Episodic writing

  As noted above, most of Dickens's major novels were first written in monthly or weekly instalments in journals such as Master Humphrey's Clock and Household Words, later reprinted in book form. These instalments made the stories cheap, accessible and the series of regular cliff-hangers made each new episode widely anticipated. American fans even waited at the docks in New York, shouting out to the crew of an incoming ship, "Is Little Nell dead?" Part of Dickens's great talent was to incorporate this episodic writing style but still end up with a coherent novel at the end. The monthly numbers were illustrated by, amongst others, "Phiz" (a pseudonym for Hablot Browne). Among his best-known works are Great Expectations, David Copperfield, Oliver Twist, A Tale of Two Cities, Bleak House, Nicholas Nickleby, The Pickwick Papers, and A Christmas Carol.

  Dickens's technique of writing in monthly or weekly instalments (depending on the work) can be understood by analysing his relationship with his illustrators. The several artists who filled this role were privy to the contents and intentions of Dickens's instalments before the general public. Thus, by reading these correspondences between author and illustrator, the intentions behind Dickens's work can be better understood. What was hidden in his art is made plain in these letters. These also reveal how the interests of the reader and author do not coincide. A great example of that appears in the monthly novel Oliver Twist. At one point in this work, Dickens had Oliver become embroiled in a robbery. That particular monthly instalment concludes with young Oliver being shot. Readers expected that they would be forced to wait only a month to find out the outcome of that gunshot. In fact, Dickens did not reveal what became of young Oliver in the succeeding number. Rather, the reading public was forced to wait two months to discover if the boy lived.

  Another important impact of Dickens's episodic writing style was his exposure to the opinions of his readers. Since Dickens did not write the chapters very far ahead of their publication, he was allowed to witness the public reaction and alter the story depending on those public reactions. A fine example of this process can be seen in his weekly serial The Old Curiosity Shop, which is a chase story. In this novel, Little Nell and her Grandfather are fleeing the villain Quilp. The progress of the novel follows the gradual success of that pursuit. As Dickens wrote and published the weekly instalments, his friend John Forster pointed out: "You know you're going to have to kill her, don't you." Why this end was necessary can be explained by a brief analysis of the difference between the structure of a comedy versus a tragedy. In a comedy, the action covers a sequence "You think they're going to lose, you think they're going to lose, they win." In tragedy, it's: "You think they're going to win, you think they're going to win, they lose". The dramatic conclusion of the story is implicit throughout the novel. So, as Dickens wrote the novel in the form of a tragedy, the sad outcome of the novel was a foregone conclusion. If he had not caused his heroine to lose, he would not have completed his dramatic structure. Dickens admitted that his friend Forster was right and, in the end, Little Nell died.

  Social commentary

  Dickens's novels were, among other things, works of social commentary. He was a fierce critic of the poverty and social stratification of Victorian society. Dickens's second novel, Oliver Twist (1839), shocked readers with its images of poverty and crime and was responsible for the clearing of the actual London slum that was the basis of the story's Jacob's Island. In addition, with the character of the tragic prostitute, Nancy, Dickens "humanised" such women for the reading public; women who were regarded as "unfortunates," inherently immoral casualties of the Victorian class/economic system. Bleak House and Little Dorrit elaborated expansive critiques of the Victorian institutional apparatus: the interminable lawsuits of the Court of Chancery that destroyed people's lives in Bleak House and a dual attack in Little Dorrit on inefficient, corrupt patent offices and unregulated market speculation.

  Literary techniques

  Dickens is often described as using 'idealised' characters and highly sentimental scenes to contrast with his caricatures and the ugly social truths he reveals. The extended death scene of Little Nell in The Old Curiosity Shop (1841) was received as incredibly moving by contemporary readers but viewed as ludicrously sentimental by Oscar Wilde:"You would need to have a heart of stone," he declared in one of his famous witticisms, "not to laugh at the death of Little Nell." In 1903 Chesterton said, "It is not the death of Little Nell, but the life of Little Nell, that I object to."

