He never found a girl that didn’t immediately fall head over heels, and straight into his bed–until her. Nate Peters is living the playboy life. He has great friends; a great job; no responsibilities; and best of all, no girlfriend to complicate things. Being incredibly skilled with a pick-up line, he’s never failed to get a girl in his life… until he meets Rosie. Unable to stand a dented ego, Nate makes it his mission to win over this off-limits brunette, but it proves for one wild ride as Rosie has surprises of her own that rock Nate to the core. Has the player finally been played? Note: This is a companion novel of Nothing Left to Lose; however, this is a standalone novel and there is no requirement to read Nothing Left to Lose (parts 1 and 2) first.

This Top Five Classics edition of Great Expectations Includes:• More than 30 b&w and color illustrations by Marcus Stone, F.A. Fraser, John McLenan, F.O.C. Darley, and others• Dickens’s original ending, included as an addendum at the end of the book• A helpful introduction, author bio, and bibliographyGreat Expectations is Charles Dickens’s beloved, autobiographical tale of a poor boy haunted by a dark secret and harboring grand hopes for his future as a gentleman. Pip, the story’s narrator, takes us through his early life—from his brush with an escaped convict on the marshes of southeast England to his exposure to genteel society through the warped old Miss Havisham and her icy protégé, the alluring young Estella. Apprenticed to the blacksmith, the tender-hearted Joe, Pip’s  fortunes change dramatically thanks to a mysterious benefactor, and he must figure out what is real and what is false as he navigates his new world, while never quite escaping his old. Considered by many to be Dickens’s greatest work, Great Expectations will transport you, move you, and stay with you forever.Beautifully yet simply formatted, carefully edited, and featuring more than 30 illustrations from the artists who realized the first serialized chapters and many of the early book editions of Great Expectations, this is the definitive digital version of the Dickens classic.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.

It's been six weeks since angels of the apocalypse descended to demolish the modern world. Street gangs rule the day while fear and superstition rule the night. When warrior angels fly away with a helpless little girl, her seventeen-year-old sister Penryn will do anything to get her back. Anything, including making a deal with an enemy angel. Raffe is a warrior who lies broken and wingless on the street. After eons of fighting his own battles, he finds himself being rescued from a desperate situation by a half-starved teenage girl. Traveling through a dark and twisted Northern California, they have only each other to rely on for survival. Together, they journey toward the angels' stronghold in San Francisco where she'll risk everything to rescue her sister and he'll put himself at the mercy of his greatest enemies for the chance to be made whole again.

#1 NEW YORK TIMES BESTSELLER“Evil is a completely different creature, Mac. Evil is bad that believes it’s good.”MacKayla Lane was just a child when she and her sister, Alina, were given up for adoption and banished from Ireland forever. Twenty years later, Alina is dead and Mac has returned to the country that expelled them to hunt her sister’s murderer. But after discovering that she descends from a bloodline both gifted and cursed, Mac is plunged into a secret history: an ancient conflict between humans and immortals who have lived concealed among us for thousands of years. What follows is a shocking chain of events with devastating consequences, and now Mac struggles to cope with grief while continuing her mission to acquire and control the Sinsar Dubh—a book of dark, forbidden magic scribed by the mythical Unseelie King, containing the power to create and destroy worlds. In an epic battle between humans and Fae, the hunter becomes the hunted when the Sinsar Dubh turns on Mac and begins mowing a deadly path through those she loves. Who can she turn to? Who can she trust? Who is the woman haunting her dreams? More important, who is Mac herself and what is the destiny she glimpses in the black and crimson designs of an ancient tarot card? From the luxury of the Lord Master’s penthouse to the sordid depths of an Unseelie nightclub, from the erotic bed of her lover to the terrifying bed of the Unseelie King, Mac’s journey will force her to face the truth of her exile, and to make a choice that will either save the world . . . or destroy it.Look for all of Karen Marie Moning’s sensational Fever novels: DARKFEVER | BLOODFEVER | FAEFEVER | DREAMFEVER | SHADOWFEVER | ICED | BURNED | FEVERBORN | FEVERSONG

