Hello, Gorgeous: Becoming Barbra Streisand, page 67
]
Rule, Janice, [>]
Rumple (musical), [>]
Russell, Evelyn, [>]
Ryan, Eddie, [>]
Sackin, Nat, [>]
“Sadie, Sadie, Married Lady” (Funny Girl), [>]–[>], [>]–[>]
Sanders, Felicia, [>]
San Francisco, CA
appeal of, [>]–[>]
hungry i performances, [>]–[>]
San Francisco Chronicle articles and reviews, [>], [>]
San Jose Civic Auditorium, San Jose, performance at, [>]
Sarmento, William, articles and reviews by, [>], [>], [>]
Sartre, Jean-Paul, [>]
Sassoon, Vidal, [>]–[>]
Saturday Evening Post, article about Streisand in, [>]–[>], [>]
Say, Darling (musical), [>]
Schear, Robert, [>]
Scheck, George, [>]
Schubert Theatre, Philadelphia, Wholesale previews at, [>]–[>], [>]
Schulenberg, Robert (Bob)
artistic ambitions, [>]–[>]
drawings, sketches of Streisand, [>], [>]–[>], [>]
estrangement from Streisand, [>]–[>], [>]–[>], [>]
friendship with Streisand, [>], [>], [>], [>], [>]
lessons about fashion and etiquette from, [>]–[>], [>], [>]
makeup, makeovers, mentoring, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>]
reaction to Bon Soir debut, [>]–[>]
respect for Streisand’s abilities, [>]
reunion with Streisand in England, [>], [>]–[>]
at 20th birthday party, [>]
Schwartz, Marv, [>], [>]–[>], [>]
Schwartz, Murray, [>]
Scott, Roy, [>]–[>], [>]
Scripps-Howard newspapers, reviews in, [>]–[>], [>]
Second Barbra Streisand Album, The, [>]–[>], [>]
“Second Hand Rose,” [>], [>]
Seeger, Pete, [>]
Segal, George, [>], [>]
self-doubt. See also appearance, looks
and childhood insecurity, [>], [>]–[>], [>], [>], [>]
depth of, [>], [>]
following voice problems, [>]–[>]
Gould’s, [>], [>]
and mentions of appearance, [>]
performance anxiety, nervousness, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>]
revelations of, [>]–[>]
Robbins’s, [>]
and standoffishness, shyness, [>], [>], [>], [>]
Seven Arts Productions
founding, [>]
movie contract with, [>]–[>], [>], [>]
Sgroi, Ernie, Jr., [>], [>]–[>]
Sgroi, Ernie, Sr., [>]–[>], [>], [>]–[>]
Sharaff, Irene, [>]
Shaw, George Bernard, [>]
Shearer, Lloyd, profile by, [>], [>]–[>], [>]
Sheppard, Eugenia, [>], [>]
Shirley Horn Trio, The, [>]
Shore, Dinah, [>], [>]–[>]
Show magazine, “Singing Valentines” feature, [>]
Shubert Theatre, Boston, Funny Girl previews, [>]–[>]
Shubert Theatre, New York City, Wholesale performances, [>]–[>]
Shurtleff, Michael, [>]
Sidney, Sylvia, [>]
Siegel, Arthur, [>]
Simek, Vasek, [>], [>]–[>], [>]
Sinatra, Frank, [>]
singing. See also specific performances, reviews and songs
as acting, storytelling, [>], [>]–[>], [>], [>]
as career, ambivalence about, [>], [>], [>]–[>], [>], [>], [>]–[>]
communication of emotions through, [>]–[>], [>]
development of unique style, [>], [>]
nightclub performing, [>], [>]
quality of voice, innate talent, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]
singing voice vs. speaking voice, [>]
song styling, phrasing, [>], [>]
and support from musical establishment, [>]–[>]
