Sixteen-year-old Kaye is a modern nomad. Fierce and independent, she travels from city to city with her mother's rock band until an ominous attack forces Kaye back to her childhood home. There, amid the industrial, blue-collar New Jersey backdrop, Kaye soon finds herself an unwilling pawn in an ancient power struggle between two rival faerie kingdoms - a struggle that could very well mean her death.

Eve Duncan, the signature character of #1 New York Times bestselling author Iris Johansen, thought her past was long buried. Until she finds herself tracking a killer so deceptive he leaves no trace behind--except for his victims. Forensic sculptor Eve Duncan has been summoned to Baton Rouge by a high-ranking government official to identify the remains of an unknown murder victim. Eve wants nothing to do with the project. She has finally found peace from her own tragic past, living a quiet life with Atlanta detective Joe Quinn and her adopted daughter, Jane. Then a stunning series of seemingly unrelated events turns Eve's new world upside down. Now, in a special government facility, she takes on the project of identifying the victim's skeleton. But she hasn't even begun when another death occurs. Someone totally ruthless, who can strike anywhere at any time and with seeming immunity, is determined to put a halt to her work, her life, and the lives of those she loves. Eve has stumbled onto a chilling conspiracy. There is only one person who can give her the devastating truth . . . and he's already dead.

"I am Princess Meredith, heir to a throne--if I can stay alive long enough to claim it. " "After eluding relentless assassination attempts by Prince Cel, her cousin and rival for the Faerie crown, Meredith Gentry, Los Angeles private eye, has a whole new set of problems. To become queen, she must bear a child before Cel can father one of his own. But havoc lies on the horizon: people are dying in mysterious, frightening ways, and suddenly the very existence of the place known as Faerie is at grave risk. So now, while she enjoys the greatest pleasures of her life attempting to conceive a baby with the warriors of her royal guard, she must fend off an ancient evil that could destroy the very fabric of reality. And that's just her day job. . . . "From the Paperback edition.

Teenage superspy Alex Rider is enlisted by the national security services again – this time for a routine reconnaissance mission at the Wimbledon Tennis Championships. But before long, Alex finds himself caught up in a terrifying chain of events that leads from the Chinese Triad gangs in London to an undercover assignment in Cuba. Alex begins to make chilling links between suspicious deaths, an illegal nuclear weapons deal and the plans of his host, Russian General Sarov, for the future of the world...

William Gaddis published four novels during his lifetime, immense and complex books that helped inaugurate a new movement in American letters. Now comes his final work of fiction, a subtle, concentrated culmination of his art and ideas. For more than fifty years Gaddis collected notes for a book about the mechanization of the arts, told by way of a social history of the player piano in America. In the years before his death in 1998, he distilled the whole mass into a fiction, a dramatic monologue by an elderly man with a terminal illness. Continuing Gaddis's career-long reflection on those aspects of corporate technological culture that are uniquely destructive of the arts, Agape Agape is a stunning achievement from one of the indisputable masters of postwar American fiction.

From the #1 New York Times bestselling author comes Eleventh Hour. The murder of a priest leads FBI agents Sherlock and Savich to their most baffling case yet, in this riveting novel of suspense. When Father Michael Joseph is viciously murdered in his San Francisco church, his identical twin brother, FBI agent Dane Carver, along with husband-and-wife team, Savich and Sherlock, is determined to find the monster responsible. There is a witness, a homeless woman whose identity is a mystery. When "Nick" Jones comes forward, Dane finds himself in the unlikely role of bodyguard; she just might be next on the killer's list. But which killer's list? It seems Nick Jones is running from her own nightmare. In a cat-and-mouse chase that runs from the streets of San Francisco to the television studios of Los Angeles, where a brand-new show is found to have a curious connection to the murders, Dane Carver, Savich and Sherlock are in a race against time to find the madman responsible--but it's already the eleventh hour.

I love Morgan. She is my soul mate. But I must find my parents. Now I have information. There are leads that seem promising. I feel myself getting closer. But am I strong enough for what I might find?

The ascent of Everest begins . . . along with the first casualties on the youngest mission ever to the top. The youngest expedition ever to attempt an Everest climb has begun. But the trouble starts long before they reach the summit. Competition is fierce. Conditions are harsh. And the trek from Base Camp proves a challenge that not all the contestants can meet . . . with disastrous results.

An evil crime family controls the fate of a planet. Only one witness can bring them down--someone from the inside. In order to make it off the planet to testify, she's going to need the protection of the Jedi. Qui-Gon Jinn and Obi-Wan Kenobi take the assignment, thinking it will be easy. But nothing is ever easy when crime is concerned, and soon the two Jedi are entangled in a violent web of power, corruption, and lies. Qui-Gon and Obi-Wan know their allegiance is to the witness. But can she be trusted?

