Shakespeare, p.58

Shakespeare, page 58

 

Shakespeare
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  3 Chambers: Shakespeare: Facts and Problems, Volume Two, page 19.

  4 P. Hanks and F. Hodges: A Dictionary of Surnames, page 482.

  5 Chambers: Shakespeare: Facts and Problems, Volume Two, page 375.

  6 Quoted in Samuel Schoenbaum: William Shakespeare: A Documentary Life, page 27.

  7 Wrightson: English Society, page 52.

  8 Quoted in E.I. Fripp: Shakespeare’s Stratford, page 64.

  9 Schoenbaum: Shakespeare: A Documentary Life, page 14.

  Chapter Six

  1 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 15.

  2 Quoted in Nathan Drake: Shakespeare and His Times, page 99.

  3 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 17.

  Chapter Seven

  1 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 39.

  2 Heinrich Mutschmann and Karl Wentersdorf: Shakespeare and Catholicism, page 147.

  3 Information in Fripp: Shakespeare’s Stratford, page 31.

  4 Quoted in P. Collinson (ed.): “William Shakespeare’s Religious Inheritance and Environment,” in Elizabethan Essays, page 246.

  5 Alexandra Walsham: Church Papists, page 78.

  Chapter Nine

  1 Quoted in Drake: Shakespeare and His Times, page 116.

  2 Quoted in Wrightson: English Society, page 19.

  3 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 36.

  4 Quoted in E.I. Fripp: Shakespeare: Man and Artist, Volume One, page 74.

  Chapter Ten

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 65.

  Chapter Eleven

  1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, pages 252-3.

  2 John Palmer: Molière, His Life and Works (London, 1930), page 35.

  Chapter Twelve

  1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 264.

  2 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 83.

  3 Quoted in B.L. Joseph: Elizabethan Acting, page 28.

  4 Stanley Wells: Shakespeare For All Time, page 14.

  5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 264.

  6 Quoted in Joseph: Elizabethan Acting, page 11.

  7 ibid., page 12.

  8 Quoted in Andrew Gurr: Playgoing in Shakespeare’s London, page 80.

  9 ibid., page 17.

  10 Dennis Kay: Shakespeare: His Life, Work and Era, page 26.

  11 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 57.

  Chapter Thirteen

  1 Quoted in R. Savage (ed.): Minutes and Accounts of the Corporation of Stratford upon Avon, 1553-1620, Volume Two, page xlvii.

  2 Nicholas Rowe: Some Account of the Life of Mr. William Shakespeare (London, 1848), page 17.

  3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 155.

  Chapter Fourteen

  1 Quoted in Jonathan Bate (ed.): The Romantics on Shakespeare, page 304.

  2 Quoted in Katherine Duncan-Jones: Ungentle Shakespeare, page 14.

  3 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, pages 252-3.

  4 ibid., page 265.

  5 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 81.

  6 ibid., page 80.

  7 Quoted in C.C. Stopes: Shakespeare’s Warwickshire Contemporaries, page 23.

  8 Fripp: Shakespeare’s Stratford, page 2.

  9 Quoted in Stopes: Shakespeare’s Warwickshire Contemporaries, page 77.

  Chapter Fifteen

  1 T.W. Baldwin: William Shakespeare’s Small Latine and Lesse Greeke, Volume Two, page 672.

  2 Quoted in E.K. Chambers: Shakespearean Gleanings, page 52.

  3 Richard Wilson: Secret Shakespeare, page 57.

  4 ibid., page 58.

  5 Quoted in E.A.J. Honigmann: Shakespeare: The “Lost Years,” page 33.

  6 A. Keen and R. Lubbock: The Annotator, page 9.

  7 Quoted in Ivor Brown: How Shakespeare Spent the Day, page 167.

  Chapter Sixteen

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 173.

  2 Edmond Malone: The Plays and Poems of William Shakespeare, Volume Two, A Life of the Poet, page 108.

  Chapter Seventeen

  1 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 66.