voice problems, [>], [>]–[>]
Singing Nun, The (Deckers), [>], [>], [>]
Sirchio, Cosmo, [>]
“Sixteen Going on Seventeen” (Sound of Music), [>]
Skolsky, Sidney, [>]–[>]
“Sleepin’ Bee, A” (Arlen)
at Bon Soir audition, [>]
at Bon Soir debut, [>]
at the Blue Angel, [>]
at the Caucus Club, [>]
on The Jack Paar Show, [>]–[>], [>]
at the Lion, [>]–[>]
on PM East, [>]
singing of, for the Cormans, [>]–[>]
“Sleep Now, Baby Bunting” (Funny Girl), [>]
Sleep Warm (album), [>]
Sloan, Dick, [>], [>]
Slocum, Bill, [>]–[>]
Smith, Merriman, [>]
Smith, Michael, [>]
Smothers, Tom, [>]–[>], [>]
Smothers Brothers at the Purple Onion, The (album), [>]
Sobel, Elaine, [>], [>], [>], [>]
Sobol, Louis, [>], [>]
Softness, Don
firing of, [>]
publicity, promotional material, [>]–[>], [>], [>], [>], [>], [>]
publicity for Harry Stoones, [>]
relationship with Streisand, [>], [>], [>], [>]
at 20th birthday party, [>]
Softness, John, [>]
Softness Group, [>], [>]–[>]
Solters, Lee (Nathan Cohen, “Nussy”)
long-range perspective, [>]
as Merrick’s publicist, [>]
publicity, promotional material, [>]–[>], [>]–[>], [>], [>], [>]
“Something About Me” (Funny Girl), [>]–[>], [>]
Sondheim, Stephen, [>], [>], [>]
“Song of India,” on The Judy Garland Show, [>]
“Soon It’s Gonna Rain” (The Fantasticks)
at the Crystal Palace, [>]
recording of, [>]
Sound of Music, The (musical) touring company, [>], [>]
Splendor in the Grass (movie), [>]
Stang, Joanne, [>]–[>], [>], [>]
Star Is Born, A (film), [>]
Stark, Frances Brice Arnstein
background and education, [>]–[>]
courtship and marriage, [>], [>]
first meetings with Streisand, [>], [>]
parties, [>]–[>]
relationship with Streisand, [>], [>], [>], [>], [>], [>]
role in casting of Brice in Funny Girl, [>], [>], [>]–[>], [>]
Stark, Max, [>]
Stark, Peter, [>], [>]
Stark, Ray, [>]. See also Seven Arts Productions; Stark, Frances
auditions for Funny Girl, [>], [>]–[>]
background, early career, [>]–[>]
complaints about Bancroft, [>]
conflicts with Merrick, [>]
conflicts with Streisand, [>]–[>], [>]–[>]
faith in Funny Girl production, [>], [>]–[>], [>], [>], [>]
hiring of Fosse, [>]
marriage, [>], [>]
move to Hollywood, [>]
personality, [>]–[>], [>]–[>], [>]–[>], [>], [>]
praise for Miss Marmelstein performance, [>]–[>]
publicity for Funny Girl, [>]
reaction to Fosse’s defection, [>]
rehiring of Robbins, [>]
relationship with Brice, [>]–[>], [>], [>]
relationship with Kazan, [>]–[>]
relationship with Robbins, [>], [>]–[>], [>]
as sole producer of Funny Girl, [>]–[>]
Streisand’s contracts with, [>], [>], [>]
support for casting of Streisand as Brice, [>], [>], [>], [>], [>], [>]–[>]
travel by, [>]
Stark, Sadie Vera Gotlieb, [>]
Stark, Wendy, [>]
Starr, Ringo, [>]
Staten Island, Townhouse nightclub performance, [>]
Stevens, Kaye, [>], [>]
St. Louis, MO
Crystal Palace engagement, [>]
Merrick’s childhood in, [>]
Stoney End album, [>]
Stop the World—I Want to Get Off (musical), [>]
Storch, Larry, [>], [>], [>]
Strasberg, Lee, [>], [>], [>]–[>]