Seven half-bloods shall answer the call, To storm or fire the world must fall. An oath to keep with a final breath, And foes bear arms to the Doors of Death. Percy is confused. When he awoke from his long sleep, he didn't know much more than his name. His brain fuzz is lingering, even after the wolf Lupa told him he is a demigod and trained him to fight with the pen/sword in his pocket. Somehow Percy manages to make it to a camp for half-bloods, despite the fact that he has to keep killing monsters along the way. But the camp doesn't ring any bells with him. The only thing he can recall from his past is another name: Annabeth Hazel is supposed to be dead. When she lived before, she didn't do a very good job of it. Sure, she was an obedient daughter, even when her mother was possessed by greed. But that was the problem — when the Voice took over her mother and commanded Hazel to use her "gift" for an evil purpose, Hazel couldn't say no. Now because of her mistake, the future of the world is at risk. Hazel wished she could ride away from it all on the stallion that appears in her dreams. Frank is a klutz. His grandmother says he is descended from heroes and can be anything he wants to be, but he doesn't see it. He doesn't even know who his father is. He keeps hoping Apollo will claim him, because the only thing he is good at is archery — although not good enough to win camp war games. His bulky physique makes him feel like an ox, especially infront of Hazel, his closest friend at camp. He trusts her completely — enough to share the secret he holds close to his heart. Beginning at the "other" camp for half-bloods and extending as far as the land beyond the gods, this breathtaking second installment of the Heroes of Olympus series introduces new demigods, revives fearsome monsters, and features other remarkable creatures, all destined to play a part in the Prophesy of Seven.

A richly inventive novel about a centuries-old vampire, a spellbound witch, and the mysterious manuscript that draws them together. Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell. Debut novelist Deborah Harkness has crafted a mesmerizing and addictive read, equal parts history and magic, romance and suspense. Diana is a bold heroine who meets her equal in vampire geneticist Matthew Clairmont, and gradually warms up to him as their alliance deepens into an intimacy that violates age-old taboos. This smart, sophisticated story harks back to the novels of Anne Rice, but it is as contemporary and sensual as the Twilight series-with an extra serving of historical realism.

USA Today Bestselling Novel "No one tried to get involved with me, and I kept to myself. This was the place where everything was supposed to be safe and easy. How could Evan Mathews unravel my constant universe in just one day?" In the affluent town of Weslyn, Connecticut, where most people worry about what to be seen in and who to be seen with, Emma Thomas would rather not be seen at all. She’s more concerned with feigning perfection—pulling down her sleeves to conceal the bruises, not wanting anyone to know how far from perfect her life truly is. Without expecting it, she finds love. It challenges her to recognize her own worth―at the risk of revealing the terrible secret she’s desperate to hide. One girl’s story of life-changing love, unspeakable cruelty, and her precarious grasp of hope: Reason to Breathe is the first installment of the acclaimed Breathing Series.

I've seen him on the news. Followed the stories about what happened in Ohio. John Smith, out there, on the run. To the world, he's a mystery. But to me . . . he's one of us. Nine of us came here, but sometimes I wonder if time has changed us—if we all still believe in our mission. How can I know? There are six of us left. We're hiding, blending in, avoiding contact with one another . . . but our Legacies are developing, and soon we'll be equipped to fight. Is John Number Four, and is his appearance the sign I've been waiting for? And what about Number Five and Six? Could one of them be the raven-haired girl with the stormy eyes from my dreams? The girl with powers that are beyond anything I could ever imagine? The girl who may be strong enough to bring the six of us together? They caught Number One in Malaysia. Number Two in England. And Number Three in Kenya. They tried to catch Number Four in Ohio—and failed. I am Number Seven. One of six still alive. And I'm ready to fight.

