Classic Mystery Collection - Illustrated - Crime, Suspense, Detective fiction. (100+ works) including The Complete Collection of Sherlock Holmes, ... Agatha Christie, Sax Rohmer & more (mobi), page 7
Works
His works were classified at the time as 'sensation novels', a genre seen nowadays as the precursor to detective fiction and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. Like many writers of his time, he published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. (Sales of All The Year Round actually increased when The Woman in White succeeded A Tale of Two Cities.)
He enjoyed ten years of great success following publication of The Woman in White in 1859. His next novel, No Name combined social commentary - the absurdity of the law as it applied to children of unmarried parents - with a densely-plotted revenge thriller. Armadale, (the first and only of Collins' major novels of the 1860s to be serialised in a magazine other than Dickens' "All The Year Round") provoked strong criticism, generally centred around its transgressive villainess Lydia Gwilt; and provoked in part by Collins' typically confrontational prefaratory material. The novel was simultaneously a financial coup for its author and a comparative commercial failure: the sum paid by the Cornhill magazine for the serialisation rights was exceptional, eclipsing the prices paid for the vast majority of similar novels by a substantial margin, yet the novel itself failed to recoup its publishers' investment. The Moonstone, published in 1868, and the last novel of what is generally regarded as the most successful decade of its authors' career was, despite a somewhat cool reception from both Dickens and the critics, a significant return to form and reestablished the market value of an author whose success in the competitive Victorian literary marketplace had been gradually waning in the wake of his first "masterpiece." Viewed by many to represent the advent of the Detective Story within the tradition of the English Novel, it remains one of Collins' most critically acclaimed productions.
However, various factors (most often cited are the loss of Dickens' literary mentoring after that author's death in 1870; Collins' increased dependence upon laudanum; and a somewhat ill-advised penchant for utilising his fiction to rail against social injustices) appear to have led to a decline in the two decades following the success of his sensation novels of the 1860s and prior to his death in 1889; and Collins' novels and novellas of the '70s and '80s, whilst by no means entirely devoid of merit or literary interest, are generally regarded as inferior to his previous productions and receive comparatively little critical attention today.
The Woman in White and The Moonstone share an unusual narrative structure, somewhat resembling an epistolary novel, in which different portions of the book have different narrators, each with a distinctive narrative voice (Armadale has this to a lesser extent through the correspondence between some characters). The Moonstone, being the most popular of Collin's novels, is known as a precursor for detective fiction such as Sherlock Holmes.
After The Moonstone, Collins's novels contained fewer thriller elements and more social commentary. The subject matter continued to be "sensational", but his popularity declined. Swinburne commented: "What brought good Wilkie's genius nigh perdition? Some demon whispered - 'Wilkie! have a mission.'"
Bibliography
Memoirs of the Life of William Collins, Esq., R.A. (1848)
Antonina (1850)
Rambles Beyond Railways (1851)
Basil (1852)
Mr Wray's Cash Box (1852)
Hide and Seek (1854)
The Ostler (1855)
After the Dark (1856)
The Dead Secret (1857)
The Frozen Deep (1857), a play co-written with Charles Dickens
A House to Let (1858), a short story co-written with Charles Dickens, Elizabeth Gaskell and Adelaide Anne Procter
The Queen of Hearts (1859)
The Woman in White (1860)
No Name (1862)
My Miscellanies (1863)
Armadale (1866)
No Thoroughfare (1867), a story and play co-written with Charles Dickens
The Moonstone (1868)
Man and Fish (1870)
Poor Miss Finch (1872)
Miss or Mrs? (1873)
The New Magdalen (1873)
The Frozen Deep and Other Stories (1874) The Frozen Deep
Dream Woman
John Jago's Ghost; or The Dead Alive
The Law and the Lady (1875)
The Two Destinies (1876)
The Haunted Hotel (1878)
The Fallen Leaves (1879)
A Rogue's Life (1879)
My Lady's Money (1879)
Jezebel's Daughter (1880)
The Black Robe (1881)
Heart and Science (1883)
I Say No (1884)
The Ghost's Touch and Other Stories (1885)
The Evil Genius (1886)
The Guilty River (1886)
Little Novels (1887)
The Legacy of Cain (1889)
Blind Love (1889 - unfinished. Completed by Walter Besant)
Iolani, or Tahiti as it was. A Romance (1999)
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Biography of Charles Dickens
Life | Literary style | Legacy | Adaptations of readings | Museums and festivals | Notable works by Charles Dickens
Charles John Huffam Dickens; (7 February 1812 - 9 June 1870), pen-name "Boz", was the foremost English novelist of the Victorian era, as well as a vigorous social campaigner. Considered one of the English language's greatest writers, he was acclaimed for his rich storytelling and memorable characters, and achieved massive worldwide popularity in his lifetime.
