Collected poems, p.18

Collected Poems, page 18

 

Collected Poems
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  run for a train or Dustin Hoffman screaming

  Elaine! Elaine! Elaine! or the spacemen in 2001

  floating to Strauss. She sponged, soaped, scrubbed;

  the prison and hospital stamped on her back,

  the park neat on her belly, her navel marking the spot

  where the empty bandstand stood, the river again,

  heading south, clear as an operation scar,

  the war memorial facing the railway station

  where trains sighed on the platforms, pining

  for Glasgow, London, Liverpool. She knew

  you could stand on the railway bridge, waving

  goodbye to strangers who stared as you vanished

  into the belching steam, tasting future time

  on your lip with your tongue. She knew you could run

  the back way home – there it was on her thigh –

  taking the southern road then cutting off to the left,

  the big houses anchored behind their calm green lawns,

  the jewels of conkers falling down at your feet,

  then duck and dive down Nelson and Churchill

  and Kipling and Milton Way until you were home.

  She didn’t live there now. She lived down south,

  abroad, en route, up north, on a plane or train

  or boat, on the road, in hotels, in the back of cabs,

  on the phone; but the map was under her stockings,

  under her gloves, under the soft silk scarf at her throat,

  under her chiffon veil, a delicate braille. Her left knee

  marked the grid of her own estate. When

  she knelt she felt her father’s house pressing into the flesh,

  heard in her head the looped soundtrack of then –

  a tennis ball repeatedly thumping a wall,

  an ice-cream van crying and hurrying on, a snarl

  of children’s shrieks from the overgrown land

  where the houses ran out. The motorway groaned

  just out of sight. She knew you could hitch

  from Junction 13 and knew of a girl who had not

  been seen since she did; had heard of a kid who’d run

  across all six lanes for a dare before he was tossed

  by a lorry into the air like a doll. But the motorway

  was flowing away, was a roaring river of metal

  and light, cheerio, au revoir, auf wiedersehen, ciao.

  She stared in the mirror as she got dressed,

  both arms raised over her head, the roads

  for east and west running from shoulder

  to wrist, the fuzz of woodland or countryside under

  each arm. Only her face was clear, her fingers

  smoothing in cream, her baby-blue eyes unsure

  as they looked at themselves. But her body was certain,

  an inch to the mile, knew every nook and cranny,

  cul-de-sac, stile, back road, high road, low road,

  one-way street of her past. There it all was, back

  to front in the glass. She piled on linen, satin, silk,

  leather, wool, perfume and mousse and went out.

  She got in a limousine. The map perspired

  under her clothes. She took a plane. The map seethed

  on her flesh. She spoke in a foreign tongue.

  The map translated everything back to herself.

  She turned out the light and a lover’s hands

  caressed the map in the dark from north to south,

  lost tourists wandering here and there, all fingers

  and thumbs, as their map flapped in the breeze.

  So one day, wondering where to go next,

  she went back, drove a car for a night and a day,

  till the town appeared on her left, the stale cake

  of the castle crumbled up on the hill; and she hired

  a room with a view and soaked in the bath.

  When it grew dark, she went out, thinking

  she knew the place like the back of her hand,

  but something was wrong. She got lost in arcades,

  in streets with new names, in precincts

  and walkways, and found that what was familiar

  was only facade. Back in her hotel room, she stripped

  and lay on the bed. As she slept, her skin sloughed

  like a snake’s, the skin of her legs like stockings, silvery,

  sheer, like the long gloves of the skin of her arms,

  the papery camisole from her chest a perfect match

  for the tissuey socks of the skin of her feet. Her sleep

  peeled her, lifted a honeymoon thong from her groin,

  a delicate bra of skin from her breasts, and all of it

  patterned A to Z; a small cross where her parents’ skulls

  grinned at the dark. Her new skin showed barely a mark.

  She woke and spread out the map on the floor. What

  was she looking for? Her skin was her own small ghost,

  a shroud to be dead in, a newspaper for old news

  to be read in, gift-wrapping, litter, a suicide letter.

  She left it there, dressed, checked out, got in the car.

  As she drove, the town in the morning sun glittered

  behind her. She ate up the miles. Her skin itched,

  like a rash, like a slow burn, felt stretched, as though

  it belonged to somebody else. Deep in the bone

  old streets tunnelled and burrowed, hunting for home.

  Beautiful

  She was born from an egg,

  a daughter of the gods,

  divinely fair, a pearl, drop-dead

  gorgeous, beautiful, a peach,

  a child of grace, a stunner, in her face

  the starlike sorrows of immortal eyes.

  Who looked there, loved.

  She won the heart

  of every man she saw.

  They stood in line, sighed,

  knelt, beseeched Be Mine.

  She married one,

  but every other mother’s son

  swore to be true to her

  till death, enchanted

  by the perfume of her breath,

  her skin’s celebrity.

