I am Meredith, princess of faerie, wielder of the hands of Flesh and Blood, and at long last, I am with child–twins, fathered by my royal guard. Though my uncle, Taranis, King of Light and Illusion, claims that he is the true father since he abducted me from my home, betrayed, and defiled me. And now he has branded my guards as a threat to my unborn children.Bearing an heir has placed me halfway to my aunt’s throne, that much closer to my reign over the Unseelie Court–and well ahead of her son, my cousin Cel, in this race. Now I must stay alive to see my children born and claim my place as queen.But not all in faerie are pleased with the news, and conspirators from every court in the realm plot against me and mine. They seek to strip my guards, my lovers, from me by poisoned word or cold steel. But I still have supporters, and even friends, among the goblins and the sluagh, who will stand by me.I am Meredith Nic Essus, and those who would defy and destroy me are destined to pay a terrible price–for I am truly my father’s daughter. To protect what is mine, I will sacrifice anything–even if it means waging a great battle against my darkest enemies and making the most momentous decision ever made as princess of faerie.From the Hardcover edition.Review“An emotionally charged and suspense-filled tale . . . with enough surprises, twists and turns to keep you guessing.”—Romance Reviews Today“Wild magic and wilder sex.”—Publishers Weekly“Nearly nonstop action.”—*St. Louis Post-DispatchFrom the Paperback edition.About the AuthorLaurell K. Hamilton is the New York Times bestselling author of the Meredith Gentry novels: A Kiss of Shadows, A Caress of Twilight, Seduced by Moonlight, A Stroke of Midnight, Mistral’s Kiss, and A Lick of Frost, as well as sixteen acclaimed Anita Blake, Vampire Hunter, novels. She lives in St. Louis, Missouri.

The #1 New York Times bestselling author's short story collection-including an all-new Anita Blake, Vampire Hunter story-now in paperback. From a woman who marries into a family of volatile wizards to a couple fleeing a gang of love-hungry cupids, from a girl who seeks sanctuary in the form of a graceful goose to the disgruntled superhero Captain Housework, readers will revel in the many twists and turns of fortune in these fantastical fairy tales and lush parables. Even hardened vampire hunter and zombie animator Anita Blake gets blindsided by the disturbing motives of her clients in the new "Those Who Seek Forgiveness" and in "The Girl Who Was Infatuated with Death."

Laurell K. Hamilton’s Anita Blake, Vampire Hunter series is a literary sensation, thanks to its strong female hero, well-fleshed (both literally and literarily) characters and unabashed attitude toward sex. The world Hamilton has created is powerfully compelling and stunningly complex—and it gets deeper, richer and more perilous, with every book.Straddling the series’ dominant themes of sex and power, Ardeur gives Anita fans a deeper look into the dynamics, both personal political, that have kept readers fascinated throughout the run of the series. Why is the ardeur the very best thing that could have happened to Anita, personally (aside from all the sex it requires her to have with hot men)? How is Anita’s alternate United States a logical legal extension of our own? And as the series continues, what other bargains might Anita have to make with herself and others in order to keep the people she loves safe from harm?The collection includes essay introductions by Hamilton, giving context and extra insight into each essay’s subject.About the AuthorLaurell K. Hamilton is the New York Times bestselling author of the Anita Blake, Vampire Hunter series and the Merry Gentry series.

*“I am Princess Meredith, heir to a throne—if I can stay alive long enough to claim it.” *After eluding relentless assassination attempts by Prince Cel, her cousin and rival for the Faerie crown, Meredith Gentry, Los Angeles private eye, has a whole new set of problems. To become queen, she must bear a child before Cel can father one of his own. But havoc lies on the horizon: people are dying in mysterious, frightening ways, and suddenly the very existence of the place known as Faerie is at grave risk. So now, while she enjoys the greatest pleasures of her life attempting to conceive a baby with the warriors of her royal guard, she must fend off an ancient evil that could destroy the very fabric of reality. And that’s just her day job. . . .From the Paperback edition.Amazon.com ReviewFaerie princess and private detective Meredith Gentry juggles love, sex, intrigue, magic, and more in this witty and sensual novel from Laurell K. Hamilton. Merry has her hands full: she's desperate to conceive a child and thereby claim the Unseelie throne; she's the target of intrigue from both the Seelie and Unseelie Courts; her newest client is an exiled goddess with a secret that could get them all killed; and a hideous fey force that alarms even her formidable lover-warriors is loose in Los Angeles.A Caress of Twilight is infused with Hamilton's characteristic appealing blend of sex, magic, wit, and romantic dilemma. The mystery takes a back seat to the concerns of Faerie power and politics, making the book less balanced, but Merry's growth in leadership and power, along with a bang-up ending, won't leave fans disappointed. Readers new to Hamilton might be advised to start with A Kiss of Shadows or the extremely popular Anita Blake series. --Roz GenesseeFrom Publishers WeeklyIn the second R-rated outing (after 2000's A Kiss of Shadows) from bestseller Hamilton to feature bright and winsome faery princess Meredith Gentry, the unlikely shamus, who runs an L.A. detective agency with a staff of faery musclemen (plus a pet goblin), seems to spend almost as much time pondering her position in the fey world as attending to her client, glamorous film star Maeve Reed, actually a Seelie goddess, who needs Meredith's help in getting pregnant. Meredith does what she can for Maeve, although she has troubles enough of her own in the conception game. As one of two possible heirs to the Unseelie throne, the other being her nasty cousin, Prince Cel, Meredith must produce her own child and then, by faery tradition, marry her partner. It isn't easy, since any father must be kingly material, but our heroine is a game lass, and her failure is not for lack of trying. In an exciting climax, the LAPD Bureau of Human and Fey Affairs summons Meredith to battle a fearsome, crawling, tentacled and slobbering monster, the Nameless, which was too blithely created by opposing faery courts her own, the Unseelie, ruled by her millennium-old aunt, Queen Andais, and the Seelie, ruled by the ruthless and equally ancient King Taranis. More attention to the detective motif might have made the story more fun, but steamy prose and Meredith's obsessive personal conflicts should keep the faithful turning the pages. (Apr. 2)Forecast: With a 10-city author tour, national print advertising and the success of last year's Narcissus in Chains and other novels in her Anita Blake vampire series, Hamilton should make another run at the bestseller lists.Copyright 2002 Cahners Business Information, Inc.

