Collected Works of Frances Trollope, page 514
His manner was simple and affectionate; his language strong, yet not intemperate; but he decidedly appealed more to the hearts of his hearers than to their understandings; and it was their hearts that answered him, for many of them wept plenteously.
A great number of priests were present at this sermon, who were all dressed in their full clerical habits, and sat in places reserved for them immediately in front of the pulpit: they were consequently very near us, and we had abundant opportunity to remark the traces of that march of mind which is doing so many wondrous works upon earth.
Instead of the tonsure which we have been used to see, certainly with some feeling of reverence — for it was often shorn into the very centre of crisped locks, while their raven black or shining chesnut still spoke of youth that scrupled not to sacrifice its comeliness to a feeling of religious devotion; — instead of this, we now saw unshaven crowns, and more than one pair of flourishing favoris, nourished, trained, and trimmed evidently with the nicest care, though a stiff three-cornered cowl in every instance hung behind the rich and waving honours of the youthful head.
The effect of this strange mixture is very singular. But notwithstanding this bold abandonment of priestly costume among the junior clergy, there were in the long double row of anointed heads which faced the pulpit some exceedingly fine studies for an artist; and wherever the offending Adam was subdued by years, nothing could be in better keeping than the countenances, and the sacred garb of those to whom they belonged. Similar causes will, I suppose, at all times produce similar effects; and it is therefore that among the twenty priests at St. Roch in 1835, I seemed to recognise the originals of many a holy head with which the painters of Italy, Spain, and Flanders have made me familiar.
The contrast furnished by the deep-set eyes, and the fine severe expression of some of these consecrated brows, to the light, airy elegance of the pretty women around them, was sufficiently striking; and, together with the mellow light of the shaded windows, and the lofty spaciousness of the noble church, formed a spectacle highly picturesque and impressive.
After the sermon was over, and while the gaily-habited congregation fluttered away through the different doors like so many butterflies hastening to meet returning sunshine, we amused ourselves by wandering round the church. It is magnificently large for a parish church; but, excepting in some of the little chapels, we found not much to admire.
That very unrighteous old churchman, the Abbé Dubois, has a fine monument there, restored from Les Petits Augustins; and a sort of marble medallion, bearing the head of the immortal Corneille — immortal despite M. Victor Hugo — is also restored, and placed against one of the heavy columns of, I think, the centre aisle. But we paused longest in a little chapel behind the altar — not the middle one, with its well-managed glory of crimson light, though that is very beautiful; but in the one to the right of it, which contains a sculptured Calvary. It is, I believe, only one of les stations, of which twelve are to be found in different parts of the church; but it has a charm — seen as we saw it, with a strong effect of accidental light, bringing forward the delicate figure of the adoring Magdalene, and leaving the Saviour in the dark shadow and repose of death — that sets at defiance all the connoisseurship of art, and taking from you all faculty to judge, leaves only the power to feel. Under these circumstances, whether quite delusive or not I hardly know, this group appeared to us one of exceeding beauty.
The high altar of St. Roch, and the extremity of the carpeted space enclosed round it, is most lavishly, beautifully, and fragrantly adorned with flowers of the choicest kind, all flourishing in the fullest bloom in boxes and vases. It is the only instance I remember in which the perfume of this most fair and holy decoration actually pervaded the church. They certainly offer the sweetest incense that can be found to breathe its grateful life and spirit out on any altar; and were it not for the graceful swinging of the censers, which very particularly pleases my eye, I would recommend to the Roman Catholic church henceforth an economy of their precious gums, and advise them to offer the incense of flowers in their stead.
Before we left the church, about a hundred and fifty boys and girls, from ten to fourteen years of age, assembled to be catechised by a young priest, who received them behind the Lady Chapel. His manner was familiar, caressing and kind, and his waving hair fell about his ears like the picture of a young St. John.
LETTER IX.
Literature of the Revolutionary School. — Its low estimation in France.
Among many proofs of attentive kindness which I have received from my Paris friends, their care to furnish me with a variety of modern publications is not the least agreeable.
One fancies everywhere, that it is easy, by the help of a circulating library, to know tolerably well what is going on at Paris: but this is a mighty fond delusion; though sometimes, perhaps, our state may be the more gracious from our ignorance.
One gentleman, to whom I owe much gratitude for the active good-nature with which he seems willing to assist me in all my researches, has given me much curious information respecting the present state of literature and literary men in France.
In this department of human greatness, at least, those of the party which has lost power and place have a most decided pre-eminence. Would it be a pun to say that there is poetical justice in this?
The active, busy, bustling politicians of the hour have succeeded in thrusting everything else out of place, and themselves into it. One dynasty has been overthrown, and another established; old laws have been abrogated, and hundreds of new ones framed; hereditary nobles have been disinherited, and little men made great; — but amidst this plenitude of destructiveness, they have not yet contrived to make any one of the puny literary reputations of the day weigh down the renown of those who have never lent their voices to the cause of treason, regicide, rebellion, or obscenity. The literary reputations both of Châteaubriand and Lamartine stand higher, beyond all comparison, than those of any other living French authors: yet the first, with all his genius, has often suffered his imagination to run riot, and the last has only given to the public the leisure of his literary life. But both of them are men of honour and principle, as well as men of genius; and it comforts one’s human nature to see that these qualities will keep themselves aloft, despite whatever squally winds may blow, or blustering floods assail them. That both Châteaubriand and Lamartine belong rather to the imaginative than to the positif class, cannot be denied; but they are renowned throughout the world, and France is proud of them.
