Whom the gods would recruit, they first tick off... Our Hero: The unlikely Paladin, Bahzell Bahnakson of the Horse Stealer Hradani. He's no knight in shining armor. He's a hradani, a race known for their uncontrollable rages, bloodthirsty tendencies, and inability to maintain civilized conduct. None of the other Five Races of man like the hradani. Besides his ethnic burden, Bahzell has problems of his own to deal with: a violated hostage bond, a vengeful prince, a price on his head. He doesn't want to mess with anybody else's problems, let alone a god's. Let alone the War God's! So how does he end up a thousand leagues from home, neck-deep in political intrigue, assassins, demons, psionicists, evil sorcery, white sorcery, dark gods, good gods, bad poets, greedy landlords, and most of Bortalik Bay? Well, it's all the War God's fault.

Bo has been at war with his father for as long as he can remember. The rage he feels gives him the energy as a triathlete to press his body to the limit, but it also translates into angry outbursts toward his teachers. Now dangerously close to expulsion from school, Bo has been assigned to Anger Management sessions with the school "truants." With an eclectic mix of hard-edged students, Bo may finally have to deal with his long-brewing hatred for his father -- before it eats away at him completely.

Imagine-a chance to work as extra's on TV's top soap opera, with America's heartthrob, Rick Arlen! Bess is dazzled when she and Nancy are invited on the show by Rick's beautiful co-star Mattie Jensen. She's alarmed because the handsome actor has received some nasty threats-from a slashed photo to doctored chocolates.

Growing up in 1930s America, the young Sidney knew what it was to struggle to get by. Millions were out of work and the Sheldon family was forced to journey around America in search of employment. Grabbing every chance he could, Sidney worked nights as a bus-boy, a clerk, an usher - anything - but he dreamt of becoming something more. His dream was to become a writer and to break into Hollywood. By a stroke of luck, he found work as a reader for David Selznick, a top Hollywood producer, and the dream began to materialise.

Originally appeared in the print anthology Three Weddings and a Kiss (1995). Gwendolyn Adams is about to propose to an earl. On his deathbed. Gwendolyn Adams isn't shocked at being asked to save a handsome earl's dying line, even when she learns the prospective bridegroom is seriously ill and possibly insane. She's quite a good nurse, after all, and her family is famous for producing healthy male children. Those stories about his riding the moors half-naked on a pale white horse? Extremely intriguing—especially after she gets her first look at the gorgeous lunatic. The Earl of Rawnsley wants only to lose what's left of his mind in peace and privacy. But his busybody relatives have saddled him with a surprise bride and orders to sire an heir forthwith. (And they say he's mad?) But with Gwendolyn, his health is returning, and his resistance ... crumbling. Is it possible that love is the finest madness of all?

To honor a dying friend's wish, Lee gives up his life as a lawman, becomes guardian to a little girl, and vows to find a wife. The woman he has in mind is Mary, a part-Cherokee schoolteacher. But her marriage to a wealthy banker has already been arranged. Will Mary leave money for love?

Death and the Flower is a collection of six short stories centered on the themes of family and peril. The title is derived from a Keith Jarrett album of the same name.

"I put most of myself into that opus," Edith Wharton said of The Reef, possibly her most autobiographical novel. Published in 1912, it was, Bernard Berenson told Henry Adams, "better than any previous work excepting Ethan Frome." A challenge to the moral climate of the day, The Reef follows the fancies of George Darrow, a young diplomat en route from London to France, intent on proposing to the widowed Anna Leath. Unsettled by Anna's reticence, Darrow drifts into an affair with Sophy Viner, a charmingly naive and impecunious young woman whose relations with Darrow and Anna's family threaten his prospects for success. For its dramatic construction and acute insight into social mores and the multifaceted problem of sexuality, The Reef stands as one of Edith Wharton's most daring works of fiction.