You may know me best as Meredith Nic Essus, princess of faerie. Or perhaps as Merry Gentry, Los Angeles private eye. To protect my unborn children, I have turned my back on the crown, choosing exile in the human world with my beloved Frost and Darkness. Yet I cannot abandon my people. Someone is killing the fey, which has left the LAPD baffled and my guardsmen and me deeply disturbed. I thought I’d left the blood and politics behind in my own turbulent realm. But now I realize that evil knows no borders, and that nobody lives forever—even if they’re magical.Amazon.com ReviewLaurell K. Hamilton on *Divine Misdemeanors* Meredith Gentry was created as a character so that my muse and I could have a break from writing the Anita Blake series. I’d written five Anita books in a row and was starting to have job anxiety dreams about her life instead of mine. I needed something different for my muse and me to play with. Merry was created to give me a different voice, a different world to visit. I guess she’s like a second child that you have so the first one won’t be an only. Then, like a parent that just didn’t understand that a second child doesn’t double your workload, but quadruples it, I was suddenly trying to do two different series at two different publishers. It went well since they’re both New York Times bestsellers. The audience for both crosses nicely and continues to grow with every book in a time when very few authors can say that. So it’s all good, but just like trying to juggle two kids instead of one, juggling two book series instead of just one presents its challenges.At the beginning keeping Anita’s voice out of the Merry books was the biggest challenge. I was used to her, and her voice and attitude were closer to my own, so Anita wrote faster, clearer in my head. Merry was that second baby that is nothing like your first baby, so most of what you learned about taking care of character A doesn’t help a damn bit with character B. Who knew? But there comes a point when you make peace with the second child being so different from the first and so different from yourself. You find the unique joys in that second person, as I’ve found the joys in the Merry series that are different from Anita. Anita fights me on paper and always has. She’s very much my rebel. Merry never fought on paper until the last book, Swallowing Darkness, and then she found things worth fighting for. She finally stood up and told me what she wanted and she was willing to do whatever it took to get there. I understood that. I let Merry’s desires, loves, and choices change where I had planned to end the first cycle of the series. Anita has thrown out entire last thirds of books by her choices, and even scrapped entire novel ideas because she’d simply grown in a different direction. If I did that for my oldest creation, how could I not do the same for my youngest creation?In fact, Merry found her voice so pure and clear that on the last two Anita Blake novels I’ve had to chase her out of my head so Anita could be loud. Now the biggest challenge is balancing the writing schedule between two bestselling series, two different publishers, and that thing called a real life. Doing justice to my two imaginary worlds, and still managing to have a life in the real world... that’s the true challenge.--Laurell K. HamiltonFrom Publishers WeeklyHamilton hits the ground running in her latest Meredith Gentry novel, this one set in Los Angeles, where a pregnant Meredith has been safely united with her fellow exiles from the faerie courts. The faerie princess/private eye's happiness is short-lived, however, when she catches wind of a serial killer who gets his kicks crafting hideous tableaux of butchered demi-fey. While Meredith hunts for the killer, her stable of guards struggle to protect her from herself. Just as full of steamy sex and wild magic as the previous seven volumes, this episode finds Meredith's powers, as well as her collection of gorgeous guards, expanding, with crowd-pleasing results. The friction among Meredith's men makes for good drama, and Hamilton doesn't shy away from difficult real-world issues like post-traumatic stress disorder and sexual abuse. Though newcomers will be lost, and mystery fans may feel the sex scenes crowd out the plot, veterans of the series will no doubt enjoy their return to Hamilton's meticulously constructed world. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

A serial killer is hunting the Pacific Northwest, murdering victims in a gruesome and spectacular way. The local police suspect "monsters" are involved, and have called in Anita Blake and Edward, US Marshals who really know their monsters, to catch the killer. But some monsters are very real. The Harlequin have been the bogeymen of the vampire world for more than a thousand years; they are a secret so dark that even to speak their name can earn you a death sentence. Now they are here in America, hunting weretigers, and human police. The Harlequin serve the Mother of All Darkness, the first vampire. She was supposed to be dead, but only her body was destroyed. Now she needs a new one, and she's decided that Anita Blake's is the body she wants. Edward thinks the serial killings are a trap to lure Anita closer to the most dangerous vampire they've ever hunted. The vampires call Edward "Death," and Anita the "Executioner," but Mommy Darkest is coming to kill one, and possess the other, and she doesn't care how many others have to die along the way.