  2 Quoted in Wells: Shakespeare For All Time, page 269.

  3 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 72.

  4 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 191.

  Chapter Eighteen

  1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 253.

  2 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 195.

  3 ibid., Volume Two, page 520.

  Chapter Nineteen

  1 Quoted in the introduction by E.I. Fripp to R. Savage (ed.): Minutes and Accounts of the Corporation of Stratford-upon-Avon, Volume Four, page xxi.

  2 Quoted in Edwin Nungezer: A Dictionary of Actors, page 348.

  3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 206.

  4 Quoted in Andrew Gurr: The Shakespearean Playing Companies, page 203.

  Chapter Twenty

  1 Quoted in J.O. Halliwell-Phillips: Outlines of the Life of Shakespeare, page 79.

  2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 101.

  3 Quoted in Liza Picard: Elizabeth’s London, page 89.

  Chapter Twenty-one

  1 Timothy Mowl: Elizabethan and Jacobean Style, pages 13, 22 and 87.

  2 Quoted in David Scott Kastan (ed.): A Companion to Shakespeare, page 43.

  3 Quoted in Lawrence Manley: Literature and Culture in Early Modern London, page 431.

  4 Quoted in Lawrence Manley (ed.): London in the Age of Shakespeare, page 106.

  Chapter Twenty-two

  1 Quoted in Lawrence Stone: The Family, Sex and Marriage in England, 1500-1800, page 520.

  2 Quoted in Duncan-Jones: Ungentle Shakespeare, page 81.

  Chapter Twenty-three

  1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 253.

  2 Quoted in John Gross (ed.): After Shakespeare, page 10.

  3 Baldassare Castiglione: The Courtyer (London, 1928), page 33.

  4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 266.

  5 Quoted in Gross (ed.), After Shakespeare, page 7.

  Chapter Twenty-four

  1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 265.

  2 Quoted in J.O. Halliwell-Phillips: Outlines of the Life of Shakespeare, Volume Two, page 288.

  3 ibid.

  4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 288.

  5 ibid., page 296.

  6 Quoted in Edward Burns (ed.): King Henry VI, Part One, the Arden edition (London, 2000), page 19.

  7 Quoted in Charles Nicholl: The Reckoning, page 268.

  Chapter Twenty-five

  1 Quoted in Dennis Kay: Shakespeare, page 62.

  2 Quoted in E.K. Chambers: The Elizabethan and Caroline Stage, Volume Four, page 123.

  3 Quoted in Charles Knight: William Shakespeare: A Biography, page 310.

  4 Quoted in Halliwell-Phillips, Volume Two, page 354.

  5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 386.

  6 ibid., page 397.

  7 Quoted in Halliwell-Phillips, Volume Two, pages 355-6.

  8 ibid., page 363.

  9 ibid.

  10 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 106.

  11 Christine Eccles: The Rose Theatre, page 94.

  12 Quoted in P. Whitfield White: Theatre and Reformation, page 49.

  13 ibid., page 51.

  Chapter Twenty-six

  1 E.J.L. Scott (ed.): Letter Book of Gabriel Harvey (London, 1884), page 67.

  2 Quoted in G.K. Hunter: John Lyly: The Humanist as Courtier, page 87.

  3 Quoted in Charles Nicholl: A Cup of News: The Life of Thomas Nashe, page 61.

  4 Quoted in F.S. Boas: Christopher Marlowe, page 241.

  5 Quoted in Nicholl: The Reckoning, page 242.

  6 ibid., page 474.

  Chapter Twenty-seven

  1 Quoted in G.L. Hosking: The Life and Times of Edward Alleyn, page 36.

  2 See E.A.J. Honigmann: Shakespeare: The “Lost Years,” page 109.

  3 E.B. Everitt: The Young Shakespeare, page 61.

  Chapter Twenty-eight

  1 Quoted in Eric Sams: The Real Shakespeare, page 163.

  2 ibid., page 66.

