This second volume of plays by Alan Bennett includes his two Kafka plays, one an hilarious comedy, the other a profound and searching drama. Also included is An Englishman Abroad and A Question of Attribution. The fascination of these two plays lies in the way they question our accepted notions of treachery and, in different ways, make a sympathetic case for Guy Burgess and Anthony Blunt.

Alan Bennett's first collection of prose since Writing Home takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Also included are his much celebrated diaries for the years 1996 to 2004. At times heartrending and at others extremely funny, Untold Stories is a matchless and unforgettable anthology. 'Funny, moving and true.' Blake Morrison, Guardian 'I have never read a book of this length where I have turned the last page with such regret. It is intelligent, educated, engaging, humane, self-aware, cantankerous and irresistibly funny. You want it to go on forever.' John Carey, Sunday Times 'I can only join the mighty chorus of praise.' Nicholas Hytner, Sunday Telegraph 'Alan Bennett, with his combination of pitiless observation and gentle understatement, is perhaps the best loved of English writers alive...

Now a major motion picture starring Maggie Smith, Alan Bennett's famous and heartwarming story "The Lady in the Van," and more of Bennett's classic short-form workAlan Bennett has long been one of the world's most revered humorists. From his acclaimed story collection Smut to his hilarious and sharply observed The Uncommon Reader, Bennett has consistently remained one of literature's most acute observers of Britain and life's many absurdities.In this new collection, drawn from his wide-ranging career, you'll read some of Bennett's finest work, including the title story, the basis for a new feature film starring Maggie Smith. The book also includes the rollicking comic masterpiece "The Laying on of Hands" and the bittersweet "Father! Father! Burning Bright," Bennett's classic tale of the tense relationship between a man and his dying father.

The inimitable Alan Bennett selects and comments upon six favorite poets and the pleasures of their worksIn this candid, thoroughly engaging book, Alan Bennett creates a unique anthology of works by six well-loved poets. Freely admitting his own youthful bafflement with poetry, Bennett reassures us that the poets and poems in this volume are not only accessible but also highly enjoyable. He then proceeds to prove irresistibly that this is so.Bennett selects more than seventy poems by Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice, and Philip Larkin. He peppers his discussion of these writers and their verse with anecdotes, shrewd appraisal, and telling biographical detail: Hardy lyrically recalls his first wife, Emma, in his poetry, although he treated her shabbily in real life. The fabled Auden was a formidable and off-putting figure at the lectern. Larkin, hoping to subvert snooping biographers, ordered personal papers shredded upon his...

An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool. In Alan Bennett's new play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose. The History Boys premièred at the National in May 2004. 'Nothing could diminish the incendiary achievement of this subtle, deep-wrought and immensely funny play about the value and meaning of education .. In short, a superb, life-enhancing play.' Guardian

The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled," Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything.This swift-moving comic fable will surprise you with its concealed depths. When the sedate Ransomes return from the opera to find their Notting Hill flat stripped absolutely bare--down to the toilet paper off the roll (a hard-to-find shade of forget-me-not blue)--they face a dilemma: Who are they without the things they've spent a lifetime accumulating? Suddenly the world is full of unlimited and frightening possibility. But just as they begin adjusting to this giddy freedom, a newfound interest in sex, and...

The inimitable Alan Bennett selects and comments upon six favorite poets and the pleasures of their worksIn this candid, thoroughly engaging book, Alan Bennett creates a unique anthology of works by six well-loved poets. Freely admitting his own youthful bafflement with poetry, Bennett reassures us that the poets and poems in this volume are not only accessible but also highly enjoyable. He then proceeds to prove irresistibly that this is so.Bennett selects more than seventy poems by Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice, and Philip Larkin. He peppers his discussion of these writers and their verse with anecdotes, shrewd appraisal, and telling biographical detail: Hardy lyrically recalls his first wife, Emma, in his poetry, although he treated her shabbily in real life. The fabled Auden was a formidable and off-putting figure at the lectern. Larkin, hoping to subvert snooping biographers, ordered personal papers shredded upon his...

Alan Bennett's first collection of prose since Writing Home takes in all his major writings over the last ten years. The title piece is a poignant family memoir with an account of the marriage of his parents, the lives and deaths of his aunts and the uncovering of a long-held family secret. Also included are his much celebrated diaries for the years 1996 to 2004. At times heartrending and at others extremely funny, Untold Stories is a matchless and unforgettable anthology. 'Funny, moving and true.' Blake Morrison, Guardian 'I have never read a book of this length where I have turned the last page with such regret. It is intelligent, educated, engaging, humane, self-aware, cantankerous and irresistibly funny. You want it to go on forever.' John Carey, Sunday Times 'I can only join the mighty chorus of praise.' Nicholas Hytner, Sunday Telegraph 'Alan Bennett, with his combination of pitiless observation and gentle understatement, is perhaps the best loved of English writers alive...