Strasberg, Susan, [>]
Stravinsy, Igor, [>]
Streisand, Emanuel (father)
ambition, [>]
curiosity and ambition, [>]–[>]
early death, long-term impacts, [>]–[>], [>], [>], [>]
love for culture, the theater, [>]
Streisand’s pride in, [>]
Streisand, Sheldon (Shelly, brother), [>], [>], [>], [>]–[>], [>], [>], [>]
Student Gypsy, The (Besoyan), [>]
Styne, Jule
at auditions for Funny Girl, [>], [>]
at Bon Soir performances, [>]
career, achievements, [>], [>]–[>]
collaboration with Merrill, [>]
music for Funny Girl, [>]–[>], [>], [>], [>]–[>]
personality, [>]
relationship with Streisand, [>], [>], [>], [>]–[>], [>]–[>], [>]
role in casting for Brice in Funny Girl, [>], [>]–[>], [>]
Say, Darling, [>]
Subways Are for Sleeping (musical), [>], [>]
Sullivan, Ed, [>], [>]
Sully, Joe, [>]
Supera, Pete, [>]
Susskind, David, [>]–[>], [>]–[>]
switchboard job with Ben Sackheim, Inc., [>]–[>]
Syms, Sylvia, [>]
“Taste of Honey, A,” recording of, [>]
Taubman, Howard
on the importance of the hungry i, [>]
review of Funny Girl, [>]
review of Wholesale, [>]
Taylor, Elizabeth, [>], [>]
Taylor, Renée, [>]
television. See also specific television shows and appearances
Garland’s hopes for, [>]
Streisand’s skill at performing on, [>], [>]–[>]
Susskind productions, [>]
Telpner, Gene, review by, [>]
Tenderloin (musical), [>]
Tew, Fred, review by, [>]–[>]
Theatre Studio. See also Corman, Cis (Eleanor Cohen); Miller, Allan
enrollment at, [>]–[>]
founding, acting approach, [>]
Fundamentals course, [>]
hard work and training, [>], [>]
productions at, [>], [>]–[>], [>]
“There’s No Business Like Show Business,” on The Judy Garland Show, [>]
Third Album, The, [>]–[>], [>]
Three Flames, The, [>], [>]
Three Little Pigs, The (Disney), [>]
Thunder in the Sun (movie), [>]
“As Time Goes By,” on The Third Album, [>]
Time magazine, cover story on Streisand, [>]–[>], [>]
Time of the Cuckoo, The (play), [>]
tinnitus, [>], [>]–[>], [>], [>], [>]
“Tintypes” (Skolsky), [>]–[>]
Today Show (television), appearance on, [>]
Tonight Show, The (television), appearances on, [>], [>]–[>]
Tony and Eddie comedy team, [>]
Tony Awards
to Chaplin for Bells Are Ringing, [>]
for Hello, Dolly!, [>]
local TV coverage of, [>]
1962 event at the Waldorf, [>]
nomination for role in Wholesale, [>]
nominations for Funny Girl, [>]
special award for theatrical excellence, [>]
Top Banana (musical), [>]
Tormé, Mel, [>]–[>]
On the Town (musical), London revival
closing of, [>], [>]–[>]
Elspeth March in, [>]–[>]
Gould’s role in, [>]–[>], [>]
Layton as director of, [>]–[>]
opening, [>], [>]
reviews, [>], [>]
Townhouse nightclub, New York, performance at, [>]
Town ‘n’ Country, Winnipeg, Manitoba, performance at, [>]–[>]
Tucker, Sophie, [>]
Two for the Seesaw (play), [>]
United Press International, article in, [>]–[>]
unprofessionalism
and boredom with routine, [>], [>], [>], [>], [>], [>]
chronic lateness, [>]–[>], [>]–[>], [>], [>], [>]
as reflection of lack of commitment, [>]
“Value” (Harris)
