"Sometimes when I'm at work and waiting for customers I think about the two of us living like kings and not bothering about the future. Because there may not be any future to bother about, you know. Not for anybody, one of these days. And it's a wicked world." Average couple Janet and Howard's lives begin to unravel when Howard's photographic memory helps win him a gameshow fortune. Janet doesn't want their lives to change that much. She's quite happy working at the supermarket, cooking for her husband three times a day and watching quiz shows in the evening. But once Howard unleashes his photographic brain on the world, the once modest used-car salesman can't seem to stop. And what he sees as the logical conclusion to his success isn't something Janet can agree to.

Set in San Francisco in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K.Dick always reserved his greatest sympathy. Jim Fergesson is an elderly garage owner with a heart condition, who is about to retire; Al Miller is a somewhat feckless mechanic who sublets part of Jim's lot and finds his livelihood threatened by the decision to sell; Chris Harman is a record-company owner who for years has relied on Fergesson to maintain his cars. When Harman hears of Fergesson's impending retirement he tips him off to what he says is a cast-iron business proposition: a development in nearby Marin County with an opening for a garage. Al Miller is convinced that Harman is a crook, out to fleece Fergesson of his life's savings. As much as he resents Fergesson he can't bear to see it happen and--denying to himself all the time what he is doing--he sets out to thwart Harman.

The author has discovered for us in this volume the present stopping place of that famous raconteur of dear comic memory, the late Hieronymous Carl Friederich, sometime Baron Munchausen, and he transmits to us some further adventures of this traveler and veracious relator of merry tales. There are about a dozen of these tales, and, judging by Mr. Bangs' recital of them, the Baron's adventures on this mundane sphere were no more exciting than those he has encountered since taking the ferry across the Styx. Mr. Bangs proves himself well worthy of the task of reintroducing this merry old wag to modern fun-lovers, and in selecting from the tales the Baron has related to him he has chosen with an eye to the humorous which is unfailing in its clearness and keenness of perception. (Review from Book News, V. 20, 1902)

Wrecker needs to deal with smugglers, grave robbers, and pooping iguanas—just as soon as he finishes Zoom school. Welcome to another wild adventure in Carl Hiaasen's Florida!Valdez Jones VIII calls himself Wrecker because his great-great-great-great-great-grandfather salvaged shipwrecks for a living. So is it destiny, irony, or just bad luck when Wrecker comes across a speedboat that has run hard aground on a sand flat? The men in the boat don't want Wrecker to call for help—in fact, they'll pay him to forget he ever saw them. Wrecker would be happy to forget, but he keeps seeing these men all over Key West—at the marina, in the cemetery, even right outside his own door. And now they want more than his silence—they want a lookout.He'll have to dive deep into their shady dealings to figure out a way to escape this tangled net. . . .

Lacey Adams lives in the small town of Magic, New Mexico, where she devotes herself to the animals at her Touch of Magic Animal Shelter. The strange assortment of animals helps heal the pain and loneliness inside her since the death of her husband three years before. Frost is a Star Ranger. He travels the star systems, bringing intergalactic fugitives to justice. When a maximum-security fugitive escapes from the mining prison, he is sent after him. Only this time, the fugitive has violated a major law… he has traveled to a distant forbidden planet inhabited by a race that has not mastered space travel yet. Now, he is in a race to find the fugitive before those on the planet known as Earth discover there are not one, but two aliens on their world. Things become complicated when Frost discovers his heart is not as frozen as he thought when a young human female is taken hostage by the fugitive. What he doesn’t anticipate is her unexpected resistance – both to the fugitive and to him. Frost is forced to make a decision that is guaranteed to put him on the most wanted list when he follows his heart and kidnaps Lacey. He knows that some things are worth the risk. What he doesn’t know is that Lacey has a few secrets of her own. * First published in the anthology, Feel the Heat.

