Hello, Gorgeous: Becoming Barbra Streisand, page 66
]
engagement at, [>]
gay clientele, [>]
management of, [>]–[>]
talent contests, [>], [>]–[>], [>]–[>]
Lippner, Stuart, [>]–[>], [>]
Little Mary Sunshine (Besoyan), [>]
Loeb, Edward, [>]–[>]
Lolita (movie), [>]
London, England
rejection of move to, [>]
Streisand’s first visit to, [>]
London, Marc, [>]
London Chop House restaurant, Detroit, [>]
“Long Ago and Far Away,” at the Lion, [>]
“Lorelei” (Gershwin and Gershwin), [>]
Los Angeles, CA. See also Hollywood, CA
decision to move to, [>]–[>]
first visit to, [>], [>]–[>]
Hollywood Bowl concert, [>]
Los Angeles Times
review of Cocoanut Grove performance, [>]
review of Hollywood Bowl performance, [>]–[>]
Love Is Just Around the Corner (musical), [>]
Lovell, Marilyn, [>]
“Lover, Come Back to Me” (Romberg), [>], [>]
on The Barbra Streisand Album, [>]–[>]
at the Bon Soir, [>]
at the Cocoanut Grove, [>]
on The Ed Sullivan Show, [>]
on PM East, [>]
“Lover Man,” at the Bon Soir, [>]
Lowe, Charles, [>]
Lowell Sun, reviews of Funny Girl, [>], [>]
Lowry, Cynthia, [>]
Luckiest People, The. See Funny Girl
Luft, Sid, [>]
Lullaby (play), [>]
Lunt-Fontanne Theater, ushering job, [>], [>]
Lyons, Leonard, [>]
MacKenzie, Giselle, [>]
Madame Daunou shoe salon, [>]
Mademoiselle magazine, Merit Award, [>]
Mailer, Norman, [>]
Malden Bridge Playhouse internship, [>]
Mancini, Henry, [>]
Manhattan, move to, [>]–[>], [>], [>]
March, Elspeth, [>]–[>]
Marienthal, Oscar and George, [>]–[>]
Marshall, William, [>], [>]
Martin, Dean, [>]
Martin, Dick, [>]
Martin, Ernest, [>]–[>]
Martin, Mary, [>], [>], [>]
Marx, Groucho, [>], [>]–[>]
Mason, Richard, [>]
Matz, Janice, [>]
Matz, Peter
arrangements, [>]–[>], [>], [>], [>]
career, [>]
support and friendship from, [>]–[>], [>]
McCartney, Paul, [>]
McClain, John, [>]
McDowall, Roddy, [>], [>], [>]
McElligott, Pat, [>]
McGregor-Doniger sportswear, New York City, [>]–[>]
McHugh, Burke, [>], [>]–[>], [>], [>]
McLerie, Allyn Ann, [>], [>], [>]
Medford, Kay, [>], [>], [>]
Meehan, Danny, [>], [>]
Mercer, Mabel, [>]–[>], [>], [>]
Merman, Ethel, [>]–[>], [>]
Merrick, David
background, [>]
on casting for Brice role, [>], [>]
conflicts with Streisand, [>]
departure from Funny Girl, [>]
Fanny, [>]
first interview with Streisand, [>]
at Funny Girl auditions, [>]
hiring of Fosse for Funny Girl, [>]–[>]
hiring of Laurent for Wholesale, [>]
hiring of Streisand for Wholesale, [>]–[>], [>]
initial plan for Brice musical, [>]
Jewish identity, [>]
at 1962 Tony Awards, [>]
pressure to fire Gould, [>]
Solter’s publicity for, [>]
Stop the World—I Want to Get Off (musical), [>]
theatrical productions, successes, [>]–[>]
view of actors, [>]
warming to Streisand, [>]–[>]
What’s in It for Me?, [>]
Merrill, Bob
collaboration with Styne, [>], [>], [>], [>]
conflicts with Streisand, [>], [>]–[>]
at Funny Girl auditions, [>]
relationship with Bancroft, [>]
