Set in post-apartheid South Africa, J. M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. Lurie believes he has created a comfortable, if somewhat passionless, life for himself. He lives within his financial and emotional means. Though his position at the university has been reduced, he teaches his classes dutifully; and while age has diminished his attractiveness, weekly visits to a prostitute satisfy his sexual needs. He considers himself happy. But when Lurie seduces one of his students, he sets in motion a chain of events that will shatter his complacency and leave him utterly disgraced.

For decades the Magistrate has been a loyal servant of the Empire, running the affairs of a tiny frontier settlement and ignoring the impending war with the barbarians. When interrogation experts arrive, however, he witnesses the Empire's cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state.J. M. Coetzee's prize-winning novel is a startling allegory of the war between opressor and opressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency.

Stifled by the torpor of colonial South Africa, and trapped in a web of reciprocal oppression, a lonely sheep farmer seeks comfort in the arms of a black concubine. But when his embittered spinster daughter Magda feels shamed, this lurch across the racial divide marks the end of a tenuous feudal peace. As she dreams madly of bloody revenge, Magda's consciousness starts to drift and the line between fact and the workings of her excited imagination becomes blurred. What follows is the fable of a woman's passionate, obsessed and violent response to an Africa that will not heed her.

The Nobel Prize-winning author's brilliant trilogy of fictionalized memoirs--now available in one volume for the first time Few writers have won as much critical acclaim and as many admirers in the literary world as J. M. Coetzee. Yet the celebrated author rarely spoke of himself until the 1997 arrival of "Boyhood," a masterly and evocative tale of a young writer's beginnings. Continuing with the fiercely tender "Youth" and the innovative "Summertime," "Scenes from Provincial Life" is a heartbreaking and often very funny portrait of the artist by one of the world's greatest writers.

Stranger Shores, a collection of J.M. Coetzee’s essays from 1986 to 1999 was followed by Inner Workings, which contained those from 2000 to 2005. Late Essays gathers together Coetzee’s literary essays since 2006. The subjects covered range from Daniel Defoe in the early eighteenth century to Coetzee’s contemporary Philip Roth. Coetzee has had a long-standing interest in German literature and here he engages with the work of Goethe, Hölderlin, Kleist and Walser. There are four fascinating essays on fellow Nobel laureate Samuel Beckett and he looks at the work of three Australian writers: Patrick White, Les Murray and Gerald Murnane. There are essays too on Tolstoy’s great novella The Death of Ivan Ilyich, on Flaubert’s masterpiece Madame Bovary, and on the Argentine modernist Antonio Di Benedetto. J.M. Coetzee, a great novelist himself, is a wise and insightful guide to these works of international literature that span three centuries.

Paul Rayment is on the threshold of a comfortable old age when a calamitous cycling accident results in the amputation of a leg. Humiliated, his body truncated, his life circumscribed, he turns away from his friends. He hires a nurse named Marijana, with whom he has a European childhood in common: hers in Croatia, his in France. Tactfully and efficiently she ministers to his needs. But his feelings for her, and for her handsome teenage son, are complicated by the sudden arrival on his doorstep of the celebrated Australian novelist Elizabeth Costello, who threatens to take over the direction of his life and the affairs of his heart.

In a South Africa torn by civil war, Michael K sets out to take his mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. Life and Times of Michael K goes to the centre of human experience - the need for an interior, spiritual life, for some connections to the world in which we live, and for purity of vision.

Dusklands (1974) is the first novel by J. M. Coetzee, winner of the 2003 Nobel Prize in Literature. It is a presentation and critique of the violence inherent in the colonialist and imperialist mentality of the Western world. The novel actually consists of two separate stories. The first one, "The Vietnam Project", relates the gradual descent into insanity of its protagonist Eugene Dawn. Eugene works for a U.S. government agency responsible for the psychological warfare in the Vietnam War. The second story, "The Narrative of Jacobus Coetzee", which takes place in the 18th century, is an account of a hunting expedition into the then "unexplored" interior of South Africa. After crossing the Orange River, Jacobus meets with a Namaqua tribe to trade, but suddenly falls ill. He is attended to by the tribe and gradually recovers, only to get into a fight for which he is expelled from the village.