It began with a teenager kissing his mother good-bye. It ended with the discovery of human bones in the Florida underbrush. Two Michigan teenagers were enjoying their dream vacation in Daytona Beach, Florida. Then, along came a spider and a snake.... Spider was a bone-thin loser. Snake was the real thing- pure evil and armed to the teeth. For the two teenagers, these madmen planned a night of lingering, inhuman terror. Investigators were left with a twisting trail of clues and lies that led from the blazing Florida heat to the stark chill of a morgue. The frantic families of seventeen-year-old Jim Boucher and nineteen-year-old Daryl Barber were left with a living nightmare of false leads and fading hopes...until the whole shocking truth finally came out about the two innocent young men and two deadly predators who called themselves...The Snake and The Spider.

YOU ARE NOW LEAVING THE AGE OF AQUARIUS PLEASE LOWER YOUR SEAT WHEN RISING FROM YOUR HEAD. It was something to do with the cycles of history. The way great civilizations rise and fall. Golden ages and dark ages. Things of that nature. Few people noticed at first. The changes. They were subtle to begin with. Like when the Leader of the Opposition challenged the PM to step outside and settle things man to man. And the PM agreed. Or the way the baked ham rose up against Dave while he was standing in the check-out queue at Budgens. Small things. But they just kept getting bigger. And by the time everyone realized that something very strange was going on, it was all too late. The Earth had left behind the age of science and reason and moved once more into a time of myth. A time of legend and heroes. Of romance and wizardry and wonder. It was a time to take the mother of all giant leaps and enter - THE GARDEN OF UNEARTHLY DELIGHTS

In the city of Newford, when the stars and the vibes are right, you can touch magic. Mermaids sing in the murky harbor, desert spirits crowd the night, and dreams are more real than waking. Charles de Lint began his chronicles of the extraordinary city of Newford in "Memory & Dream" and the short-story collection "Dreams Underfoot." In "The Ivory and the Horn, " this uncommonly gifted craftsman weaves a new tapestry of stark realism and fond hope, mean streets and boulevards of dreams, where you will rediscover the power of love and longing, of wishes and desires, and of the magic that hovers at the edge of everyday life.

On the eve of their wedding, Edward Lannion and Marian Berran are led away onto dark and strange paths, while their friends and lovers are forced to make new and surprising choices. Watching over all of them is Jackson, a mysterious and charismatic manservant who, in guiding all the young lovers into the light, has to make his own agonizing decisions.

In perhaps his most important literary feat, Norman Mailer fashions an unprecedented portrait of one of the great villains—and enigmas—in United States history. Here is Lee Harvey Oswald—his family background, troubled marriage, controversial journey to Russia, and return to an “America [waiting] for him like an angry relative whose eyes glare in the heat.” Based on KGB and FBI transcripts, government reports, letters and diaries, and Mailer’s own international research, this is an epic account of a man whose cunning, duplicity, and self-invention were both at home in and at odds with the country he forever altered. Praise for Oswald’s Tale  * “America’s largest mystery has found its greatest interpreter.”—The Washington Post Book World “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance. . . . From the American master conjurer of dark and swirling purpose, a moving reflection.”—Robert Stone, The New York Review of Books  * “A narrative of tremendous energy and panache; the author at the top of his form.”—Christopher Hitchens, Financial Times  * “The performance of an author relishing the force and reach of his own acuity.”—Martin Amis, The Sunday Times (London)   Praise for Norman Mailer   “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—*The Cincinnati Post

Eight vulnerable girls and their helpless teachers are forced off a school bus and held hostage. The madman who has them at gunpoint has a simple plan: one hostage an hour will die unless the demands are met. Called to the scene is Arthur Potter, the FBI's best hostage negotiator. He has a plan. But so does one of the hostages-a beautiful teacher who's willing to do anything to save the lives of her students. Now, the clock is ticking as a chilling game of cat and mouse begins.

Readers will enjoy a story from the popular series-packaged bestseller! Includes new Reader's Guide for group discussion or personal reflection