at audition for What’s in It for Me?, [>]
at the Bon Soir, [>]
in Harry Stoones, [>], [>]
Van Dyke, Jerry, [>], [>]
Van Horne, Harriet, review by, [>]
Van Patten, Dick, review by, [>]
Variety
importance of, as show business newspaper, [>]
review of Basin Street East debut, [>]
review of Blue Angel performance, [>]
review of Bon Soir return engagement, [>], [>]
review of Caucus Club performance, [>]
review of Crystal Palace performance, [>]
review of Harry Stoones, [>]
review of Las Vegas performances, [>]
Vaughn, Sharon, [>], [>]
Vidal, Gore, [>]
Vidor, Doris, [>]–[>]
Village Vanguard performances, [>]–[>]
Village Voice, review in, [>]
Wagner, Robert, [>]
Walker, Nancy, [>]
Wallace, Mike
on Caucus Club performance, [>]–[>]
conflicts with Streisand, [>], [>]
ego and ambition, [>]
as host for PM East, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
Wallach, Eli, [>]
Waller, Fats, [>]
Wall Street Journal, review in, [>]
Weidman, Jerome (Jerry)
at auditions for Wholesale, [>], [>]
at the Blue Angel debut, [>]
book for Wholesale, [>]
Holiday feature on Streisand, [>]
on Streisand’s portrayal of Miss Marmelstein, [>]
writing and film career, [>]–[>]
Welch, Ken, [>]–[>], [>]
West, Mae, [>]–[>]
West Side Story (musical), [>], [>]–[>], [>]
“When Sunny Gets Blue”
at Bon Soir debut, [>]
on The Jack Paar Show, [>]
at the Lion, [>]–[>]
“When the Sun Comes Out” (Arlen)
on The Barbra Streisand Album, [>]–[>]
at the Caucus Club, [>]
on The Garry Moore Show, [>]–[>]
on The Jack Paar Show, [>]–[>]
Whisper to Me (play), [>]–[>]
White, Josh, [>]
White Goddess, The (Graves), [>]–[>], [>], [>], [>]
White House correspondents’ dinner, [>]–[>]
“Who Are You Now?” (Funny Girl), [>], [>]–[>]
“Who’s Afraid of the Big Bad Wolf?” (Disney)
arrangement of, origins, [>]–[>]
on The Barbra Streisand Album, [>]
at Basin Street East, [>]
at Bon Soir debut, [>]–[>], [>]
at the hungry i, [>]–[>]
“Who Will Buy?” (Oliver!)
at Basin Street East, [>]
on The Second Barbra Streisand Album, [>]–[>]
“Why Try to Change Me Now,” at the Lion, [>]
William Morris Agency, [>]
Williams, George, [>]–[>], [>]
“Will I Talk?” (Funny Girl), [>]
Willoughby, Bob, [>]
Wilson, Dagmar, [>]
Wilson, Earl
gossip about casting of Brice, [>]–[>], [>]
gossip about relationship with Gould, [>], [>], [>], [>], [>], [>], [>], [>]
interview of Diana Kind, [>]
positive press for Streisand, [>], [>], [>], [>], [>], [>], [>], [>], [>]
Wilson, John S., review by, [>]
Winchell, Walter
on fight between Kanin and Miller, [>]
praise for Streisand, [>]
pregnancy rumors, [>]
on problems with Funny Girl, [>]
review of The Barbra Streisand Album, [>]
Winnipeg, Canada, performances in, [>]–[>]
Winnipeg Free Press, reviews in, [>]
Winter Garden Kids, [>]–[>], [>], [>]
Winter Garden Theatre, New York City, Funny Girl rehearsals, [>]
WJR, Detroit, publicity on, [>], [>]
WNEW television. See PM East
Women Strike for Peace, [>], [>]
Women’s Wear Daily, reviews in, [>]
Wood, Natalie, [>], [>]
