This volume offers bracing new translations of two precursors to the modern detective novel by Friedrich Dürrenmatt, whose genre-bending mysteries recall the work of Alain Robbe-Grillet and anticipate the postmodern fictions of Paul Auster and other contemporary neo-noir novelists. Both mysteries follow Inspector Barlach as he moves through worlds in which the distinction between crime and justice seems to have vanished. In The Judge and His Hangman, Barlach forgoes the arrest of a murderer in order to manipulate him into killing another, more elusive criminal. And in Suspicion, Barlach pursues a former Nazi doctor by checking into his clinic with the hope of forcing him to reveal himself. The result is two thrillers that bring existential philosophy and the detective genre into dazzling convergence. 

A cautionary tale of how the patron saint of children, merchants, scholars, sailors and virgins has the misfortune to get mixed up with the tabloid press. .Three psychotic killers manage to escape from prison and wander the countryside looking for new victims. Things don't go exactly as they planned though, and soon the police are closing in on them and everything seems to be going wrong for the trio. Will the police recapture them, or will they survive that long?

Set in London in 1939 at the start of WW2 when the cut-throat razor was the weapon of choice for settling differences, the tale involves a bungled bank robbery and a car chase as ace getaway driver Foxy tries to avoid a personal introduction to the hangman.Don’t kill a copper cos it’s a hanging job. The tale is set in London on the eve of WW2 at a time when hanging was the penalty for murder and the cut-throat razor, the weapon of choice for settling differences within the criminal fraternity.It’s 1939 and Hitler is about to invade Poland and kick off the Second World War, but Foxy has more important things on his mind: as the getaway driver on bungled bank robbery he is at risk of a formal introduction to the hangman if caught. For Foxy, comedy and tragedy have always gone hand in hand, and this day is no exception as he plays hide and seek with the forces of law and order in the streets of London and the leafy lanes of Hertfordshire, doggedly keeping one step ahead thanks to his driving skills.

Sigrid Undset's Catherine of Siena is critically acclaimed as one of the best biographies of this well known, and amazing fourteenth-century saint. Known for her historical fiction, which won her the Nobel Prize for literature in 1928, Undset based this factual work on primary sources, her own experiences living in Italy, and her profound understanding of the human heart. One of the greatest novelists of the twentieth century, Undset was no stranger to hagiography. Her meticulous research of medieval times, which bore such fruit in her multi-volume masterpieces Kristin Lavransdatter and The Master of Hestviken, acquainted her with some of the holy men and women produced by the Age of Faith. Their exemplary lives left a deep impression upon the author, an impression Undset credited as one of her reasons for entering the Church in 1924. Catherine of Siena was a particular favorite of Undset, who also was a Third Order Dominican. An extraordinarily active, intelligent, and courageous woman, Catherine at an early age devoted herself to the love of God. The intensity of her prayer, sacrifice, and service to the poor won her a reputation for holiness and wisdom, and she was called upon to make peace between warring nobles. Believing that peace in Italy could be achieved only if the Pope, then living in France, returned to Rome, Catherine boldly traveled to Avignon to meet with Pope Gregory XI. With sensitivity to the zealous love of God and man that permeated the life of Saint Catherine, Undset presents a most moving and memorable portrait of one of the greatest women of all time.

This is what we dream of: to be so swept away, so poleaxed by a book that the breath is sucked right out of us. Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy--whose name they do not know and whose face they have never seen--and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.

Four years ago, Judith and her best friend disappeared from their small town of Roswell Station. Two years ago, only Judith returned, permanently mutilated, reviled and ignored by those who were once her friends and family. Unable to speak, Judith lives like a ghost in her own home, silently pouring out her thoughts to the boy who’s owned her heart as long as she can remember—even if he doesn’t know it—her childhood friend, Lucas. But when Roswell Station is attacked, long-buried secrets come to light, and Judith is forced to choose: continue to live in silence, or recover her voice, even if it means changing her world, and the lives around her, forever. This startlingly original novel will shock and disturb you; it will fill you with Judith’s passion and longing; and its mysteries will keep you feverishly turning the pages until the very last.

Orphaned Kit Tyler knows, as she gazes for the first time at the cold, bleak shores of Connecticut Colony, that her new home will never be like the shimmering Caribbean island she left behind. In her relatives' stern Puritan community, she feels like a tropical bird that has flown to the wrong part of the world, a bird that is now caged and lonely. The only place where Kit feels completely free is in the meadows, where she enjoys the company of the old Quaker woman known as the Witch of Blackbird Pond, and on occasion, her young sailor friend Nat. But when Kit's friendship with the "witch" is discovered, Kit is faced with suspicion, fear, and anger. She herself is accused of witchcraft!

The stunning sequel to the awarding winning novel One Thousand White Women 9 March 1876 My name is Meggie Kelly and I take up this pencil with my twin sister, Susie. We have nothing left, less than nothing. The village of our People has been destroyed, all our possessions burned, our friends butchered by the soldiers, our baby daughters gone, frozen to death on an ungodly trek across these rocky mountains. Empty of human feeling, half-dead ourselves, all that remains of us intact are hearts turned to stone. We curse the U.S. government, we curse the Army, we curse the savagery of mankind, white and Indian alike. We curse God in his heaven. Do not underestimate the power of a mother’s vengeance... So begins the journal of Margaret Kelly, a woman who participated in the government's "Brides for Indians" program in 1873, a program whose conceit was that the way to peace between the United States and the Cheyenne Nation was for One Thousand White Women to be given as brides in exchange for three hundred horses. These "brides" were mostly fallen women; women in prison, prostitutes, the occasional adventurer, or those incarcerated in asylums. No one expected this program to work. The brides themselves thought it was simply a chance at freedom. But many of them fell in love with the Cheyennes spouses and had children with them...and became Cheyenne themselves. THE VENGEANCE OF MOTHERS is a novel that explores what happens to the bonds between wives and husbands, children and mothers, when society sees them as "unspeakable." What does it mean to be white, to be Cheyenne, and how far will these women go to avenge the ones they love? As he did in ONE THOUSAND WHITE WOMEN, Jim Fergus brings to light a time and place in American history, and fills it with unforgettable characters who live and breathe with a passion we can relate to even today.

It is Norway in the thirteenth century, a land rent by unremitting warfare and feebly lit by Christianity. Olav Audunsson was once an outlaw; now he is a man of wealth and stature. But he is haunted by the memory of crimes for which there is no easy atonement and by losses that may never be redeemed.

A spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Lexie Sinclair is plotting an extraordinary life for herself. Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

Paris, August 23rd, 1572.What do you do when your wife disappears...In the middle of the bloodiest massacre in European history...And you know she is about to give birth to your only child?Three wars of religion have turned Paris into a foetid cauldron of hatred, intrigue and corruption. The Royal Wedding, intended to heal the wounds, has served only to further poison the fanatics of either creed. But Carla could not have known that when she accepted an invitation to the ceremony. When Mattias Tannhauser rides into town, on Saint Bartholomew's Eve, his only intention is to find her and take her home. But as the massacre of tens of thousands of Huguenots begins, and the city plunges into anarchy, Carla is abducted by Grymonde, the grotesque gang leader of the Yards, and Tannhauser finds himself imprisoned in the Louvre, at the centre of a vicious conspiracy. Wanted by the law, the assassins' guild, and a militant army who call themselves the Pilgrims of Saint-Jacques, Tannhauser must rise to pitiless extremes even he has never known before. With no one to help him but a stable boy, he wades a river of blood without knowing what lies on the other side. As he harrows Hell in search of his belovedHis destiny is changed forever byThe Twelve Children Of Paris...

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