A woman inherits a beloved bookstore and sets forth on a journey of self-discovery in this poignant debut about family, forgiveness and a love of reading.Miranda Brooks grew up in the stacks of her eccentric Uncle Billy's bookstore, solving the inventive scavenger hunts he created just for her. But on Miranda's twelfth birthday, Billy has a mysterious falling-out with her mother and suddenly disappears from Miranda's life. She doesn't hear from him again until sixteen years later when she receives unexpected news: Billy has died and left her Prospero Books, which is teetering on bankruptcy—and one final scavenger hunt.When Miranda returns home to Los Angeles and to Prospero Books—now as its owner—she finds clues that Billy has hidden for her inside novels on the store's shelves, in locked drawers of his apartment upstairs, in the name of the store itself. Miranda becomes determined to save Prospero Books and to solve Billy's last...

Two holidaymakers die of a mysterious condition while on holiday in Corfu, piquing neurologist Lauren Furrows's interest. She investigates, finding help in the unlikely form of Richard Anger: independent bookshop owner, avant garde (unpublished) short story writer and borderline alcoholic. Together they discover the killer: best-selling author Gary Sayles and his insipid novels. Will they be able to stop him before millions die? Wildly humorous, this is a book that will challenge and play with your brain, wryly.

Amazon.com ReviewWith his actor's ear for dialogue, his dead-on pacing, and his talent for social comedy, British playwright Alan Bennett (The Madness of King George) is hardly lacking in literary gifts. The three stories in The Laying On of Hands, two of which have been filmed by the BBC, are funny in different ways. The title piece is a slow-to-ripen satire set at the Anglican funeral service of a handsome young masseur, whose clients turn out to include cabinet ministers, soap opera stars, and the presiding clergyman. The second story, "Miss Fozzard Finds Her Feet," describes the odd relationship a pure-minded middle-aged woman develops with her charming chiropodist (podiatrist). And the final story, "Father! Father! Burning Bright," follows a mousy schoolteacher named Midgley through the self-searching and nurse-hunting days preceding his father's death in Intensive Care. The range and subtle coloration of Bennett's humor will appeal, especially, to readers of Robertson Davies and Muriel Spark. --Regina MarlerFrom Publishers WeeklyBennett hits the mark in the title novella of this brief collection, which also features a second, shorter novella as well as a single short story. The funeral of a masseur who serviced British celebrities in a variety of ways becomes the setting for a cheeky comedy of manners in the title yarn, as a young gay priest fails his first big test when he lets the final testimonials turn into an outrageous debate over whether the masseur died of AIDS or contracted an obscure disease while traveling in South America. The punch line falls flat in the second effort, "Miss Fozzard Finds Her Feet," when a woman finds a mutual outlet for her unusual sexual fetish in her ongoing appointments with her podiatrist. The final novella, "Father! Father! Burning Bright," gets off to a murky start as a married, middle-aged schoolteacher struggles to sort through his mixed emotions when a stroke leaves his father at death's door, but the ending, involving the teacher's strange attraction to his father's comely nurse, closes the narrative with a nice satiric twist. Bennett's multileveled approach makes the title story work, as he slowly layers his conceit with observations on the celebrity scene in Britain and the priest's recollections of his romantic interaction with the deceased. Unfortunately, the quality of craft drops significantly in the other two efforts, with the second novella in particular focusing more on manners than comedy.Copyright 2002 Cahners Business Information, Inc.

Life imitates art in The Lady in the Van, the story of the itinerant Miss Shepherd, who lived in a van in Alan Bennett's driveway from the early1970s until her death in 1989. It is doubtful that Bennett could have made up the eccentric Miss Shepherd if he tried, but his poignant, funny but unsentimental account of their strange relationship is akin to his best fictional screen writing.Bennett concedes that "One seldom was able to do her a good turn without some thoughts of strangulation", but as the plastic bags build up, the years pass by and Miss Shepherd moves into Bennett's driveway, a relationship is established which defines a certain moment in late 20th-century London life which has probably gone forever. The dissenting, liberal, middle-class world of Bennett and his peers comes into hilarious but also telling collision with the world of Miss Shepherd: "there was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd (in her van) was able to live". Bennett recounts Miss Shepherd's bizarre escapades in his inimitable style, from her letter to the Argentinean Embassy at the height of the Falklands War, to her attempts to stand for Parliament and wangle an electric wheelchair out of the Social Services. Beautifully observed, The Lady in the Van is as notable for Bennett's attempts to uncover the enigmatic history of Miss Shepherd, as it is for its amusing account of her eccentric escapades. --Jerry Brotton

Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W. H. Auden. During this imagined meeting, their first in twenty-five years, they are observed and interrupted by, among others, their future biographer and a young man from the local bus station. Alan Bennett’s new play is as much about the theater as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.**