This is book is not for sale nor has it been for sale for YEARS. If you find this book it has been sold or distributed illegally.

Attack on a dead man . . . The vicious attack on the late Sir John Marlowe Q.C. in "The Sunday Gazette" is unsigned. Don Marlowe, his son - a prominent young conductor - is determined to discover the identity of the journalist. He succeeds, and precipitates a gruelling court action. But ironically it is Don who stands accused. And in defending himself and his father's name, he finds he is destroying his marriage to Joanna - the beautiful and wayward young actress . . . 'Thriller-like suspense, romantic interest and acute observation.' "Sunday Times" 'He excels in making his characters come vividly alive.' "Daily Mirror" 'The tension is almost intolerable.' "New Statesman"

Are Hanne's powers a gift from the old Norse gods, or a curse?Her brother Stieg swears their powers are a gift from the old gods, but Hanne Hemstad knows she is truly cursed. It's not Stieg's fault that their father is dead, their mother has left, and their brother Knut has been accused of a crime he didn't commit.No, the fault lies with Hanne and her inability to control her murderous "gift"—she is a Berserker. When someone she loves is threatened, she flies into a killing state. The siblings must leave Norway for the American frontier or risk being brought to justice.Aided by a young cowboy who agrees to be their guide, Hanne and her siblings use their powers to survive the perilous trail, where blizzards, wild animals, and vicious bounty hunters await.Will they be able to reach their uncle, the one man Hanne believes may be able to teach her how to control her drive to kill? With Berserker, Emmy Laybourne, the author of...

Anthology containing: The Soul Mate by Madeline SheehanMy Soul to Take by Madeline Sheehan

In the first volume of her autobiography, The Sun in the Morning, M.M. Kaye detailed the first eighteen years of her life in India and England and introduced readers to her love affair with India. She brought to life its people, scents, vibrant colors, and breathtaking landscapes. In the second volume, Golden Afternoon, she happily returned to her beloved India after years in a British boarding school. New to the glories of the Delhi social season, M.M. Kaye recounted her delightful exploits as a vivacious young woman in Raj society. Now, in Enchanted Evening, M.M. Kaye is a young woman forced to leave her cherished home in India when her father takes a new post in china. Though at first disoriented by the unfamiliar customs and confusing protocol of her new surroundings, it is in China that she discovers the pleasures that come from independence. Coming into her own as a painter, Kaye first meets with artistic success in China and then moves to cramped quarters in London's South Kensington neighborhood, where she begins to flourish as a writer. With vivid descriptions and the wisdom that comes with age, M.M. Kaye looks back on the years she spent as a young woman in a world as yet unmarked by World War II's devastation.

"A SURPRISINGLY FRESH AND TREMENDOUSLY THOROUGH CONTRIBUTION to the debate...Weir's book is, no doubt, not the last on this subject, but it might be the best....[She] constructs a devastating case...[and] brilliantly illuminates the nature of late-medieval political power." --The Boston Globe Despite five centuries of investigation by historians, the sinister deaths of the boy king Edward V and his younger brother Richard, Duke of York, remain two of the most fascinating murder mysteries in English history. Did Richard III really kill "the Princes in the Tower," as is commonly believed, or was the murderer someone else entirely? Carefully examining every shred of contemporary evidence as well as dozens of modern accounts, English historian Alison Weir reconstructs the entire chain of events leading to the double murder. We are witnesses to the rivalry, ambition, intrigue, and struggle for power that culminated in the imprisonment of the prince and the hushed-up murders that secured Richard's claim to the throne as Richard III. A masterpiece of historical research and a riveting story of conspiracy and deception, The Princes in the Tower at last provides a solution to this age-old puzzle. "Weir takes on this delicious mystery with a fearsome vengeance. The result is a fascinating and completely credible account." --Milwaukee Journal "Did Richard III do in his nephews or didn't he? How much of the evil-uncle legend was later Tudor propaganda and how much was true?...This is exciting reading." --The Denver Post "A fascinating historical whodunit in which truth is more sordid than fiction." --Kirkus Reviews A MAIN SELECTION OF THE BOOK-OF-THE-MONTH CLUB

Short story from the Rock Kiss Series featured in the July Newsletter.

