Sounds Wild and Broken, page 44
Jønsson, Knud Andreas, Pierre-Henri Fabre, Jonathan D. Kennedy, Ben G. Holt, Michael K. Borregaard, Carsten Rahbek, and Jon Fjeldså. “A supermatrix phylogeny of corvoid passerine birds (Aves: Corvides).” Molecular Phylogenetics and Evolution 94 (2016): 87‒94.
Kearns, Anna M., Leo Joseph, and Lyn G. Cook. “A multilocus coalescent analysis of the speciational history of the Australo-Papuan butcherbirds and their allies.” Molecular Phylogenetics and Evolution 66 (2013): 941‒52.
Low, Tim. Where Song Began: Australia’s Birds and How They Changed the World. New Haven, CT: Yale University Press, 2016.
Marshall, David C., Max Moulds, Kathy B. R. Hill, Benjamin W. Price, Elizabeth J. Wade, Christopher L. Owen, Geert Goemans et al. “A molecular phylogeny of the cicadas (Hemiptera: Cicadidae) with a review of tribe and subfamily classification.” Zootaxa 4424 (2018): 1‒64.
Mayr, Gerald. “Old World fossil record of modern-type hummingbirds.” Science 304 (2004): 861‒64.
McGuire, Jimmy A., Christopher C. Witt, J. V. Remsen Jr., Ammon Corl, Daniel L. Rabosky, Douglas L. Altshuler, and Robert Dudley. “Molecular phylogenetics and the diversification of hummingbirds.” Current Biology 24 (2014): 910‒16.
Nicholson, David B., Peter J. Mayhew, and Andrew J. Ross. “Changes to the fossil record of insects through fifteen years of discovery.” PLOS One 10 (2015): e0128554.
Oliveros, Carl H., Daniel J. Field, Daniel T. Ksepka, F. Keith Barker, Alexandre Aleixo, Michael J. Andersen, Per Alström et al. “Earth history and the passerine superradiation.” Proceedings of the National Academy of Sciences 116 (2019): 7916‒25.
Orians, Gordon H., and Antoni V. Milewski. “Ecology of Australia: the effects of nutrient-poor soils and intense fires.” Biological Reviews 82 (2007): 393‒423.
Ratcliffe, Eleanor, Birgitta Gatersleben, and Paul T. Sowden. “Predicting the perceived restorative potential of bird sounds through acoustics and aesthetics.” Environment and Behavior 52 (2020): 371‒400.
Sætre, G-P., S. Riyahi, Mansour Aliabadian, Jo S. Hermansen, S. Hogner, U. Olsson, M. F. Gonzalez Rojas, S. A. Sæther, C. N. Trier, and T. O. Elgvin. “Single origin of human commensalism in the house sparrow.” Journal of Evolutionary Biology 25 (2012): 788‒96.
Scheffers, Brett R., Brunno F. Oliveira, Ieuan Lamb, and David P. Edwards. “Global wildlife trade across the tree of life.” Science 366 (2019): 71‒76.
Toda, Yasuka, Meng-Ching Ko, Qiaoyi Liang, Eliot T. Miller, Alejandro Rico-Guevara, Tomoya Nakagita, Ayano Sakakibara, Kana Uemura, Timothy Sackton, Takashi Hayakawa, Simon Yung Wa Sin, Yoshiro Ishimaru, Takumi Misaka, Pablo Oteiza, James Crall, Scott V. Edwards, William Buttemer, Shuichi Matsumura, and Maude W. Baldwin. “Early Origin of Sweet Perception in the Songbird Radiation.” Science 373 (2021): 226–31.
Wang, H., Y. N. Fang, Y. Fang, E. A. Jarzembowski, B. Wang, and H. C. Zhang. “The earliest fossil record of true crickets belonging to the Baissogryllidae (Insecta, Orthoptera, Grylloidea).” Geological Magazine 156 (2019): 1440‒44.
Whitehouse, Andrew. “Senses of Being: The Atmospheres of Listening to Birds in Britain, Australia and New Zealand.” In Exploring Atmospheres Ethnographically, edited by Sara Asu Schroer and Susanne Schmitt, 61‒75. Abingdon, UK: Routledge, 2018.
