From one of our most pre eminent writers, a tale that captures the shifting meanings of the past, and how our experience colors those meanings.Lloyd Wilkinson Petrie, one of the seven surviving trustees of the now defunct (for 34 years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with a description of present events. As he navigates, with faltering recall, between the subtle anti-semitism that pervaded the school's ethos and his fascination with his own family history—in particular, his illustrious cousin, the renowned archaeologist Sir Flinders Petrie (check out his Wikipedia entry!), the source of his interest in antiquity—he reconstructs the story of his encounter from his school days with a younger student named Ben-Zion Elefantin, who seems to belong to a lost ancient Jewish sect. From this seed emerges one of Ozick's most wondrous tales, one that displays her delight in Jamesian irony and the mythical flavor of...

In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared — if all we had were reviews that treated books like any other commodity — could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others....

Lars Andeming, perhaps overly intellectual and certainly eccentric, is the Monday book reviewer for a Stockholm daily. He is also the self-proclaimed son of Bruno Schulz, a Polish writer who was executed by the Nazis before his last novel, The Messiah, could be published. When a manuscript of The Messiah mysteriously appears in Stockholm, in the possession of Schulz's 'daughter', Lars's circumscribed world of paper, apartment, and favorite bookstore turns upside down, catapulting him into a whirlwind of dream, magic, and illusion.

Cynthia Ozick has been known for decades as one of America's most gifted and extraordinary storytellers; her remarkable new novel has established her as one of the most entertaining as well.Set in the New York of the 1930s, Heir to the Glimmering World is a spellbinding, richly plotted novel brimming with intriguing characters. Orphaned at eighteen, with few possessions, Rose Meadows finds steady employment with the Mitwisser clan. Recently arrived from Berlin, the Mitwissers rely on the auspices of a generous benefactor, James A'Bair, the discontented heir to a fortune his father, a famous childen's author, made from a series of books called The Bear Boy. Against the vivid backdrop of a world in tumult, Rose learns the refugee family's secrets as she watches their fortunes rise and fall in Ozick's wholly engrossing novel.

One of America's foremost novelists and critics, Cynthia Ozick has won praise and provoked debate for taking on challenging literary, historical, and moral issues. Her new collection of spirited essays focuses on the essential joys of great literature, with particular emphasis on the novel. With razor-sharp wit and an inspiring joie de vivre, she investigates unexpected byways in the works of Leo Tolstoy, Saul Bellow, Helen Keller, Isaac Babel, Sylvia Plath, Susan Sontag, and others. In a posthumous and hilariously harassing “(Unfortunate) Interview with Henry James," Ozick's hero is shocked by a lady reporter. In “Highbrow Blues" and in reflections on her own early fiction, she writes intimately of “the din in our heads, that relentless inner hum," and the curative power of literary imagination. The Din in the Head is sure to please fans of Ozick, win her new readers, and excite critical controversy and acclaim.

Ozick's latest work of fiction brings together four long stories, including the novella-length "Dictation," that showcase this incomparable writer's sly humor and piercing insight into the human heart. Each starts in the comic mode, with heroes who suffer from willful self-deceit. From self-deception, these not-so-innocents proceed to deceive others, who don't take it lightly. Revenge is the consequence—and for the reader, a delicious if dark recognition of emotional truth.The glorious novella "Dictation" imagines a fateful meeting between the secretaries to Henry James and Joseph Conrad at the peak of those authors' fame. Timid Miss Hallowes, who types for Conrad, comes under the influence of James's Miss Bosanquet, high-spirited, flirtatious, and scheming. In a masterstroke of genius, Ozick hatches a plot between them to insert themselves into posterity.Ozick is at her most devious, delightful best in these four works, illuminating the ease with which comedy can...

Ruth Puttermesser lives in New York City. Her learning is monumental; her love life is minimal. And her most idle fantasies have a disconcerting tendency to come true. She yearns for a daughter and promptly creates one, unassisted, in the form of the first recorded female golem - a Jewish mythological homunculus. She also manages to get herself elected mayor. Then Puttermesser inadvisably contemplates the afterlife, whereupon she is immediately hurtled into it headlong and discovers, at the end of it all, that a paradise found is also paradise lost.

In her new collection of essays, Cynthia Ozick, everywhere acclaimed as a critic, novelist, and storyteller, examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature.She writes--quarrelsomely--about Crime and Punishment, about William Styron's Sophie's Choice, about the Book of Job. She inquires into the subterranean dispositions and quandaries of Kafka and Henry James. She discusses the difficulties inherent in the translation of great books, whether into film or into another language. She explores what she calls "the selfishness of art" and courts controversy with her views on The Diary of Anne Frank and its transformation for the stage. Her reflections on the "rights of history" and the "rights of imagination" tap a profound concern for truth in regard to the Holocaust. She considers the...