The most curious literary speculations, however, suggested by the present state of letters in this country, are not respecting authors such as these: they speak for themselves, and all the world knows them and their position. The circumstance decidedly the most worthy of remark in the literature of France at the present time, is the effect which the last revolution appears to have produced. With the exception of history, to which both Thiers and Mignet have added something that may live, notwithstanding their very defective philosophy, no single work has appeared since the revolution of 1830 which has obtained a substantial, elevated, and generally acknowledged reputation for any author unknown before that period: not even among all the unbridled ebullitions of imagination, though restrained neither by decorum, principle, nor taste, — not even here (excepting from one female pen, which might become, were it the pleasure of the hand that wields it, the first now extant in the world of fiction,) has anything appeared likely to survive its author; nor is there any writer who during the same period has raised himself to that station in society, by means of his literary productions, which is so universally accorded to all who have acquired high literary celebrity in any country.
The name of M. Guizot was too well known before the revolution for these observations to have any reference to him; and however much he may have distinguished himself since July 1830, his reputation was made before. There are, however, little writers in prodigious abundance; and though as perfectly sure of the truth of what I have here stated as that I am alive to write it, I should expect a terrible riot about my ears, could such words be heard by the swarm of tiny geniuses that settle in clusters, some on the newspapers, some on the theatres, and some on the busy little printing-press of the tale-tellers — could they catch me, I am sure I should be stung to death.
How well I can fancy the clamour!... “Infamous libeller!” cries one; “have not I achieved a reputation? Do I not receive yearly some hundreds of francs for my sublime familiarity with sin and misery? and are not my works read by ‘Young France’ with ecstasy? Is not this fame?” “And I,” says another,— “is it of such as I and my cotemporary fellow-labourers in the vast field of new-ploughed speculation that you speak?” “What call you reputation, woman?” says a third: “do not the theatres overflow when I send murder, lust, and incest on the stage, to witch the world with wondrous wickedness?” “And, I too,” groans another,— “am I not famous? Are not my delicious tales of unschooled nature in the hands of every free-born youth and tender maid in this our regenerated Athens? Is not this fame, infamous slanderer?”
Were I obliged to answer all this, I could only say, “Arrangez-vous, canaille! If you call this fame, take it, try it, make the most of it, and see where you will be some dozen years hence.”
Notwithstanding this extraordinary lack of great ability, however, there never, I believe, was any period in which the printing-presses of France worked so hard as at present. The revolution of 1830 seems to have set all the minor spirits in motion. There is scarcely a boy so insignificant, or a workman so unlearned, as to doubt his having the power and the right to instruct the world. “Every breathing soul in Paris took a part in this glorious struggle,” says the recording newspaper;— “Yes, all!” echoes the smutched mechanic, snorting and snuffing the air with the intoxicating consciousness of imputed power;— “Yes!” answer the galopins one and all, “it is we, it is we!” And then, like the restless witches on the barren heath that their breath has blasted, the great reformers rouse themselves again, and looking from the mischief they have done to the still worse that remains behind, they mutter prophetically, “We’ll do — we’ll do — we’ll do!”
To me, I confess, it is perfectly astonishing that any one can be found to class the writers of this restless clique as “the literary men of France.” Yet it has been done; and it is not till the effects of the popular commotion which brought them into existence has fully subsided, that the actual state of French literature can be fairly ascertained.
Béranger was not the production of that whirlwind: but, in truth, let him sing what or when he will, the fire of genuine poetic inspiration must perforce flash across the thickest mist that false principles can raise around him. He is but a meteor perhaps, but a very bright one, and must shine, though his path lie amongst unwholesome exhalations and most dangerous pitfalls. But he cannot in any way be quoted as one of the new-born race whose claim to genuine fame I have presumed to doubt.
That flashes of talent, sparkles of wit, and bursts of florid eloquence are occasionally heard, seen, and felt even from these, is, however, certain: it could hardly be otherwise. But they blaze, and go out. The oil which feeds the lamp of revolutionary genius is foul, and such noxious vapours rise with the flame as must needs check its brightness.
Do not, however, believe me guilty of such presumption as to give you my own unsupported judgment as to the position which this “new school” (as the décousu folks always call themselves) hold in the public esteem. Such a judgment could be little worth if unsupported; but my opinion on this subject is, on the contrary, the result of careful inquiry among those who are most competent to give information respecting it.
When the names of such as are best known among this class of authors are mentioned in society, let the politics of the circle be what they may, they are constantly spoken of as a Paria caste that must be kept apart.
“Do you know —— —— ?” has been a question I have repeatedly asked respecting a person whose name is cited in England as the most esteemed French writer of the age, — and so cited, moreover, to prove the low standard of French taste and principle.
“No, madam,” has been invariably the cold reply.
