On the dunes west of Bruges, two-year-old Ydette is found wrapped in a blanket and taken back to live in a small grocer's shop. Opposite the shop live the wealthy van Roeslaere family and their son, Adriaan, a spoilt boy, plagued by ugliness. With overtones of Beauty and the Beast, their romance matures as they grow up together and learn what should truly be valued in life.

Wilfred Davis, quiet, retired, respectable widower, is sitting and sobbing on a park bench. He has lost his daughter and any sense of purpose. A mysterious stranger passes him a handkerchief, and strikes up a conversation that leads to friendship and an unconventional new home for Wilfred. Mary Davis wants only four things out of life: a husband and three children, so at seventeen she runs away from school, her father and her home and moves to London to find them. Only a few months later Mary is engaged, but love and marriage promise to be very different from her childhood daydreams. For Mary and Wilfred, it seems Fate has taken a hand, or is there another kind of guiding spirit at play? Stella Gibbons' final novel, written in the 1970s but only discovered many years after her death, is published here for the first time.

WITH AN INTRODUCTION BY LYNNE TRUSS 'Stella Gibbons is the Jane Austen of the twentieth century' The Times Set in wartime London, Westwood tells the story of Margaret Steggles, a plain bookish girl whose mother has told her that she is not the type that attracts men. Her schoolfriend Hilda has a sunny temperament and keeps her service boys 'ever so cheery'. When Margaret finds a ration book on Hampstead Heath the pompous writer Gerard Challis enters both their lives. Margaret slavishly adores Challis and his artistic circle; Challis idolises Hilda for her hair and her eyes and Hilda finds Gerard's romantic overtures a bit of a bind. This is a delightfully comic and wistful tale of love and longing.

When Nell Sely moves from sleepy Dorset to Hampstead she leaves behind a childhood of dull teas and oppressive rules for the freedom of the big city. Naive and only nineteen, she becomes embroiled with the wayward John Gaunt and falls in with London's bohemian crowd. In this city of seductive, shifting morals, smoke-filled jazz-clubs and glamorous espresso bars, Nell must master her new found independence and learn to strike her own course.

When sensible, sophisticated Flora Poste is orphaned at nineteen, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last twenty years. But Flora loves nothing better than to organize other people. Armed with common sense and a strong will, she resolves to take each of the family in hand. A hilarious and merciless parody of rural melodramas, Cold Comfort Farm (1932) is one of the best-loved comic novels of all time.

Gladys and Annie Barnes are impoverished sisters who have seen better times. They live in a modest cottage in the backstreets of Highate with Mr Fisher, a mild but eccentric old man living secretively in the attic above them. Their quiet lives are thrown into confusion when a new landlord takes over, a dreaded and unscrupulous 'rackman'. He installs his wife in part of the cottages in the hope that there she will recover from an unspecified malady. With a mounting sense of fear, Gladys and Annie become convinced she is possessed by an evil spirit...

Brother and sister, Constance and Kenneth Fielding live in calm respectability, just out of reach of London and the Blitz. But when a series of uninvited guests converge upon them – from a Balkan exile to Ken’s old flame and the siblings’ own raffish father – the household struggles to preserve its precious peace. In this full house, in a quiet corner of suburbia, no one expects to find romance.

Uprooted from war-torn London, Alda Lucie-Brown and her three daughters start a new life at Pine Cottage in rural Sussex. Unsuited to a quiet life, Alda attempts to orchestrate - with varying degrees of success - the love affairs of her neighbours. Her unwilling subjects include an Italian POW, a Communist field-hand, a battery-chicken farmer and her intelligent friend Jean.

Thrown out of her long-established office job, Miss Christine Smith takes up a new role as housekeeper for a group of middle-aged artists. Charmed by a previous mystical experience, her spirituality is nurtured further by the tenants, who seem stuck in their own personal lull. Written in the 1960s, surrounded by social and political transitions, the novel focuses on change, or the lack thereof.

My American follows the lives and loves of Amy Lee and Robert Vorst: from a chance childhood meeting to the comic, tragic and romantic trysts that follow. Amy, a baker's daughter, has dreams of becoming a writer, whilst Robert is destined to be a doctor. Later, embarking on a lecture tour in Depression-era America, she is reminded of her childhood friend and endeavours to find him.

Life is not quite a fairytale for poor Viola. Left penniless, the young widow is forced to live with her late husband's family in a joyless old house. There's Mr Wither, a tyrannical old miser, Mrs Wither, who thinks Viola is just a common shop girl, and two unlovely sisters-in-law, one of whom is in love with the chauffeur.

Robert Poste's child is back at Cold Comfort Farm. But all is not well. Flora finds the farm transformed into a twee haven filled with Toby jugs and peasant pottery, and rooms labelled 'Quiete Retreate' and 'Greate laundrie'. It is, Flora winces, 'exactly like being locked in the Victoria and Albert Museum after closing time'. Worse, the farm is hosting a conference of the pretentious International Thinkers Group - a group made up of the 'sadistic owl' Mr Peccavi, loathsome Mr Mybug and the overpowering Mrs Ernestine Thump. And worst of all, there are no Starkadders at Cold Comfort Farm. All the he-cousins have gone abroad to make their fortunes and the female cousins are having a pretty thin time of it. Once again the sensible Flora decides to take the situation in hand.

Creepy. Peculiar. Fairy. Goblin. Liar. Weirdo. Crank. Genius. No one knows what to make of Juliet Slater, not even her mother. And clothes, boys, school, friends, the changing seasons and what other people think - none of these things seem to matter to Juliet. She spends hours in her room with incomprehensible mathematical text books, her mind voyaging in strange seas of thought, alone. Is she a genius? It might take the rest of her life to find out. While Stella Gibbons was celebrated for her beloved bestseller Cold Comfort Farm, the manuscript for Pure Juliet lay unseen and forgotten until it was brought to light by her family in 2014, and is published here for the first time in Vintage Classics. A tale that travels from an eco-millionaire's British country idyll to an Arabian Nights-style fantasy of the Middle East, this is a treat for fans of this witty, curious and always surprising author.