  So when she took a lover, fled,

  was nowhere to be seen,

  her side of the bed unslept in, cold,

  the small coin of her wedding ring

  left on the bedside table like a tip,

  the wardrobe empty of the drama

  of her clothes,

  it was War.

  A thousand ships –

  on every one a thousand men,

  each heaving at an oar,

  each with her face

  before his stinging eyes,

  her name tattooed

  upon the muscle of his arm,

  a handkerchief she’d dropped once

  for his lucky charm,

  each seeing her as a local girl

  made good, the girl next door,

  a princess with the common touch,

  queen of his heart, pin-up, superstar,

  the heads of every coin he’d tossed,

  the smile on every note he’d bet at cards –

  bragged and shoved across a thousand miles of sea.

  Meanwhile, lovely she lay high up

  in a foreign castle’s walls, clasped

  in a hero’s brawn, loved and loved

  and loved again, her cries

  like the bird of calamity’s,

  drifting down to the boys at the gates

  who marched now to the syllables of her name.

  Beauty is fame. Some said

  she turned into a cloud

  and floated home,

  falling there like rain, or tears,

  upon her husband’s face.

  Some said her lover woke

  to find her gone,

  his sword and clothes gone too,

  before they sliced a last grin in his throat.

  Some swore they saw her smuggled

  on a boat dressed as a boy,

  rowed to a ship which slid away at dusk,

  beckoned by the finger of the moon.

  Some vowed that they were in the crowd

  that saw her hung, stared up at her body

  as it swung there on the creaking rope,

  and noticed how the black silk of her dress

  clung to her form, a stylish shroud.

  Her maid, who loved her most,

  refused to say one word

  to anyone at any time or place,

  would not describe

  one aspect of her face

  or tell one anecdote about her life and loves.

  But lived alone

  and kept a little bird inside a cage.

  *

  She never aged.

  She sashayed up the river

  in a golden barge,

  her fit girls giggling at her jokes.

  She’d tumbled from a rug at Caesar’s feet,

  seen him kneel to pick her up

  and felt him want her as he did.

  She had him gibbering in bed by twelve.

  But now, she rolled her carpet on the sand,

  put up her crimson tent, laid out

  silver plate with grapes and honey, yoghurt,

  roasted songbirds, gleaming figs, soft wines,

  and soaked herself in jasmine-scented milk.

  She knew her man. She knew that when

  he stood that night, ten times her strength,

  inside the fragrant boudoir of her tent,

  and saw her wrapped in satins like a gift,

  his time would slow to nothing, zilch,

  until his tongue could utter in her mouth.

  She reached and pulled him down

  to Alexandria, the warm muddy Nile.

  Tough beauty. She played with him

  at dice, rolled sixes in the dust,

  cleaned up, slipped her gambling hand

  into his pouch and took his gold, bit it,

  Caesar’s head between her teeth.

  He crouched with lust. On her couch,

  she lay above him, painted him,

  her lipstick smeared on his mouth,

  her powder blushing on his stubble,

  the turquoise of her eyes over his lids.

  She matched him glass for glass

  in drinking games: sucked lemons, licked

  at salt, swallowed something from a bottle

  where a dead rat floated, gargled doubles

  over trebles, downed a liquid fire in one,

  lit a coffee bean in something else, blew it,

  gulped, tipped chasers down her throat,

  pints down her neck, and held her drink

  until the big man slid beneath the table, wrecked.

  She watched him hunt. He killed a stag.

  She hacked the heart out, held it,

  dripping, in the apron of her dress.

  She watched him exercise in arms.

  His soldiers marched, eyes right, her way.

  She let her shawl slip down to show

  her shoulders, breasts, and every man

  that night saw them again and prayed

  her name. She waved him off to war,

  then pulled on boy’s clothes, crept

  at dusk into his camp, his shadowed tent,

  touched him, made him fuck her as a lad.

  He had no choice, upped sticks,

  downed tools, went back with her,

  swooned on her flesh for months,

  her fingers in his ears, her kiss

  closing his eyes, her stories blethering

  on his lips: of armies changing sides,

  of cities lost forever in the sea, of snakes.

  *

  The camera loved her, close-up, back-lit,

  adored the waxy pouting of her mouth,

  her sleepy, startled gaze. She breathed

  the script out in her little voice. They filmed her

  famous, filmed her beautiful. Guys fell

  in love, dames copied her. An athlete

  licked the raindrops from her fingertips

  to quench his thirst. She married him.

  The US whooped.

  They filmed her harder, harder, till her hair

  was platinum, her teeth gems, her eyes

  sapphires pressed by a banker’s thumb.

  She sang to camera one, gushed

  at the greased-up lens, her skin investors’ gold,

  her fingernails mother-of-pearl, her voice

  champagne to sip from her lips. A poet came,

  found her wondrous to behold. She married him.

  The whole world swooned.

