Dr. Dowan Purcell is al bijna twee maanden spoorloos. De negenzestigjarige arts heeft zijn collega s bij het Pacific Meadows verzorgingstehuis gedag gezegd en is met zijn auto naar huis gegaan, maar daar is hij nooit aangekomen. Zijn verbitterde eerste vrouw Fiona is ervan overtuigd dat hij nog in leven is. Maar zijn tweede vrouw, Crystal, een voormalig stripper van negenentwintig, weet zeker dat hij dood is. Daarom huurt Fiona Kinsey Millhone in om het uit te zoeken. Al snel ontdekt Kinsey dat Purcell betrokken was bij allerlei duistere zaken. Verzekeringsfraude is slechts een draadje in het web van bedrog en dubbelspel waar Kinsey in terechtkomt. En dan is er ook nog Tommy Hevener, een aantrekkelijke roodharige twintiger die zijn zinnen heeft gezet op Kinsey. Een man met een interessant verleden

The undead can really screw up your senior year ... Marrying a vampire definitely doesn’t fit into Jessica Packwood’s senior year “get-a-life” plan. But then a bizarre (and incredibly hot) new exchange student named Lucius Vladescu shows up, claiming that Jessica is a Romanian vampire princess by birth—and he’s her long-lost fiancé. Armed with newfound confidence and a copy of Growing Up Undead: A Teen Vampire’s Guide to Dating, Health, and Emotions, Jessica makes a dramatic transition from average American teenager to glam European vampire princess. But when a devious cheerleader sets her sights on Lucius, Jess finds herself fighting to win back her wayward prince, stop a global vampire war—and save Lucius’s soul from eternal destruction.

All the creatures of the forest and field and riverbank knew the infant was special. She was the princess, spirited away from the evil fairy Pernicia on her name-day. But the curse was cast: Rosie was fated to prick her finger on the spindle of a spinning wheel and fall into a poisoned sleep-a slumber from which no one would be able to rouse her.

Alice Raikes takes a train from London to Scotland to visit her family, but when she gets there she witnesses something so shocking that she insists on returning to London immediately. A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth and marks the debut of a major literary talent.

How many minutes should you cook green beans? Is it better to steam them or to boil them? What are the right proportions for a vinaigrette? How do you skim off fat? What is the perfect way to roast a chicken? Julia Child gave us extensive answers to all these questions–and so many more–in the masterly books she published over the course of her career. But which one do you turn to for which solutions? Over the years Julia also developed some new approaches to old problems, using time-saving equipment and more readily available products. So where do you locate the latest findings? All the answers are close to hand in this indispensable little volume: the delicious, comforting, essential compendium of Julia’s kitchen wisdom–a book you can’t do without. From the Trade Paperback edition.

The Barnes & Noble Review Karen Hesse's Newbery Award-winning skills are put to great use in Witness, a poetic tale about friendship, fanaticism, and the deadly undercurrents of racial prejudice. The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside. Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