  In Oliver Twist Dickens provides readers with an idealised portrait of a young boy so inherently and unrealistically 'good' that his values are never subverted by either brutal orphanages or coerced involvement in a gang of young pickpockets (similar to Tiny Tim in A Christmas Carol). While later novels also centre on idealised characters (Esther Summerson in Bleak House and Amy Dorrit in Little Dorrit) this idealism serves only to highlight Dickens's goal of poignant social commentary. Many of his novels are concerned with social realism, focusing on mechanisms of social control that direct people's lives (for instance, factory networks in Hard Times and hypocritical exclusionary class codes in Our Mutual Friend).

  Dickens also employs incredible coincidences (e.g. Oliver Twist turns out to be the lost nephew of the upper class family that randomly rescues him from the dangers of the pickpocket group). Such coincidences are a staple of eighteenth century picaresque novels such as Henry Fielding's Tom Jones that Dickens enjoyed so much. But to Dickens these were not just plot devices but an index of the humanism that led him to believe that good wins out in the end and often in unexpected ways.

  Autobiographical elements

  All authors might be said to incorporate autobiographical elements in their fiction, but with Dickens this is very noticeable, even though he took pains to cover up what he considered his shameful, lowly past. David Copperfield is one of the most clearly autobiographical but the scenes from Bleak House of interminable court cases and legal arguments are drawn from the author's brief career as a court reporter. Dickens's own family was sent to prison for poverty, a common theme in many of his books, and the detailed depiction of life in the Marshalsea prison in Little Dorrit is due to Dickens's own experiences of the institution. Little Nell in The Old Curiosity Shop is thought to represent Dickens's sister-in-law, Nicholas Nickleby's father and Wilkins Micawber are certainly Dickens's own father, just as Mrs. Nickleby and Mrs. Micawber are similar to his mother. The snobbish nature of Pip from Great Expectations also has some affinity to the author himself. The character of Fagin is believed to be based upon Ikey Solomon, a 19th century Jewish criminal of London and later Australia. It is reported that Dickens, during his time as a journalist, interviewed Solomon after a court appearance and that he was the inspiration for the gang leader in Oliver Twist. Dickens may have drawn on his childhood experiences, but he was also ashamed of them and would not reveal that this was where he got his realistic accounts of squalor. Very few knew the details of his early life until six years after his death when John Forster published a biography on which Dickens had collaborated. A shameful past in Victorian times could taint reputations, just as it did for some of his characters, and this may have been Dickens's own fear.

  Legacy

  Charles Dickens was a well-known personality and his novels were immensely popular during his lifetime. His first full novel, The Pickwick Papers (1837), brought him immediate fame and this continued right through his career. Although rarely departing greatly from his typical "Dickensian" method of always attempting to write a great "story" in a somewhat conventional manner (the dual narrators of Bleak House are a notable exception), he experimented with varied themes, characterisations and genres. Some of these experiments have proved more popular than others and the public's taste and appreciation of his many works have varied over time. He was usually keen to give his readers what they wanted, and the monthly or weekly publication of his works in episodes meant that the books could change as the story proceeded at the whim of the public. A good example of this are the American episodes in Martin Chuzzlewit which were put in by Dickens in response to lower than normal sales of the earlier chapters. In Our Mutual Friend, the inclusion of the character of Riah was a positive portrayal of a Jewish character after he was criticised for the depiction of Fagin in Oliver Twist.