“Or —— ?”
“No. He is not in society.”
“Or —— ?”
“Oh no! His works live an hour (too long!) and are forgotten.”
Should I therefore, my friend, return from France with an higher idea of its good taste and morality than I had when I entered it, think not that my own standard of what is right has been lowered, but only that I have had the pleasure of finding it differed much less than I expected from that of our agreeable and hardly-judged neighbours on this side the water. But I shall probably recur to this subject again; and so, for the present, farewell!
FOOTNOTE:
G. Sand.
LETTER X.
Lonchamps. — The “Three Hours’ Agony” at St. Roch. — Sermons on the Gospel of Good-Friday. — Prospects of the Catholics. — O’Connell.
I dare say you may know, my friend, though I did not, that the Wednesday, Thursday, and Friday of Passion-week are yearly set apart by the Parisians for a splendid promenade in carriages, on horseback, and on foot, to a part of the Bois de Boulogne called Lonchamps. What the origin could be of so gay and brilliant an assemblage of people and equipages, evidently coming together to be stared at and to stare, on days so generally devoted to religious exercises, rather puzzled me; but I have obtained a most satisfactory explanation, which, in the hope of your ignorance, I will communicate. The custom itself, it seems, is a sort of religious exercise; or, at any rate, it was so at the time of its institution.
When the beau monde of Paris first adopted the practice of repairing to Lonchamps during these days of penitence and prayer, a convent stood there, whose nuns were celebrated for performing the solemn services appointed for the season with peculiar piety and effect. They sustained this reputation for many years; and for many years all who could find admittance within their church thronged to hear their sweet voices.
This convent was destroyed at the revolution (par excellence), but the horses and carriages of Paris still continue to move for evermore in the same direction when the last three days of Lent arrive.
The cavalcade assembled on this occasion forms an extremely pretty spectacle, rivalling a spring Sunday in Hyde Park as to the number and elegance of the equipages, and greatly exceeding it in the beauty and extent of the magnificent road on which they show themselves. Though the attending this congregation of wealth, rank, and fashion is still called “going to Lonchamps,” the evolutions of the company, whether in carriages, on horseback, or on foot, are at present almost wholly confined to the noble avenue which leads from the entrance to the Champs Elysées up to the Barrière de l’Etoile.
From about three till six, the whole of this ample space is crowded; and I really had no idea that so many handsome, well-appointed equipages could be found collected together anywhere out of London. The royal family had several handsome carriages on the ground: that of the Duke of Orleans was particularly remarkable for the beauty of the horses, and the general elegance of the “turn-out.”
The ministers of state, and all the foreign legations, did honour to the occasion; most of them having very complete equipages, chasseurs of various plumage, and many with a set of four beautiful horses really well harnessed. Many private individuals, also, had carriages which were handsome enough, together with their elegant lading, greatly to increase the general brilliancy of the scene.
The only individual, however, except the Duke of Orleans, who had two carriages on the ground, two feathered chasseurs, and twice two pair of richly-harnessed steeds, was a certain Mr. T —— , an American merchant, whose vast wealth, and still more vast expenditure, is creating considerable consternation among his sober-minded countrymen in Paris. We were told that the exuberance of this gentleman’s transatlantic taste was such, and such the vivacity of his inventive fancy, that during the three days of the Lonchamps promenade he appeared on the ground each day with different liveries; having, as it should seem, no particular family reasons for preferring any one set of colours to another.
The ground was sprinkled, and certainly greatly adorned, by many very elegant-looking Englishmen on horseback; the pretty caprioles, sleek skins, and well-managed capers of that prettiest of creatures, a high-bred English saddle-horse, being as usual among the most attractive parts of the show. Nor was there any deficiency of Frenchmen, with very handsome montures, to complete the spectacle; while the ample space under the trees on either side was crowded with thousands of smart pedestrians; the whole scene being one vast moving mass of pomp and pleasure.
Nevertheless, the weather on the first of the three days was very far from favourable: the wind was so bitterly cold that I countermanded the carriage I had ordered, and instead of going to Lonchamps, we actually sat shivering over the fire at home; indeed, before three o’clock, the ground was perfectly covered with snow. The next day promised something better, and we ventured to emerge: but the spectacle was really vexatious; many of the carriages being open, and the shivering ladies attired in all the light and floating drapery of spring costume. For it is at Lonchamps that all the fashions of the coming season are exhibited; and no one can tell, however fashion-wise they be, what bonnet, scarf or shawl, or even what prevailing colour, is to be worn in Paris throughout the year, till this decisive promenade be over. Accordingly the milliners had done their duty, and, in fact, had far outstripped the spring. But it was sad to see the beautiful bunches of lilac, and the graceful, flexible laburnums — each a wonder of art — twisted and tortured, bending and breaking, before the wind. It really seemed as if the lazy Spring, vexed at the pretty mimicry of blossoms she had herself failed to bring, sent this inclement blast on purpose to blight them. Everything went wrong. The tender tinted ribbons were soon dabbled in a driving sleet; while feathers, instead of wantoning, as it was intended they should do, on the breeze, had to fight a furious battle with the gale.