Discover the origins of Durzo Blint in this original novella set in the world of Brent Weeks' New York Times bestselling Night Angel trilogy. "I got a bit of prophecy," the old assassin said. "Not enough to be useful, you know. Just glimpses. My wife dead, things like that to keep me up late at night. I had this vision that I was going to be killed by forty men, all at once. But now that you're here, I see they're all you. Durzo Blint." Durzo Blint? Gaelan had never even heard the name. Gaelan Starfire is a farmer, happy to be a husband and a father; a careful, quiet, simple man. He's also an immortal, peerless in the arts of war. Over the centuries, he's worn many faces to hide his gift, but he is a man ill-fit for obscurity, and all too often he's become a hero, his very names passing into legend: Acaelus Thorne, Yric the Black, Hrothan Steelbender, Tal Drakkan, Rebus Nimble. But when Gaelan must take a job hunting down the world's finest assassins for the beautiful courtesan-and-crimelord Gwinvere Kirena, what he finds may destroy everything he's ever believed in. Word count: ~17,000

Subject: Delete this message after you read it ...Dear Hayley,I'm assuming you're still hungover, so I'll make this brief.Last night, you slipped under my sheets (without my permission), and we almost had sex. I got the hell out of the bed once I realized it was you, and I took you home.That's the story.The end.Period.Just in case you've forgotten, you're my best friend's little sister. We will never be anything more. (We can't be anything more.) Our previous friendship is still unresolved—or "over" in your terms, so I'd prefer if we worked on becoming 'just friends' again since you're in town.Nonetheless, I'm not a man who leaves questions unanswered—even the drunken ones, so to properly close our inappropriate conversation:1) Yes, I liked the way your lips felt against mine when you were on top of me.
2) Yes, I do "prefer" rough sex, but I'm pretty sure I wasn't rough with you.
3) No, I had no idea you were still a virgin ...This message never happened,Corey

short read

30 CRIME AND MYSTERY STORIES GOOD TO THE LAST LINEThe McGuffin has long been a staple tool in any crime and mystery writer's arsenal. A perfectly placed last line of a short story can pull together subtle plot threads into a devastating dénouement or give everything that came before it a brand-new meaning, sometimes even reshaping the story entirely for the reader. Joe Gores and Bill Pronzini, two of the most talented mystery writers of the 20th century, joined forces to assemble the very best McGuffin stories by such celebrated authors as Anthony Boucher, Harlan Ellison, Joe L. Hensley, Edward D. Hoch, John Lutz, John D. MacDonald, and Donald E. Westlake. They, along with 24 more authors, have created some of the very best mystery stories that often save their best twists for the very last line... 

Although Durrell spent much of his life beside the Mediterranean, he wrote relatively little about Italy; it was always somewhere that he was passing through on the way to somewhere else. Sicilian Carousel is his only piece of extended writing on the country and, naturally enough for the islomaniac Durrell, it focuses on one of Italy's islands. Sicilian Carousel came relatively late in Durrell's career, and is based around a slightly fictionalized bus tour of the island.

In twenty-two stories of amazing range and variety, Ray Bradbury once again works his special magic, sounding out life's mysteries in the past, present, and the future. Stories: A Piece of Wood (1952) A Story of Love (1976) variant of These Things Happen (1951) Darling Adolf (1976) Drink Entire: Against the Madness of Crowds (1976) Forever and the Earth (1950) G.B.S. - Mark V • (1976) Getting Through Sunday Somehow (1962) Have I Got a Chocolate Bar for You! (1973) Interval in Sunlight (1954) Long After Midnight (1963) One Timeless Spring (1946) Punishment Without Crime (1950) The Better Part of Wisdom (1976) The Blue Bottle (1950) The Burning Man(1975) The Messiah (1973) The Miracles of Jamie (1946) The October Game (1948) The Parrot Who Met Papa(1972) The Pumpernickel (1951) The Utterly Perfect Murder (1971) The Wish (1973)

"Santa Claws" by MaryJanice Davidson: a powerful European werewolf falls in lust at first bite with sidewalk Santa Giselle Smith. Giselle, a pleasant but sheltered woman, is literally swept off her feet by the charismatic and sexually hungry Alec.

In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness--a combination that is dazzlingly, uniquely his. These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate.