Jane Austen\'s first published work, meticulously constructed and sparkling with her unique witMarianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor\'s warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition also includes explanatory notes and textual variants between first and second edition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Twenty-seven-year old Anne Elliot is Austen's most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love? Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. She gradually falls in love with her cousin Edmund, but when the dazzling and sophisticated Crawfords arrive, and amateur theatricals unleash rivalry and sexual jealousy, Fanny has to fight to retain her independence.

Northanger Abbey /ˈnɔːrθˌæŋɡər/ was the first of Jane Austen's novels to be completed for publication, but published after her death, at the end of 1817. The novel is a satire of the Gothic novels popular at the time of its first writing in 1798–99. The heroine, Catherine, thinks life is like a Gothic novel, but her real experiences bring her down to earth as an ordinary young woman. Austen first titled it Susan, when she sold it in 1803 for £10 to a London bookseller, Crosby & Co., who decided against publishing. In the spring of 1816, the bookseller sold it back to the novelist's brother, Henry Austen, for the same sum, as the bookseller did not know that the writer was by then the author of four popular novels. She further revised the novel in 1816-1817, with the intention of having it published. The lead character's name was changed from Susan to Catherine, and Austen changed the working title to Catherine. Austen died in July 1817. Her brother Henry renamed the novel and arranged for publication of Northanger Abbey in late December 1817 (1818 given on the title page), as the first two volumes of a four-volume set, the other two volumes being the more recently completed Austen novel, Persuasion, with a preface for the first time publicly identifying Jane Austen as the author of all her novels. Neither novel was published under the working title Jane Austen used. Aside from first being published together, the two novels are not linked, and later editions were published as separate novels. The novel is more explicitly comic than her other works and contains many literary allusions that her parents and siblings would have enjoyed, as a family entertainment—a piece of lighthearted parody to be read aloud by the fireside. The novel names many of the Gothic novels of that time and includes direct commentary by Austen on the value of novels, which were not valued as much as nonfiction or historical fiction. As almost all her letters were burned after her death, later scholars appreciate this insight into Austen's views.

Jane Austen's first published work, meticulously constructed and sparkling with her unique witMarianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition also includes explanatory notes and textual variants between first and second edition. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Austen\'s most popular novel, the unforgettable story of Elizabeth Bennet and Mr. DarcyFew have failed to be charmed by the witty and independent spirit of Elizabeth Bennet in Austen’s beloved classic Pride and Prejudice. When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows us the folly of judging by first impressions and superbly evokes the friendships, gossip and snobberies of provincial middle-class life. This Penguin Classics edition, based on Austen\'s first edition, contains the original Penguin Classics introduction by Tony Tanner and an updated introduction and notes by Viven Jones.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife. " So begins Pride and Prejudice, Jane Austen's witty comedy of manners--one of the most popular novels of all time--that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. Introduction by Anna Quindlen. Commentary by Margaret Oliphant, George Saintsbury, Mark Twain, A. C. Bradley, Walter A. Raleigh, and Virginia Woolf. Includes a Modern Library Reading Group Guide

The New York Times Best Seller now with 30% more zombies!   “It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.” So begins Pride and Prejudice and Zombies, an expanded version of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem. This deluxe heirloom edition includes a new preface by coauthor Seth Grahame-Smith, thirteen oil painting illustrations by Roberto Parada, and a fascinating afterword by Dr. Allen Grove of Alfred University. Best of all, this limited special edition features an incredible 30 percent more zombies—via even more all-new scenes of carnage, corpse slaying, and cannibalism. Complete with a satin ribbon marker and a leatherette binding designed to endure for generations, this hardcover volume honors a masterpiece of classic zombie literature.

\'I never have been in love; it is not my way, or my nature; and I do not think I ever shall. \' Beautiful, clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen\'s most flawless work. This edition includes a new chronology and additional suggestions for further reading.

