Originally published in Switzerland and gracefully translated into English by Carol Brown Janeway, The Reader is a brief tale about sex, love, reading and shame in post-war Germany. Michael Berg is 15 when he begins a long, obsessive affair with Hanna, an enigmatic older woman. He never learns very much about her and when she disappears one day, he expects never to see her again. But, to his horror, he does. Hanna is a defendant in a trial related to Germany's Nazi past and it soon becomes clear that she is guilty of an unspeakable crime. As Michael follows the trial, he struggles with an overwhelming question: what should his generation do with its knowledge of the Holocaust? "We should not believe we can comprehend the incomprehensible, we may not compare the incomparable... Should we only fall silent in revulsion, shame, and guilt? To what purpose?" The Reader, which won the Boston Book Review's Fisk Fiction Prize, wrestles with many more demons in its few, remarkably lucid pages. What does it mean to love those people--parents, grandparents, even lovers--who committed the worst atrocities the world has ever known? And is any atonement possible through literature? Schlink's prose is clean and pared down, stripped of unnecessary imagery, dialogue and excess in any form. What remains is an austerely beautiful narrative of the attempt to breach the gap between Germany's pre and post-war generations, between the guilty and the innocent and between words and silence. --R Ellis, Amazon.com

The six essays that make up this compelling book view the long shadow of past guilt both as a uniquely German experience and as a global one. Bernhard Schlink explores the phenomenon of guilt and how it attaches to a whole society, not just to individual perpetrators. He considers how to use the lesson of history to motivate individual moral behavior, how to reconcile a guilt-laden past, how the role of law functions in this process, and how the theme of guilt influences his own fiction. Based on the Weidenfeld Lectures he delivered at Oxford University, Guilt About the Past is essential reading for anyone wanting to understand how events of the past can affect a nation's future. Written in Bernhard Schlink's eloquent but accessible style, it taps in to worldwide interest in the aftermath of war and how to forgive and reconcile the various legacies of the past.

From Bernhard Schlink, the internationally best-selling author of The Reader, come seven provocative and masterfully calibrated stories. A keen dissection of the ways in which we play with truth and less-than-truth in our lives. Summer Lies brims with the delusions, the passions, the outbursts, and the sometimes irrational justifications people make within a mélange of beautifully rendered relationships. In ”After the Season,” a man falls quickly in love with a woman he meets on the beach but wrestles with his incongruous feelings of betrayal after he learns she’s rich. In “Johann Sebastian Bach on Ruegen,” a son tries to put his resentment toward his emotionally distant father behind him by proposing a trip to a Back festival but soon realizes, during his efforts to reconnect, that it wasn’t his father who was the distant one. A philandering playwright is accused to infidelity by his wife in “The Night in Baden-Baden,” but he sees her accusations as nothing more than a means to exculpate himself of his guilt as he carries on with his ways. And in “Stranger in the Night,” an obliging professor becomes an accomplice—not entirely unwittingly—to the temporary escape of a charismatic fugitive on a delayed flight from New York to Frankfurt. The truth, as once character puts it, is “passionate, beautiful sometimes, and sometimes hideous, it can make you happy and it can torture you, and it always sets you free.” Tantalizingly, so is the act of telling a lie—to others and to ourselves.

Old friends and lovers reunite for a weekend in a secluded country home after spending decades apart. They excavate old memories and pass clandestine judgments on the wildly divergent paths they’ve taken since their youth. But this isn’t just any reunion, and their conversations about the old days aren’t your typical reminiscences: After twenty-four years, Jörg, a convicted murderer and terrorist, has been released from prison. The announcement of his pardon will send shock waves through the country, but before the announcement, his friends—some of whom were Baader-Meinhof sympathizers or those who clung to them—gather for his first weekend of freedom. They have been summoned by Jörg’s devoted sister, Christiane, whose concern for her brother’s safety is matched only by the unrelenting zeal of Marko, a young man intent on having Jörg continue to fight for the cause. Bernhard Schlink is at his finest as The Weekend unfolds. Passions are pitted against pragmatism, ideas against actions, and hopes against heartbreaking realities. From the Hardcover edition.

Das berühmte Bild einer Frau, lange verschollen, taucht plötzlich wieder auf. Überraschend für die Kunstwelt, aber auch für die drei Männer, die diese Frau einst liebten - und sich von ihr betrogen fühlen. In einer Bucht an der australischen Küste kommt es zu einem Wiedersehen: Die Männer wollen wiederhaben, was ihnen vermeintlich zusteht. Nur einer ergreift die Chance, der Frau neu zu begegnen, auch wenn ihnen nicht mehr viel Zeit bleibt

Gerhard Self, the seventy-something, sambuca-drinking, Sweet-Afton smoking sleuth returns in a riveting new mystery about money-laundering, murder, and mafiosi. Despite his failing health and his girlfriend's pleading, Gerhard Self won't stop doing what he does best—investigating. And his most recent case is one of the most intriguing of his career. Herr Welker desperately wants to write a history of his bank, but to do so he needs Self to track down a mysterious silent partner. Self takes the job, but is soon accosted by a man who frantically hands him a suitcase full of cash and speeds off in a car, only to crash into a tree, dying instantly. Perplexed, and convinced there is more to the case than he is being told, Self follows the money. Soon he finds himself traveling to eastern Germany, where he encounters some of the most unsavory villains he has met yet. From the Trade Paperback edition.

