Written in the 1920s, Zweig’s work of literary criticism and biography might today be titled Masters of Memoir. In it, Stefan Zweig – one of the 20th century’s most widely-published writers – describes the creative process and work of authors for whom no subject is as compelling as the material of their own lives. Adepts in Self-Portraiture examines the lives and work of three men who represent, in Zweig’s view, three levels of development in autobiographical writing. The first and most basic level is evinced by Giacomo Casanova, the Venetian womanizer who records his sexual and social conquests, adventures and escapes, without attempting to analyze or even reflect on them. The second level of self-portraiture is exemplified by Stendhal, the French pioneer of psychological fiction, who kept voluminous notebooks on his own experience of life and on whom no nuance of feeling seems to have been lost. Russian master Leo Tolstoy represents the third and highest level of autobiographical writing in which the psychological is imbued with the spiritual and ethical. In Adepts, Stefan Zweig examines the impulses that give rise to life writing and anticipates the current popularity of the memoir form. (Cover: Self-Portrait by Susan Erony, oil, acrylic, burnt paper on canvas, 2000, 24" x 18", Collection Cape Ann Museum) **About the Author Stefan Zweig (1881-1942) was an outstanding Austrian novelist, playwright, journalist, and biographer whose work became very popular in the US, South America, and Europe especially between the 1920s and 1930s.  In 1904 he earned his doctorate degree in philosophy at the University of Vienna. Throughout his life he remained a pacifist, and instead of becoming a soldier at the start of World War I, he worked in the Archives of the Ministry of War. He became friends with notable people in history, including Romain Rolland, Sigmund Freud, and Arthur Schitzler. Among his most famous writings are Beware of Pity, Chess Story, and his memoir The World of Yesterday. Laurence Mintz is an independent scholar and visual artist. He was senior editor at Transaction Publishers for more than fifteen years. His main area of interest is in European cultural studies.

These four Stefan Zweig stories newly translated by the award-winning Anthea Bell, are among his most celebrated and compelling work. The titular tale is a devastating depiction of unrequited love, which inspired a classic Hollywood film, directed by Max Ophüls and starring Joane Fontaine. Elsewhere in the collection, a young man mistakes the girl he loves for her sister, two erstwhile lovers meet after an age spent apart, and a married woman repays a debt of gratitude to her childhood sweetheart. Expertly paced, laced with the acutely accurate psychological detail and empathy that are Zweig's trademarks, this is a powerful addition to Pushkin's growing collection of his work.

Written as both a recollection of the past, and as a warning for future generations, The World of Yesterday recalls the golden age of literary Vienna; its seeming permanence, its promise and its devastating fall. Surrounded by the leading literary lights of the epoch, Zweig draws a vivid and intimate account of his life and travels through Vienna, Paris, Berlin and London, touching upon the heart of European culture. His passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the edge of extinction. This new translation by the award-winning Anthea Bell captures the spirit of Zweig's writing in arguably his most revealing work.

An NYRB Classics Original Stefan Zweig was particularly drawn to the novella, and Confusion, a rigorous and yet transporting dramatization of the conflict between the heart and the mind, is among his supreme achievements in the form. A young man who is rapidly going to the dogs in Berlin is packed off by his father to a university in a sleepy provincial town. There a brilliant lecture awakens in him a wild passion for learning—as well as a peculiarly intense fascination with the graying professor who gave the talk. The student grows close to the professor, be­coming a regular visitor to the apartment he shares with his much younger wife. He takes it upon himself to urge his teacher to finish the great work of scholarship that he has been laboring at for years and even offers to help him in any way he can. The professor welcomes the young man’s attentions, at least on some days. On others, he rages without apparent reason or turns away from his disciple with cold scorn. The young man is baffled, wounded. He cannot understand. But the wife understands. She understands perfectly. And one way or another she will help him to understand too.

A single Yes, a single No, a Too Soon or a Too Late makes that hour irrevocable for hundreds of generations while deciding the life of a single man or woman, of a nation, even the destiny of all humanity. Five vivid dramatizations of some of the most pivotal episodes in human history, from the Fall of Constantinople to Scott's doomed attempt to reach the South Pole, bringing the past to life in brilliant technicolor. Contents: Foreword The Field of Waterloo The Race to Reach the South Pole The Conquest of Byzantium The Sealed Train (Lenin's journey across Europe before the Russian Revolution) Wilson's Failure (Woodrow Wilson and Versailles)

Mary Stuart was condemned for high treason and executed at the age of forty-four. Held captive for twenty years by England's Elizabeth I-Mary Queen of Scots, Queen of France and a claimant to the throne of England was embroiled in the power struggles that shook the foundations of Renaissance Europe from the moment of her birth to her death. With all the rigour of a scientist and the passion of an artist, Zweig has skillfully sketched a period full of political turmoil, as well as the fascinating character of Mary Stuart.

A suave baron takes a fancy to twelve-year-old Edgar's mother, while the three are holidaying in an Austrian mountain resort. His initial advances rejected, the baron befriends Edgar in order to get closer to the woman he desires. The initially unsuspecting child soon senses something is amiss, but has no idea of the burning secret that is driving the affair, and that will soon change his life for ever.