respect for Streisand’s abilities, [>], [>]
Merrill, Suzanne, [>], [>]–[>]
Messiah (Vidal), [>]
Metro-Goldwyn-Mayer tour, [>]
MGM records, audition with, [>]–[>]
Michaels, Matt, [>]–[>]
Michelson, Herb, [>]
Mike Douglas Show, The, cohosting on, [>]
Milan, Joe, [>]
Milland, Ray, [>]
Miller, Allan
as acting coach during Funny Girl rehearsals, [>]–[>]
background. teaching philosophy, [>]
Intermediate acting class, [>]
mentorship by, [>], [>], [>], [>], [>]
Miller, Anita, [>], [>]
Miller, Buzz, [>], [>]
mimicry skills, [>]
Mimsey (character in Funny Girl), [>]
Minnelli, Liza, [>]–[>]
Miracle Worker (play), [>]
Misfits, The (movie), [>]
Miss Marmelstein (in I Can Get It for You Wholesale). See also I Can Get It for You Wholesale
auditions for, [>]
Critics Circle Award for, [>]
dissatisfaction/boredom with role, [>]–[>], [>]
hiring of Streisand for, [>]–[>]
portrayal of, [>], [>]
rehearsals of, [>]
reviews, [>]–[>], [>]–[>], [>]–[>]
Mister Kelly’s, Chicago, appearances at, [>]–[>]
money, wealth. See also ambition; fame, stardom
discomfort with, [>], [>], [>]
and early experience of poverty, [>]–[>]
frugality with, [>]–[>], [>], [>], [>]
investments, business managers, [>], [>]
need for, [>]
“Sadie, Sadie, Married Lady,” [>]–[>]
Monk, Julius, [>]
monologues
Ballard’s, [>]
at Basin Street East, [>]–[>]
at the hungry i, [>]
in Las Vegas, [>]
Monroe, Marilyn, [>]
Montserrat (Hellman), [>]
“Moon River,” on PM East, [>]
Moore, Dudley, [>]
Moore, Garry, [>]–[>]
Moray, Bernie, [>], [>]
mother. See Kind, Diana Streisand (mother)
Mother Courage and Her Children (Brecht), [>], [>], [>]–[>]
movies, movie making
growing interest in, [>], [>]–[>]
Seven Arts contract, [>]–[>], [>], [>]
Streisand’s later roles, [>]
“Much More,” at the Blue Angel, [>]
Mueller, Fred, [>]
Murdock, Henry T., reviews by, [>], [>], [>]
Muth, May, [>]–[>]
“My Coloring Book” (Kander-Ebb), [>]
My Fair Lady, [>], [>]
“My Honey’s Lovin’ Arms,” recording of, [>]
My Man. See Funny Girl
“My Melancholy Baby,” recording of, [>]
“My Name Is Barbara” (Bernstein), at the Bon Soir, [>]
Nadel, Norman, review, [>]
name
misspelling and mispronunciation of, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]
name change, [>]–[>], [>]
Nash, Richard (The Young and Fair), [>]
National Association of Gag Writers, “Fanny Brice Award,” [>]
NBC Color City, Los Angeles, [>]
Neighborhood Playhouse, [>]
Neurotica (literary magazine), [>]
Newhart, Bob, [>]
Newley, Anthony, [>]
Newman, Phyllis, [>], [>]
New Moon, The (Romberg operetta), [>], [>]
Newspaper Enterprise Association, album review, [>]
New York Daily News, reviews in, [>], [>]
New York Drama Critics, Critics Circle Award for Miss Marmelstein role, [>]
New Yorker, The
profile of Streisand, [>]
review of Harry Stoones, [>]
New York Journal-American, review in, [>]
New York Times
musical theater article, [>]
photograph of Streisand in, [>]
report on Funny Girl preview, [>]