Later critics, beginning with George Gissing and G. K. Chesterton, championed his mastery of prose, his endless invention of memorable characters and his powerful social sensibilities, yet writers such as George Henry Lewes, Henry James, and Virginia Woolf fault his work for sentimentality, implausible occurrence and grotesque characters.
The popularity of Dickens's novels and short stories has meant that none has ever gone out of print. Dickens wrote serialised novels, which was the usual format for fiction at the time, and each new part of his stories was eagerly anticipated by the reading public.
Life
Early years
Charles Dickens was born in Landport, Portsmouth in Hampshire, the second of eight children to John Dickens (1786-1851), a clerk in the Navy Pay Office at Portsmouth, and his wife Elizabeth Dickens (née Barrow, 1789-1863) on February 7, 1812. When he was five, the family moved to Chatham, Kent. When he was ten, the family relocated to 16 Bayham Street, Camden Town in London.
Although his early years seem to have been an idyllic time, he thought himself then as a "very small and not-over-particularly-taken-care-of boy". He spent his time outdoors, reading voraciously with a particular fondness for the picaresque novels of Tobias Smollett and Henry Fielding. He talked later in life of his extremely poignant memories of childhood and his continuing photographic memory of people and events that helped bring his fiction to life. His family was moderately wealthy, and he received some education at the private William Giles's school in Chatham. However, this time of prosperity came to an abrupt end when his father, after spending too much money entertaining and retaining his social position, was imprisoned at Marshalsea debtors' prison.
A 12-year-old Dickens began working 10 hour days in a Warren's boot-blacking factory, located near the present Charing Cross railway station. He earned six shillings a week pasting labels on the jars of thick polish. This money paid for his lodging in Camden Town and helped support his family.
After a few months his family was able to leave Marshalsea but their financial situation did not improve until later, partly due to money inherited from his father's family. His mother did not immediately remove Charles from the boot-blacking factory, which was owned by a relation of hers. Dickens never forgave his mother for this, and resentment of his situation and the conditions under which working-class people lived became major themes of his works. As Dickens wrote in David Copperfield, judged to be his most clearly autobiographical novel, "I had no advice, no counsel, no encouragement, no consolation, no assistance, no support, of any kind, from anyone, that I can call to mind, as I hope to go to heaven!" Eventually he attended the Wellington House Academy in North London.
In May 1827, Dickens began work in the office of Ellis and Blackmore as a law clerk, a junior office position with potential to become a lawyer, a profession for which he later showed his dislike in his many literary works. He later became a court stenographer at the age of 17. In 1830, Dickens met his first love, Maria Beadnell, who has been said to be the model for Dora in David Copperfield. Her parents disapproved of their courtship and they effectively ended the relationship when they sent her to school in Paris.
Journalism and early novels
In 1834, Dickens became a journalist, reporting parliamentary debate and travelling Britain by stagecoach to cover election campaigns for the Morning Chronicle. His journalism, in the form of sketches which appeared in periodicals from 1833, formed his first collection of pieces Sketches by Boz which were published in 1836 and led to the serialization of his first novel, The Pickwick Papers in March 1836. He continued to contribute to and edit journals throughout much of his subsequent literary career.
