ETYMOLOGY. (Supplied by a Late Consumptive Usher to a Grammar School) The pale Usher--threadbare in coat, heart, body, and brain; I see himnow. He was ever dusting his old lexicons and grammars, with a queerhandkerchief, mockingly embellished with all the gay flags of allthe known nations of the world. He loved to dust his old grammars; itsomehow mildly reminded him of his mortality.

A Pulitzer Prize winner makes her debut for young readers. Jane Smiley makes her debut for young readers in this stirring novel set on a California horse ranch in the 1960s. Seventh-grader Abby Lovitt has always been more at ease with horses than with people. Her father insists they call all the mares “Jewel†and all the geldings “George†and warns Abby not to get attached: the horses are there to be sold. But with all the stress at school (the Big Four have turned against Abby and her friends) and home (her brother Danny is gone—for good, it seems—and now Daddy won’t speak his name), Abby seeks refuge with the Georges and the Jewels. But there’s one gelding on her family’s farm that gives her no end of trouble: the horse who won’t meet her gaze, the horse who bucks her right off every chance he gets, the horse her father makes her ride and train, every day. She calls him the Ornery George.

HANGSAMAN is Miss Jackson's second novel. The story is a simple one but the overtones are immediately present. "Natalie Waite who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen lived in an odd corner of a world of sound and sight, past the daily voices of her father and mother and their incomprehensible actions." In a few graphic pages, the family is before us—Arnold Waite, a writer, egotistical and embittered; his wife, the complaining martyr; Bud, the younger brother who has not yet felt the need to establish his independence; and Natalie, in the nightmare of being seventeen. The Sunday afternoon cocktail party, to which Arnold Waite has invited his literary friends and neighbors, serves to etch in the details of this family's life, and to draw Natalie into the vortex. The story concentrates on the next few critical months in Natalie's life, away at college, where each experience reproduces on a larger scale the crucial failure of her emotional life at home. With a mounting tension rising from character and situation as well as the particular magic of which Miss Jackson is master, the novel proceeds inexorably to the stinging melodrama of its conclusion. The bitter cruelty of the passage from adolescence to womanhood, of a sensitive and lonely girl caught in a world not of her own devising, is a theme well suited to Miss Jackson's brilliant talent.

A haunting and psychologically driven collection from Shirley Jackson that includes her best-known story "The Lottery" At last, Shirley Jackson's "The Lottery" enters Penguin Classics, sixty-five years after it shocked America audiences and elicited the most responses of any piece in New Yorker history. In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

Autobiographical and confessional, and yet not, this is one of the most highly regarded expressions of a personal credo; both a classic avowal of an author's ideas and his craft.

Jerra and his best mate Sean set off in a beaten-up old VW to go camping on the coast. Jerra's friends and family want to know when he will finish university, and when he will find a girl. But they don't understand about Sean's mother, Jewel, or the bush, or the fish with the pearl. They think he needs a job but what Jerra is searching for is more elusive. Only the sea, and perhaps the old man who lives in a shack beside it, can help.

BENITO CERENOHerman Melville's controversial 1855 short story Benito Cereno retains its power to move the reader over a century and a half after its publication. The story - which ends with a haunting twist - centers on a slave rebellion aboard a Spanish merchant ship in 1799 and because of its ambiguity has been read by some as racist and pro-slavery and by others as anti-racistThe novella follows a sea captain, Amasa Delano, and his crew on the Bachelor's Delight as it is approached by another, rather battered-looking ship, the San Dominick.Upon boarding the San Dominick, Delano is immediately greeted by white sailors and black slaves begging for supplies. An inquisitive Delano ponders the mysterious social atmosphere aboard the badly bruised ship and notes the figurehead which is mostly concealed by a tarpaulin revealing only the inscription "Follow your leader." Delano soon encounters the ship's noticeably timid but polite Spanish captain, Don Benito Cereno. Delano believes Cereno's assertion that he and his crew have recently gone through a debilitating series of troubles, having been at sea now for an unsettingly long time. Cereno tells of these tribulations, including horrendous weather patterns and the fate of the slaves' master, Alexandro Aranda, who Cereno claims took fever aboard the ship and died. Gradually, however, Delano's suspicions increase, based on his noting Cereno's sudden waves of dizziness and anxiety, the crew's awkward movements and whisperings, and the unusual interaction of the ship's white and black residents.BARTLEBY THE SCRIVENERBartleby, the Scrivener: A Story of Wall Street first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in The Piazza Tales in 1856.The narrator, an elderly Manhattan lawyer with a very comfortable business helping wealthy men deal with mortgages, deeds, and bonds, tells the story of a quiet, hardworking legal copyist named Bartleby.One day Bartleby declines the assignment his employer gives him with the inscrutable "I would prefer not." The utterance of this remark sets off a confounding set of actions and behavior, making the unsettling character of Bartleby one of Melville's most enigmatic and unforgettable creations.