review of Bon Soir performance, [>]–[>]
review of Funny Girl, [>]
review of Wholesale cast album, [>]
review of Wholesale, [>]
New York World-Telegram
interview with Streisand, [>]
review of Bon Soir debut, [>]
review of Funny Girl, [>]
Nichols, Mike, [>]
Nielsen, Diana Lee, [>]–[>]
Night of the Iguana (movie), [>], [>]
“Nobody Makes a Pass at Me” (Rome), recording of, [>]
“Nobody’s Heart” (Rodgers and Hart), at Bon Soir debut, [>]–[>], [>]
Nora (in Funny Girl), [>], [>]–[>], [>]
North, Sheree, [>]
Norton, Elliot, review, [>]
No Strings (Rogers), [>]
Not in the Book (play), [>]
Objective Burma (movie), [>]
O’Donnell, Rosie, [>]
off-off-Broadway, [>]
Oliver! (musical), [>]
Oliver, Edith, review by, [>]
Olivier, Laurence, [>]
Once Upon a Mattress (television version), [>], [>]
One Flew Over the Cuckoo’s Nest (movie), [>]
“One Kiss” (Romberg), Diana Kind’s recording of, [>], [>]
Origin magazine, [>]
Osborn, Paul, [>]
Oscar for Funny Girl, [>]
Oscar’s Salt of the Sea restaurant, [>]–[>]
Oswald, Lee Harvey, [>]
Oxford, England, visit to Gould in, [>]–[>]
Paar, Jack, [>]–[>]
Page, Patti, [>]–[>]
Pageant magazine, profile in, [>], [>]
Pajama Game (musical), [>]
Paley, Babe, [>]
Paley, William, [>]
Pal Joey revival, [>]–[>]
Pam Pam coffee house, [>]
Panich, David, [>]
Parade, profile of Streisand in, [>], [>]–[>], [>]
Pardon My English (musical), [>]
Parker, Suzy, [>]
Parker, Tom, [>]
Parsons, Louella, [>], [>], [>]
Pat and Mike (movie), [>]
Patrick, John, [>]
Pauley, Gay, [>]
“People” (Funny Girl)
recording of, [>]
Robbins’s enhancements for, [>]
as solo, [>]
Streisand’s objections to singing, [>]
Perry Como Show, The (television), [>]
Philadelphia, PA
previews for Funny Girl, [>]
previews for Wholesale, [>]–[>]
Philadelphia Inquirer
column on Roth, [>]
review of Wholesale, [>]
Phoenix Singers, [>]
Piaf, Edith, [>], [>]–[>]
Picnic (movie), [>]
Pines of Rome (Respighi), [>]
Pins and Needles (Rome), [>], [>]
Pinza, Ezio, [>]
Playbill for Funny Girl, bios and credits, [>]–[>]
Playboy magazine, [>]
Play of the Week, [>]
Please, Please Me (the Beatles), [>]
PM East (television). See also Wallace, Mike
appearances, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]
conflicts with Wallace on, [>], [>]–[>]
confrontation with Susskind, [>]–[>]
duet with Rooney, [>]–[>]
fans from, [>], [>]
20th birthday party, [>]–[>]
Porter, Cole, [>]
Powers, Francis Gary, [>]
pregnancy rumors, [>], [>], [>]
Prentiss, Paula, [>]
Presley, Elvis, [>]
Prince, Hal, [>]
Prince of Wales Theatre, London, [>]
privacy, cherishing of, [>]
Professional Children’s School, New York, NY, [>]–[>]
psychotherapy, psychoanalysis, [>], [>], [>]
publicity. See also Softness, Don; Solters, Lee; Wilson, Earl and specific albums, appearances, and performances
concerns about, [>], [>]
and conflation of Streisand with Brice, [>], [>]–[>], [>]–[>]
in Detroit, [>], [>]
following Cocoanut Grove engagement, [>]
