It’s vampire politics as usual around the town of Bon Temps, but never before have they hit so close to Sookie’s heart... Growing up with telepathic abilities, Sookie Stackhouse realized early on there were things she’d rather not know. And now that she’s an adult, she also realizes that some things she knows about, she’d rather not see—like Eric Northman feeding off another woman. A younger one. There’s a thing or two she’d like to say about that, but she has to keep quiet—Felipe de Castro, the Vampire King of Louisiana (and Arkansas and Nevada), is in town. It’s the worst possible time for a human body to show up in Eric’s front yard—especially the body of the woman whose blood he just drank. Now, it’s up to Sookie and Bill, the official Area Five investigator, to solve the murder. Sookie thinks that, at least this time, the dead girl’s fate has nothing to do with her. But she is wrong. She has an enemy, one far more devious than she would ever suspect, who’s set out to make Sookie’s world come crashing down.Amazon.com ReviewA conversation with Charlaine Harris, best-selling author of Deadlocked, and Laurell K. Hamilton, best-selling author of Kiss the DeadQuestion: Did you ever imagine that your series would run as long as it has?Charlaine Harris: I was just glad to sell the first book. It took two years of my agent sending it out to get a bite. I never even dreamed that Sookie would be so popular, that I would find so much to say about her and her world.Laurell K. Hamilton: No. I had over two hundred rejections for the first Anita Blake novel. They were the nicest rejections, with editors suggesting other publishing houses to send it to, but they, themselves, couldn't figure out how to market it. When I got that first three book contract, I remember thinking, "Well, at least I'll get to write three of them." I actually did think I had at least ten books in Anita and her world, but I don't think anyone can plan to write twenty-one novels in a series and still be excited about starting the twenty-second.Did you ever dream paranormal would be this hot?LKH: I remember being told that mixed genre didn't sell, before the term paranormal became a genre. I was also told that no one wanted to read about vampires. More than one editor told me that particular monster was dead and gone. I thought there was life left in the old legends, but I never saw this level of popularity coming. CH: Yes, even my agent didn't expect Dead Until Dark would be an easy sell, maybe especially since my books contained a lot of humor. Vampires were passé, and books that crossed genres (Except for yours: I think you had three or four books out when I wrote the first Sookie, and I was so glad to discover them!) were called "unshelvable.’ I could never have anticipated shelves and shelves of cross-genre books. Does fan response play a part in your planning process?CH: Not in the sense of changing plot direction in my novels. This is my story to tell, and I have to write it the way I see it. But every now and then when reader response to a character is unexpectedly enthusiastic--or the opposite--I'll take a second look at that character to see why he/she is coming across in a way I didn't expect or anticipate. LKH: I don't change plot direction for fan reaction either. My story, my world, my books, my stuff, my way. The only people who can change the direction of my novels are my characters. It's their life, after all, so if they're really insistent on a different plot, then they win. I agree that reader response to a character can make me puzzle over them more, but it doesn't usually change how often the character is on stage, or how big their role is, because weirdly if the fans are interested, then I'm already intrigued. Best example is Edward who started out as this cold blooded assassin, almost a bad guy, and now he's one of Anita's best friends, and he's a U. S. Marshal. So, not what I had planned for him. Have you ever had a character totally surprise you with their choices?LKH: A lot of my characters have minds of their own. Edward went away on his own and got himself engaged to a woman with two children from her first marriage. Edward-- assassin, ex-military, current police officer, taking a six-year-old to ballet lessons with all the other moms both amuses and hurts my head. Anita's love life went into a completely different direction than I'd ever anticipated. I so didn't see Anita dating this many men, or being in love with more than one man, and having everyone she loved okay with that. CH: I've discovered some surprising things about my characters as I wrote them. I know that their minds are really my mind, but sometimes it doesn't feel that way. It's like knowing a character has a secret (I'm thinking of Bill), and then suddenly realizing what that secret is. I was genuinely aghast. Sometimes my creative brain thinks a lot faster than my conscious brain. And it's certainly a lot more devious. How do you keep a world with paranormal elements credible?CH: I anchored my skewed world with real-life elements. Sookie has to pay her bills, she has to do her laundry, and she has family obligations. My vampires buy their clothes at the mall. My werewolf runs a surveying business. One of my fairies works in customer service at a department store. Readers seem to enjoy the fact that no matter what creature you may be, there's a process of surviving that has to be gone through; but there's all these other elements that make that process so different. LKH: I make sure any real life facts are as real and well-researched as possible. Because I'm asking people to believe in vampires, wereanimals, and zombies, I need to make sure the guns, cars, and real crime are as realistic