When a series of thumps below announced the contact's entry into the airlock, Galvanix swung his seat around and stood uneasily. Proximity to violence made him deeply uneasy, and the contact almost certainly had a violent past.The airlock hatch puffed open. A heavily suited figure, wearing armor scalloped like a carapace, stepped through and stood regarding them. As it raised arms to remove the helmet, Galvanix and Danziger saw with shock that the figure appeared female.A face black as oil appeared beneath the helmet, earplug wires trailing through cropped woolly hair. The woman looked back at them in impassive appraisal.Danziger spoke first. “You're ‘City Boy'?” he asked incredulously.The woman produced a metal disk and slapped it against the bulkhead, where it stuck. "This is armed, and will detonate if I don't send it frequent signals. I am here to complete a mission, and shall not be stopped by anything as small as a person. Turn and face your consoles, now."

On September 15, 1802, the English brig Mentor sailed from Piraeus, its hold filled with the "Elgin Marbles"--the Classical Greek sculptures that Lord Elgin, British Ambassador to the Ottoman Empire, had prised from the Parthenon in Athens. The ship was bound for Great Britain, where Elgin intended the sculptures to adorn his family estate. This much is history. William Hamilton, Lord Elgin's personal secretary and a witness to the stripping of the Parthenon sculptures, looks to what should be a triumphant voyage home, but finds himself beset with strange voices. Whispers heard deep in the hold lead to an uncanny encounter with a most unusual stowaway . . . one destined to bring the Mentor--and Hamilton--to the verge of disaster. With the treasures of Classical Athens--a seeming realm of clarity, harmony, and order--lying in fragments around him, Hamilton begins to realize that the Greek ideals his nation has embraced arose from darker origins, and that a genius loci, the "spirit of...