On 2 April 1836, he married Catherine Thompson Hogarth (1816-1879), the daughter of George Hogarth, editor of the Evening Chronicle. After a brief honeymoon in Chalk, Kent, they set up home in Bloomsbury where they produced ten children:
Charles Culliford Boz Dickens (6 January 1837-1896).
Mary Angela Dickens (6 March 1838-1896).
Kate Macready Dickens (29 October 1839-1929).
Walter Landor Dickens (8 February 1841-1863). Died in India.
Francis Jeffrey Dickens (15 January 1844-1886).
Alfred D'Orsay Tennyson Dickens (28 October 1845-1912).
Sydney Smith Haldimand Dickens (18 April 1847-1872).
(Sir) Henry Fielding Dickens (15 January 1849-1933). Henry Charles Dickens (1882-1966), barrister. (Grandson) Monica Dickens (1915-1992). (Great-granddaughter)
Dora Annie Dickens (16 August 1850-April 1851).
Edward Bulwer Lytton Dickens (13 March 1852-23 January 1902). He migrated to Australia, and became a member of the New South Wales state parliament. He died in Moree, NSW.
In the same year, he accepted the job of editor of Bentley's Miscellany, a position he would hold until 1839 when he fell out with the owner. However, his success as a novelist continued, producing Oliver Twist (1837-39), Nicholas Nickleby (1838-39), then The Old Curiosity Shop and Barnaby Rudge as part of the Master Humphrey's Clock series (1840-41), all being published in monthly instalments before being made into books.
In 1842, he travelled with his wife to the United States and Canada, a journey which was successful despite his support for the abolition of slavery. The trip is described in the short travelogue American Notes for General Circulation and is also the basis of some of the episodes in Martin Chuzzlewit. Shortly thereafter, he began to show interest in Unitarian Christianity, although he remained an Anglican, at least nominally, for the rest of his life. Dickens's work continued to be popular, especially A Christmas Carol written in 1843, the first of his Christmas books, which was reputedly written in a matter of weeks.
After living briefly abroad in Italy (1844) and Switzerland (1846), Dickens continued his success with Dombey and Son (1848); David Copperfield (1849-50); Bleak House (1852-53); Hard Times (1854); Little Dorrit (1857); A Tale of Two Cities (1859); and Great Expectations (1861). Dickens was also the publisher and editor of, and a major contributor to, the journals Household Words (1850-1859) and All the Year Round (1858-1870).
Middle years
In 1856, his popularity had allowed him to buy Gad's Hill Place. This large house in Higham, Kent, had a particular meaning to Dickens as he had walked past it as a child and had dreamed of living in it. The area was also the scene of some of the events of Shakespeare's Henry IV, part 1 and this literary connection pleased him.
In 1857, in preparation for public performances of The Frozen Deep, a play on which he and his protégé Wilkie Collins had collaborated, Dickens hired professional actresses to play the female parts. With one of these, Ellen Ternan, Dickens formed a bond which was to last the rest of his life. The exact nature of their relationship is unclear, as both Dickens and Ternan burned each other's letters, but it was clearly central to Dickens's personal and professional life. On his death, he settled an annuity on her which made her a financially independent woman. Claire Tomalin's book, The Invisible Woman, set out to prove that Ellen Ternan lived with Dickens secretly for the last 13 years of his life, and has subsequently been turned into a play by Simon Gray called Little Nell.
When Dickens separated from his wife in 1858, divorce was almost unthinkable, particularly for someone as famous as he was, and so he continued to maintain her in a house for the next 20 years until she died. Although they appeared to be initially happy together, Catherine did not seem to share quite the same boundless energy for life which Dickens had. Nevertheless, her job of looking after their ten children, and the pressure of living with a world-famous novelist and keeping house for him, certainly did not help.