  His popularity has waned little since his death and he is still one of the best known and most read of English authors. At least 180 motion pictures and TV adaptations based on Dickens's works help confirm his success. Many of his works were adapted for the stage during his own lifetime and as early as 1913 a silent film of The Pickwick Papers was made. His characters were often so memorable that they took on a life of their own outside his books. Gamp became a slang expression for an umbrella from the character Mrs Gamp and Pickwickian, Pecksniffian and Gradgrind all entered dictionaries due to Dickens's original portraits of such characters who were quixotic, hypocritical or emotionlessly logical. Sam Weller, the carefree and irreverent valet of The Pickwick Papers, was an early superstar, perhaps better known than his author at first. It is likely that A Christmas Carol is his best-known story, with new adaptations almost every year. It is also the most-filmed of Dickens's stories, many versions dating from the early years of cinema. This simple morality tale with both pathos and its theme of redemption, for many, sums up the true meaning of Christmas and eclipses all other Yuletide stories in not only popularity, but in adding archetypal figures (Scrooge, Tiny Tim, the Christmas ghosts) to the Western cultural consciousness. Some historians consider this book to have played a major factor in redefining the holiday and its major sentiments. A Christmas Carol was written by Dickens in an attempt to forestall financial disaster as a result of flagging sales of his novel Martin Chuzzlewit. Years later, Dickens shared that he was "deeply affected" in writing A Christmas Carol and the novel rejuvenated his career as a renowned author.

  At a time when Britain was the major economic and political power of the world, Dickens highlighted the life of the forgotten poor and disadvantaged at the heart of empire. Through his journalism he campaigned on specific issues - such as sanitation and the workhouse - but his fiction was probably all the more powerful in changing public opinion in regard to class inequalities. He often depicted the exploitation and repression of the poor and condemned the public officials and institutions that allowed such abuses to exist. His most strident indictment of this condition is in Hard Times (1854), Dickens's only novel-length treatment of the industrial working class. In that work, he uses both vitriol and satire to illustrate how this marginalised social stratum was termed "Hands" by the factory owners, that is, not really "people" but rather only appendages of the machines that they operated. His writings inspired others, in particular journalists and political figures, to address such problems of class oppression. For example, the prison scenes in Little Dorrit and The Pickwick Papers were prime movers in having the Marshalsea and Fleet Prisons shut down. As Karl Marx said, Dickens, and the other novelists of Victorian England, "..issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together..". The exceptional popularity of his novels, even those with socially oppositional themes (Bleak House, 1853; Little Dorrit, 1857; Our Mutual Friend, 1865) underscored not only his almost preternatural ability to create compelling storylines and unforgettable characters, but also insured that the Victorian public confronted issues of social justice that had commonly been ignored.

  His fiction, with often vivid descriptions of life in nineteenth-century England, has inaccurately and anachronistically come to globally symbolise Victorian society (1837-1901) as uniformly "Dickensian," when in fact, his novels' time span is from the 1770s to the 1860s. In the decade following his death in 1870, a more intense degree of socially and philosophically pessimistic perspectives invested British fiction; such themes were in contrast to the religious faith that ultimately held together even the bleakest of Dickens's novels. Later Victorian novelists such as Thomas Hardy and George Gissing were influenced by Dickens, but their works display a greater willingness to confront and challenge the Victorian institution of religion. They also portray characters caught up by social forces (primarily via lower-class conditions) but which usually steer them to tragic ends beyond their control.

  Novelists continue to be influenced by his books; for example, such disparate current writers as Anne Rice, Tom Wolfe and John Irving evidence direct Dickensian connections. Humorist James Finn Garner even wrote a tongue-in-cheek "politically correct" version of A Christmas Carol.

  Although Dickens's life has been the subject of at least two TV miniseries and two famous one-man shows, he has never been the subject of a Hollywood "big screen" biography.

  Adaptations of readings

  There have been several performances of Dickens readings by Emlyn Williams, Bransby Williams and also Simon Callow in the Mystery of Charles Dickens by Peter Ackroyd.

  Museums and festivals

  There are museums and festivals celebrating Dickens's life and works in many of the towns with which he was associated.

  The Charles Dickens Museum, in Doughty Street, Holborn is the only one of Dickens's London homes to survive. He lived there only two years but in this time wrote The Pickwick Papers, Oliver Twist and Nicholas Nickleby. It contains a major collection of manuscripts, original furniture and memorabilia.

