"A thoroughly invigorating, tightly focused piece of Chekhovian drama, wherein chatter about work and art . . . fail to mask deep vulnerability."—Chicago TribuneA play about Frank Lloyd Wright set in the summer of 1923, when the great architect has recently left Chicago for California, hoping to mend his relationship with his adult children. Richard Nelson brings to life two great architectural demigods, Wright and Louis Sullivan, only to show their all-too-human frailties.Richard Nelson's plays include Rodney's Wife, Goodnight Children Everywhere, Some Americans Abroad, Franny's Way, New England, and James Joyce's The Dead (with Shaun Davey), winner of the Tony Award for Best Book of a Musical.

It is 1958, and New York City is in the midst of a major building boom; a four-lane highway is planned for the heart of Washington Square; Carnegie Hall is designated for demolition; entire neighborhoods on the West Side are leveled to make room for a new "palace of art." Meanwhile, a young Joe Papp and his colleagues face betrayals, self-inflicted wounds, and anger from the city's powerful elite as they continue their free Shakespeare productions in Central Park. From the creator of the most celebrated family plays of the last decade comes a drama about a different kind of family – one held together by the simple and incredibly complicated belief that the theater, and the city, belong to all of us.

Goodnight Children Everywhere "Richard Nelson's new play announces itself almost as if it were Chekhovian . . . the play, like all plays of discovery and purgation, has a translucency and a density that nag, hurt and heal."—London Sunday TimesNew England "Smart, sharp, acridly funny . . . in the sweetest of all ironies, it's an American writer at the peak of his form who has given London's RSC the major new play that has eluded them all year."—VarietySome Americans Abroad "A sequel to The Innocents Abroad, Mark Twain's caustic view of pretentious Americans abroad: both works indict the well-educated American middle-class for its supine and superficial relationship to Old World culture."—New York TimesTwo Shakespearean Actors "Nelson's provocative account of the deadly rivalry between two great 18th-century actors."—VarietyFranny's Way"Boundaries warp and melt in the dense...