In this scintillating book, Ian Buruma peels away the myths that surround Japanese culture. With piercing analysis of cinema, theatre, television, art and legend, he shows the Japanese both 'as they imagine themselves to be, and as they would like themselves to be.'A Japanese Mirror examines samurai and gangsters, transvestites and goddesses to paint an eloquent picture of life in Japan. This is a country long shrouded in enigma and in his compelling book, Buruma reveals a culture rich in with poetry, beauty and wonder.

For eight years the president of the United States was a born-again Christian, backed by well-organized evangelicals who often seemed intent on erasing the church-state divide. In Europe, the increasing number of radicalized Muslims is creating widespread fear that Islam is undermining Western-style liberal democracy. And even in polytheistic Asia, the development of democracy has been hindered in some countries, particularly China, by a long history in which religion was tightly linked to the state. Ian Buruma is the first writer to provide a sharp-eyed look at the tensions between religion and politics on three continents. Drawing on many contemporary and historical examples, he argues that the violent passions inspired by religion must be tamed in order to make democracy work. Comparing the United States and Europe, Buruma asks why so many Americans—and so few Europeans—see religion as a help to democracy. Turning to China and Japan, he disputes the notion that...

A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970'sWhen Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible.Tokyo was an astonishment. Callow and unformed, Buruma found a feverish and surreal metropolis where nothing was understated, and everything shouted for...

In this now classic book, internationally famed journalist Ian Buruma examines how Germany and Japan have attempted to come to terms with their conduct during World War II--a war that they aggressively began and humiliatingly lost, and in the course of which they committed monstrous war crimes. As he travels through both countries, to Berlin and Tokyo, Hiroshima and Auschwitz, he encounters people who are remarkably honest in confronting the past and others who astonish by their evasions of responsibility, some who wish to forget the past and others who wish to use it as a warning against the resurgence of militarism. Buruma explores these contrasting responses to the war and the two countries' very different ways of memorializing its atrocities, as well as the ways in which political movements, government policies, literature, and art have been shaped by its shadow. Today, seventy years after the end of the war, he finds that while the Germans have for the most part coped...

A marvelous global history of the pivotal year 1945 as a new world emerged from the ruins of World War II Year Zero is a landmark reckoning with the great drama that ensued after war came to an end in 1945. One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it. In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the...

When Sidney Vanoven is sent to occupied Japan, in the immediate aftermath of the Second World War, it is his dream posting. By day, he works in the censor's office watching Japanese films; at night he immerses himself in the sensual pleasures of Tokyo.His job leads him into the circle of the beautiful film star Shirley Yamaguchi, a passionate and indomitable woman, whose wartime secrets hint at deception and betrayal. As he learns more of her story it seems to echo Japan's own dark secret.In The China Lover, Ian Buruma has created an exhilarating saga of war-torn Japan that is epic in scale, richly imagined and vividly populated. It is quite simply unforgettable.

Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.Ian Buruma is fascinated, he writes, "by what makes the human species behave atrociously." In Theater of Cruelty the acclaimed author of The Wages of Guilt and Year Zero: A History of 1945 once again turns to World War II to explore that question--to the Nazi occupation of Paris, the Allied bombing of German cities, the international controversies over Anne Frank's diaries, Japan's militarist intellectuals and its kamikaze pilots. One way that people respond to power and cruelty, Buruma argues, is through art, and the art that most interests him reveals the dark impulses beneath the veneer of civilized behavior. This is what draws him to German and Japanese artists such as Max Beckmann, George Grosz, Ernst Ludwig Kirchner, Mishima Yukio, and Yokoo Tadanori, as well as to filmmakers such as Werner Herzog, Rainer Werner Fassbinder, Kurosawa Kiyoshi, and ...

"Strange things happen when Chinese dynasties near their end. Dams break, earthquakes hit, clouds appear in the shape of weird beasts, rain falls in odd colors, and insects infest the countryside. These are the ill omens of moral turpitude and political collapse. While greed and cynicism poison the society from within, barbarians stir restlessly at the gates. Corrupt officials, whose authority can no longer rely on the assumption of superior virtue, exercise their power with anxious and arbitrary brutality. When people, even those who live far from the centers of power, begin to sense that the Mandate of Heaven is slipping away from their corrupted rulers, rebellious spirits press their claims as the saviors of China, with promises of moral restoration and national unity. Millenarian cults and secret societies proliferate and sometimes explode in massive violence."What does it mean to be Chinese? Few questions in history have been as fateful. Bad Elements is the...

A family history of surpassing beauty and power: Ian Buruma's account of his grandparents' enduring love through the terror and separation of two world wars Ian Buruma's maternal grandparents were born into the same world: children of German-Jewish émigré stockbrokers living in London. But at the demand of his parents, Ian's grandfather, the dutiful son, broke up with his fiancée by letter just before leaving for the western front during World War I, where he served as a stretcher bearer in the Battle on the Somme. It was the first great shock their romance would suffer, but their love would survive it. Bernard ("Bun") and Winifred ("Win") Schlesinger were married for more than sixty years, but the heart of the story Buruma tells with characteristic grace in Their Promised Land lies within the span of the two world wars. This is the moving story of an assimilated Jewish family in unhappy times, held together by a shared love of classical...

It was an emblematic crime: on a November day in Amsterdam, an angry young Muslim man shot and killed the Dutch filmmaker Theo van Gogh, iconic European provocateur, for making a movie with the anti-Islam politician Ayaan Hersi Ali. After shooting van Gogh, Mohammed Bouyeri calmly stood over the body and cut his throat with a curved machete. The murder horrified quiet, complacent Holland - a country that prides itself on being a bastion of tolerance - and sent shock waves around the world. In Murder in Amsterdam, Ian Buruma describes what he found when he returned to his native country to try and make sense of van Gogh's death. The result is Buruma's masterpiece: a brave and rigorous study of conflict in our time, with the intimacy and control of a true-crime page-turner.

"Imaginative, original--wittily written."--The Washington Post Book WorldTo some, England has long represented tolerance, reason, and political moderation. To others, it is a moribund bastion of snobbery and outdated tradition. In this lively and diverting social history, noted author Ian Buruma, himself the son of Dutch immigrants to England, provides an incisive look at anglophilia--and anglophobia--over the last two centuries.From passionate enthusiasts like Voltaire and Goethe, to exiles like Garibaldi and Herzen, to colorful England-bashers like Napoleon, Marx, and Kaiser Wilhelm II, Anglomania gives a sharply satirical account of Europe's sometimes comical, sometimes deadly prejudices, and explains why England's individuality and her relationship with Europe is still vitally important as we enter the twenty-first century.

From Naipaul's India to the last days of Hong Kong, and from the ghosts of Pearl Harbor to Benazir Bhutto, Buruma delivers an engaging and incisive look at the ways East and West understand--and misunderstand--each other. At home in both worlds, Buruma traverses the realms of journalism, literary criticism, and political analysis, to examine the dialogue of fact and fantasy that affects our perception of far-away lands. Whether deconstructing the films of Satyajit Ray or the novels of Yoshimoto Banana, Buruma offers a splendid counterbalance to fashionable theories of clashing civilizations and uniquely Asian values. In twenty-five illuminating, often humorous essays, The Missionary and the Libertine shows us why Buruma's reputation for writing the most compelling commentary on the faultlines of the East-West divide is so secure.