  Charles Dickens' Birthplace Museum in Portsmouth is the house in which Dickens was born. It has been re-furnished in the likely style of 1812 and contains Dickens memorabilia.

  The Dickens House Museum in Broadstairs is the house of Miss Mary Pearson Strong, the basis for Miss Betsey Trotwood in David Copperfield. It is visible across the bay from the original Bleak House (also a museum until 2005) where David Copperfield was written. The museum contains memorabilia, general Victoriana and some of Dickens's letters. Broadstairs has held a Dickens Festival annually since 1937.

  The Charles Dickens Centre in Eastgate House, Rochester, closed in 2004, but the garden containing the author's Swiss chalet is still open. The 16th-Century house, which appeared as Westgate House in The Pickwick Papers and the Nun's House in Edwin Drood, will probably re-open under a related use. The city's annual Dickens Festival (summer) and Dickensian Christmas celebrations continue unaffected.

  The Dickens World themed attraction, covering 71500 square feet, and including a cinema and restaurants, opened in Chatham on 25 May 2007. It stands on a small part of the site of the former naval dockyard where Dickens's father had once worked in the Navy Pay Office.

  Dickens Festival in Rochester, Kent. Summer Dickens is held at the end of May or in the first few days of June, it commences with an invitation only ball on the Thursday and then continues with street entertainment, and many costumed characters, on the Friday, Saturday and Sunday.Christmas Dickens is the first weekend in December- Saturday and Sunday only.

  Dickens festivals are also held across the world.

  Three notable ones in the United States are:

  The Riverside Dickens Festival in Riverside, California, includes literary studies as well as entertainments.

  The Great Dickens Christmas Fair (http://www.dickensfair.com/) has been held in San Francisco, California, since the 1970s. During the four or five weekends before Christmas, over 500 costumed performers mingle with and entertain thousands of visitors amidst the recreated full-scale blocks of Dickensian London in over 90,000 square feet of public area. This is the oldest, largest, and most successful of the modern Dickens festivals outside England. Many (including the Martin Harris who acts in the Rochester festival and flies out from London to play Scrooge every year in SF) say it is the most impressive in the world.

  Dickens on The Strand in Galveston, Texas, is a holiday festival held on the first weekend in December since 1974, where bobbies, Beefeaters and the "Queen" herself are on hand to recreate the Victorian London of Charles Dickens. Many festival volunteers and attendees dress in Victorian attire and bring the world of Dickens to life.

  Notable works by Charles Dickens

  Charles Dickens published over a dozen major novels, a large number of short stories (including a number of Christmas-themed stories), a handful of plays, and several nonfiction books. Dickens's novels were initially serialized in weekly and monthly magazines, then reprinted in standard book formats.

  Novels

  The Pickwick Papers (Monthly serial, April 1836 to November 1837)

  The Adventures of Oliver Twist (Monthly serial in Bentley's Miscellany, February 1837 to April 1839)

  The Life and Adventures of Nicholas Nickleby (Monthly serial, April 1838 to October 1839)

  The Old Curiosity Shop (Weekly serial in Master Humphrey's Clock, April 25, 1840, to February 6, 1841)

  Barnaby Rudge: A Tale of the Riots of 'Eighty (Weekly serial in Master Humphrey's Clock, February 13, 184l, to November 27, 1841)

  The Christmas books: A Christmas Carol (1843)

  The Chimes (1844)

  The Cricket on the Hearth (1845)

  The Battle of Life (1846)

  The Haunted Man and the Ghost's Bargain (1848)

  The Life and Adventures of Martin Chuzzlewit (Monthly serial, January 1843 to July 1844)

  Dombey and Son (Monthly serial, October 1846 to April 1848)

  David Copperfield (Monthly serial, May 1849 to November 1850)

 

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