  3 ibid., page 67.

  4 ibid.

  Chapter Twenty-nine

  1 The most notable defender is Eric Sams, in Shakespeare’s Lost Play: Edmund Ironside.

  2 I am indebted for these observations to Eric Sams.

  3 Quoted in Charles Praetorius (ed.): The Troublesome Raigne of John, King of England, page xvi.

  Chapter Thirty

  1 Quoted in Bate (ed.): The Romantics on Shakespeare, page 543.

  Chapter Thirty-one

  1 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 305.

  2 Quoted in E.A.J. Honigmann (ed.): King John, pages xlviii-xlix (London, 1954).

  Chapter Thirty-two

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 306.

  2 ibid., page 298.

  3 ibid.

  4 Quoted in David George: “Shakespeare and Pembroke’s Men,” page 312.

  Chapter Thirty-three

  1 Quoted in George: “Shakespeare and Pembroke’s Men,” page 307.

  2 Quoted in Gross (ed.): After Shakespeare, page 23.

  3 Quoted in Bate (ed.): The Romantics on Shakespeare, page 279.

  Chapter Thirty-four

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume Two, page 831.

  2 Quoted in Nungezer: A Dictionary of Actors, page 78.

  3 ibid., page 72.

  4 Quoted in C.T. Onions and S. Lee (eds): Shakespeare’s England, Volume One, page 301.

  5 ibid., page 304.

  Chapter Thirty-five

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 347.

  2 Quoted in A. Freeman: Thomas Kyd, page 25.

  3 The best analysis of the whole episode is to be found in Charles Nicholl’s masterly The Reckoning.

  4 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 369.

  5 Quoted in G.P.V Akrigg: Shakespeare and the Earl of Southampton, page 182.

  6 Quoted in C.C. Stopes: The Life of Henry, 3rd Earl of Southampton, page 56.

  7 Quoted in Akrigg, Shakespeare and the Earl of Southampton, page 197.

  8 ibid.

  9 Quoted in Drake: Shakespeare and His Times, Volume Two, page 12.

  Chapter Thirty-six

  1 Richard Wilson: Secret Shakespeare, page 134.

  2 Quoted in F. Yates: John Florio, page 127.

  3 See in particular Stewart Trotter: Love’s Labour’s Found.

  4 Translation by H.T. Lowe-Parker.

  5 ibid.

  Chapter Thirty-eight

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 207.

  2 Quoted in Nungezer: A Dictionary of Actors, page 219.

  3 Quoted in M.C. Bradbrook: The Rise of the Common Player, page 72.

  4 Quoted in Irwin Smith: Shakespeare’s Blackfriars Playhouse, page 258.

  Chapter Thirty-nine

  1 Quoted in M. Hattaway: Elizabethan Popular Theatre, page 72.

  2 Quoted in Joseph: Elizabethan Acting, page 149.

  3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page214.

  4 ibid.

  5 Quoted by Daniel Seltzer: “Elizabethan Acting in Othello,” Shakespeare Quarterly, 10 (1959).

  6 Quoted in M. White: Renaissance Drama in Action, page 59.

  7 Quoted in Joseph: Elizabethan Acting, page 17.

  Chapter Forty

  1 Quoted in Joseph: Elizabethan Acting, page 9.

  2 Quoted in P. Thomson: Shakespeare’s Theatre, page 110.

  3 Fynes Moryson: Itinerary (London, 1617), page 476.

  4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 278.

  5 John Southworth: Shakespeare the Player, page 173.

  6 Quoted in J.B. Matthews: Molière: His Life and Works, page 39.

  7 Quoted in Shakespeare Survey, 17, page 197.

  8 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 84.

  9 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 262.

  10 ibid., page 190.

  11 Quoted in Michael Wood: In Search of Shakespeare, page 146.

  12 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 191.

  Chapter Forty-one

  1 Quoted in Gross (ed.): After Shakespeare, page 24.

  2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 133.