The highly anticipated sequel to the New York Times bestselling and critically acclaimed *If I Stay* Picking up several years after the dramatic conclusion of If I Stay, Where She Went continues the story of Adam and Mia, from Adam's point of view. Ever since Mia's decision to stay - but not with him - Adam's career has been on a wonderful trajectory. His album, borne from the anguish and pain of their breakup, has made him a bona fide star. And Mia herself has become a top-rate cellist, playing in some of the finest venues in the world. When their respective paths put them both in New York City at the same time, the result is a single night in which the two reunite - with wholly satisfying results. And don't miss Gayle's newest novel, JUST ONE DAY and the forthcoming companion, JUST ONE YEAR. **Amazon.com Review Amazon Best Books of the Month, April 2011: In the three years since the tragic accident Mia barely survived in If I Stay, she and high school ex-boyfriend Adam have lived separate lives on opposite coasts. But then Adam, now the dissatisfied front man of popular LA-based band Collateral Damage, stops over in New York City for one night before kicking off the European leg of his tour. It happens to be the same evening that Mia, now well on her way to becoming a renowned cellist, is performing at Carnegie Hall. Adam buys a ticket, planning to slip in and out, but Mia spots him and for the first time in years they’re face-to-face with each other and their shared past. Over the course of one evening, as Adam and Mia traverse the city’s streets, they relive the four days Mia spent in the intensive care unit as well as her departure to Juilliard and from the life she knew. Emotionally raw and incredibly moving, Gayle Forman again showcases her considerable talent for drawing complex characters who face impossible decisions and then bear the consequences. Equally as compelling as If I Stay, Where She Went is powerful, heartbreaking, and everything fans of Mia, Adam, and Forman could hope for. --Jessica Schein Lauren Oliver and Gayle Forman: Author One-on-One Lauren Oliver is the author of Delirium and Before I Fall. A graduate of the University of Chicago and the MFA program at New York University, Lauren is a full-time writer and lives in Brooklyn, New York. Recently she sat down with Gayle Forman to discuss their work. Read the resulting interview below, or turn the tables to see what happened when Gayle interviewed Lauren. From Lauren Oliver: I’ve had a writer’s crush on Gayle Forman ever since I read an early copy of If I Stay. It’s a shattering and ultimately life-affirming book, and I was completely transported by the lyricism of Gayle’s prose. Like the music it often references, her writing seems to float gracefully over and around its themes of life and choice and love—always love. We’ve been trying to grab coffee in our neighborhood for over a year (and have even run into each other on the street outside the local grocery store). Finally, on the eve of the publication of Where She Went (April 5, 2011), the gorgeous follow-up to If I Stay, we found time to grab lunch and gab. Lauren: Had you always intended to write a sequel to If I Stay? Gayle: No. I had no intention of writing a sequel, in fact. But in the way that characters sometimes behave, Adam and Mia had different ideas. I’d started on a totally different book, actually, but they kept banging on the drum in my head. And I felt I had left them in a difficult place. At the end of If I Stay, I knew they both they had a rough couple of years ahead of them. Lauren: How hard was it to switch POV and enter Adam’s mind? To write from a boy’s perspective? Gayle: It wasn’t very hard, actually. I knew the characters so well. I knew him so well. It was actually strange to know a character so well without actually having seen through his eyes. But in some ways, I could understand Adam even more than I could understand Mia when I started writing her. Mia was so different from me. One thing that was hard: Adam was so angry at Mia, and so I was angry at Mia, and that was disconcerting. Lauren: Is there transference of emotions when you write? Do you feel you become your characters in some way? Gayle: Totally. I let my sister read a draft of Where She Went and she said, “I forgive you for being such a brat.” Because