Inner Workings is the second of three collections of literary criticism by J. M. Coetzee, including essays on Musil and Beckett, Bellow and Gordimer. These are concise, accessible introductions to some of the world's greatest writers, by a contemporary master.J. M. Coetzee was the first author to win the Booker Prize twice and was awarded the Nobel Prize for Literature in 2003. His work includes Waiting for the Barbarians, Life & Times of Michael K, The Master of Petersburg, Disgrace and Diary of a Bad Year. His most recent writing is a trilogy of novels: The Childhood of Jesus, The Schooldays of Jesus and The Death of Jesus. He lives in Adelaide.'Freed from literary convention, Mr Coetzee writes not to provide answers, but to ask great questions.' Economist'For all the sharpness and sorrow of Coetzee's writing, there is something grandly calming about his style: his...

In the fall of 1869 Fyodor Mikhailovich Dostoevsky, lately a resident of Germany, is summoned back to St. Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson's landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel's life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson's ghost—and becomes enmeshed in the same demonic conspiracies that claimed the boy—Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

J. M. Coetzee is, without question, one of the world's greatest novelists. This volume gathers together for the first time in book form twenty-nine pieces on books, writing, photography and the 1995 Rugby World Cup in South Africa. Stranger Shores opens with 'What is a Classic?' in which Coetzee explores the answer to his own question - 'What does it mean in living terms to say that the classic is what survives?' - by way of TS Eliot, JS Bach and Zbigniew Herbert. His subjects range from eighteenth and nineteenth century writers Daniel Defoe, Samuel Richardson and Ivan Turgenev, to the great German modernists Rilke, Kafka, and Musil, to the giants of late twentieth century literature, among them Harry Mulisch, Joseph Brodsky, Jorge Luis Borges, Salman Rushdie, Amos Oz, Naguib Mahfouz, Nadine Gordimer and Doris Lessing.

Summertime is an inventive and inspired work of fiction that allows J.M. Coetzee to imagine his own life with a critical and unsparing eye, revealing painful moral struggles and attempts to come to grips with what it means to care for another human being. A young English biographer is researching a book about the late South African writer John Coetzee, focusing on Coetzee in his thirties, at a time when he was living in a rundown cottage in the Cape Town suburbs with his widowed father - a time, the biographer is convinced, when Coetzee was finding himself as a writer. Never having met the man himself, the biographer interviews five people who knew Coetzee well, including a married woman with whom he had an affair, his cousin Margot, and a Brazilian dancer whose daughter took English lessons with him. These accounts add up to an image of an awkward, reserved, and bookish young man who finds it hard to make meaningful connections with the people around him. Summertime is an inventive and inspired work of fiction that allows J.M. Coetzee to imagine his own life with a critical and unsparing eye, revealing painful moral struggles and attempts to come to grips with what it means to care for another human being. Incisive, elegant, and often surprisingly funny, Summertime is a compelling work by one of today's most esteemed writers.

Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman's life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.

After The Childhood of Jesus and The Schooldays of Jesus, J. M. Coetzee completes his trilogy with a new masterwork, The Death of Jesus.David has grown to be a tall ten-year-old. He is a natural at soccer, and loves kicking a ball around with his friends. His father Simón and Bolívar the dog usually watch. His mother Inés works in a fashion boutique.David still asks lots of questions. In dancing class at the Academy of Music he dances as he chooses. He refuses to do sums and will not read any books except Don Quixote.One day Julio Fabricante, the director of a nearby orphanage, invites David and his friends to form a proper soccer team. David decides he will leave Simón and Inés to live with Julio. Before long he succumbs to a mysterious illness. In The Death of Jesus, J. M. Coetzee continues to explore the meaning of a world empty of memory but brimming with questions.'Freed from literary convention, Mr...

These six stories by Nobel Prize-winner J. M. Coetzee show us, once more, a writer confronting moral and emotional quandaries, often with wry humour. In the lead story, 'The Pole', concert pianist Witold attempts to play out a romantic fantasy with local music devotee Beatriz. In person and in their correspondence, he is persistent, she resistant, but curious. It doesn't end quite as she might have imagined.The redoubtable character of Elizabeth Costello appears in four stories, engaging in philosophical discussions about death, motherhood and ethics with her adult children, in particular her son John.The Pole and Other Stories will make you think differently about life, death and animals.J. M. Coetzee was the first author to win the Booker Prize twice and was awarded the Nobel Prize for Literature in 2003. His work includes Waiting for the Barbarians, Life & Times of Michael K, The Master of Petersburg, Disgrace...