  3 I am indebted for these suggestions to Rolf Soellner’s essay, “Shakespeare’s Lucrece and the Garnier—Pembroke Connection,” Shakespeare Studies XV (1982).

  4 Quoted in Halliwell-Phillips: Outlines of the Life of Shakespeare, page 119.

  5 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 197.

  6 John Donne: letter to Sir Henry Goodere in Letters to Severall Persons of Honour (1651).

  Chapter Forty-two

  1 Quoted in R. Fraser: Shakespeare: The Later Years, page 9.

  2 Quoted in R.A. Foakes (ed.): The Comedy of Errors, Arden edition (London, 1962), pages 116-7.

  3 Quoted in Picard: Elizabeth’s London, page 206.

  4 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 255.

  5 Quoted in W. Nicholas Knight: Shakespeare’s Hidden Life, page 159.

  6 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 255.

  Chapter Forty-three

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 393.

  2 See Peter Ackroyd: Albion (London: 2002).

  Chapter Forty-five

  1 Quoted in Bate (ed.): The Romantics on Shakespeare, page 182.

  2 Quoted in Emrys Jones: Scenic Form in Shakespeare, page 4.

  3 Quoted in R. Dutton: William Shakespeare: A Literary Life, page 113.

  4 Quoted in Gross (ed.): After Shakespeare, pages 23-4.

  Chapter Forty-six

  1 Quoted in Marchette Chute: Shakespeare of London, page 81.

  2 Quoted in Richard Dutton: “The Birth of the Author,” in R.B. Parker and S. Zitner (eds): Elizabethan Theater, page 73.

  Chapter Forty-seven

  1 Quoted in Gross (ed.): After Shakespeare, page 169.

  2 Quoted in Ivor Brown: Shakespeare and the Actors, page71.

  Chapter Forty-eight

  1 Quoted in Ian Archer: The Pursuit of Stability, page 1.

  2 ibid., page 10.

  3 Quoted in Schoenbaum: Shakespeare’s Lives, page 462.

  4 Quoted in Chambers: Shakespeare: Facts and Problems, Volume Two, page 253.

  5 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 421.

  6 Quoted in Chambers: Shakespeare: Facts and Problems, Volume One, page 353.

  7 See Peter Farey: Deception in Deptford, on the internet—www.users.globalnet.co.uk/˜hadland/tvp/tvpintro.htm

  8 ibid.

  9 Quoted in Jonathan Bate (ed.): Titus Andronicus, Arden edition (London, 1995), pages 43-4.

  Chapter Forty-nine

  1 Quoted in Peter Thomson: Shakespeare’s Professional Career, page 117.

  2 Julia Kristeva: Tales of Love, trans. L.S. Roudiez (New York, 1987), page 9.

  3 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 416.

  Chapter Fifty

  1 I am indebted to Katherine Duncan-Jones for this observation.

  2 Quoted in Mark Eccles: Shakespeare in Warwickshire, page 84.

  3 Noted in Brian Morris (ed.): The Taming of the Shrew, Arden edition (London, 1981), page 84.

  4 See Duncan-Jones: Ungentle Shakespeare, page 157. My discussion of this issue owes a great deal to her perspicacity.

  Chapter Fifty-one

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, pages 455-6.

  2 Quoted in Schoenbaum: Shakespeare: A Documentary Life, page 108.

  3 Quoted in Leslie Hotson: Shakespeare versus Shallow, page 12.

  4 Quoted in J.Q. Adams: A Life of William Shakespeare, page 227.

  5 Quoted in Park Honan: Shakespeare: A Life, page 220.

  6 Quoted in Bate (ed.): The Romantics on Shakespeare, page 357.

  Chapter Fifty-two

  1 Quoted in Fripp: Shakespeare: Man and Artist, Volume One, page 248.

  2 Quoted in Adams: A Life of William Shakespeare, page 163.

  3 Quoted in Nungezer: A Dictionary of Actors, page 73.

 

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