explosion of at the end of 1963, [>]
lies and hype in, [>]–[>], [>]–[>], [>], [>]–[>], [>], [>]
during New York newspaper strike, [>]–[>]
process of, in LA, [>]
from record albums, [>]
and skill at self-promotion, [>], [>], [>]–[>], [>], [>], [>]
“Quiet Time,” at San Jose show, [>]
Quintero, José, [>]
Quintessence of Ibsenism, The (Shaw), [>]
Raisin in the Sun (play), [>]
record albums. See also specific albums
assumption of creative control, [>], [>]–[>]
earliest recording at Nola Recording Studio, [>]
ensembles, reviews of, [>]
publicity from, [>]
rock-pop groups, [>]
Streisand’s competition, [>], [>], [>], [>], [>], [>], [>]
transition to rock-pop, [>]
Reilly, Charles Nelson, [>]
Rennie, Michael, [>]
Requiem for a Heavyweight (television), [>]
respect for fellow performers, [>]
Respighi (Pines of Rome), [>]
Revere Frolic, Revere, MA, performances at, [>]
Riddle, Nelson, [>]
“Right as the Rain”
at the Blue Angel, [>], [>]
on Jack Harris’ radio show, [>]
on The Second Barbra Streisand Album, [>]–[>], [>]
on the Today Show, [>]
Rill, Eli, [>]–[>], [>]
Ritchard, Cyril, [>]
Rite of Spring, The (Stravinsky), [>]
Rivera, Chita, [>]–[>]
Rivers, Joan, [>], [>]
Riviera Hotel, Las Vegas, performances at, [>]–[>], [>]
Robards, Jason, [>]
Robbins, Fred, [>]–[>], [>]–[>]
Robbins, Jerome (Jerry)
and casting for Brice role, [>]–[>], [>], [>], [>], [>]–[>]
changes and cuts to Funny Girl, [>]–[>], [>], [>]
choreography for On the Town, [>]
creative control, importance of, [>], [>]–[>], [>], [>]–[>]
credit in Funny Girl Playbill, [>]
directorial style, [>]–[>], [>]–[>]
dissatisfaction with Funny Girl script, [>], [>]
Fiddler on the Roof, [>]
on Funny Girl understudies, [>]–[>]
homosexuality, [>]
and House Un-American Activities Committee, [>]
Jewish identity, [>]
offer of Brice role to Anne Bancroft, [>]–[>]
personality, self-doubt, [>]
quitting of Funny Girl, [>], [>]–[>]
relationship with Kazan, [>]
relationship with Lennart, [>]
relationship with Stark, [>]
relationship with Streisand, [>]–[>]
return to Funny Girl, [>]–[>], [>]
on Streisand’s potential, [>]
Rodgers, Richard, [>]
Rogers, Ginger, [>]
Rogue magazine, Streisand profile, [>]–[>], [>]–[>]
Romberg, Sigmund, [>]
Rome, Harold
at Blue Angel debut, [>]
conflicts with Streisand, [>]
as lyricist for Wholesale, [>], [>]
Pins and Needles, [>]
at Wholesale auditions, [>]
Rooney, Mickey, [>]–[>], [>]
Rope (movie), [>]
Rose, Billy, [>]
Rosen, Ida. See Kind, Diana Streisand (mother)
Rosenfeld, Lenny, [>]
Rose Tattoo, The (play), [>]
Ross, Herbert, [>], [>]–[>]
Roth, Emery, [>]
Roth, Lillian
as audience draw, [>]
as Mrs. Bogen in Wholesale, [>]
reviews, [>], [>]
on The Tonight Show, [>]
at Wholesale rehearsals, [>]
Rowan, Dan, [>]
Rowan and Martin, [>]
Rozar, Ted
on Bon Soir performance, [>]
contract with, [>]–[>], [>]
dissatisfaction with, [>], [>]–[>], [>]
Korean War injury, [>]–[>]
promotions, bookings, [>]–[>], [>], [>]