I’d been totally channeling that anger. If I Stay actually was kind of a beautiful place to be, because Mia was surrounded by so much love. Where She Went was a lot harder, even though nobody dies. Lauren: So Mia is quite different from you, then? Gayle: Completely. When I first started writing her, and even though she inhabited me, I was like, where are you coming from? I feel like when I talk, I sound like a teenage valley girl. She seems so wise to me, like such an old soul. I certainly can see elements of me, but she definitely feels quite different and other. But I loved her and felt very protective of her and I knew her very well. Lauren: How did you know that so much time would have to elapse between books? Gayle: I just knew that it had to be several years later. The same that I knew that it couldn’t be from Mia’s perspective. If we were in Mia’s head again it would be another exploration of her grief. And it had to be several years later for Adam and Mia to be ready for change. Lauren: What’s your writing process? Gayle: My process is sort of similar to yours. I don’t start by writing the ending of the books, but I know what the ending will be. Although with If I Stay, I didn’t know what Mia’s choice would be, though I knew the book would end by her choosing. I totally get ideas in the shower too! I’m a firm believer that the muse visits when you are working—sitting at the computer—but the moments when things have clicked have so often been in the shower. And then I’ll be sitting at my computer in a towel, and my apartment is freezing. We don’t have one of those hot New York apartments. I should really invest in a bathrobe. Lauren: But you don’t outline? Gayle: I do not outline. I love exploring the twists and turns to get me to that ending, the unexpected places. Lauren: I really love what you said about the muse visiting when you are working. So you’re pretty much always working on a book? Gayle: Yes. Momentum breeds momentum and inertia breeds inertia. Even if something’s not working, I’ll keep working, just to have something to work on, if that makes sense. And sometimes one failed project leads to another project that works. But you can’t get to 60 mph from a full stop. It never happens that something springs to life from nothing. Lauren: Music is so important in both If I Stay and Where She Went. So it begs the question: do you listen to music when you write? Gayle: When I wrote If I Stay, I listened to music the whole time…There was this one song, Falling Slowly, which I listened to every time I began writing. It was a Pavlovian thing. I’d listen to it, it would make me cry, and then I would start working. I wrote Where She Went in dead silence until about 3/4 of the way through. The switch coincided with a point at which Adam stops being estranged from music. He borrows an ipod and after that moment, I started listening to music again while I was writing. Lauren: What are the themes that interest you as a writer? Gayle: Love, I think, in all of its dimensions. The cost of unconditional love…what happens in the absence of love. Love is what we all live and breathe for. Lauren: What was the proportion of fiction versus real life in If I Stay? What about Where She Went? I know that If I Stay was actually based off a real-life event. Gayle: In If I Stay some of the characters were based on people I knew and the premise was based on a real-life event. Where She Went passed fully into the realm of fiction. There’s a certain transcendence in the aftermath of tragedy…you find something deeper in yourself. But eventually all that passes, and you have to simply get on with it. That was the germ of reality in Where She Went. The gritty reality of grieving and getting on with life. Lauren: What’s the best and worst part about publishing a follow-up novel to a super successful book? Gayle: I worry about letting people down, of course. But mostly, I put the pressure on myself. I want every book to be better than the one before. Lauren: What about the best? Gayle: I’m just so glad that we write YA because we have such a broad and vocal readership. Review "[A] gorgeous portrayal of rejection and rekindled love." - USA Today "Forman follows up her bestselling "If I Stay" with a story that is equally if not more powerful . . . " - Publishers Weekly, starred review

