brilliant and strange stories, inspired by Japanese folk tales and written by renowned Western expatriate Lafcadio HearnLafcadio Hearn (1850–1904) was one of the nineteenth century's best-known writers, his name celebrated alongside those of Mark Twain and Robert Louis Stevenson. Born in Greece and raised in Ireland, Hearn was a true prodigy and world traveler. He worked as a reporter in Cincinnati, New Orleans, and the West Indies before heading to Japan in 1890 on a commission from Harper's. There, he married a Japanese woman from a samurai family, changed his name to Koizumi Yakumo, and became a Japanese subject. An avid collector of traditional Japanese tales, legends, and myths, Hearn taught literature and wrote his own tales for both Japanese and Western audiences. Japanese Tales of Lafcadio Hearn brings together twenty-eight of Hearn's strangest and most entertaining stories in one elegant volume.Hearn's...

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library

This collection of Japanese supernatural stories is a classic work in the field of Japanese horror.Known primarily as an early interpreter of Japanese culture and customs, the famous writer Lafcadio Hearn also wrote ghost stories—"delicate, transparent, ghostly sketches"—about his adopted land. Many of the stories found in Kwaidan, "stories and studies of strange things," are based on Japanese tales of long ago told to him by his wife; others possibly have a Chinese origin. All have been re-colored and reshaped by Hearn's inimitable hand.Some critics attribute Hearn's fascination with eerie tales to his partial blindness. Whatever its roots, he was clearly drawn to the hidden realms of the spirit world and to strange facts and marvels. In this collection of unforgettably haunting stories, Hearn brings together "the meeting of three ways"—the austere dreams of India, the subtle beauty of Japan and the relentless science of the Western...

Lafcadio Hearn was one of the most extraordinary figures in America literature, a journalist and novelist who became, later in life, a major literary icon in his adopted nation of japan. Some Chinese Ghosts (1887), a stylized retelling of ancient legends, was one of his earliest books, a foreshadowing of his later fascination with Asian themes. This collection of six stories reveals his deep fascination with the "weird beauty" of Chinese folk-tales. Because he himself knew little of the Chinese language, Hearn relied on European Sinologists to help him create his own versions and understand the historical and linguistic allusions. "To such great explorers," he acknowledged in a preface, "the realm of Cathayan story belongs by right of discovery and conquest; yet the humbler traveller who follows wonderingly after them into the vast and mysterious pleasure-grounds of Chinese fancy may surely be permitted to cull a few of the marvellous flowers there growing."

Mr. Hearn has written many books about Japan he is saturated with the essence of its beauty and in this book the light and colour and movement of that land drips from his pen in every delicately conceived and finely written sentence.

A Japanese magic-lantern show is essentially dramatic. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. Wherefore it is peculiarly well suited to goblinries and weirdnessess of all kinds; and plays in which ghosts figure are the favourite subject. -from "Of Ghosts and Goblins" In 1889, Westerner Lafcadio Hearn arrived in Japan on a journalistic assignment, and he fell so in love with the nation and its people that he never left. In 1894, just as Japan was truly opening to the West and global interest in Japanese culture was burgeoning, Hearn published this delightful series of essays glorifying what he called the "rare charm of Japanese life." Beautifully written and a joy to read, Hearn's love letters to the land of the rising sun enchant with their sweetly lyrical descriptions of winter street fairs, puppet theaters, religious statuaries, even the Japanese smile and its particular allure. A wonderful journal of immersion on a foreign land, this will bewitch Japanophiles and travelers to the East. Also available from Cosimo Classics: Hearn's Kokoro: Hints and Echoes of Japanese Inner Life. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Japan: An Attempt at Interpretation (1904).

Talking tea kettles, a monstrous goblin-spider, miniature warriors, and other fanciful creatures abound in exotic tales brimming with warmth and whimsy. Eleven excellently translated fables include "The Fountain of Youth," "The Old Woman Who Lost Her Dumplings," "The Wooden Bowl," "My Lord Bag-o'-Rice," and more. 21 original illustrations by Yuko Green.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Chinese Ghost Stories is selection of the most entertaining traditional Chinese tales of the strange and fantastic. The perfect companion for readers seeking insights into the traditional Chinese world of ghosts, goblins and demons as well as anyone who just wants to feel a chill run down their spine on a dark, lonely night.

A menagerie of observation, philosophy, musing, and storytelling, Shadowings is quirky and charming, not unlike its author, transplanted Westerner Lafcadio Hearn. In this work, Hearn takes us from an ancient Japanese legend of love and spirits to an intimate contemplation on fear to a philosophical study of feminine Japanese names. Applying both his keen aesthetic eye and his uncanny ability to translate feelings as well as words, Hearn awakens the intellect and spirit, and offering us a prime view not only into his beloved adopted country, but into humanity itself.Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidon (1904).

Journalist-by-trade Lafcadio Hearn used his wanderer's eye and guileless, graceful style to provide elegant chronicles for an English-speaking world fascinated by the exotic sensibilities of Japan. He set himself apart from others who attempted to translate the life and culture of this island country through his ability to reveal the truth of his subjects artfully-flawlessly exemplifying the Japanese aesthetic through his voice, as well as through his tale. In Kotto, first published in 1902, Hearn placed classical fables next to his own discoveries (of a woman's diary, for example) and reflections on the timeless themes of life, death, and meaning, showcasing the simple beauty and ever-present spirituality that define the Japanese ideology.Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidan (1904).