How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Princess And The Goblin by George MacDonald The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co. The sequel to this book is The Princess and Curdie. Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel “quietly suggest in every incident ideas of courage and honor." Jeffrey Holdaway, in the New Zealand Art Monthly, said that both books start out as “normal fairytales but slowly become stranger”, and that they contain layers of symbolism similar to that of Lewis Carroll’s work.

Excerpt: ...strange apparatus standing here and there in her room. At length, however, drowsiness seemed to overtake her, and again she fell asleep. Resolved not to lose sight of her this time, Cosmo watched the sleeping form. Her slumber was so deep and absorbing that a fascinating repose seemed to pass contagiously from her to him as he gazed upon her; and he started as if from a dream, when the lady moved, and, without opening her eyes, rose, and passed from the room with the gait of a somnambulist. Cosmo was now in a state of extravagant delight. Most men have a secret treasure somewhere. The miser has his golden hoard; the virtuoso his pet ring; the student his rare book; the poet his favourite haunt; the lover his secret drawer; but Cosmo had a mirror with a lovely lady in it. And now that he knew by the skeleton, that she was affected by the things around her, he had a new object in life: he would turn the bare chamber in the mirror into a room such as no lady need disdain to call her own. This he could effect only by furnishing and adorning his. And Cosmo was poor. Yet he possessed accomplishments that could be turned to account; although, hitherto, he had preferred living on his slender allowance, to increasing his means by what his pride considered unworthy of his rank. He was the best swordsman in the University; and now he offered to give lessons in fencing and similar exercises, to such as chose to pay him well for the trouble. His proposal was heard with surprise by the students; but it was eagerly accepted by many; and soon his instructions were not confined to the richer students, but were anxiously sought by many of the young nobility of Prague and its neighbourhood. So that very soon he had a good deal of money at his command. The first thing he did was to remove his apparatus and oddities into a closet in the room. Then he placed his bed and a few other necessaries on each side of the hearth, and parted them from the rest of the room by two...

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Princess And The Goblin by George MacDonald The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co. The sequel to this book is The Princess and Curdie. Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel “quietly suggest in every incident ideas of courage and honor." Jeffrey Holdaway, in the New Zealand Art Monthly, said that both books start out as “normal fairytales but slowly become stranger”, and that they contain layers of symbolism similar to that of Lewis Carroll’s work.

George MacDonald was a spiritual and literary forbear of writers such as C. S. Lewis, W. H. Auden, G. K. Chesterton, and Madeleine L'Engle. "Lilith" is the account of a man who has never thought much about the laws of nature or his place in the universe or much of anything for that matter. Then, while minding his own business in his own home and his own library, he suddenly finds himself face to face with another world. It is his own world, but he had never known there was more to it. Likewise, he discovers that there was more to himself. But first he must meet Lilith, and find his way, and himself, in the swirling relationship between her, Adam and Eve, and God himself.

George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien,Walter de la Mare, E. Nesbit and Madeleine L'Engle.C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling." Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald. Christian author Oswald Chambers wrote in his Christian Disciplines that "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". In addition to his fairy tales, MacDonald wrote several works on Christian apologetics including several that defended a view that has been described as Christian Universalism.

"The character of the great inventor is drawn with considerable skill, and we may point it out as achieving what Lord Lytton attempted, but did not accomplish, in his \'Last of the Barons.\'" -Academy "It is a charming and romantic story of the English Civil Wars, and the chief scene is inside the castle which stood out the longest of all on the King\'s side, and where, at that very time, the rude embryonic steam-engine was at work, invented by the son of the owner. Of Mr. MacDonald\'s standing as a novelist it is needless to say a word; his name has been spread far and wide, and his popularity in this country is second to that of no writer of fiction in America, unless it be Mrs. Stowe or Edward Eggleston." -New Outlook "The best of living story writers." -New York Independent "The charms and value of Mr. MacDonald\'s work need not be sought. They present themselves unasked for in the tender beauty of his descriptions, whether of nature or of life and character, in his almost superhuman insight into the workings of the human heart, and in his unceasing fertility of thought and happy exactitude of illustration." -Pall Mall Gazette "Emerson says that honest men make the earth wholesome. MacDonald does more; he makes the earth a bit heavenly." -Edward Eggleston "There is a freshness and a beauty in his style which would make his writing delightful reading." -Philadelphia Inquirer "He has the greatest delicacy of fancy, with the greatest vigor of imagination. He is a dramatist, too, who can give the most vivid individuality to characters conceived with the rarest originality. But all his powers of mind and heart are consecrated to the service of humanity." -Rev. H. W. Bellows, D. D. "After all, the supreme interest of MacDonald\'s novels is found...in the personality of the writer, revealed everywhere in lofty or subtle thought, in noble sentiment, and in lovely feeling." -Boston Daily Transcript "He looks at life wholly from within....No writer ever saw the inner life with a clearer vision." -Scribner\'s Monthly

George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling." Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald. Christian author Oswald Chambers (1874–1917) wrote in Christian Disciplines, vol. 1, (pub. 1934) that "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". In addition to his fairy tales, MacDonald wrote several works on Christian apologetics including several that defended his view of Christian Universalism. George MacDonald's best-known works are Phantastes, The Princess and the Goblin, At the Back of the North Wind, and Lilith, all fantasy novels, and fairy tales such as "The Light Princess", "The Golden Key", and "The Wise Woman". "I write, not for children," he wrote, "but for the child-like, whether they be of five, or fifty, or seventy-five." MacDonald also published some volumes of sermons, the pulpit not having proved an unreservedly successful venue. MacDonald also served as a mentor to Lewis Carroll (the pen-name of Rev. Charles Lutwidge Dodgson); it was MacDonald's advice, and the enthusiastic reception of Alice by MacDonald's many sons and daughters, that convinced Carroll to submit Alice for publication. Carroll, one of the finest Victorian photographers, also created photographic portraits of several of the MacDonald children. MacDonald was also friends with John Ruskin and served as a go-between in Ruskin's long courtship with Rose La Touche. MacDonald was acquainted with most of the literary luminaries of the day; a surviving group photograph shows him with Tennyson, Dickens, Wilkie Collins, Trollope, Ruskin, Lewes, and Thackeray. While in America he was a friend of Longfellow and Walt Whitman.

George MacDonald was one of the foremost fantasy writers of the 19th century and influenced just about every writer that came after him. He was a mentor of Lewis Carroll, a friend of Mark Twain's, and a man who helped shape the works of authors like Tolkien.

George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien,Walter de la Mare, E. Nesbit and Madeleine L'Engle.C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later," said Lewis, "I knew that I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Elizabeth Yates wrote of Sir Gibbie, "It moved me the way books did when, as a child, the great gates of literature began to open and first encounters with noble thoughts and utterances were unspeakably thrilling." Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by MacDonald. Christian author Oswald Chambers wrote in his Christian Disciplines that "it is a striking indication of the trend and shallowness of the modern reading public that George MacDonald's books have been so neglected". In addition to his fairy tales, MacDonald wrote several works on Christian apologetics including several that defended a view that has been described as Christian Universalism.

A young boy’s life is transformed by his visit to the country at the back of the north wind.

After he followed the old man through the mirror, nothing in his life was ever right again. It was a special mirror, and the man he followed was a special man? * * * This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org