"The greatest writer of historical adventures today." —Washington Post Critically acclaimed, perennial New York Times bestselling author Bernard Cornwell (Agincourt, The Fort, the Saxon Tales) makes real history come alive in his breathtaking historical fiction. Praised as "the direct heir to Patrick O'Brian" (Agincourt, The Fort), Cornwell has brilliantly captured the fury, chaos, and excitement of battle as few writers have ever done—perhaps most vividly in his phenomenally popular novels following the illustrious military career of British Army officer Richard Sharpe during the late 18th and early 19th centuries. In Sharpe's Fortress, Ensign Sharpe's adventures in India reach a grand finale at the Siege of Gawilghur during the Maharatta War in December 1803, as Cornwell's hero uncovers a foul treason and seeks a righteous revenge. Perhaps the San Francisco Chronicle said it best: "If only all history lessons could be as vibrant."

Kim Stanley Robinson's Mars trilogy is one of science fiction's most honored series, with Red Mars winning the distinguished Nebula Award, and both Green Mars and Blue Mars honored with the Hugo. A modern-day classic of the genre, this epic saga deftly portrays the human stories behind Earth's most ambitious project yet: the terraforming of Mars. Now, following the publication of his acclaimed adventure novel, Antarctica, Robinson returns to the realm he has made his own, in a work that brilliantly weaves together a futuristic setting with a poetic vision of the human spirit engaged in a drama as ancient as mankind itself. From a training mission in Antarctica to blistering sandstorms sweeping through labyrinths of barren canyons, the interwoven stories of The Martians set in motion a sprawling cast of characters upon the surface of Mars. As the planet is transformed from an unexplored and forbidding terrain to a troubled image of a re-created Earth, we meet men and women who are bound together by their experiences on Mars and with each other. Among them are Michel, a French psychologist dazzled by the beauty around him; Maya, a woman whose ill-fated love affairs lead to her first voyage to Mars; and Roger, a tall Martian-born guide who lacks social skills but has the courage to survive on the planet's dangerous yet strangely compelling surface. Beginning with the First Hundred explorers, generations of friends, enemies, and lovers are swept up in the drama that is Earth's tenuous toehold on Mars. International exploration turns into world building; world building degenerates into political conflict, revolution, and war. Following the strands of these lives and events, in an age when human life has been extended for decades, The Martians becomes the story of generations lived on the edge of the ultimate frontier, in a landscape of constant man-made and natural transformation. This new masterpiece by Kim Stanley Robinson is a story of hope and disappointment, of fierce physical and psychological struggles. Both deeply human and scientifically cutting edge, The Martians is the epic chronicle of a planet that represents one of humanity's most glorious possibilities. A Letter from Kim Stanley Robinson: When I finished Blue Mars, I realized I wasn't done with Mars yet. There were things I still wanted to say about the place, and about my characters from the trilogy, and there were a number of sidebar stories and characters that had found no place in the trilogy's structure. I also had a couple of precursor Mars stories that did not fit the trilogy's history--'Exploring Fossil Canyon' and 'Green Mars'--and I had held these out of my earlier story collections thinking they belonged with the Mars group. So all this material was there, and as I wrote Antarctica, I found myself drawn back into the matter of Mars repeatedly, by the discovery of possible life in meteorite AHL8004 and by the Pathfinder landing. I decided to make a collection of Martian tales, and as I put them in roughly chronological order, I saw that they seemed to be adding up to their own larger story, functioning as the trilogy's 'unconscious' or 'secret history'. Using all kinds of modes, from folk tales to scientific articles, from personal accounts to the full text of a constitution, I arranged things so that the book altogether tells the story of an underground and hard-to-see resistance to the terraforming described in the trilogy proper. I had a great time doing these stories, and hope they add up to my own version of a Martian Chronicles. From the Paperback edition.

Publishers Weekly: Twenty years after 11-year-old Daria Cato found a baby abandoned on a beach in Kill Devil Hills, N.C., she is still very much a part of the child's life. Daria's parent's had adopted the infant, but now they are dead and she has accepted responsibility for Shelly--who has grown into a beautiful, slightly handicapped young woman. Without consulting Daria, Shelly contacts Rory Taylor, host of TV's True Life Stories, to ask his help in finding her birth mother. Rory has a personal interest in Shelly's story since he'd been one of the many teenagers hanging out on the beach the summer the baby was found. Daria, meanwhile, has been keeping to herself the crush she's had on Rory for years--along with Shelly's true story. Here, as in previous offerings, Chamberlain (Breaking the Silence) creates a captivating tale populated with haunting characters.