Bone, Ivory, Breath
Albouy, Philippe, Lucas Benjamin, Benjamin Morillon, and Robert J. Zatorre. “Distinct sensitivity to spectrotemporal modulation supports brain asymmetry for speech and melody.” Science 367 (2020): 1043‒47.
Aubert, Maxime, Rustan Lebe, Adhi Agus Oktaviana, Muhammad Tang, Basran Burhan, Andi Jusdi, Budianto Hakim et al. “Earliest hunting scene in prehistoric art.” Nature (2019): 1‒4.
Centre Pompidou. Préhistoire, Une Énigme Moderne. Exhibition. Paris, France (2019).
Conard, Nicholas., Michael Bolus, Paul Goldberg, and Suzanne C. Münzel. “The Last Neanderthals and First Modern Humans in the Swabian Jura.” In When Neanderthals and Modern Humans Met, edited by Nicholas Conrad. Tübingen, Germany: Tübingen Publications in Prehistory, 2006.
Conard, Nicholas J., Michael Bolus, and Susanne C. Münzel. “Middle Paleolithic land use, spatial organization and settlement intensity in the Swabian Jura, southwestern Germany.” Quaternary International 247 (2012): 236‒45.
Conard, Nicholas J., Keiko Kitagawa, Petra Krönneck, Madelaine Böhme, and Susanne C. Münzel. “The importance of fish, fowl and small mammals in the Paleolithic diet of the Swabian Jura, southwestern Germany.” In Zooarchaeology and Modern Human Origins, edited by Jamie Clark, and John D. Speth, 173‒90. Dordrecht: Springer, 2013.
Conard, Nicholas J., and Maria Malina. “New evidence for the origins of music from caves of the Swabian Jura.” Orient-archäologie 22 (2008): 13‒22.
Conard, Nicholas J., Maria Malina, and Susanne C. Münzel. “New flutes document the earliest musical tradition in southwestern Germany.” Nature 460 (2009): 737.
d’Errico, Francesco, Paola Villa, Ana C. Pinto Llona, and Rosa Ruiz Idarraga. “A Middle Palaeolithic origin of music? Using cave-bear bone accumulations to assess the Divje Babe I bone ‘flute.’ ” Antiquity 72 (1998): 65‒79.
d’Errico, Francesco, Christopher Henshilwood, Graeme Lawson, Marian Vanhaeren, Anne-Marie Tillier, Marie Soressi, Frédérique Bresson et al. “Archaeological evidence for the emergence of language, symbolism, and music—an alternative multidisciplinary perspective.” Journal of World Prehistory 17 (2003): 1‒70.
Dutkiewicz, Ewa, Sibylle Wolf, and Nicholas J. Conard. “Early symbolism in the Ach and the Lone valleys of southwestern Germany.” Quaternary International 491 (2017): 30‒45.
Floss, Harald. “Same as it ever was? The Aurignacian of the Swabian Jura and the origins of Palaeolithic art.” Quaternary International 491 (2018): 21‒29.
Guenther, Mathias. “N//àe (“Talking”): The oral and rhetorical base of San culture.” Journal of Folklore Research 43 (2006): 241‒61.
Güntürkün, Onur, Felix Ströckens, and Sebastian Ocklenburg. “Brain lateralization: a comparative perspective.” Physiological Reviews 100 (2020): 1019‒63.
Hahn, Joachim, and Susanne C. Münzel. “Knochenflöten aus dem Aurignacien des Geißenklösterle bei Blaubeuren, Alb-Donau-Kreis.” Fundberichte aus Baden-Württemberg 20 (1995): 1–12.
Hardy, Bruce L., Michael Bolus, and Nicholas J. Conard. “Hammer or crescent wrench? Stone-tool form and function in the Aurignacian of southwest Germany.” Journal of Human Evolution 54 (2008): 648‒62.
Henshilwood, Christopher S., Francesco d’Errico, Karen L. van Niekerk, Laure Dayet, Alain Queffelec, and Luca Pollarolo. “An abstract drawing from the 73,000-year-old levels at Blombos Cave, South Africa.” Nature 562 (2018): 115.
Higham, Thomas, Laura Basell, Roger Jacobi, Rachel Wood, Christopher Bronk Ramsey, and Nicholas J. Conard. “Testing models for the beginnings of the Aurignacian and the advent of figurative art and music: the radiocarbon chronology of Geißenklösterle.” Journal of Human Evolution 62 (2012): 664‒76.