Words and Music (movie), [>
Rule, Janice, [>]
Rumple (musical), [>]
Russell, Evelyn, [>]
Ryan, Eddie, [>]
Sackin, Nat, [>]
“Sadie, Sadie, Married Lady” (Funny Girl), [>]–[>], [>]–[>]
Sanders, Felicia, [>]
San Francisco, CA
appeal of, [>]–[>]
hungry i performances, [>]–[>]
San Francisco Chronicle articles and reviews, [>], [>]
San Jose Civic Auditorium, San Jose, performance at, [>]
Sarmento, William, articles and reviews by, [>], [>], [>]
Sartre, Jean-Paul, [>]
Sassoon, Vidal, [>]–[>]
Saturday Evening Post, article about Streisand in, [>]–[>], [>]
Say, Darling (musical), [>]
Schear, Robert, [>]
Scheck, George, [>]
Schubert Theatre, Philadelphia, Wholesale previews at, [>]–[>], [>]
Schulenberg, Robert (Bob)
artistic ambitions, [>]–[>]
drawings, sketches of Streisand, [>], [>]–[>], [>]
estrangement from Streisand, [>]–[>], [>]–[>], [>]
friendship with Streisand, [>], [>], [>], [>], [>]
lessons about fashion and etiquette from, [>]–[>], [>], [>]
makeup, makeovers, mentoring, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>]
reaction to Bon Soir debut, [>]–[>]
respect for Streisand’s abilities, [>]
reunion with Streisand in England, [>], [>]–[>]
at 20th birthday party, [>]
Schwartz, Marv, [>], [>]–[>], [>]
Schwartz, Murray, [>]
Scott, Roy, [>]–[>], [>]
Scripps-Howard newspapers, reviews in, [>]–[>], [>]
Second Barbra Streisand Album, The, [>]–[>], [>]
“Second Hand Rose,” [>], [>]
Seeger, Pete, [>]
Segal, George, [>], [>]
self-doubt. See also appearance, looks
and childhood insecurity, [>], [>]–[>], [>], [>], [>]
depth of, [>], [>]
following voice problems, [>]–[>]
Gould’s, [>], [>]
and mentions of appearance, [>]
performance anxiety, nervousness, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>]
revelations of, [>]–[>]
Robbins’s, [>]
and standoffishness, shyness, [>], [>], [>], [>]
Seven Arts Productions
founding, [>]
movie contract with, [>]–[>], [>], [>]
Sgroi, Ernie, Jr., [>], [>]–[>]
Sgroi, Ernie, Sr., [>]–[>], [>], [>]–[>]
Sharaff, Irene, [>]
Shaw, George Bernard, [>]
Shearer, Lloyd, profile by, [>], [>]–[>], [>]
Sheppard, Eugenia, [>], [>]
Shirley Horn Trio, The, [>]
Shore, Dinah, [>], [>]–[>]
Show magazine, “Singing Valentines” feature, [>]
Shubert Theatre, Boston, Funny Girl previews, [>]–[>]
Shubert Theatre, New York City, Wholesale performances, [>]–[>]
Shurtleff, Michael, [>]
Sidney, Sylvia, [>]
Siegel, Arthur, [>]
Simek, Vasek, [>], [>]–[>], [>]
Sinatra, Frank, [>]
singing. See also specific performances, reviews and songs
as acting, storytelling, [>], [>]–[>], [>], [>]
as career, ambivalence about, [>], [>], [>]–[>], [>], [>], [>]–[>]
communication of emotions through, [>]–[>], [>]
development of unique style, [>], [>]
nightclub performing, [>], [>]
quality of voice, innate talent, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]
singing voice vs. speaking voice, [>]
song styling, phrasing, [>], [>]
and support from musical establishment, [>]–[>]
voice problems, [>], [>]–[>]