Catherine had her sister Mary move in to help her, but there were rumours that Charles was romantically linked to his sister-in-law, possibly fuelled by the fact that she remained at Gadshill to look after the younger children when Catherine left. An indication of his marital dissatisfaction was when, in 1855, he went to meet his first love, Maria Beadnell. Maria was by this time married as well, but seemed to have fallen short of Dickens's romantic memory of her.
Rail accident and last years
On 9 June 1865, while returning from France with the actress Ellen Ternan, Dickens was involved in the Staplehurst rail crash in which the first seven carriages of the train plunged off a bridge that was being repaired. The only first-class carriage to remain on the track was the one in which Dickens was travelling. Dickens spent some time tending the wounded and the dying before rescuers arrived. Before leaving, he remembered the unfinished manuscript for Our Mutual Friend, and he returned to his carriage to retrieve it. Typically, Dickens later used this experience as material for his short ghost story The Signal-Man in which the central character has a premonition of his own death in a rail crash. He based the story around several previous rail accidents, such as the Clayton Tunnel rail crash of 1861.
Dickens managed to avoid an appearance at the inquiry into the crash, as it would have become known that he was travelling that day with Ellen Ternan and her mother, which could have caused a scandal. Ellen had been Dickens's companion since the breakdown of his marriage, and, as he had met her in 1857, she was most likely the ultimate reason for that breakdown. She continued to be his companion, and likely mistress, until his death. The dimensions of the affair were unknown until the publication of Dickens and Daughter, a book about Dickens's relationship with his daughter Kate, in 1939. Kate Dickens worked with author Gladys Storey on the book prior to her death in 1929, and alleged that Dickens and Ternan had a son who died in infancy, though no contemporary evidence exists.
Dickens, though unharmed, never really recovered from the Staplehurst crash, and his normally prolific writing shrank to completing Our Mutual Friend and starting the unfinished The Mystery of Edwin Drood after a long interval. Much of his time was taken up with public readings from his best-loved novels. Dickens was fascinated by the theatre as an escape from the world, and theatres and theatrical people appear in Nicholas Nickleby. The traveling shows were extremely popular and, after three tours of British Isles, Dickens gave his first public reading in the United States at a New York City theatre on 2 December 1867.
The effort and passion he put into these readings with individual character voices is also thought to have contributed to his death. When he undertook another English tour of readings (1869-1870), he became ill and five years to the day after the Staplehurst crash, on 9 June 1870, he died at home at Gad's Hill Place after suffering a stroke.
Contrary to his wish to be buried in Rochester Cathedral, he was buried in the Poets' Corner of Westminster Abbey. The inscription on his tomb reads: "He was a sympathiser to the poor, the suffering, and the oppressed; and by his death, one of England's greatest writers is lost to the world." Dickens's will stipulated that no memorial be erected to honour him. The only life-size bronze statue of Dickens, cast in 1891 by Francis Edwin Elwell, is located in Clark Park in the Spruce Hill neighborhood of Philadelphia, Pennsylvania in the United States of America.
Literary style
Dickens's writing style is florid and poetic, with a strong comic touch. His satires of British aristocratic snobbery - he calls one character the "Noble Refrigerator" - are often popular. Comparing orphans to stocks and shares, people to tug boats, or dinner-party guests to furniture are just some of Dickens's acclaimed flights of fancy.
Characters
The characters are among the most memorable in English literature; certainly their names are. The likes of Ebenezer Scrooge, Fagin, Mrs Gamp, Charles Darnay, Oliver Twist, Micawber, Abel Magwitch, Samuel Pickwick, Miss Havisham, Wackford Squeers and many others are so well known and can be believed to be living a life outside the novels that their stories have been continued by other authors.
Dickens loved the style of 18th century gothic romance, though it had already become a target for parody - Jane Austen's Northanger Abbey being a well known example - and while some of his characters are grotesques, their eccentricities do not usually overshadow the stories. One 'character' most vividly drawn throughout his novels is London itself. From the coaching inns on the outskirts of the city to the lower reaches of the Thames, all aspects of the capital are described over the course of his corpus.
