After spending her youth in the Terran Empire, Margaret Alton returns to Darkover, the planet of her birth. There she discovers she has the Alton Gift--forced rapport and compulsion--one of the strongest and most dangerous of the inherited Laran gifts of the telepathic Comyn--the ruling families of Darkover. And even as she struggles to control her newfound powers, Margaret finds herself falling in love with the Regent to the royal Elhalyn Domain, a man she has been forbidden to marry, for their alliance would irrevocably alter the power balance of their planet!

It was indisputably love at first sight. But Victoria Lyndon was merely the teenaged daughter of a vicar. . .while Robert Kemble was the dashing young earl of Macclesfield. Surely what their meddlesome fathers insisted must have been true-that he was a reckless seducer determined to destroy her innocence. . . and she was a shameless fortune hunter. So it most certainly was for the best when their plans to elope went hopelessly awry. Even after a seven-year separation, Victoria-now a governess-still leaves Robert breathless. But how could he ever again trust the raven-haired deceiver who had shattered his soul? And Victoria could never give her heart a second time to the cad who so callously trampled on it the first. But a passion fated will not be denied, and vows of love yearn to be kept. . . even when one promises the moon.

Award-winning author Robin McKinley tells an enthralling story of magic, love, and redemption, based on the classic tale of Beauty and the Beast. Once upon a time, a wealthy merchant had three daughters. When his business failed, he moved his daughters to the countryside. The youngest daughter, Beauty, is fascinated by the thorny stems of a mysterious plant that overwhelms their neglected cottage. She tends the plant until it blossoms with the most beautiful flowers the sisters have ever seen—roses. Admiring the roses, an old woman tells Beauty, “Roses are for love.” And she speaks of a sorcerers’ battle many years ago that left a beast in an enchanted palace, and a curse concerning a family of three sisters . . . The Newbery Medal–winning author’s charming retelling of the classic fairy tale weaves a tangled story of sorcery, loyalty, and love that is sure to cast a spell on readers.

It's 54 BCE. Gaius Julius Caesar is sweeping thru Gaul, crushing the fierce, long-haired warrior-kings who stand in his way. His victories in the name of Rome are epic, but the leaders of the Republic are not pleased. They're terrified. Where will the boundless ambition of Rome's most brilliant soldier stop? He must be destroyed before he can overthrow the government & install himself as Dictator.

Karen and her friends go to pony camp expecting to have lots of fun but discover that they have to work at it.

In Black Ajax, George MacDonald Fraser tells the story of a black man from the United States who nearly became England's champion boxer during the early 19th century. This historical novel is based on the true story of Tom Molineaux, a former slave who won his freedom in a boxing match, then traveled to England, refined his skills, and almost became the first black champ. The story is told by over a dozen witnesses to Molineaux's bouts with the reigning champion, Tom Cribb. Molineaux's trainer recalls the fighter's awe-inspiring strength and speed. A butler who asks to remain anonymous divulges information about the fighter's love affair with an English noblewoman. Molineaux's manager, a former slave and retired boxer, speaks bitterly of his disappointment in the youth for failing to prove to the English that a black man could be as capable a fighter as any white man. Nearly all the witnesses to the first match between the two fighters thought Molineaux lost mainly because the judges gave the white opponent an unfair advantage. All the characters in this novel speak in 19th-century dialect, and it's diverting to try to decipher their many odd turns of phrase. For those who cannot determine the meanings of words such as "Spike Hotel," "toco," "winker," and "wistycastor" from context, the author provides a glossary at the end of the book. Unfortunately, almost all of the characters seem overly fond of using racial epithets, which draws attention to the shortcomings of this book. The main one is that Tom Molineaux, who undoubtedly was a complex, fascinating character, comes across as a stereotype here: a hulk with not many brains but a lot of sex drive. Although Fraser fails in that respect, this novel does vividly chronicle an intriguing episode in the history of sport and race relations. --Jill Marquis

Karen is the only person who believes the circus unicorn can grant wishes, because she has some wishes she wants to come true.

He is an expert with the latest technology...a madman with the mind of a genius and the heart of a killer. He quietly stalks his prey. Then he haunts the police with cryptic riddles about the crimes he is about to commit--always solved moments too late to save his victims' lives.Police lieutenant Eve Dallas found the first victim butchered in his own home. The second lost his life in a vacant luxury apartment. The two men had little in common. Both suffered unspeakable torture before their deaths. And both had ties to an ugly secret of ten years past--a secret shared by none other than Eve's new husband, Roarke.

Accident happen Karen wants to play outside. Mommy tells her not to go in the treehouse. It is too dangerous. But Karen climbs up anyway. Then she slips and falls. Karen is rushed to the hospital. She has to have an operation. It is going to be scary. But Karen is going to be brave.

Before she leaves for art camp, Karen has a fight with her best friends Hannie and Nancy, which she shares in a special puppet show.

Four young misfits find themselves living in a strictly disciplined temple community where they become friends while also learning to do crafts and to use their powers, especially magic.

Norman Mailer fused fact and fiction to create indelible portraits of such figures as Marilyn Monroe, Gary Gilmore, and Lee Harvey Oswald. In The Gospel According to the Son, Mailer reimagines, as no other modern author has, the key character of Western history. Here is Jesus Christ’s story in his own words: the discovery of his divinity and the painful, powerful journey to accepting and expressing it, “as if I were a man enclosing another man within.” In its brevity and piercing simplicity, it may be Mailer’s most accessible, direct, and heartfelt work. Praise for The Gospel According to the Son  * “Quietly penetrating . . . [Norman Mailer’s] gospel is written in a direct, rather relaxed English that yet has an eerie, neo-Biblical dignity.”—John Updike, The New Yorker “A book of considerable intellectual force . . . The writer’s powerful mind works in a specialized way, not by theological argumentation but by telling or retelling a story.”—The New York Review of Books  * “Challenges readers on the religious right and the atheist left with equally rich interpretive tasks.”—The Dallas Morning News “An informed and believable work of fiction . . . of what may have been going through the mind of Jesus during his epic ministry.”—San Francisco Chronicle   Praise for Norman Mailer   “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post** From the Hardcover edition.

The magnificent Aztec empire has fallen beneath the brutal heal of the Spaniards. But one proud Aztec, Tenamaxtli, refuses to bow to his despised conquerors. He dreams of restoring the lost glory of the Aztec empire, and recruits an army of rebels to mount an insurrection against the seemingly invincible power of mighty Spain. Tenamaxtli's courageous quest takes us through high adventure, passionate women, unlikely allies, bright hope, bitter tragedy, and the essence of 16th century Mexico. This incredible rebellion has been little remembered, perhaps because it shed no glory on the men who would write the history book, but on its outcome depended the future of all North America. Aztec Autumn recreates this forgotten chapter of history in all its splendor and unforgettable passion.

The murderous Rapscallion army is on the move. Dealt a humiliating defeat by Lady Cregga Rose Eyes, the Badger Lady of Salamandastron, who still pursues them, the Rapscallions are heading inland to take an even greater prize: the peaceful Abbey of Redwall. The elite fighting unit of hares, the Long Patrol, is called out to draw them off. At the forefront is the young hare Tammo, the lead sword in one of the most ferocious battles Redwall has ever faced?ready to fight to the death! ?[Jacques is] a masterful storyteller. . . . As in the other Redwall books, the combination of an absorbing plot, robust characterization, and detailed description make the novel a page-turner.? ?The Horn Book

Karen thinks going to work with her step-mother and dad is fun until she has to sit in on a meeting.