Singing Nun, The (Deckers), [>], [>], [>]
Sirchio, Cosmo, [>]
“Sixteen Going on Seventeen” (Sound of Music), [>]
Skolsky, Sidney, [>]–[>]
“Sleepin’ Bee, A” (Arlen)
at Bon Soir audition, [>]
at Bon Soir debut, [>]
at the Blue Angel, [>]
at the Caucus Club, [>]
on The Jack Paar Show, [>]–[>], [>]
at the Lion, [>]–[>]
on PM East, [>]
singing of, for the Cormans, [>]–[>]
“Sleep Now, Baby Bunting” (Funny Girl), [>]
Sleep Warm (album), [>]
Sloan, Dick, [>], [>]
Slocum, Bill, [>]–[>]
Smith, Merriman, [>]
Smith, Michael, [>]
Smothers, Tom, [>]–[>], [>]
Smothers Brothers at the Purple Onion, The (album), [>]
Sobel, Elaine, [>], [>], [>], [>]
Sobol, Louis, [>], [>]
Softness, Don
firing of, [>]
publicity, promotional material, [>]–[>], [>], [>], [>], [>], [>]
publicity for Harry Stoones, [>]
relationship with Streisand, [>], [>], [>], [>]
at 20th birthday party, [>]
Softness, John, [>]
Softness Group, [>], [>]–[>]
Solters, Lee (Nathan Cohen, “Nussy”)
long-range perspective, [>]
as Merrick’s publicist, [>]
publicity, promotional material, [>]–[>], [>]–[>], [>], [>], [>]
“Something About Me” (Funny Girl), [>]–[>], [>]
Sondheim, Stephen, [>], [>], [>]
“Song of India,” on The Judy Garland Show, [>]
“Soon It’s Gonna Rain” (The Fantasticks)
at the Crystal Palace, [>]
recording of, [>]
Sound of Music, The (musical) touring company, [>], [>]
Splendor in the Grass (movie), [>]
Stang, Joanne, [>]–[>], [>], [>]
Star Is Born, A (film), [>]
Stark, Frances Brice Arnstein
background and education, [>]–[>]
courtship and marriage, [>], [>]
first meetings with Streisand, [>], [>]
parties, [>]–[>]
relationship with Streisand, [>], [>], [>], [>], [>], [>]
role in casting of Brice in Funny Girl, [>], [>], [>]–[>], [>]
Stark, Max, [>]
Stark, Peter, [>], [>]
Stark, Ray, [>]. See also Seven Arts Productions; Stark, Frances
auditions for Funny Girl, [>], [>]–[>]
background, early career, [>]–[>]
complaints about Bancroft, [>]
conflicts with Merrick, [>]
conflicts with Streisand, [>]–[>], [>]–[>]
faith in Funny Girl production, [>], [>]–[>], [>], [>], [>]
hiring of Fosse, [>]
marriage, [>], [>]
move to Hollywood, [>]
personality, [>]–[>], [>]–[>], [>]–[>], [>], [>]
praise for Miss Marmelstein performance, [>]–[>]
publicity for Funny Girl, [>]
reaction to Fosse’s defection, [>]
rehiring of Robbins, [>]
relationship with Brice, [>]–[>], [>], [>]
relationship with Kazan, [>]–[>]
relationship with Robbins, [>], [>]–[>], [>]
as sole producer of Funny Girl, [>]–[>]
Streisand’s contracts with, [>], [>], [>]
support for casting of Streisand as Brice, [>], [>], [>], [>], [>], [>]–[>]
travel by, [>]
Stark, Sadie Vera Gotlieb, [>]
Stark, Wendy, [>]
Starr, Ringo, [>]
Staten Island, Townhouse nightclub performance, [>]
Stevens, Kaye, [>], [>]
St. Louis, MO
Crystal Palace engagement, [>]
Merrick’s childhood in, [>]
Stoney End album, [>]
Stop the World—I Want to Get Off (musical), [>]
Storch, Larry, [>], [>], [>]
Strasberg, Lee, [>], [>], [>]–[>]
Strasberg, Susan, [>]