Compulsion, In the Snow and Wondrak all concern Zweig s strong anti-war feelings following the First World War. The artist Ferdinand, central figure of Compulsion, partly reflects Zweig s own experience. In The Snow tells of the plight of a group of Jews who freeze to death while trying to escape a medieval pogrom. In Wondrak, a woman, disfigured since birth, attempts to save her only child from being drafted into the military. In this newly available English translation the reader discovers the essential humanist preoccupations of the author of Amok and Twenty-four Hours in the Life of a Woman: his compassion towards human suffering, his horror of war and his faith in idealism, generosity, love values that can, in an instant, illuminate an entire existence.

One of two beautifully designed hardback gift editions of Stefan Zweig's breathlessly dramatic historical sketches, out in time for Christmas.A single Yes, a single No, a Too Soon or a Too Late makes that hour irrevocable for hundreds of generations while deciding the life of a single man or woman, of a nation, even the destiny of all humanity.Five vivid dramatizations of some of the most pivotal episodes in human history, from the Fall of Constantinople to Scott's doomed attempt to reach the South Pole, bringing the past to life in brilliant technicolor.Included in this collection:"The Field of Waterloo": A fascinating little known story of Napoleon's defeat."The Race to Reach the South Pole": The failed expedition of the English to discover the South Pole first."The Conquest of Byzantium": Sultan Mahomet's defeat of Byzantium through a neglected door."The Sealed Train": Lenin's triumphant return from exile."Wilson's Failure": The Treaty of...

Five of Stefan Zweig's most compelling novellas are presented together in this powerful volume. Fantastic Night is the story of one transforming evening in the life of a rich and bored young man. He spends a day at the races and an evening in the seedy but thrilling company of the dregs of society. His experiences jolt him out of his languor and give him a newfound relish for life, which is then cut short by the Great War. Fantastic Night is joined by The Invisible Collection and Buchmendel, two of Zweig's most powerful works, which explore lives led in the single minded pursuit of art and literature against a backdrop of poverty and corruption. And finally, Letter from an Unknown Woman, Zweig's poignant and heartbreaking tale of the strength and madness of unrequited love and The Fowler Snared, in which it is the man whose passion remains unrequited, complete the collection.

Stefan Zweig was a leading talisman of a united Europe of unfettered movement, of pro-active cultural exchange, humane decency and tolerance, all polar opposites of the Nationalist regimes he loathed, and which came to power in the 1930s. In these poignant essays and addresses, forged in the last years or even months of his life, he shows his profound concern for and dedication to the survival of Europe's spiritual integrity.These essays form the natural accompaniment to Zweig's renowned memoir The World of Yesterday, registering the same themes and evoking the same nostalgia for a world brutally consigned to history. They can be seen as a vital addendum to that major work or as a prefiguration. But perhaps even more so than the prose of the memoir, these essays, few in number but rich in content, reveal the essence of Zweig's thought.From the Hardcover edition.

Chess Story, also known as The Royal Game, is the Austrian master Stefan Zweig’s final achievement, completed in Brazilian exile and sent off to his American publisher only days before his suicide in 1942. It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological.Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig’s story. This new translation of Chess Story brings out the work’s unusual mixture of high suspense and poignant reflection.Review"[Zweig is a] writer who understands perfectly the life he is describing, and who has great analytic gifts . . . . He has achieved the very considerable feat of inventing, in his description of the game of chess, a metaphor for the terribly grim game he is playing with his Nazi tormentors . . . the case history here is no longer that of individuals; it is the case history of Europe." —Stephen Spender, The New York Review of Books "Always [Zweig] remains essentially the same, revealing in all . . . mediums his subtlety of style, his profound psychological knowledge and his inherent humaneness." —Barthold Fles, The New Republic "Zweig possesses a dogged psychological curiosity, a brutal frankness, a supreme impartiality . . . [a] concentration of talents." —Herbert Gorman, The New York Times Book Review "His writing reveals his sympathy for fellow human beings." —Ruth Franklin, London Review of BooksAbout the AuthorStefan Zweig (1881-1942), novelist, biographer, poet, and translator, was born in Vienna into a wealthy Austrian Jewish family. During the 1930s, he was one of the best-selling writers in Europe, and was among the most translated German-language writers before the Second World War. With the rise of Nazism, he moved from Salzburg to London (taking British citizenship), to New York, and finally to Brazil, where he committed suicide with his wife. New York Review Books has published Zweig’s novels The Post-Office Girl and Beware of Pity as well as the novella Chess Story. Peter Gay is Director of the Center for Scholars and Writers at the New York Public Library. He wrote Schnitzler’s Century: The Making of Middle-Class Culture, 1815–1914.

"Stefan Zweig’s time of oblivion is over for good. . . . It’s good to have him back."  —Salman Rushdie, New York Times These four stories illustrate the wide range of Zweig’s subject matter dating from quite early in his career as a writer of fiction ("The Governess," rooted in a world of strict Edwardian morality), to late ("Did He Do It?," almost an English detective story set near Bath, where Zweig lived in exile). In addition, "The Miracles of Life," set in 16th-century Antwerp during the time of Protestant iconoclasm, and "Downfall of a Heart" both address the theme of anti-Semitism.