From Publishers WeeklyA group of mountain climbers discovers a huge cache of marijuanaand is rewarded with headlines and bad fortune. "Climbers will relish this rapturous and penetrating, slightly macho paean to their passion," reported PW . Copyright 1988 Reed Business Information, Inc.

The new full-tilt, razor-sharp, unstoppably hilarious and entertaining novel from the best-selling author of Bad Monkey, Star Island, Nature Girl, et al. When Lane Coolman's car is bashed from behind on the road to the Florida Keys, what appears to be an ordinary accident is anything but (this is Hiaasen!). Behind the wheel of the other car is Merry Mansfield--the eponymous Razor Girl--and the crash scam is only the beginning of events that spiral crazily out of control while unleashing some of the wildest characters Hiaasen has ever set loose on the page. There's Trebeaux, the owner of Sedimental Journeys--a company that steals sand from one beach to restore erosion on another . . . Dominick "Big Noogie" Aeola, a NYC mafia capo with a taste for tropic-wear . . . Buck Nance, a Wisconsin accordionist who has rebranded himself as the star of a redneck reality show called Bayou Brethren . . . a street psycho known as Blister who's more Buck Nance than Buck could ever be . . . Brock Richardson, a Miami product-liability lawyer who's getting dangerously--and deformingly--hooked on the very E.D. product he's litigating against . . . and Andrew Yancy--formerly Detective Yancy, busted down to the Key West roach patrol after accosting his then-lover's husband with a Dust Buster. Yancy believes that if he can singlehandedly solve a high-profile murder, he'll get his detective badge back. That the Razor Girl may be the key to Yancy's future will be as surprising as anything else he encounters along the way--including the giant Gambian rats that are livening up his restaurant inspections.

"Berry's latest collection of essays is the reminiscence of a literary life. It is a book that acknowledges a lifetime of intellectual influences, and in doing so, positions Berry more squarely as a cornerstone of American literature . . . A necessary book. Here, Berry's place as the 'grandfather of slow food' or the 'prophet of rural living' is not questioned. This book ensures we understand the depth and breadth of Berry's art." ―San Francisco Chronicle "[A] stellar collection . . . Foodies, architects, transportation engineers, and other writers are adopting and adapting [Berry's] concepts, perhaps leading to what he envisions will one day be 'an authentic settlement of our country.'" ―The Oregonian In Imagination in Place, we travel to the local cultures of several writers important to Berry's life and work, from Wallace Stegner's great West and Ernest Gaines' Louisiana plantation life to Donald Hall's New England, and on to the Western...

Billy Mink Finds Little Joe Otter Billy Mink ran around the edge of the Smiling Pool and turned down by the Laughing Brook. His eyes twinkled with mischief, and he hurried as only Billy can. As he passed Jerry Muskrat\'s house, Jerry saw him. "Hi, Billy Mink! Where are you going in such a hurry this fine morning?" he called. "To find Little Joe Otter. Have you seen anything of him?" replied Billy. "No," said Jerry. "He\'s probably down to the Big River fishing. I heard him say last night that he was going." "Thanks," said Billy Mink, and without waiting to say more he was off like a little brown flash. Jerry watched him out of sight. "Hump!" exclaimed Jerry. "Billy Mink is in a terrible hurry this morning. Now I wonder what he is so anxious to find Little Joe Otter for. When they get their heads together, it is usually for some mischief." Jerry climbed to the top of his house and looked over the Smiling Pool in the direction from which Billy Mink had just come. Almost at once he saw Grandfather Frog fast asleep on his big green lily-pad. The legs of a foolish green fly were sticking out of one corner of his big mouth. Jerry couldn\'t help laughing, for Grandfather Frog certainly did look funny. "He\'s had a good breakfast this morning, and his full stomach has made him sleepy," thought Jerry. "But he\'s getting careless in his old age. He certainly is getting careless. The idea of going to sleep right out in plain sight like that!" Suddenly a new thought popped into his head. "Billy Mink saw him, and that is why he is so anxious to find Little Joe Otter. He is planning to play some trick on Grandfather Frog as sure as pollywogs have tails!" exclaimed Jerry. Then his eyes began to twinkle as he added: "I think I\'ll have some fun myself." Without another word Jerry slipped down into the water and swam over to the big green lily-pad of Grandfather Frog. Then he hit the water a smart blow with his tail. Grandfather Frog\'s big goggly eyes flew open, and he was just about to make a frightened plunge into the Smiling Pool when he saw Jerry. "Have a nice nap?" inquired Jerry, with a broad grin. "I wasn\'t asleep!" protested Grandfather Frog indignantly. "I was just thinking." "Don\'t you think it a rather dangerous plan to think so long with your eyes closed?" asked Jerry. "Well, maybe I did just doze off," admitted Grandfather Frog sheepishly. "Maybe you did," replied Jerry. "Now listen." Then Jerry whispered in Grandfather Frog\'s ear, and both chuckled as if they were enjoying some joke, for they are great friends, you know. Afterward Jerry swam back to his house, and Grandfather Frog closed his eyes so as to look just as he did when he was asleep. Meanwhile Billy Mink had hurried down the Laughing Brook. Half-way to the Big River he met Little Joe Otter bringing home a big fish, for you know Little Joe is a great fisherman. Billy Mink hastened to tell him how Grandfather Frog had fallen fast asleep on his big green lily-pad. "It\'s a splendid chance to have some fun with Grandfather Frog and give him a great scare," concluded Billy....