Stravinsy, Igor, [>]
Streisand, Emanuel (father)
ambition, [>]
curiosity and ambition, [>]–[>]
early death, long-term impacts, [>]–[>], [>], [>], [>]
love for culture, the theater, [>]
Streisand’s pride in, [>]
Streisand, Sheldon (Shelly, brother), [>], [>], [>], [>]–[>], [>], [>], [>]
Student Gypsy, The (Besoyan), [>]
Styne, Jule
at auditions for Funny Girl, [>], [>]
at Bon Soir performances, [>]
career, achievements, [>], [>]–[>]
collaboration with Merrill, [>]
music for Funny Girl, [>]–[>], [>], [>], [>]–[>]
personality, [>]
relationship with Streisand, [>], [>], [>], [>]–[>], [>]–[>], [>]
role in casting for Brice in Funny Girl, [>], [>]–[>], [>]
Say, Darling, [>]
Subways Are for Sleeping (musical), [>], [>]
Sullivan, Ed, [>], [>]
Sully, Joe, [>]
Supera, Pete, [>]
Susskind, David, [>]–[>], [>]–[>]
switchboard job with Ben Sackheim, Inc., [>]–[>]
Syms, Sylvia, [>]
“Taste of Honey, A,” recording of, [>]
Taubman, Howard
on the importance of the hungry i, [>]
review of Funny Girl, [>]
review of Wholesale, [>]
Taylor, Elizabeth, [>], [>]
Taylor, Renée, [>]
television. See also specific television shows and appearances
Garland’s hopes for, [>]
Streisand’s skill at performing on, [>], [>]–[>]
Susskind productions, [>]
Telpner, Gene, review by, [>]
Tenderloin (musical), [>]
Tew, Fred, review by, [>]–[>]
Theatre Studio. See also Corman, Cis (Eleanor Cohen); Miller, Allan
enrollment at, [>]–[>]
founding, acting approach, [>]
Fundamentals course, [>]
hard work and training, [>], [>]
productions at, [>], [>]–[>], [>]
“There’s No Business Like Show Business,” on The Judy Garland Show, [>]
Third Album, The, [>]–[>], [>]
Three Flames, The, [>], [>]
Three Little Pigs, The (Disney), [>]
Thunder in the Sun (movie), [>]
“As Time Goes By,” on The Third Album, [>]
Time magazine, cover story on Streisand, [>]–[>], [>]
Time of the Cuckoo, The (play), [>]
tinnitus, [>], [>]–[>], [>], [>], [>]
“Tintypes” (Skolsky), [>]–[>]
Today Show (television), appearance on, [>]
Tonight Show, The (television), appearances on, [>], [>]–[>]
Tony and Eddie comedy team, [>]
Tony Awards
to Chaplin for Bells Are Ringing, [>]
for Hello, Dolly!, [>]
local TV coverage of, [>]
1962 event at the Waldorf, [>]
nomination for role in Wholesale, [>]
nominations for Funny Girl, [>]
special award for theatrical excellence, [>]
Top Banana (musical), [>]
Tormé, Mel, [>]–[>]
On the Town (musical), London revival
closing of, [>], [>]–[>]
Elspeth March in, [>]–[>]
Gould’s role in, [>]–[>], [>]
Layton as director of, [>]–[>]
opening, [>], [>]
reviews, [>], [>]
Townhouse nightclub, New York, performance at, [>]
Town ‘n’ Country, Winnipeg, Manitoba, performance at, [>]–[>]
Tucker, Sophie, [>]
Two for the Seesaw (play), [>]
United Press International, article in, [>]–[>]
unprofessionalism
and boredom with routine, [>], [>], [>], [>], [>], [>]
chronic lateness, [>]–[>], [>]–[>], [>], [>], [>]
as reflection of lack of commitment, [>]
“Value” (Harris)
at audition for What’s in It for Me?, [>]