Jewell, Edward Alden. “Art Museum Opens Prehistoric Show.” New York Times, April 28, 1937.
Kehoe, Laura. “Mysterious new behaviour found in our closest living relatives.” Conversation, February 29, 2016.
Killin, Anton. “The origins of music: evidence, theory, and prospects.” Music & Science 1 (2018): 2059204317751971.
Kühl, Hjalmar S., Ammie K. Kalan, Mimi Arandjelovic, Floris Aubert, Lucy D’Auvergne, Annemarie Goedmakers, Sorrel Jones et al. “Chimpanzee accumulative stone throwing.” Scientific Reports 6 (2016): 1‒8.
Malina, Maria, and Ralf Ehmann. “Elfenbeinspaltung im Aurignacien Zur Herstellungstechnik der Elfenbeinflöte aus dem Geißenklösterle.” Mitteilungen der Gesellschaft für Urgeschichte 18 (2009): 93‒107.
Mehr, Samuel A., Manvir Singh, Dean Knox, Daniel M. Ketter, Daniel Pickens-Jones, Stephanie Atwood, Christopher Lucas et al. “Universality and diversity in human song.” Science 366 (2019): eaax0868.
Morley, Iain. The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality. Oxford, UK: Oxford University Press, 2013.
Münzel, Susanne, Nicholas J. Conrad, Wulf Hein, Frances Gill, Anna Friederike Potengowski. “Interpreting three Upper Palaeolithic wind instruments from Germany and one from France as flutes. (Re)construction, playing techniques and sonic results.” Studien zur Musikarchäologie X (2016): 225‒43.
Münzel, Susanne, Friedrich Seeberger, and Wulf Hein. “The Geißenklösterle Flute—discovery, experiments, reconstruction.” Studien zur Musikarchäologie III (2002): 107‒18.
Museum of Modern Art. Prehistoric Rock Pictures in Europe and Africa, 28 April to 30 May 1937. https://www.moma.org/interactives/exhibitions/2016/spelunker/exhibitions/3037/.
Novitskaya, E., C. J. Ruestes, M. M. Porter, V. A. Lubarda, M. A. Meyers, and J. McKittrick. “Reinforcements in avian wing bones: experiments, analysis, and modeling.” Journal of the Mechanical Behavior of Biomedical Materials 76 (2017): 85‒96.
Peretz, Isabelle, Dominique Vuvan, Marie-Élaine Lagrois, and Jorge L. Armony. “Neural overlap in processing music and speech.” Philosophical Transactions of the Royal Society B 370 (2015): 20140090.
Potengowski, Anna Friederike, and Susanne C. Münzel. “Hörbeispiele, Examples 1–33.” Mitteilungen der Gesellschaft für Urgeschichte, 2015. https://uni-tuebingen.de/fakultaeten/mathematisch-naturwissenschaftliche-fakultaet/fachbereiche/geowissenschaften/arbeitsgruppen/urgeschichte-naturwissenschaftliche-archaeologie/forschungsbereich/aeltere-urgeschichte-quartaeroekologie/publikationen/gfu-mitteilungen/hoerbeispiele/.
Potengowski, A.F., and S. C. Münzel, 2015. Die musikalische ‘‘Vermessung’’ paläolithischer Blasinstrumente der Schwäbischen Albanhand von Rekonstruktionen. Anblastechniken, Tonmaterial und Klangwelt.” Mitteilungen der Gesellschaft für Urgeschichte 24 (2015): 173–91.
Potengowski, Anna Friederike (bone flutes), and Georg Wieland Wagner (percussion). The Edge of Time: Palaeolithic Bone Flutes of France and Germany, compact disc. Edinburgh, UK: Delphian Records, 2017.
Rhodes, Sara E., Reinhard Ziegler, Britt M. Starkovich, and Nicholas J. Conard. “Small mammal taxonomy, taphonomy, and the paleoenvironmental record during the Middle and Upper Paleolithic at Geißenklösterle Cave (Ach Valley, southwestern Germany).” Quaternary Science Reviews 185 (2018): 199‒221.