as possible. Once a reader catches me wrong in an area where they are expert they won't believe my monsters are real. But I have found if I'm right on the hard facts even experts will let me fudge, or take that next fantastic leap, because I've proven myself by laying the foundation of reality to make my leap into the unknown. Do people ever expect you to be your characters?LKH: If I had known people would get confused between fiction and fact I'd have made Anita look less like me, but it just never occurred to me that there would be a problem. I've had fans want to know what weapons I'm carrying. They assume all the men are based on real people, and they aren't. I don't actually base characters on real people. Since I can't lighten Anita's hair, I've lightened my own and I get less fan confusion. I've had fans ask for the phone numbers of the men and get angry when I tried to explain I couldn't give them the contact info for a fictional character. CH: Ha! Well, I'm much older and rounder than Sookie, so I'm definitely no stand-in for Sookie. In fact, readers who have never met me before are usually astonished when they meet me; so were the actors on True Blood. Some of my readers who came to me after watching True Blood get the characters in the books sort of conflated with the actors who play them on television. In their minds, Alexander Skarsgard IS Eric, Stephen Moyer IS Bill. It can lead to some confusing questions when I'm at signings. What scenes in your novels are the most fun for you to write? Action? Sex? Relationship drama?CH: All of those are fun, depending on the outcome! But I have to say, I love to write a good fight scene. I find the "relationship" scenes a challenge. When people talk about their relationships, it's a messy conversation. People aren't too articulate about their innermost feelings. And such conversations don't proceed in a linear way, but jag back and forth as each speaker voices the issues that are most important to that person. So it's hard to make sound realistic, coherent, and yet condense such a conversation enough to make it tolerable. LKH: It depends on my mood. Sometimes a good fight scene can be very therapeutic, and give a productive outlet for negative emotions. The more people involved in the action the more complex the fight choreography can become, and that can be a challenge, and slow down the emotional content for me. I enjoy doing sex scenes, but they are a different kind of challenge. On a day when I can get in the mood for the scene, they’re great, but on a day when real life interferes, it’s a bit like real sex. It’s hard to concentrate on it when you have too many interruptions from the non-sexy side of your life. I guess that’s true of all writing, though, too many interruptions disrupt the process in general. The biggest challenge for the sex scenes is that sex is a very personal and individual activity, so I have the same girl involved, but different men and I want each man’s style to be unique. Relationship drama? Yuck, can I just say, yuck again? This kind of drama isn’t fun in real life and the only thing that makes fictional relationship drama tolerable is that it’s fictional, and I’m not having to endure it in my real life, but other than that it sucks just as much. It also tends to complicate my life as a writer, because almost nothing screws up a story arc like relationship choices, though I have had action scenes go so differently from what I’d planned that an entire third of a book had to be thrown out. It was a better book for it, but still, near deadline that was hard. What’s the hardest thing about writing such a long running series?LKH: The beginning of the book is easy, because you always want that to be interesting and lure in both old and new readers. It’s the middle of the book that becomes more complicated. As a writer you always have to think that you may have brand new readers picking up your book, so you have to explain the characters, the world, everything, but you don’t want to over explain to the long time readers. The other problem with a series is that each book needs to stand alone as much as possible, but you also want character growth and world development from novel to novel, so again, it’s a balancing act. I make sure that each opening is different enough that you won’t be left wondering, did I read that already. It’s an issue I’ve had with other series that I read. It gets very challenging when you get in double digits to make everything fresh, but familiar. I’m lucky that I’m still discovering new things about Anita, Jean-Claude, Edward, Nathaniel, everyone, and the world continues to grow and surprise me. My fictional world is like the real one, I never know quite what’s coming next. CH: The hardest thing is keeping track of previous developments and details. My memory just wasn't up to it, and I had to hire someone (the fabulous Victoria Koski). When you create a world, there are a thousand small things that make it credible, and it's easier than you'd think to forget whether someone is a werefox or a werelynx, or whether it's still daytime during the narrative or if you've passed into darkness. I think it's important to catch as many little errors as you can, so readers don't get yanked out of the world. I'm not the kind of reader who notices, but there are many readers who do.Photo Laurell K. Hamilton © Stefan HesterPhoto Charlaine Harris © Sigrid EstradaReview“Harris is a master at taking several paranormal worlds and plunging them into our reality with humor.” *Tulsa World“The Sookie Stackhouse series seamlessly mixes sensuality, violence and humor as readers experience the people of small-town Louisiana through Sookie’s eyes.” Boulder Weekly*