at the Bon Soir, [>]
in Harry Stoones, [>], [>]
Van Dyke, Jerry, [>], [>]
Van Horne, Harriet, review by, [>]
Van Patten, Dick, review by, [>]
Variety
importance of, as show business newspaper, [>]
review of Basin Street East debut, [>]
review of Blue Angel performance, [>]
review of Bon Soir return engagement, [>], [>]
review of Caucus Club performance, [>]
review of Crystal Palace performance, [>]
review of Harry Stoones, [>]
review of Las Vegas performances, [>]
Vaughn, Sharon, [>], [>]
Vidal, Gore, [>]
Vidor, Doris, [>]–[>]
Village Vanguard performances, [>]–[>]
Village Voice, review in, [>]
Wagner, Robert, [>]
Walker, Nancy, [>]
Wallace, Mike
on Caucus Club performance, [>]–[>]
conflicts with Streisand, [>], [>]
ego and ambition, [>]
as host for PM East, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]
Wallach, Eli, [>]
Waller, Fats, [>]
Wall Street Journal, review in, [>]
Weidman, Jerome (Jerry)
at auditions for Wholesale, [>], [>]
at the Blue Angel debut, [>]
book for Wholesale, [>]
Holiday feature on Streisand, [>]
on Streisand’s portrayal of Miss Marmelstein, [>]
writing and film career, [>]–[>]
Welch, Ken, [>]–[>], [>]
West, Mae, [>]–[>]
West Side Story (musical), [>], [>]–[>], [>]
“When Sunny Gets Blue”
at Bon Soir debut, [>]
on The Jack Paar Show, [>]
at the Lion, [>]–[>]
“When the Sun Comes Out” (Arlen)
on The Barbra Streisand Album, [>]–[>]
at the Caucus Club, [>]
on The Garry Moore Show, [>]–[>]
on The Jack Paar Show, [>]–[>]
Whisper to Me (play), [>]–[>]
White, Josh, [>]
White Goddess, The (Graves), [>]–[>], [>], [>], [>]
White House correspondents’ dinner, [>]–[>]
“Who Are You Now?” (Funny Girl), [>], [>]–[>]
“Who’s Afraid of the Big Bad Wolf?” (Disney)
arrangement of, origins, [>]–[>]
on The Barbra Streisand Album, [>]
at Basin Street East, [>]
at Bon Soir debut, [>]–[>], [>]
at the hungry i, [>]–[>]
“Who Will Buy?” (Oliver!)
at Basin Street East, [>]
on The Second Barbra Streisand Album, [>]–[>]
“Why Try to Change Me Now,” at the Lion, [>]
William Morris Agency, [>]
Williams, George, [>]–[>], [>]
“Will I Talk?” (Funny Girl), [>]
Willoughby, Bob, [>]
Wilson, Dagmar, [>]
Wilson, Earl
gossip about casting of Brice, [>]–[>], [>]
gossip about relationship with Gould, [>], [>], [>], [>], [>], [>], [>], [>]
interview of Diana Kind, [>]
positive press for Streisand, [>], [>], [>], [>], [>], [>], [>], [>], [>]
Wilson, John S., review by, [>]
Winchell, Walter
on fight between Kanin and Miller, [>]
praise for Streisand, [>]
pregnancy rumors, [>]
on problems with Funny Girl, [>]
review of The Barbra Streisand Album, [>]
Winnipeg, Canada, performances in, [>]–[>]
Winnipeg Free Press, reviews in, [>]
Winter Garden Kids, [>]–[>], [>], [>]
Winter Garden Theatre, New York City, Funny Girl rehearsals, [>]
WJR, Detroit, publicity on, [>], [>]
WNEW television. See PM East
Women Strike for Peace, [>], [>]
Women’s Wear Daily, reviews in, [>]
Wood, Natalie, [>], [>]
Words and Music (movie), [>