“The short dirk in the hands of Muriel Spark has always been a deadly weapon,” said The New York Times, and “never more so than in The Abbess of Crewe.” An elegant little fable about intrigue, corruption, and electronic surveillance, The Abbess of Crewe is set in an English Benedictine convent. Steely and silky Abbess Alexandra (whose aristocratic tastes run to pâté, fine wine, English poetry, and carpets of “amorous green”) has bugged the convent, and rigged her election. But the cat gets out of the bag, and—plunged into scandal—the serene Abbess faces a Vatican inquiry.

This is the second and final work of Bruno Schulz, the acclaimed Polish writer killed by the Nazis during World War II. In the words of Isaac Bashevis Singer, "What he did in his short life was enough to make him one of the most remarkable writers who ever lived." Weaving myth, fantasy, and reality, Sanatorium Under the Sign of the Hourglass, is, to quote Schulz, "an attempt at eliciting the history of a certain family . . . by a search for the mythical sense, the essential core of that history."

The novel is set in 1960s Alexandria at the pension Miramar. The novel follows the interactions of the residents of the pension, its Greek mistress Mariana, and her servant, Zohra. As each character in turn fights for Zohra's affections or allegiance tensions and jealousies arise. The story is retold four times from the perspective of a different resident each time, allowing the reader to understand the intricacies of post-revolutionary Egyptian life.

The White Guard is less famous than Mikhail Bulgakov's comic hit, The Master and Margarita, but it is a lovely book, though completely different in tone. It is set in Kiev during the Russian revolution and tells the story of the Turbin family and the war's effect on the middle-classes (not workers). The story was not seen as politically correct, and thereby contributed to Bulgakov's lifelong troubles with the Soviet authorities. It was, however, a well-loved book, and the novel was turned into a successful play at the time of its publication in 1967.

The eleven stories in this volume are drawn from Dahl's popular adult short stories and were chosen for their quirky, twisted, and haunting plots -- sure to please Dahl teenage fans. Contents vii • Introduction (Skin and Other Stories) • (2000) • essay by Wendy Cooling 1 • Skin • non-genre • (1952) • short story by Roald Dahl 22 • Lamb to the Slaughter • non-genre • (1953) • short story by Roald Dahl 35 • The Sound Machine • (1949) • short story by Roald Dahl 53 • An African Story • (1946) • short story by Roald Dahl 71 • Galloping Foxley • non-genre • (1953) • short story by Roald Dahl 90 • The Wish • (1948) • short story by Roald Dahl 95 • The Surgeon • non-genre • (1988) • novelette by Roald Dahl 129 • Dip in the Pool • non-genre • (1952) • short story by Roald Dahl 144 • The Champion of the World • non-genre • (1959) • novelette by Roald Dahl 179 • Beware of the Dog • non-genre • (1944) • short story by Roald Dahl 195 • My Lady Love, My Dove • non-genre • (1952) • short story by Roald Dahl

This now classic book revealed Flannery O'Connor as one of the most original and provocative writers to emerge from the South. Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include: "A Good Man Is Hard to Find" "The River" "The Life You Save May Be Your Own" "A Stroke of Good Fortune" "A Temple of the Holy Ghost" "The Artificial Nigger" "A Circle in the Fire" "A Late Encounter with the Enemy" "Good Country People" "The Displaced Person" ©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.