Scotland, 1477: Nicholas de Fleury, former banker and merchant, has re-appeared in the land that, four years earlier, he had brought very close to ruin in the course of an intense commercial and personal war with secret enemies--and, indeed, with his clever wife Gelis. Now the opportunity for redemption is at hand, but Nicholas soon finds himself pursuing his objectives amid a complex, corrosive power struggle centering on the Scottish royal family but closely involving the powerful merchants of Edinburgh, the gentry, the clergy, the English (ever seeking an excuse to pounce on their neighbor to the north), the French, the Burgundians. His presence soon draws Gelis and their son Jodi to Scotland, as well as Nicholas's companions and subordinates in many a past endeavor--Dr. Tobias and his wife Clémence, Mick Crackbene, John le Grant, and Andro Wodman among them. Here, too, Nicholas meets again with others who have had an influence, for good or evil, in his life: King James III of Scotland and his rebellious siblings; the St. Pols: Jordan, Simon, and young Henry; Mistress Bel of Cuthilgurdy and David de Salmeton; Anselm Adorne and Kathi his niece. Caught up in, and sometimes molding, the course of great events, Nicholas exhibits by turns the fierce silence with which he masks his secrets, and the explosive, willful gaiety that binds men, women, and children to him. And as the secrets of his birth and heritage come to light, Nicholas has to decide whether he desires to establish a future in Scotland for himself and his family, and a home for his descendants. Gemini brings to a dazzling conclusion Dorothy Dunnett's House of Niccolò series (synopsized in this volume), in which this peerless novelist has vividly re-created the dramatic, flamboyant world of the early Renaissance in historical writing of scrupulous authenticity and in the entrancing portrait of her visionary hero. Now, in a book infused with wit and poetry, emotion and humor, action and mystery, she brings Nicholas de Fleury at last to choose his heart's home, where he can exercise all his skills as an advisor to kings and statesmen, as a husband, a father, and a leader of men--and where, perhaps, we will discern a connection between him and that other remarkable personality, Francis Crawford, whose exploits Lady Dunnett recorded so memorably in The Lymond Chronicles. From the Trade Paperback edition.

Night Work Kate and her partner, Al Hawkin, are called to a scene of carefully executed murder: the victim is a muscular man, handcuffed and strangled, a stun gun's faint burn on his chest and candy in his pocket. The likeliest person to want him dead, his often-abused wife, is meek and frail--and has an airtight alibi. Kate and Al are stumped, until a second body turns up--also zapped, cuffed, and strangled...and carrying a candy bar. This victim: a convicted rapist. As newspaper headlines speculate about vendetta killings, a third death draws Kate and Al into a network of pitiless destruction that reaches far beyond San Francisco, a modern-style hit list with shudderingly primal roots. From the Paperback edition.

Once, in a house on Egypt Street, there lived a china rabbit named Edward Tulane. The rabbit was very pleased with himself, and for good reason: he was owned by a girl named Abilene, who adored him completely. And then, one day, he was lost. . . . Kate DiCamillo takes us on an extraordinary journey, from the depths of the ocean to the net of a fisherman, from the bedside of an ailing child to the bustling streets of Memphis. Along the way, we are shown a miracle -- that even a heart of the most breakable kind can learn to love, to lose, and to love again.

From the Oscar-winning screenwriter of **Butch Cassidy and the Sundance Kid **and **The Princess Bride** (he also wrote the novel), and the bestselling author of **Adventures in the Screen Trade** comes a garrulous new book that is as much a screenwriting how-to (and how-not-to) manual as it is a feast of insider information. If you want to know why a no-name like Kathy Bates was cast in **Misery**-it's in here. Or why Linda Hunt's brilliant work in **Maverick** didn't make the final cut-William Goldman gives you the straight truth. Why Clint Eastwood loves working with Gene Hackman and how MTV has changed movies for the worse-William Goldman, one of the most successful screenwriters in Hollywood today, tells all he knows. Devastatingly eye-opening and endlessly entertaining, **Which Lie Did I Tell?** is indispensable reading for anyone even slightly intrigued by the process of how a movie gets made.

In these fourteen essays Andre Aciman, one of the most poignant stylists of his generation, dissects the experience of loss, moving from his forced departure from Alexandria as a teenager, though his brief stay in Europe and finally to the home he's made (and half invented) on Manhattan's Upper West Side.

A magical story of love and art, life and death.

Grumps is a circus dog who loves to make people laugh--all he has to do is lie down on the ground with his feet in the air and the crowds cheer and roar. But one day a new dog named Sparks joins the circus. Sparks can jump through hoops, balance a ball on his nose, and even ride on the back of a running zebra. How can an old dog with one simple trick compete with the likes of Sparks? Sue Truesdell's exuberant illustrations capture all the excitement of circus life in this heartwarming story about friendship, family, and the universal need for acceptance.