There's more to Sookie Stackhouse than you ever knew...The #1 New York Times bestselling Sookie Stackhouse novels by Charlaine Harris spawned a hit TV show and captivated fans around the world—including other authors. Now this group of writers, specifically chosen by Charlaine, pays tribute to "the southern, mind-reading belle who gets mixed up in the world of vampires and magical creatures" (The Kansas City Star) with a collection of fifteen all-new stories about your favorite residents of Bon Temps.With contributions byRachel CaineDana CameronBill CriderMaryJanice DavidsonLeigh EvansChristopher GoldenNancy HolderDean JamesToni L. P. KelnerJonathan MaberryJeff MariotteSeanan McGuireSuzanne McLeodNicole PeelerJeanne C. Stein

SUMMARY: Love at first sight turns into newlywed bliss for former librarian Aurora Teagarden— until violence cuts the honeymoon short.Wealthy businessman Martin Bartell gives Roe exactly what she wants for their wedding: Julius House. But both the house and Martin come with murky pasts. And when Roe is attacked by an ax-wielding maniac, she realizes that the secrets inside her four walls—and her brand-new marriage—could destroy her.

Every Sookie Stackhouse short story ever written – in one special volume – from the New York Times bestselling author. New York Times bestselling author Charlaine Harris has re-imagined the supernatural world with her 'spunky' (Tampa Tribune) Southern Vampire novels starring telepathic waitress Sookie Stackhouse. Now, for the first time, here is every Sookie Stackhouse short story ever written – together in one volume. Stories include 'Fairy Dust,' 'One Word Answer,' 'Dracula Night,' 'Lucky,' and 'Giftwrap.'

From Publishers WeeklyBestseller Harris's exciting third Harper Connelly mystery (after 2006's Grave Surprise) finds the psychic sleuth faced with her most challenging and heartbreaking job to date: locating the bodies of runaway boys who the people of Doraville, N.C., suspect have become victims of a serial killer. After Harper locates eight long-dead bodies, much to the surprise of skeptical Sheriff Sandra Rockwell, a mysterious figure attacks Harper. Though all Harper wants is to go home and recover from her injuries, the local authorities and State Bureau of Investigation agents demand that she stay in town to help with their investigation. The cold case heats up fast, attracting media attention as well as Harper's friends, ailing psychic Xylda Bernardo and her doting grandson, Manfred, who make another gruesome discovery. Harper's changing relationship with her stepbrother, manager and confidant, Tolliver Lang, lends personal interest. Harris dependably delivers fear with charming down-home finesse. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistAfter being struck by lightning as a teenager, Harper Connelly has developed the unique ability to find the dead and see how they died. She and her stepbrother, Tolliver Lang, run a business in which they travel the country assisting law-enforcement personnel and family members of the dead. In her third case, Harper is hired by a woman to find her missing grandson. In fact, numerous teenage boys have disappeared from Doraville, North Carolina. Harper finds the bodies, but still reeling from coming into contact with her first serial killer, she is attacked and injured. She stays in Doraville to recover and assist in the investigation. Harris' series makes the most of its unusual premise, using the paranormal elements to good effect. She has also created a winning heroine; Harper is a caring person who gives closure to victims' families often at great cost to herself as she deals with the skepticism of the law-enforcement community. Her developing relationship with Tolliver grows and changes in this installment. Sue O'Brien

"Immersive, involving, suspenseful, and intriguing, with a main character you'll love." —Lee Child, #1 internationally bestselling author of the Jack Reacher novels "When a master of her craft offers to tell you a story, let her. The results are dazzling." —Seanan McGuire, New York Times bestselling author of the Alex, Hugo, Nebula, and Locus Award-winning Wayward Children series. The beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO's True Blood, and the Midnight Crossroad trilogy adapted for NBC's Midnight, Texas, has written a taut new thriller—the first in the Gunnie Rose series—centered on a young gunslinging mercenary, Lizbeth Rose.

SUMMARY:It's a simple if shocking question, and former librarian Aurora Teagarden is just the person to find the answer. Basking in an inheritance that makes her financially independent, Roe's looking for a new occupation. Her days as a librarian are over. Real estate might be fun, she thinks. And who better to teach her the tricks of the trade than her Lauren Bacall look-alike mother, Aida Brattle Teagarden Queensland, who happens to own one of the major real estate firms in town? Signing on as an apprentice, Roe agrees to show an expensive house to some out-of-town clients. The house has its charms, but the clients are not too thrilled with what's been left behind in the master bedroom: the corpse of real estate woman Tonia Lee Greenhouse. And Tonia's only the first victim. It quickly becomes clear that the killer is someone familiar with the real estate community in Lawrenceton, someone who has access to the houses that are on the market. Roe's not too sure she likes real estate, after all. She hadn't counted on murder. But she definitely likes her well-to-do client, Martin Bartell. In fact, it may be love at first sight. With memorable characters and lots of small-town southern charm, this witty and wise mystery proves that author Charlaine Harris is among the best of the new generation of crime writers.