Fiercely loyal to his elder brother, Alaric McCabe leads his clan in the fight for their birthright. Now he is prepared to wed for duty, as well. But on his way to claim the hand of Rionna McDonald, daughter of a neighboring chieftain, he is ambushed and left for dead. Miraculously, his life is saved by the soft touch of a Highland angel, a courageous beauty who will put to the test his fealty to his clan, his honor, and his deepest desires. An outcast from her own clan, Keeley McDonald was betrayed by those she loved and trusted. When the wounded warrior falls from his horse, she is drawn to his strong, lean body. The wicked glint in his green eyes ignites a passion that will follow them back to Alaric's keep, where their forbidden love draws them deeper into the pleasures of the flesh. But as conspiracy and danger circle closer, Alaric must make an impossible choice: Will he betray his blood ties for the woman he loves?

Luce would die for Daniel. And she has. Over and over again. Throughout time, Luce and Daniel have found each other, only to be painfully torn apart: Luce dead, Daniel left broken and alone. But perhaps it doesn't need to be that way. . . . Luce is certain that something - or someone - in a past life can help her in her present one. So she begins the most important journey of this lifetime. . . going back eternities to witness firsthand her romances with Daniel. . . and finally unlock the key to making their love last. Cam and the legions of angels and Outcasts are desperate to catch Luce, but none are as frantic as Daniel. He chases Luce through their shared pasts, terrified of what might happen if she rewrites history. Because their romance for the ages could go up in flames. . . forever.

Despite his fiancée\'s chilling betrayal, developer Ryan Beardsley provided for Kelly Christian when he sent her packing. So he\'s livid to find her working in a dingy Houston diner, desperate and pregnant. Regardless of whether the baby is his or his brother\'s, Ryan demands that Kelly return to New York with him. Now. For the baby\'s sake. Or maybe because the woman\'s as irresistible as ever…

It’s the end of the line. WICKED has taken everything from Thomas: his life, his memories, and now his only friends—the Gladers. But it’s finally over. The trials are complete, after one final test. Will anyone survive? What WICKED doesn’t know is that Thomas remembers far more than they think. And it’s enough to prove that he can’t believe a word of what they say. The truth will be terrifying. Thomas beat the Maze. He survived the Scorch. He’ll risk anything to save his friends. But the truth might be what ends it all. The time for lies is over.

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery. **Review [A]n exemplary job both of presenting the major topics of Paradise Lost and of entering the selva oscura of Milton criticism. . . . Students and scholars alike will appreciate the balanced approach to the complexities, difficulties, and conundrums of Milton's poem and the criticism on it. Kastan's prose is not just lively but chiseled, and it is destined to affect students. --Patrick Cheney, Studies in English Literature, 1500-1900 Kastan is an exemplary editor, attuned to emerging critical currents, yet steeped in the scholarship of an earlier tradition, aware of the text's provenance and reception, alert to its topicality. His introduction, a model of theoretically informed, politically committed, historically grounded criticism, makes this edition of Paradise Lost all you would expect from one of the most erudite and perceptive figures in the field. --Willy Maley, Modern Language Review This is a superb edition, a model of careful editing and judicious annotation. --Leslie Brisman, Department of English, Yale University Review "Barbara Lewalski is the doyenne of the community of Milton scholars, but she also remains committed to the enterprise of teaching. In this exemplary edition of Paradise Lost both qualities are in evidence: the text is scrupulous and the scholarship rigorous, but both the introduction and the notes are accommodated to the needs of students who will be coming to the poem for the first time. This is an edition that will please students and professors alike, and its sheer quality is a tribute to Barbara Lewalski's passion to provide readers with all the help they need to understand the greatest of all English poems." –Gordon Campbell, University of Leicester "Teachers and scholars will welcome Barbara Lewalski’s Blackwell edition of Paradise Lost, one not only informed by the erudition of a prominent and highly respected Miltonist but advantaged by her sound decision to reproduce the original language, spelling, punctuation, capitalization, and italics of the 1674 text." –Edward Jones, Editor, Milton Quarterly "For the student or general reader, looking for an old-spelling edition that is faithful to the original punctuation, this edition has much to recommend it. Its annotation is crisp, purposeful and well-judged." –Thomas N. Corns, University of Wales, Bangor "A superb teaching text. Lewalski’s edition respects Milton’s original poem and offers supremely clear introductions, bibliography and special material to guide the student reader and educated lay person alike to new discoveries in a work that, quite simply, has it all: good, evil, God, Satan, humans, angels, love, despair, war, politics, sex, duty, and sublime poetry—set in a cosmic landscape that inspires wonder and seduces new readers in every generation." –Sharon Achinstein, Oxford University