"Stunning. . . . The danger reaches a frightening pitch."--Rocky Mountain News "Mina offers us a complex plot with a shocking ending, all told in an amazingly original voice." -Cleveland Plain Dealer"This is a terrific book." -Dallas Morning NewsA New York Times Notable Book of the YearTrying to escape her own troubled past and the memories of her lover's murder, Maureen O'Donnell finds refuge working as a counselor at a shelter for battered women. When the body of shelter resident Ann Harris washes up on the banks of the Thames River two weeks later, Maureen vows to discover what happened and to prove that Ann's husband is not to blame. Taking her search to London, Maureen soon encounters disturbing truths about Ann's hidden past - including a secret that has Maureen fighting for her life."Atmospheric, intense, and full of the disturbing flavor of inner-city lowlife." -Guardian"Reads like a slap in the face - and a kick in the ribs and a fist in the stomach . . . like its powerful predecessor, Garnethill." -New York Times Book ReviewFrom Publishers WeeklyFollowing her Creasy Award-winning debut, Garnethill (1999), Mina delivers a second powerful novel with the same self-destructive characters, notably protagonist Maureen O'Donnell, and the same grim, gritty British locales. Maureen, while working at a shelter for abused women in Glasgow, gets pulled into the search for a missing shelter client, Ann Harris, the wife of her friend Leslie's feckless cousin, Jimmy. When Ann's mutilated corpse turns up in the Thames, Maureen agrees to go to London to investigate for Leslie, in part to escape her depressing life, burdened by flashbacks to her lover's murder, fights with her new boyfriend, a job she dislikes, estrangement from her alcoholic mother, and a long-absent abusive father whose sudden return frightens her and haunts her dreams. In seedy Brixton, a closed and suspicious community where grungy exile Glaswegians deal dope and brutalize one another, Maureen soon discovers to her peril that Ann was running dope and money between London and Glasgow for a violent criminal. All the characters are richly drawn, though especially brilliant are Mina's depictions of the forlorn Jimmy--unemployed, hapless, lovingly caring for his four "weans"--and of the ambivalent Maureen, aggressive and needy, independent yet desirous of affection, confident of the future but unable to purge the demons of her past. This is the second in a planned trilogy by a writer of stunning talent and accomplishment. Copyright 2001 Cahners Business Information, Inc.From Library JournalMina follows up 1999's Garnethill with another novel that is just as gritty. Set in Glasgow, it features Maureen O'Donnell, who labors under enough impediments to fuel two soap opera seasons: alcoholism, parental abuse, trouble finding Mr. Right, and not even a wee dram of fashion sense. Then she stumbles into the matter of finding out what happened to Ann Harris. Ann, a resident of the battered women's shelter where Maureen has been working, has disappeared under mysterious circumstances. Has she been killed in London? Did she add drugs to her alcohol problems? Maureen and Leslie, a friendly administrator from the shelter, join forces to find out. Suspicion falls on Ann's boyfriend, the much put-upon Jimmy, who is forever caring for the four weans Ann has left behind. Jimmy falls almost too easily into the role of prime suspect until Maureen and Leslie start rooting around in the less savory parts of Glasgow and London to uncover the truth. A good suggestion for anyone who appreciates their mysteries dark, while the female bonding should appeal especially to fans of the Val McDermid mysteries. Bob Lunn, Kansas City P.L., MO Copyright 2001 Reed Business Information, Inc.

31st August 1997 Rose Wilson is fourteen, but looks sixteen. Pimped out by her 'boyfriend' and let down by a person she thought she loved, she has seen more of the darkness in life than someone twice her age. On the night of Princess Diana's death - a night everyone will remember - Rose snaps and commits two terrible crimes. Her life seems effectively over. But then a defence lawyer takes pity and sets out to do what he can to save her, regardless of the consequences. Now DI Alex Morrow is a witness in the case of Michael Brown - a vicious, nasty arms dealer, more brutal and damaged than most of the criminals she meets. During the trial, while he is held in custody, Brown's fingerprints are found at the scene of a murder in the Red Road flats. It was impossible that he could have been there and it's a mystery that Morrow just can't let go. Meanwhile, a privileged Scottish lawyer sits in a castle on Mull, waiting for an assassin to kill him. He has sold out his own father, something that will bring the wrath of the powerful down upon him.ReviewPRAISE FOR GODS AND BEASTS: "Mina deftly stitches [the story lines] together in time for a powerful climax...Mina again plumbs the depth of the grungy Scottish metropolis, capturing political posturing, class differences, and familial dynamics with equal aplomb... Morrow [is] fast become one of the most intriguing cops in crime fiction. Fans of smart, character-driven procedurals will want to snatch this one up." (Library Journal) "Excellent...Mina ups the stakes by taking us into the dark, beating heart of modern Glasgow, where the real deals are struck and the spoils divided." (Publishers Weekly (Starred Review)) "[A] thoughtful look at how good people can go bad." (New York Times Book Review Marilyn Stasio) About the AuthorDenise Mina is the author of Gods and Beasts, The End of the Wasp Season, Still Midnight, Slip of the Knife, The Dead Hour, Field of Blood, Deception, and the Garnethill trilogy, the first installment of which won her the John Creasey Memorial Prize for best first crime novel. She also writes for the popular graphic novel series Hellblazer. Mina lives in Glasgow.

Lachlan Harriot is in a state of shock. His wife Susie has been convicted of the murder of serial killer Andrew Gow, a prisoner in her care. Unless Harriot can come up with grounds for an appeal in two weeks' time, Susie will be given a life sentence, depriving her of her home, her family and her two-year-old daughter. Harriot is convinced that his wife, a respected forensic psychiatrist, is innocent, and each night climbs the stairs to Susie's study where he goes through her papers, laboriously transcribing onto his computer her case notes, her interviews with Gow and his new wife Donna, and the press cuttings from the trial. But his search for the truth soon raises more questions than answers. Why had Susie stolen a set of prison files and then lied about it? What was the precise nature of her relationship with Gow? And, most importantly, what is it in her study that she doesn't want her husband to find? As the documents on Harriot's computer begin to multiply, his perception of what really happened between Gow and Susie becomes ever more complex. But first he must decide what he's to do with a discovery that involves violence, sexual obsession, lust and ultimate betrayal. In her first stand-alone novel following her acclaimed Garnethill trilogy, Denise Mina looks at the shifting sands that separate fact and fiction, perception and reality, responsibility and culpability. Sanctum is a powerful psychological portrait of people living on the edge, an account of the deals with the devil that lie beneath their apparent respectability, and the terrifying journeys they are prepared to make in order to survive.