Ruark, Robert, review, [>]–[>
engagement at, [>]
gay clientele, [>]
management of, [>]–[>]
talent contests, [>], [>]–[>], [>]–[>]
Lippner, Stuart, [>]–[>], [>]
Little Mary Sunshine (Besoyan), [>]
Loeb, Edward, [>]–[>]
Lolita (movie), [>]
London, England
rejection of move to, [>]
Streisand’s first visit to, [>]
London, Marc, [>]
London Chop House restaurant, Detroit, [>]
“Long Ago and Far Away,” at the Lion, [>]
“Lorelei” (Gershwin and Gershwin), [>]
Los Angeles, CA. See also Hollywood, CA
decision to move to, [>]–[>]
first visit to, [>], [>]–[>]
Hollywood Bowl concert, [>]
Los Angeles Times
review of Cocoanut Grove performance, [>]
review of Hollywood Bowl performance, [>]–[>]
Love Is Just Around the Corner (musical), [>]
Lovell, Marilyn, [>]
“Lover, Come Back to Me” (Romberg), [>], [>]
on The Barbra Streisand Album, [>]–[>]
at the Bon Soir, [>]
at the Cocoanut Grove, [>]
on The Ed Sullivan Show, [>]
on PM East, [>]
“Lover Man,” at the Bon Soir, [>]
Lowe, Charles, [>]
Lowell Sun, reviews of Funny Girl, [>], [>]
Lowry, Cynthia, [>]
Luckiest People, The. See Funny Girl
Luft, Sid, [>]
Lullaby (play), [>]
Lunt-Fontanne Theater, ushering job, [>], [>]
Lyons, Leonard, [>]
MacKenzie, Giselle, [>]
Madame Daunou shoe salon, [>]
Mademoiselle magazine, Merit Award, [>]
Mailer, Norman, [>]
Malden Bridge Playhouse internship, [>]
Mancini, Henry, [>]
Manhattan, move to, [>]–[>], [>], [>]
March, Elspeth, [>]–[>]
Marienthal, Oscar and George, [>]–[>]
Marshall, William, [>], [>]
Martin, Dean, [>]
Martin, Dick, [>]
Martin, Ernest, [>]–[>]
Martin, Mary, [>], [>], [>]
Marx, Groucho, [>], [>]–[>]
Mason, Richard, [>]
Matz, Janice, [>]
Matz, Peter
arrangements, [>]–[>], [>], [>], [>]
career, [>]
support and friendship from, [>]–[>], [>]
McCartney, Paul, [>]
McClain, John, [>]
McDowall, Roddy, [>], [>], [>]
McElligott, Pat, [>]
McGregor-Doniger sportswear, New York City, [>]–[>]
McHugh, Burke, [>], [>]–[>], [>], [>]
McLerie, Allyn Ann, [>], [>], [>]
Medford, Kay, [>], [>], [>]
Meehan, Danny, [>], [>]
Mercer, Mabel, [>]–[>], [>], [>]
Merman, Ethel, [>]–[>], [>]
Merrick, David
background, [>]
on casting for Brice role, [>], [>]
conflicts with Streisand, [>]
departure from Funny Girl, [>]
Fanny, [>]
first interview with Streisand, [>]
at Funny Girl auditions, [>]
hiring of Fosse for Funny Girl, [>]–[>]
hiring of Laurent for Wholesale, [>]
hiring of Streisand for Wholesale, [>]–[>], [>]
initial plan for Brice musical, [>]
Jewish identity, [>]
at 1962 Tony Awards, [>]
pressure to fire Gould, [>]
Solter’s publicity for, [>]
Stop the World—I Want to Get Off (musical), [>]
theatrical productions, successes, [>]–[>]
view of actors, [>]
warming to Streisand, [>]–[>]
What’s in It for Me?, [>]
Merrill, Bob
collaboration with Styne, [>], [>], [>], [>]
conflicts with Streisand, [>], [>]–[>]
at Funny Girl auditions, [>]
relationship with Bancroft, [>]
respect for Streisand’s abilities, [>], [>]