Richard, Maïlys, Christophe Falguères, Helene Valladas, Bassam Ghaleb, Edwige Pons-Branchu, Norbert Mercier, Daniel Richter, and Nicholas J. Conard. “New electron spin resonance (ESR) ages from Geißenklösterle Cave: a chronological study of the Middle and early Upper Paleolithic layers.” Journal of Human Evolution 133 (2019): 133‒45.
Riehl, Simone, Elena Marinova, Katleen Deckers, Maria Malina, and Nicholas J. Conard. “Plant use and local vegetation patterns during the second half of the Late Pleistocene in southwestern Germany.” Archaeological and Anthropological Sciences 7 (2015): 151‒67.
Tomlinson, Gary. A Million Years of Music: The Emergence of Human Modernity. New York: Zone Books, 2015.
Zhang, Juzhong, Garman Harbottle, Changsui Wang, and Zhaochen Kong. “Oldest playable musical instruments found at Jiahu early Neolithic site in China.” Nature 401 (1999): 366.
Resonant Spaces
Anderson, Tim. “How CDs Are Remastering the Art of Noise.” Guardian, January 18, 2007.
Barron, M. “The Royal Festival Hall acoustics revisited.” Applied Acoustics 24 (1988): 255‒73.
Boyden, David D., Peter Walls, Peter Holman, Karel Moens, Robin Stowell, Anthony Barnett, Matt Glaser et al. “Violin.” Grove Music Online. January 20, 2001. https://www.oxfordmusiconline.com/.
Cooper, Michel, and Robin Pogrebin. “After Years of False Starts, Geffen Hall Is Being Rebuilt. Really.” New York Times. December 2, 2019.
Díaz-Andreu, M., and T. Mattioli. “Rock Art Music, and Acoustics: A Global Overview.” In The Oxford Handbook of the Archaeology and Anthropology of Rock Art, edited by Bruno David and Ian J. McNiven, 503‒28. Oxford, UK: Oxford University Press, 2017.
Ellison, Steve. “Innovations: Meyer Sound Spacemap Go.” Pro Sound News (2020). https://www.prosoundnetwork.com/gear-and-technology/innovations-meyer-sound-spacemap-go.
Emmerling, Caey, and Dallas Taylor. “The Loudness Wars.” Twenty Thousand Hertz. Podcast. https://www.20k.org/episodes/loudnesswars.
Fazenda, Bruno, Chris Scarre, Rupert Till, Raquel Jiménez Pasalodos, Manuel Rojo Guerra, Cristina Tejedor, Roberto Ontañón Peredo et al. “Cave acoustics in prehistory: exploring the association of Palaeolithic visual motifs and acoustic response.” Journal of the Acoustical Society of America 142 (2017): 1332‒49.
Fei, Faye Chunfang. Chinese Theories of Theater and Performance from Confucius to the Present. Ann Arbor, MI: University of Michigan Press, 2002.
Giordano, Nicholas. “The invention and evolution of the piano.” Acoustics Today 12 (2016): 12‒19.
Henahan, Donal.“Philharmonic Hall Is Returning.” New York Times, July 8, 1969.
Hill, Peggy S. M. “Environmental and social influences on calling effort in the prairie mole cricket (Gryllotalpa major).” Behavioral Ecology 9 (1998): 101‒8.
Kopf, Dan. “How Headphones Are Changing the Sound of Music.” Quartz, December 18, 2019.
Kozinn, Allan. “More Tinkering with Acoustics at Avery Fisher.” New York Times, November 16, 1991.
Lardner, Björn, and Maklarin bin Lakim. “Tree-hole frogs exploit resonance effects.” Nature 420 (2002): 475.
Lawergren, Bo. “Neolithic drums in China.” Studien zur Musik V (2006): 109‒27.
Manniche, Lise. Music and Musicians in Ancient Egypt. London: British Museum Press, 1991.
Manoff, Tom. “Do Electronics Have a Place in the Concert Hall? Maybe.” New York Times, March 31, 1991.
McKinnon, James W. “Hydraulis.” Grove Music Online. 2001. https://www.oxfordmusiconline.com/.
Michaels, Sean. “Metallica Album Latest Victim in ‘Loudness War’?” Guardian, September 17, 2008.
Montagu, Jeremy, Howard Mayer Brown, Jaap Frank, and Ardal Powell. “Flute.” Grove Music Online. 2001. https://www.oxfordmusiconline.com/.