### From Publishers Weekly This patchwork anthology of 13 new vampire stories proves that heavyweight contributors can give some substance to a relatively slight theme. Harris (the Sookie Stackhouse novels), Kelner (the Laura Fleming mysteries) and 11 other writers with serious vamp credentials craft stories around the concept of birthdays for bloodsuckers. Most of the tales only blow out candles in passing, as with P.N. Elrod's Grave-Robbed, which mixes pathos and comedy as vampire PI Jack Fleming busts a phony medium mid-séance, and Tanya Huff's Blood Wrapped, in which Henry Fitzroy's search for the ideal gift for a vampire's 40th mixes with his pursuit of a human kidnapper. Christopher Golden takes birthdays to heart in his poignant coming-of-age story, The Mournful Cry of Owls, while Kelley Armstrong proposes in Twilight that a vampire's real birthday is the date of transformation from mortal to immortal. Fans of the many series vampires on parade here will be undeterred by the variable quality of their adventures. _(Sept.)_ Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ### From Experienced genre hands ensure the high quality of 13 stories about birthdays and vampires. The opening story uses Charlaine Harris' series star Sookie Stackhouse, who, as the only nonvampire at a Dracula's birthday ball, finds herself on the menu. Dropping by a role-playing party with his brother's present, Jim Butcher's Harry Dresden must deal with deadly party crashers. A pair of vampires tracks down a serial killer in Toni L. P. Kelner's "How Stella Got Her Grave Back." More chillingly, a vampire knows she must kill to live another year but is strangely reluctant in Kelly Armstrong's "Twilight," and in Elaine Viets' humorous "Vampire Hours," a woman deliberately chooses damnation. Murray, Frieda

Dropped by her agent, New York City model Nickie Callahan decides to start over—moving back to the South to finish school at Houghton College in Knolls, Tennessee. But Knolls isn't the quiet town Nickie remembers from her youth. A rapist is targeting the women of Houghton, growing bolder and more vicious with each brutal attack, leaving the community gripped by fear.When the violence affects Nickie personally, she moves from fear to fury—resolving to catch the rapist at any cost. After joining forces with another survivor, Nickie discovers that the attacks are not random—the rapist knows his victims. With that small clue, and an ironclad determination to stop him from striking again, Nickie begins the grim search for the relentless assailant hiding in plain sight.

Armed with a hefty inheritance, Aurora "Roe" Teagarden is embarking on a new career in real estate. But her first showing is murder, when the elegant master bedroom reveals the body of a real-estate broker. When a second body appears at her next showing, Roe realizes that her new career may suddenly come to a dead end.

THE FINAL SOOKIE STACKHOUSE NOVEL There are secrets in the town of Bon Temps, ones that threaten those closest to Sookie—and could destroy her heart....Sookie Stackhouse  finds it easy to turn down the request of former barmaid Arlene when she wants her job back at Merlotte’s. After all, Arlene tried to have Sookie killed. But her relationship with Eric Northman is not so clearcut. He and his vampires are keeping their distance…and a cold silence. And when Sookie learns the reason why, she is devastated.Then a shocking murder rocks Bon Temps, and Sookie is arrested for the crime.But the evidence against Sookie is weak, and she makes bail. Investigating the killing, she’ll learn that what passes for truth in Bon Temps is only a convenient lie. What passes for justice is more spilled blood. And what passes for love is never enough…Review“The Sookie Stackhouse series seamlessly mixes sensuality, violence, and humor.”—Boulder Weekly “Harris’s creation offers a magical and mysterious twist on traditional vampire stories.”—Houston Chronicle “What sucked me in? Definitely the books’ oddly charming, often funny mix of the mundane and the absurd. And the chills and thrills in boudoirs and various locales around the South aren’t too bad either.”—The Seattle TimesAbout the AuthorCharlaine Harris is a New York Times bestselling author for both her Sookie Stackhouse fantasy/mystery series and her Harper Connelly Prime Crime mystery series. She has lived in the South her entire life.

After enduring torture and the loss of loved ones during the brief but deadly Faery War, Sookie Stackhouse is hurt and she's angry. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman. But he's under scrutiny by the new Vampire King because of their relationship. And as the political implications of the Shifters coming out are beginning to be felt, Sookie's connection to the Shreveport pack draws her into the debate. Worst of all, though the door to Faery has been closed, there are still some Fae on the human side-and one of them is angry at Sookie. Very, very angry…

Two to TangoFeaturing characters who also appeared in All Together Dead, this exclusive double issue includes two novellas by #1 bestselling author, Charlaine Harris: Dancers in the Dark, and her brand new novella, Layla Steps Up.In Dancers in the Dark, a young woman on the run from a violent stalker finds protection—and temptation—in the arms of a brooding centuries-old vampire.In Layla Steps Up, a fragile new vampire must finally face and embrace her immortal powers in order to save her maker from an ex-lover with a taste for torture.Blending supernatural suspense and sizzling seduction, the two intertwined stories in this collection will be sure to please fans of Charlaine Harris's #1 New York Times bestselling Sookie Stackhouse vampire series and its HBO television adaptation, True Blood.