Merrill, Suzanne, [>], [>]–[>]
Messiah (Vidal), [>]
Metro-Goldwyn-Mayer tour, [>]
MGM records, audition with, [>]–[>]
Michaels, Matt, [>]–[>]
Michelson, Herb, [>]
Mike Douglas Show, The, cohosting on, [>]
Milan, Joe, [>]
Milland, Ray, [>]
Miller, Allan
as acting coach during Funny Girl rehearsals, [>]–[>]
background. teaching philosophy, [>]
Intermediate acting class, [>]
mentorship by, [>], [>], [>], [>], [>]
Miller, Anita, [>], [>]
Miller, Buzz, [>], [>]
mimicry skills, [>]
Mimsey (character in Funny Girl), [>]
Minnelli, Liza, [>]–[>]
Miracle Worker (play), [>]
Misfits, The (movie), [>]
Miss Marmelstein (in I Can Get It for You Wholesale). See also I Can Get It for You Wholesale
auditions for, [>]
Critics Circle Award for, [>]
dissatisfaction/boredom with role, [>]–[>], [>]
hiring of Streisand for, [>]–[>]
portrayal of, [>], [>]
rehearsals of, [>]
reviews, [>]–[>], [>]–[>], [>]–[>]
Mister Kelly’s, Chicago, appearances at, [>]–[>]
money, wealth. See also ambition; fame, stardom
discomfort with, [>], [>], [>]
and early experience of poverty, [>]–[>]
frugality with, [>]–[>], [>], [>], [>]
investments, business managers, [>], [>]
need for, [>]
“Sadie, Sadie, Married Lady,” [>]–[>]
Monk, Julius, [>]
monologues
Ballard’s, [>]
at Basin Street East, [>]–[>]
at the hungry i, [>]
in Las Vegas, [>]
Monroe, Marilyn, [>]
Montserrat (Hellman), [>]
“Moon River,” on PM East, [>]
Moore, Dudley, [>]
Moore, Garry, [>]–[>]
Moray, Bernie, [>], [>]
mother. See Kind, Diana Streisand (mother)
Mother Courage and Her Children (Brecht), [>], [>], [>]–[>]
movies, movie making
growing interest in, [>], [>]–[>]
Seven Arts contract, [>]–[>], [>], [>]
Streisand’s later roles, [>]
“Much More,” at the Blue Angel, [>]
Mueller, Fred, [>]
Murdock, Henry T., reviews by, [>], [>], [>]
Muth, May, [>]–[>]
“My Coloring Book” (Kander-Ebb), [>]
My Fair Lady, [>], [>]
“My Honey’s Lovin’ Arms,” recording of, [>]
My Man. See Funny Girl
“My Melancholy Baby,” recording of, [>]
“My Name Is Barbara” (Bernstein), at the Bon Soir, [>]
Nadel, Norman, review, [>]
name
misspelling and mispronunciation of, [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]
name change, [>]–[>], [>]
Nash, Richard (The Young and Fair), [>]
National Association of Gag Writers, “Fanny Brice Award,” [>]
NBC Color City, Los Angeles, [>]
Neighborhood Playhouse, [>]
Neurotica (literary magazine), [>]
Newhart, Bob, [>]
Newley, Anthony, [>]
Newman, Phyllis, [>], [>]
New Moon, The (Romberg operetta), [>], [>]
Newspaper Enterprise Association, album review, [>]
New York Daily News, reviews in, [>], [>]
New York Drama Critics, Critics Circle Award for Miss Marmelstein role, [>]
New Yorker, The
profile of Streisand, [>]
review of Harry Stoones, [>]
New York Journal-American, review in, [>]
New York Times
musical theater article, [>]
photograph of Streisand in, [>]
report on Funny Girl preview, [>]
review of Bon Soir performance, [>]–[>]
