The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled," Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything.This swift-moving comic fable will surprise you with its concealed depths. When the sedate Ransomes return from the opera to find their Notting Hill flat stripped absolutely bare--down to the toilet paper off the roll (a hard-to-find shade of forget-me-not blue)--they face a dilemma: Who are they without the things they've spent a lifetime accumulating? Suddenly the world is full of unlimited and frightening possibility. But just as they begin adjusting to this giddy freedom, a newfound interest in sex, and...

This second volume of plays by Alan Bennett includes his two Kafka plays, one an hilarious comedy, the other a profound and searching drama. Also included is An Englishman Abroad and A Question of Attribution. The fascination of these two plays lies in the way they question our accepted notions of treachery and, in different ways, make a sympathetic case for Guy Burgess and Anthony Blunt.

This one-of-a-kind collection reminds weary adults not to lose sight of the values and virtues they learned as kids. Here are over three hundred quotations from over two hundred well-loved children's books, such as Charlotte's Web, Peter Pan, Harry Potter and the Sorcerer's Stone, Eloise, Sounder, Number the Stars, and Goodnight Moon, organized by topic, among them Acceptance, Goodness, Family Woes, and Growing Old. On Silence: "I assure you that you can pick up more information when you are listening than when you are talking."—E. B.White, The Trumpet of the Swan. On Reverence: "Dying's part of the wheel, right there next to being born. . . . Being part of the whole thing, that's the blessing."—Natalie Babbitt, Tuck Everlasting.With clever illustrations from Pierre Le-Tan, here is a book to share with a friend or keep by your own bedside. It's the perfect gift for your sister, your mother, your...

THE SUNDAY TIMES BESTSELLER'Sparklingly sardonic ... There really is no one like Bennett' Independent'Filled with elegiac memories and literary gossip ... a major National Treasure' Lynn Barber4 March. HMQ pictured in the paper at an investiture wearing gloves, presumably as a precaution against Coronavirus. But not just gloves; these are almost gauntlets. I hope they're not the thin end of a precautionary wedge lest Her Majesty end up swathed in protective get-up such as is worn at the average crime scene. 20 March. With Rupert now working from home my life is much easier, as I get regular cups of tea and a lovely hot lunch.A year in and out of lockdown as experienced by Alan Bennett.The diary takes us from the filming of Talking Heads to thoughts on Boris Johnson, from his father's short-lived craze for family fishing trips, to stair lifts, junk shops of old, having a haircut, and...

This collection of Alan Bennett's work includes his first play and West End hit, Forty Years On, as well as Getting On, Habeus Corpus, and Enjoy. Forty Years On 'Alan Bennett's most gloriously funny play ... a brilliant, youthful perception of a nation in decline, as seen through the eyes of a home-grown school play ... a classic.' Daily Mail Getting On Winner of the Evening Standard Best Comedy Award in 1971, Getting on is an account of a middle-aged Labour MP, so self-absorbed that he remains blind to the fact that his wife is having an affair with the handyman, his mother-in-law in dying, his son is getting ready to leave home, his best friend thinks him a fool and that to everyone who comes into contact with him he is a self-esteeming joke. Habeus Corpus 'After two elegiac comedies about the decline of old England, Mr Bennett has now written a gorgeously vulgar but densely plotted facre that is a downright celebration of sex and the human body ... a combination of hurtling action...

There are unseen forces in our lives that shape who we are and what we become. How we respond to those forces determines our futures. These stories examine how characters respond to the unexpected. Do we carry our memories of the beautiful moments of life with us into death? And, ultimately, what do we value in life that defines us—from a hat to the shadow of a figure in a window reminding us of what we have lost or need to hold onto?

George III's behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power. Alan Bennett's play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler's delirium erodes his authority and status.

- What were you in life?- In life, as you put it, I was a schoolmaster. The Beth, an old fashioned cradle-to-grave hospital serving a town on the edge of the Pennines, is threatened with closure as part of an NHS efficiency drive. As Dr Valentine and Sister Gilchrist attend to the patients, a documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward. Meanwhile, the old people's choir, in readiness for next week's concert, is in full swing, augmented by the arrival of Mrs Maudsley, aka Pudsey Nightingale. Alan Bennett's Allelujah! opened at the Bridge Theatre, London, in July 2018. With an introduction by Alan Bennett.

This collection of Alan Bennett's work includes his first play and West End hit, Forty Years On, as well as Getting On, Habeus Corpus, and Enjoy. Forty Years On 'Alan Bennett's most gloriously funny play ... a brilliant, youthful perception of a nation in decline, as seen through the eyes of a home-grown school play ... a classic.' Daily Mail Getting On Winner of the Evening Standard Best Comedy Award in 1971, Getting on is an account of a middle-aged Labour MP, so self-absorbed that he remains blind to the fact that his wife is having an affair with the handyman, his mother-in-law in dying, his son is getting ready to leave home, his best friend thinks him a fool and that to everyone who comes into contact with him he is a self-esteeming joke. Habeus Corpus 'After two elegiac comedies about the decline of old England, Mr Bennett has now written a gorgeously vulgar but densely plotted facre that is a downright celebration of sex and the human body ... a combination of hurtling action...

From one of England's most celebrated writers, the author of the award-winningThe History Boys, a funny and superbly observed novella about the Queen of England and the subversive power of readingWhen her corgis stray into a mobile library parked near Buckingham Palace, the Queen feels duty-bound to borrow a book. Discovering the joy of reading widely (from J. R. Ackerley, Jean Genet, and Ivy Compton-Burnett to the classics) and intelligently, she finds that her view of the world changes dramatically. Abetted in her newfound obsession by Norman, a young man from the royal kitchens, the Queen comes to question the prescribed order of the world and loses patience with the routines of her role as monarch. Her new passion for reading initially alarms the palace staff and soon leads to surprising and very funny consequences for the country at large.

The Laying on of Hands, the painfully observant account of a memorial service for a masseur to the famous. The Clothes They Stood Up In, the comic tale of an elderly couple's trials after their flat is stripped completely bare. Father! Father! Burning Bright, the savage satire on the family of a dying man who rules over them from his hospital bed. The Lady in the Van, the true story of the eccentric old woman who is invited to live in a homeowner's front garden. She stays there, in her van, for fifteen years. The home is Alan Bennett's. It became a West End hit, starring Maggie Smith.Like everything Bennett does, these stories are playful, witty and painfully observant of ordinary people's foibles. They all have brilliant twists, are immensely entertaining and highly moral. And all are modern classics.