Philip Roth's new novel is a candidly intimate yet universal story of loss, regret, and stoicism. The best-selling author of The Plot Against America now turns his attention from "one family's harrowing encounter with history" (New York Times) to one man's lifelong skirmish with mortality.The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes.A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him. He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with...

SUMMARY: In 'the stifling heat of equatorial Newark', a terrifying epidemic is raging, threatening the children of the New Jersey city with maiming, paralysis, life-long disability, even death. This is the startling and surprising theme of Roth's wrenching new book: a wartime polio epidemic in the summer of 1944 and the effect it has on a closely-knit, family-oriented Newark community and its children. At the center of NEMESIS is a vigorous, dutiful, twenty-three-year old playground director, Bucky Cantor, a javelin thrower and a weightlifter, who is devoted to his charges and disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. Focusing on Cantor's dilemmas as polio begins to ravage his playground -- and on the everyday realities he faces -- Roth leads us through every inch of emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering, and the pain. Moving between the smouldering, malodorous streets of besieged Newark and Indian Hill, a pristine children's summer camp high in the Poconos -- whose 'mountain air was purified of all contaminants' -- Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor's passage into personal disaster and no less exact about the condition of childhood. Through this story runs the dark question that haunts all four of Roth's late short novels, EVERYMAN, INDIGNATION, THE HUMBLING, and now, NEMESIS: what choices fatally shape a life? How powerless is each of us up against the force of circumstances?

The Counterlife is a novel unlike any that Philip Roth has written before, a book of astonishing 180-degree turns, a book of conflicting perspectives and points of view, and, by far, Roth's most radical work of fiction.The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Every major character (and most of the minor ones) is investigating, debating, and arguing the possibility of remaking the future.Illuminating these lives in transition and guiding us through all the landscapes, familiar and foreign, where these people are seeking self-transformation, is the mind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and to reshape history.Yet his is hardly the only voice. This is a novel in which speaking out with force and lucidity...

Radio actor Iron Rinn (born Ira Ringold) is a big Newark roughneck blighted by a brutal personal secret from which he is perpetually in flight. An idealistic Communist, a self-educated ditchdigger turned popular performer, a six-foot six-inch Abe Lincoln look-alike, he marries the nation's reigning radio actress and beloved silent-film star, the exquisite Eve Frame (born Chava Fromkin). Their marriage evolves from a glamorous, romantic idyll into a dispiriting soap opera of tears and treachery. And with Eve's dramatic revelation to the gossip columnist Bryden Grant of her husband's life of "espionage" for the Soviet Union, the relationship enlarges from private drama into national scandal. Set in the heart of the McCarthy era, the story of Iron Rinn's denunciation and disgrace brings to harrowing life the human drama that was central to the nation's political tribulations in the dark years of betrayal, the blacklist, and naming names. I Married a Communist is an American...

Philip Roth My Life as a Man1974

The Zuckerman Novels    * The Ghost Writer (1979)    * Zuckerman Unbound (1981)    * The Anatomy Lesson (1983)    * The Prague Orgy (1985)    * The Counterlife (1986)    * American Pastoral (1997)    * I Married a Communist (1998)    * The Human Stain (2000)    * Exit Ghost (2007)

In Philip Roth's intimate intellectual encounters with an international and diverse cast of writers, they explore the importance of region, politics, and history in their work and trace the imaginative path by which a writer's highly individualized art is informed by the wider conditions of life.Milan Kundera and Czechoslovakia, Primo Levi and Auschwitz, Edna O'Brien and Ireland, Aharon Appelfeld and Bukovina, Ivan Klíma and Prague, Isaac Singer and Warsaw, Bruno Schulz and Poland — what is the intricate transaction between the susceptible writer and the provocative time and place? Roth's questions go to the original conditions that stimulate the narrative impulse, and he puts them to writers who are as attuned to the subtleties of literature as to the influence of the surrounding society.Also included here are appreciative portraits of two of Roth's late friends, each transfixed till the end by his artistic vocation — the writer Bernard Malamud and the...

The sensationalizing sixties are coming to an end, and even writing a novel can make you a star. The writer Nathan Zuckerman publishes his fourth book, an aggressive, abrasive, and comically erotic novel entitled Carnovsky, and all at once he is on the cover of Life, one of the decade's most notorious celebrities.This is the same Nathan Zuckerman who in Philip Roth's much praised The Ghost Writer was the dedicated young apprentice drawing sustenance from the great books and the integrity of their authors. Now in his mid-thirties, Zuckerman, a would-be recluse despite his fame, ventures out on the streets of Manhattan, and not only is he assumed to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), but he also finds himself the target of admirers, admonishers, advisers, and would-be literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Nathan Zuckerman to wonder...

Everything is over for Simon Axler, the protagonist of Philip Roth's startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance. His confidence in his powers has drained away; he imagines people laughing at him; he can no longer pretend to be someone else. "Something fundamental has vanished." Into this shattering account of inexplicable and terrifying self-evaluation bursts a counterplot of unusual erotic desire, a consolation for the bereft life so risky and aberrant that it points not toward comfort and gratification but to a yet darker and more shocking end.

A middle-aged writer recalls his younger self. At 23, Nathan Zuckerman has had four stories published and a small, flattering Saturday Review up-and-coming-author profile (complete with a photo of him playing with his ex-girlfriend's cat), which he purports to scorn. As genuine and polite as he seems, Zuckerman has already hurt his family with his autobiographical art and ruined his relationship with adultery and honesty. Visiting his reclusive idol (famed for his "blend of sympathy and pitilessness") in the Berkshires, the writer watches himself watching himself and attempts to confront his work and life. Instead he finds himself turning reality into metafiction. A quote he happens upon from Henry James only complicates matters further: "We work in the dark--we do what we can--we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art." Events, however, have their revenge, weaving more out of control than even he can anticipate or ask for. Philip Roth is the master of the uncomfortable, and his alter ego a connoisseur of self-involvement, self-loathing, and self-examination. ("Virtuous reader, if you think that after intercourse all animals are sad, try masturbating on the daybed in E. I. Lonoff's study and see how you feel when it's over.")From Library JournalBoth these novels follow protagonist Nathan Zuckerman through different times in his life?Ghost Writer, dubbed a "glowing work of fiction" by LJ's reviewer (LJ 9/1/79), introduced the character in his youth, while 1981's Unbound offers him in his mid-30s. Roth's many fans will be happy to see these again.Copyright 1995 Reed Business Information, Inc.

In this funny and chilling novel, the setting is a small town in the 1940s Midwest, and the subject is the heart of a wounded and ferociously moralistic young woman, one of those implacable American moralists whose "goodness" is a terrible disease. When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.From the Trade Paperback edition.

The Zuckerman Novels    * The Ghost Writer (1979)    * Zuckerman Unbound (1981)    * The Anatomy Lesson (1983)    * The Prague Orgy (1985)    * The Counterlife (1986)    * American Pastoral (1997)    * I Married a Communist (1998)    * The Human Stain (2000)    * Exit Ghost (2007)