review of Funny Girl, [>]
review of Wholesale cast album, [>]
review of Wholesale, [>]
New York World-Telegram
interview with Streisand, [>]
review of Bon Soir debut, [>]
review of Funny Girl, [>]
Nichols, Mike, [>]
Nielsen, Diana Lee, [>]–[>]
Night of the Iguana (movie), [>], [>]
“Nobody Makes a Pass at Me” (Rome), recording of, [>]
“Nobody’s Heart” (Rodgers and Hart), at Bon Soir debut, [>]–[>], [>]
Nora (in Funny Girl), [>], [>]–[>], [>]
North, Sheree, [>]
Norton, Elliot, review, [>]
No Strings (Rogers), [>]
Not in the Book (play), [>]
Objective Burma (movie), [>]
O’Donnell, Rosie, [>]
off-off-Broadway, [>]
Oliver! (musical), [>]
Oliver, Edith, review by, [>]
Olivier, Laurence, [>]
Once Upon a Mattress (television version), [>], [>]
One Flew Over the Cuckoo’s Nest (movie), [>]
“One Kiss” (Romberg), Diana Kind’s recording of, [>], [>]
Origin magazine, [>]
Osborn, Paul, [>]
Oscar for Funny Girl, [>]
Oscar’s Salt of the Sea restaurant, [>]–[>]
Oswald, Lee Harvey, [>]
Oxford, England, visit to Gould in, [>]–[>]
Paar, Jack, [>]–[>]
Page, Patti, [>]–[>]
Pageant magazine, profile in, [>], [>]
Pajama Game (musical), [>]
Paley, Babe, [>]
Paley, William, [>]
Pal Joey revival, [>]–[>]
Pam Pam coffee house, [>]
Panich, David, [>]
Parade, profile of Streisand in, [>], [>]–[>], [>]
Pardon My English (musical), [>]
Parker, Suzy, [>]
Parker, Tom, [>]
Parsons, Louella, [>], [>], [>]
Pat and Mike (movie), [>]
Patrick, John, [>]
Pauley, Gay, [>]
“People” (Funny Girl)
recording of, [>]
Robbins’s enhancements for, [>]
as solo, [>]
Streisand’s objections to singing, [>]
Perry Como Show, The (television), [>]
Philadelphia, PA
previews for Funny Girl, [>]
previews for Wholesale, [>]–[>]
Philadelphia Inquirer
column on Roth, [>]
review of Wholesale, [>]
Phoenix Singers, [>]
Piaf, Edith, [>], [>]–[>]
Picnic (movie), [>]
Pines of Rome (Respighi), [>]
Pins and Needles (Rome), [>], [>]
Pinza, Ezio, [>]
Playbill for Funny Girl, bios and credits, [>]–[>]
Playboy magazine, [>]
Play of the Week, [>]
Please, Please Me (the Beatles), [>]
PM East (television). See also Wallace, Mike
appearances, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]
conflicts with Wallace on, [>], [>]–[>]
confrontation with Susskind, [>]–[>]
duet with Rooney, [>]–[>]
fans from, [>], [>]
20th birthday party, [>]–[>]
Porter, Cole, [>]
Powers, Francis Gary, [>]
pregnancy rumors, [>], [>], [>]
Prentiss, Paula, [>]
Presley, Elvis, [>]
Prince, Hal, [>]
Prince of Wales Theatre, London, [>]
privacy, cherishing of, [>]
Professional Children’s School, New York, NY, [>]–[>]
psychotherapy, psychoanalysis, [>], [>], [>]
publicity. See also Softness, Don; Solters, Lee; Wilson, Earl and specific albums, appearances, and performances
concerns about, [>], [>]
and conflation of Streisand with Brice, [>], [>]–[>], [>]–[>]
in Detroit, [>], [>]
following Cocoanut Grove engagement, [>]
explosion of at the end of 1963, [>]