  Dumb beauty. She slept in an eye-mask, naked,

  drugged, till the maid came, sponged

  at her puffy face, painted the beauty on in beige,

  pinks, blues. Then it was coffee, pills, booze,

  Frank on the record-player, it was put on the mink,

  get in the studio car. Somebody big was watching her –

  white fur, mouth at the mike, under the lights. Happy

  Birthday to you. Happy Birthday, Mr President.

  The audience drooled.

  They filmed on, deep, dumped what they couldn’t use

  on the cutting-room floor, filmed more, quiet please,

  action, cut, quiet please, action, cut, quiet please,

  action, cut, till she couldn’t die when she died,

  couldn’t get older, ill, couldn’t stop saying the lines

  or singing the tunes. The smoking cop who watched

  as they zipped her into the body-bag noticed

  her strong resemblance to herself, the dark roots

  of her pubic hair.

  *

  Dead, she’s elegant bone

  in mud, ankles crossed,

  knees clamped, hands clasped,

  empty head. You know her name.

  Plain women turned in the streets

  where her shadow fell, under

  her spell, swore that what she wore

  they’d wear, coloured their hair.

  The whole town came

  to wave at her on her balcony,

  to stare and stare and stare.

  Her face was surely a star.

  Beauty is fate. They gaped

  as her bones danced

  in a golden dress in the arms

  of her wooden prince, gawped

  as she posed alone

  in front of the Taj Mahal,

  betrayed, beautifully pale.

  The cameras gibbered away.

  Act like a fucking princess –

  how they loved her,

  the men from the press –

  Give us a smile, cunt.

  And her blue eyes widened

  to take it all in: the flashbulbs,

  the half-mast flags, the acres of flowers,

  History’s stinking breath in her face.

  The Diet

  The diet worked like a dream. No sugar,

  salt, dairy, fat, protein, starch or alcohol.

  By the end of week one, she was half a stone

  shy of ten and shrinking, skipping breakfast,

  lunch, dinner, thinner; a fortnight in, she was

  eight stone; by the end of the month, she was skin

  and bone.

  She starved on, stayed in, stared in

  the mirror, svelter, slimmer. The last apple

  aged in the fruit bowl, untouched. The skimmed milk

  soured in the fridge, unsupped. Her skeleton preened

  under its tight flesh dress. She was all eyes,

  all cheekbones, had guns for hips. Not a stitch

  in the wardrobe fitted.

  What passed her lips? Air,

  water. She was Anorexia’s true daughter, a slip

  of a girl, a shadow, dwindling away. One day,

  the width of a stick, she started to grow smaller –

  child-sized, doll-sized, the height of a thimble.

  She sat at her open window and the wind

  blew her away.

  Seed small, she was out and about,

  looking for home. An empty beer bottle rolled

  in the gutter. She crawled in, got drunk on the dregs,

  started to sing, down, out, nobody’s love. Tiny others

  joined in. They raved all night. She woke alone,

  head splitting, mouth dry, hungry and cold, and made

  for the light.

  She found she could fly on the wind,

  could breathe, if it rained, underwater. That night,

  she went to a hotel bar that she knew and floated into

  the barman’s eye. She slept for hours, left at dawn

  in a blink, in a wink, drifted away on a breeze.

  Minute, she could suit herself from here on in, go

  where she pleased.

  She stayed near people,

  lay in the tent of a nostril like a germ, dwelled

  in the caves of an ear. She lived in a tear, swam

  clear, moved south to a mouth, kipped in the chap

  of a lip. She loved flesh and blood, wallowed

  in mud under fingernails, dossed in a fold of fat

  on a waist.

  But when she squatted the tip of a tongue,

  she was gulped, swallowed, sent down the hatch

  in a river of wine, bottoms up, cheers, fetched up

  in a stomach just before lunch. She crouched

  in the lining, hearing the avalanche munch of food,

  then it was carrots, peas, courgettes, potatoes,

  gravy and meat.

  Then it was sweet. Then it was stilton,

  roquefort, weisslacker-käse, gex; it was smoked salmon

  with scrambled eggs, hot boiled ham, plum flan, frogs’

  legs. She knew where she was all right, clambered

  onto the greasy breast of a goose, opened wide, then

  chomped and chewed and gorged; inside the Fat Woman now,

  trying to get out.

  The Woman Who Shopped

  went out with a silver shilling, willing to buy, bought

  an apple, red as first love’s heart, bright as her eye,

  had plenty of change, purchased a hat with a brim,

  walked with a suitor under its shadow, ditched him;

  saved up a pound, a fiver, a tenner, haggled the price

  of a dancing dress down to a snip, spent the remainder

  on shoes, danced from the house down the street, tapped

  to the centre of town where the sales had commenced,

  applied for a job for the wage and the bonus, blew it

  on clothes; wanted a wedding, a wedding dress, groom,

  married him, wanted a honeymoon, went on one,

  looked at the gold of her ring as it flashed in the sun;

 

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