Gerhard Self, the dour private detective, returns in this riveting crime novel about terrorism, governmental cover-up, and the treacherous waters where they mix. Leo Salger, the daughter of a powerful Bonn bureaucrat, is missing, and Self has been hired to find her. His investigation initially leads him to a psych ward at a local hospital, where he is made to believe that Leo fell from a window and died. Self soon discovers, however, that Leo is alive and well and that she was involved in a terrorist incident the government is feverishly trying to keep under wraps. The result is a wildly entertaining, superbly nuanced thriller that follows one detective’s desire to uncover the truth, wherever it may lead.

Growing up with his mother in Germany, Peter Debauer knows little about his father, an apparent victim of the Second World War. But when he stumbles upon a few pages from a long-lost novel, Peter embarks on aquest that leads him across Europe to the United States, chasing fragments of a story within a story and a master of disguises who may or may not exist. Homecoming" "is a tale of fathersand sons, men and women, war and peace. It reveals the humanity that survives the trauma of war and the ongoing possibility for redemption. "From the Trade Paperback edition."

As a young man, Gerhard Self served as a Nazi prosecutor. After the war he was barred from the judicial system and so became a private investigator. He has never, however, forgotten his complicity in evil. Hired by a childhood friend, the aging Self searches for a prankish hacker who’s invaded the computer system of a Rhineland chemical plant. But his investigation leads to murder, and from there to the charnel house of Germany’s past, where the secrets of powerful corporations lie among the bones of numberless dead. What ensues is a taut, psychologically complex, and densely atmospheric moral thriller featuring a shrewd, self-mocking protagonist.

Bernhard Schlink brings to these seven superbly crafted stories the same sleek concision and moral acuity that made The Reader an international bestseller. His characters–men with importunate appetites and unfortunate habits of deception–are uneasily suspended between the desire for love and the impulse toward flight.A young boy's fascination with an eerily erotic painting gradually leads him into the labyrinth of his family's secrets. The friendship between a West Berliner and an idealistic young couple from the East founders amid the prosperity and revelations that follow the collapse of communism. An acrobatic philanderer (one wife and two mistresses, all apparently quite happy) begins to crack under the weight of his abundance. By turns brooding and comic, and filled with the suspense that comes from the inexorable unfolding of character, Flights of Love is nothing less than masterful

A classic noir thriller about love and deception from the bestselling author of The Reader. Georg Polger ekes out a lonely living as a freelance translator in the south of France, until he is approached by a certain Mr. Bulnakov, who has a intriguing proposition: Georg is to take over a local translation agency and finish a project left by the previous owner, who died in a mysterious accident. The money is right and then there is the matter of Bulnakov’s secretary, Francoise, with whom Georg has fallen hopelessly in love. Late one night, however, Georg discovers Francoise secretly photographing a sensitive military project. He is shocked and heartbroken. Then, her eventual disappearance leaves him not only bereft, but suspicious of the motivations behind Mr. Bulnakov’s offer. To make matters worse, Georg’s every move is being watched. Determined to find out who Francoise really is, and to foil who ever is tracking him, Georg sets out on an mission that will take him to New York City, where with each step he is dragged deeper and deeper into a deadly whirlpool in which friend and foe are indistinguishable. From the Trade Paperback edition.

A sweeping novel of love and passion from author of the international bestseller The Reader about a woman out of step with her time, whose life is witness to some of the most tumultuous events of modern age.Abandoned by her parents, young Olga is raised by her grandmother in a Prussian village in the early years of the twentieth century. Smart and precocious, endearing but uncompromising, she fights against ingrained chauvinism to find her place in a world run by lesser men.When Olga falls in love with her neighbor, Herbert, the son of a local aristocrat, her life is irremediably changed. While Herbert indulges his thirst for exploration and adventure, Olga is limited by her gender and circumstance. Her love for Herbert goes against all odds and encounters many obstacles, but even when they are separated, it enduresUnfolding across decades—from the late nineteenth to the early twenty-first century—and across continents—from...

Sixty-eight years old; a smoker of Sweet Aftons, a dedicated drinker of Aviateur cocktails, and the owner of a charismatic cat named Turbo, Gerhard Self is an unconventional private detective. When Self is summoned by his long-time friend and rival Korten to investigate several incidents of computer-hacking at a chemicals company, he finds himself dealing with an unfamiliar kind of crime that throws up many challenges. But in his search for the hacker, Self stumbles upon something far more sinister. His investigation eventually unearths dark secrets that have been hidden for decades, and forces Self to confront his own demons.

Old friends and lovers reunite for a weekend in a secluded country home after spending decades apart.They excavate old memories and pass clandestine judgments on the wildly divergent paths they’ve taken since their youth. But this isn’t just any reunion, and their conversations about the old days aren’t your typical reminiscences: After twenty-four years, Jörg, a convicted murderer and terrorist, has been released from prison. The announcement of his pardon will send shock waves through the country, but before the announcement, his friends—some of whom were Baader-Meinhof sympathizers or those who clung to them—gather for his first weekend of freedom. They have been summoned by Jörg’s devoted sister, Christiane, whose concern for her brother’s safety is matched only by the unrelenting zeal of Marko, a young man intent on having Jörg continue to fight for the cause. Bernhard Schlink is at his finest as The Weekend unfolds. Passions are pitted against pragmatism, ideas against actions, and hopes against heartbreaking realities.