Twenty-seven-year old Anne Elliot is Austen\'s most adult heroine. Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne\'s family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love? Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

First published in 1818, *Persuasion* was Jane Austen's last work. Its mellow character and autumnal tone have long made it a favorite with Austen readers. Set in Somersetshire and Bath, the novel revolves around the lives and love affair of Sir Walter Elliot, his daughters Elizabeth, Anne, and Mary, and various in-laws, friends, suitors, and other characters, In Anne Elliot, the author created perhaps her sweetest, most appealing heroine. At the center of the novel is Anne's thwarted romance with Captain Frederick Wentworth, a navy man Anne met and fell in love with when she was 19. At the time, Wentworth was deemed an unsuitable match and Anne was forced to break off the relationship. Eight years later, however, they meet again. By this time Captain Wentworth has made his fortune in the navy and is an attractive "catch." However, Anne is now uncertain about his feelings for her. But after various twists and turns of fortune, the novel ends on a happy note. In *Persuasion*, as in such novels as *Sense and Sensibility*, *Pride and Prejudice*, and *Emma*, Austen limned the plight of young women who could escape the constraints of family life only by marrying, and suggest the foolishness of women who believed they were free and not dependent on the financial and social resources of men. At the same time, *Persuasion* offers an ironic and subtle paean to the true love that enables one woman to rise above straitened economic circumstances and the stifling social conventions that restricted women to narrowly circumscribed lives in the common sitting room. Sure to appeal to admirers of Jane Austen, *Persuasion* will delight any reader with its finely drawn characters, gentle satire, and charming re-creation of the genteel world of the 19th-century English countryside. **

Beautiful, flirtatious, and recently widowed, Lady Susan Vernon seeks an advantageous second marriage for herself, while attempting to push her daughter into a dismal match. A magnificently crafted novel of Regency manners and mores that will delight Austen enthusiasts with its wit and elegant expression.

Ros Ballaster (Introduction/Editor) \'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!\' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor\'s warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner\'s introduction to the original Penguin Classic edition.

Tony Tanner (original Penguin Introduction by), Claire Lamont (Textual Adviser) \'We have all been more or less to blame . . . every one of us, excepting Fanny\' Taken from the poverty of her parents\' home, Fanny Price is brought up with her rich cousins at Mansfield Park, acutely aware of her humble rank and with only her cousin Edmund as an ally. When Fanny\'s uncle is absent in Antigua, Mary Crawford and her brother Henry arrive in the neighbourhood, bringing with them London glamour and a reckless taste for flirtation. As her female cousins vie for Henry\'s attention, and even Edmund falls for Mary\'s dazzling charms, only Fanny remains doubtful about the Crawfords\' influence and finds herself more isolated than ever. A subtle examination of social position and moral integrity, Mansfield Park is one of Jane Austen\'s most profound works.

&&LDIV&&R&&LDIV&&R&&LI&&RNorthanger Abbey&&L/I&&R, by &&LSTRONG&&RJane Austen&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R * New introductions commissioned from today's top writers and scholars * Biographies of the authors * Chronologies of contemporary historical, biographical, and cultural events * Footnotes and endnotes * Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work * Comments by other famous authors * Study questions to challenge the reader's viewpoints and expectations * Bibliographies for further reading * Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences―biographical, historical, and literary―to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&RA wonderfully entertaining coming-of-age story, &&LI&&RNorthanger Abbey&&L/I&&R is often referred to as &&LB&&RJane Austen&&L/B&&R’s “Gothic parody.” Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers give the story an uncanny air, but one with a decidedly satirical twist.&&LBR&&R&&LBR&&RThe story’s unlikely heroine is Catherine Morland, a remarkably innocent seventeen-year-old woman from a country parsonage. While spending a few weeks in Bath with a family friend, Catherine meets and falls in love with Henry Tilney, who invites her to visit his family estate, Northanger Abbey. Once there, Catherine, a great reader of Gothic thrillers, lets the shadowy atmosphere of the old mansion fill her mind with terrible suspicions. What is the mystery surrounding the death of Henry’s mother? Is the family concealing a terrible secret within the elegant rooms of the Abbey? Can she trust Henry, or is he part of an evil conspiracy? Catherine finds dreadful portents in the most prosaic events, until Henry persuades her to see the peril in confusing life with art.&&LBR&&R&&LBR&&RExecuted with high-spirited gusto, &&LI&&RNorthanger Abbey&&L/I&&R is the most lighthearted of Jane Austen’s novels, yet at its core this delightful novel is a serious, unsentimental commentary on love and marriage.&&LBR&&R&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&R&&L/B&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&RAlfred Mac Adam&&L/B&&R teaches literature at Barnard College–Columbia University. He is a translator and art critic.&&L/P&&R&&L/DIV&&R&&L/B&&R&&L/B&&R **