Most American heroes aren't in our history books, nor do they have monuments erected in their honor. Their names aren't in the headline news or memorialized in song. The true hero is simply someone who makes a difference-large or small-in the lives of others.

Oliver Sacks is best known as an explorer of the human mind, a neurologist with a gift for the complex, insightful portrayals of people and their conditions that fuel the phenomenal success of his books. But he is also a card-carrying member of the American Fern Society, and since childhood has been fascinated by these primitive plants and their ability to survive and adapt. Now the best-selling author of Awakenings and The Man Who Mistook His Wife for a Hat brings his ceaseless curiosity and eye for the wondrous to the province of Oaxaca, Mexico.

An adventurous and high-flying fantasy novel, this is the thrilling tale of the swashbuckling Benvenuti Sfondrati-Piccolomini, who arrives in the city of Goimir intent on lending his talents to the King--but instead has a series of madcap misadventures en route to his involvement in an epic quest that pairs him with Gwendolyn Greyboar, a female revolutionary whose beauty is matched only by her ferocity--and in whom the fate of the kingdom rests.

Chapter 1 FIRST CONVERSATION SAN FRANCISCO In the spring of 2000, Walter Murch, at the suggestion of Francis Ford Coppola, began to re-edit "Apocalypse Now, "afilm he had worked on back in 1977-1979 both as sound designer and as one of the four picture editors. Twenty-two years later, all the takes and discards and "lost" scenes and sound elements(carefully preserved in climate-controlled limestone caves in Pennsylvania) were brought out of vaults to be reconsidered. "Apocalypse Now "is a part of the American subconscious. And in some way this wasthe problem.Having dinner with the novelist Alfredo Veeacute;a in San Francisco, after spending my first day with Walter at Zoetrope, I mentioned what was happening with the re-editing of "Apocalypse Now, "and Veeacute;a immediately launched into Marlon Brando's monologue about the snail on a razor blade. This was followed, during dinner, by Vea's precise imitation of DennisHopper's whine: "What are they gonna say about him? What are they gonna say? That he was a kind man? That he was a "wise "man? . . ." For Veeacute;a, who fought in Vietnam, "Apocalypse Now "was "the "movie about the war. It was the work of art that caught it for him, that gave him a mythological structure he could refer to, that showed him what he had gonethrough and would later write about himself in books such as "Gods Go Begging." So those working on the new "Apocalypse Now "were aware that there would be problems connected with theirdismantling and restructuring a "classic." It was now public property. "It "has "become part of the culture," said Murch. "Andthat's not a one-way street, as you know from your writing. As much as a work affects the culture, the culture mysteriously affects the work. "Apocalypse Now "in the year 2000 is a very differentthing from the physically exact-same "Apocalypse Now "in the second before it was released in 1979." The idea for a new version grew out of Coppola's desire toproduce a DVD of "Apocalypse Now "with a number of major scenes that were-for reasons of length-eliminated from the 1979 version. Also, 2000 was the twenty-fifth anniversary of the fallof Saigon, so it seemed appropriate to re-evaluate editorial decisions that had originally been made while the war was still a vividly painful bruise on the nation's psyche. But rather than have the restoredscenes appear in isolation, appended in their own chapter, why not integrate them into the body of the film as originally intended? The problem was that the editing and sound work on the excised material had never beenfinished, and one scene in particular was eliminated before it was completely shot. Fortunately, the negative and original sound for all this material were perfectly preserved in original laboratory rolls, and could beretrieved, two decades later, as if the film had been shot a few weeks earlier. And so Walter Murch was now working in San Francisco, in the old Zoetrope building. Mostly he had to collect andreconsider the material for three large sequences that were cut from the film in 1978-a medevac scene involving Playboy Bunnies; further scenes with Brando in the Kurtz compound; and a ghostly, funereal dinnerand love scene at a French rubber plantation. In Eleanor Coppola's book about the making of the film, she

Set in colonial Australia, this romantic novel explores love, hardship, and the strength of the human spirit. Dorothea Brande leaves the quiet harmony of her English home to accompany her soldier husband to rough-and-tumble Sydney in 1814. To soften the harshness of their life there, she begins cultivating an English garden with the help of her convict manservant, Daniel. Together, in the creation of this garden, Dorothea and Daniel find a new strength and a special kind of refuge, both in the garden and with each other. Dorothea begins to adapt to her unforgiving new environment, but her husband is steadily destroyed by it. Written in the spirit of the works of Jane Austen and George Eliot, the novel is set against a vivid backdrop of the political events of the time while the public and personal gossip of the day weave in and out of the storyline.