Petrusich, Amanda. “Headphones Everywhere.” New Yorker, July 12, 2016.
Pike, Alistair W. G., Dirk L. Hoffmann, Marcos García-Diez, Paul B. Pettitt, Jose Alcolea, Rodrigo De Balbin, César Gonzalez-Sainz et al. “U-series dating of Paleolithic art in 11 caves in Spain.” Science 336 (2012): 1409‒13.
Reznikoff, Iégor. “Sound resonance in prehistoric times: a study of Paleolithic painted caves and rocks.” Journal of the Acoustical Society of America 123 (2008): 3603.
Reznikoff, Iégor, and Michel Dauvois. “La dimension sonore des grottes ornées.” Bulletin de la Société Préhistorique Française 85 (1988): 238‒46.
Ross, Alex. “Wizards of Sound.” New Yorker, February 16, 2015.
Scarre, Chris. “Painting by resonance.” Nature 338 (1989): 382.
Sound on Sound magazine. “Jeff Ellis: Engineering Frank Ocean,” November 17, 2016. https://www.youtube.com/watch?v=izZMM5eHCtQ.
Tommasini, Anthony. “Defending the operatic voice from technology’s wiles.” New York Times, November 3, 1999.
Velliky, Elizabeth C., Martin Porr, and Nicholas J. Conard. “Ochre and pigment use at Hohle Fels cave: results of the first systematic review of ochre and ochre-related artefacts from the Upper Palaeolithic in Germany.” PLOS One 13 (2018): e0209874.
Wu, Chih-Wei, Chih-Fang Huang, and Yi-Wen Liu. “Sound analysis and synthesis of Marquis Yi of Zeng’s chime-bell set.” Proceedings of Meetings on Acoustics ICA2013 19 (2013): 035077.
Music, Forest, Body
Anthwal, Neal, Leena Joshi, and Abigail S. Tucker. “Evolution of the mammalian middle ear and jaw: adaptations and novel structures.” Journal of Anatomy 222 (2013): 147‒60.
Ball, Stephen M. J. “Stocks and exploitation of East African blackwood.” Oryx 38 (2004): 1‒7.
Beachey, Richard W. “The East African ivory trade in the nineteenth century.” Journal of African History (1967): 269‒90.
Bennett, Bradley C. “The sound of trees: wood selection in guitars and other chordophones.” Economic Botany 70 (2016): 49‒63.
Chaiklin, Martha. “Ivory in world history–early modern trade in context.” History Compass 8 (2010): 530‒42.
Christensen-Dalsgaard, Jakob, and Catherine E. Carr. “Evolution of a sensory novelty: tympanic ears and the associated neural processing.” Brain Research Bulletin 75 (2008): 365‒70.
Clack, Jennifer A. “Patterns and processes in the early evolution of the tetrapod ear.” Journal of Neurobiology 53 (2002): 251‒64.
Conniff, Richard. “When the music in our parlors brought death to darkest Africa.” Audubon 89 (1987): 77‒92.
Currie, Adrian, and Anton Killin. “Not music, but musics: a case for conceptual pluralism in aesthetics.” Estetika: Central European Journal of Aesthetics 54 (2017).
Davies, Stephen. “On defining music.” Monist 95 (2012): 535‒55.
Dick, Alastair. “The earlier history of the shawm in India.” Galpin Society Journal 37 (1984): 80‒98.
Fuller, Trevon L., Thomas P. Narins, Janet Nackoney, Timothy C. Bonebrake, Paul Sesink Clee, Katy Morgan, Anthony Tróchez et al. “Assessing the impact of China’s timber industry on Congo Basin land use change.” Area 51 (2019): 340‒49.
Godt, Irving. “Music: a practical definition.” Musical Times 146 (2005): 83‒88.
Gracyk, Theodore, and Andrew Kania, eds. The Routledge Companion to Philosophy and Music. London: Taylor & Francis Group, 2011.
Hansen, Matthew C., Peter V. Potapov, Rebecca Moore, Matt Hancher, Svetlana A. Turubanova, Alexandra Tyukavina, David Thau et al. “High-resolution global maps of 21st-century forest cover change.” Science 342 (2013): 850‒53.