d to go home. You see, he had almost dined on Quacker the Duck over at the Big River that day and then hadn\'t, and it was all his own fault. That was why he was afraid to go home. From his hiding-place on the bank he had watched Quacker swim in and in until he was almost on the shore where old Granny Fox was whirling and rolling and tumbling about as if she had entirely lost her senses. Indeed, Reddy had been quite sure that she had when she began. It wasn\'t until he saw that curiosity was drawing Quacker right in so that in a minute or two Granny would be able to catch him, that he understood that Granny was anything but crazy, and really was teaching him a new trick as well as trying to catch a dinner. When he realized this, he should have been ashamed of himself for doubting the smartness of Granny and for thinking that he knew all there was to know. But he was too much excited for any such thoughts. Nearer and nearer to the shore came Quacker, his eyes fixed on the red, whirling form of Granny. --This text refers to an out of print or unavailable edition of this title. --This text refers to an out of print or unavailable edition of this title.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition. --This text refers to an alternate Paperback edition. --This text refers to an alternate Paperback edition.

The Ocean Cat\'s Paw - The Story of a Strange Cruise is presented here in a high quality paperback edition. This popular classic work by George Manville Fenn is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of George Manville Fenn then we highly recommend this publication for your book collection.

George Manville Fenn was an English novelist and journalist who wrote across a variety of genres, both fiction and nonfiction. His works are still widely read today.

With its dozens of outlying islands and the native Conchs’ historically low regard for the law, Key West is a smuggler’s paradise. All that’s needed are the captains to run the contraband. Breeze Albury is one of the best fishing captains on the Rock, and he’s in no mood to become the Machine’s delivery boy. So the Machine sets out to persuade him. It starts out by taking away Albury’s livelihood. Then it robs him of his freedom. But when the Machine threatens Albury’s son, the washed-out wharf rat turns into a raging, sea-going vigilante. In Trap Line, Hiaasen and Montalbano pit a handful of scruffy Conchs against an armada of drug lords, crooked cops, and homicidal marine lowlife. The result is a crime novel of dizzying velocity, filled with wrenching plot twists, grimily authentic characters, and enough local color for a hundred tropical shirts. It’s the Key West the tourist brochures won’t tell you about: a place as crooked as Al Capone’s Chicago and as irredeemably violent as Wyatt Earp’s Tombstone.

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Marine biologist Chaz Perrone can't tell a sea horse from a sawhorse. And when he throws his beautiful wife, Joey, off a cruise liner, he really should know better. An expert swimmer, Joey makes her way to a floating bale of Jamaican pot-and then to an island inhabited by an ex-cop named Mick Stranahan, whose ex-wives include five waitresses and a TV producer. Now Joey wants to get revenge on Chaz and Mick's happy to help her.But in swampy South Florida, separating lies from truths and stupidity from brilliance isn't easy. Especially when you're after a guy like Chaz-who's bad at murder, great at fraud, and just terrible at getting caught...