lies and hype in, [>]–[>], [>]–[>], [>], [>]–[>], [>], [>]
during New York newspaper strike, [>]–[>]
process of, in LA, [>]
from record albums, [>]
and skill at self-promotion, [>], [>], [>]–[>], [>], [>], [>]
“Quiet Time,” at San Jose show, [>]
Quintero, José, [>]
Quintessence of Ibsenism, The (Shaw), [>]
Raisin in the Sun (play), [>]
record albums. See also specific albums
assumption of creative control, [>], [>]–[>]
earliest recording at Nola Recording Studio, [>]
ensembles, reviews of, [>]
publicity from, [>]
rock-pop groups, [>]
Streisand’s competition, [>], [>], [>], [>], [>], [>], [>]
transition to rock-pop, [>]
Reilly, Charles Nelson, [>]
Rennie, Michael, [>]
Requiem for a Heavyweight (television), [>]
respect for fellow performers, [>]
Respighi (Pines of Rome), [>]
Revere Frolic, Revere, MA, performances at, [>]
Riddle, Nelson, [>]
“Right as the Rain”
at the Blue Angel, [>], [>]
on Jack Harris’ radio show, [>]
on The Second Barbra Streisand Album, [>]–[>], [>]
on the Today Show, [>]
Rill, Eli, [>]–[>], [>]
Ritchard, Cyril, [>]
Rite of Spring, The (Stravinsky), [>]
Rivera, Chita, [>]–[>]
Rivers, Joan, [>], [>]
Riviera Hotel, Las Vegas, performances at, [>]–[>], [>]
Robards, Jason, [>]
Robbins, Fred, [>]–[>], [>]–[>]
Robbins, Jerome (Jerry)
and casting for Brice role, [>]–[>], [>], [>], [>], [>]–[>]
changes and cuts to Funny Girl, [>]–[>], [>], [>]
choreography for On the Town, [>]
creative control, importance of, [>], [>]–[>], [>], [>]–[>]
credit in Funny Girl Playbill, [>]
directorial style, [>]–[>], [>]–[>]
dissatisfaction with Funny Girl script, [>], [>]
Fiddler on the Roof, [>]
on Funny Girl understudies, [>]–[>]
homosexuality, [>]
and House Un-American Activities Committee, [>]
Jewish identity, [>]
offer of Brice role to Anne Bancroft, [>]–[>]
personality, self-doubt, [>]
quitting of Funny Girl, [>], [>]–[>]
relationship with Kazan, [>]
relationship with Lennart, [>]
relationship with Stark, [>]
relationship with Streisand, [>]–[>]
return to Funny Girl, [>]–[>], [>]
on Streisand’s potential, [>]
Rodgers, Richard, [>]
Rogers, Ginger, [>]
Rogue magazine, Streisand profile, [>]–[>], [>]–[>]
Romberg, Sigmund, [>]
Rome, Harold
at Blue Angel debut, [>]
conflicts with Streisand, [>]
as lyricist for Wholesale, [>], [>]
Pins and Needles, [>]
at Wholesale auditions, [>]
Rooney, Mickey, [>]–[>], [>]
Rope (movie), [>]
Rose, Billy, [>]
Rosen, Ida. See Kind, Diana Streisand (mother)
Rosenfeld, Lenny, [>]
Rose Tattoo, The (play), [>]
Ross, Herbert, [>], [>]–[>]
Roth, Emery, [>]
Roth, Lillian
as audience draw, [>]
as Mrs. Bogen in Wholesale, [>]
reviews, [>], [>]
on The Tonight Show, [>]
at Wholesale rehearsals, [>]
Rowan, Dan, [>]
Rowan and Martin, [>]
Rozar, Ted
on Bon Soir performance, [>]
contract with, [>]–[>], [>]
dissatisfaction with, [>], [>]–[>], [>]
Korean War injury, [>]–[>]
promotions, bookings, [>]–[>], [>], [>]
Ruark, Robert, review, [>]–[>
