Chapter 2

  I'm looking for a girl," said Parker.

  She smirked at him. "What do you think I am, big boy -- a watermelon?"

  Parker picked up his beer glass, looking at the cool wet ring it left on the bar. "I'm looking for a particular girl," he said.

  She arched a brow. She plucked her eyebrows and painted on new ones, in the wrong place, so that when she arched a brow it came out wrong, like a badly animated cartoon. "A hustler? I don't know them all, baby."

  "She'd work by telephone," he said. "She wouldn't be a loner, she'd be connected with the organization."

  She shook her head. "Then I wouldn't know her."

  Parker emptied the glass, motioned at the bartender for another round. "You'd know people who might know her," he said.

  "I might and I might not." The round came and she said, "Thanks. Why should I tell you anything? I don't know you from Adam."

  He looked at her. "Do I look like law?"

  She laughed. "Not much. That's one thing you're not. But maybe you want to give her a bad time. Maybe she gave you athlete's foot once or something."

  "I'm her brother," Parker lied. "We been out of touch. The doctor tells me I got a little cancer in my throat. I want to look her up, you know how it is. It's my last chance."

  She looked shocked and mournful. "Jeez," she said. "That's a bitch, man. I'm sorry."

  Parker shrugged. "I had a good life. I got maybe six months to go. So I thought I'd look her up. There's just her and this aunt of ours, and I wouldn't look the aunt up if she had a cancer cure."

  "Jeez," she said again. Meditations on mortality creased her brow. "I know how you feel, man," she said. "You maybe don't think so, but I do. In this lousy business, you got to be thinking about disease all the time. There was this girl I knew, we used to room together. She didn't feel so good, and it hurt to swallow, and sometimes she'd spit blood, so she thought it was TB. I told her and told her, go down to the clinic, so finally she did, and they put her in the hospital. She had a little something in the back of her throat too. Not cancer. The occupational disease, you know?"

  Parker nodded. He couldn't care less, but if he let her talk about this maybe she'd talk about the other.

  "She's still in there," she said. "I went to see her once, and it was awful. She looked like an old bag, you know? And she couldn't even talk any more, just croak. That was about six months ago, I went to see her. And that was enough for me, brother, I didn't go back since. For all I know, she's dead by now.

  She'd be better off." Then she caught herself, and went wide-eyed, clapping a hand over her mouth.

  "That's okay," Parker said. "I know what you mean. Me, I fir, ure I'm not going to stick around for that part. When it gets kid bad, I slit this vein here." He turned his hand over, showing the wrist. "See? That blue one there."

  She shivered. "Don't talk that way, will you, baby? You get me all depressed."

  "Sorry." Parker swallowed half his beer. "About my sister," he said.

  "What's her name? You never know, I might know her."

  "The last I heard, she was calling herself Rose Leigh."

  She thought, brows furrowing in the wrong places. Shaking her head, she said, "No, I don't think so. For a minute it sounded kind of familiar, but I guess not."

  "It's from the old song," he said. "Rosalie, my darling, Rosalie, my love -- That's why it sounds familiar."

  "That must be it. Listen, Bernie might know her."

  "Bernie?"

  "The barman. They sometimes take calls in here." She raised a hand. "Hey, Bernie!"

  He came down along the boards behind the bar, expressionless. "Another round?"

  "In a minute," she said. She leaned over the bar toward him, urgent and intent. "Listen, Bernie, do you know a hustler named Rose Leigh? Like the song?"

  "Rose?" He shrugged. "Not to look at, no. She never come in here at all. But I know the name, yeah. From the phone."

  "This is her brother," she said, stabbing a purple-nailed thumb at Parker. "He's looking for her."

  Bernie studied Parker dispassionately. "To take her home?"

  Parker shook his head. "We been out of touch. I want to look her up is all."

  "He's sick," she said, in a loud stage whisper. "He wants to see his sister again, you know?"

  Bernie wasn't a sentimentalist. He said, "So what do you want from me?"

  "Where does he find her?"

  "How should I know? I know the name only from the phone."

  "Where do I find somebody who knows where she is?" Parker asked him.

  Bernie thought it over. "I don't know you, buddy," he said at last. "I wouldn't want to tell you something I shouldn't."

  She opened her big mouth again. "Maybe you could call to somebody to tell her her brother's in town."

  Bernie liked that. "Yeah," he said. "That I can do for you."

  "Have them tell her it's Parker. That way she'll know it's really me."

  Bernie nodded. He went away and she said, "You came to the right place, mister. Bernie can help you out."

  "I came where the hustlers were," he said.

  "Speaking of that, I still got to make a buck. I'd like to stick around and talk with you but -- "

  "That's all right."

  "Good luck," she said.

  "Thanks."

  She climbed down off the stool, tugging her skirt down over thick hips, and promenaded toward the door. Halfway there, she caught a high sign and angled instead over to a table where two guys were sitting across from one another, looking eager.

  She stood at the table, talking with them a minute, then went back and talked to a girl sitting at the end of the bar. The other girl studied the two guys, then nodded and they both went back to the table.

  Parker watched it all in the back mirror. The four of them, now two couples, were just getting up from the table when Bernie came back from the pay phone. "They'll call back in a little while."

  "You told them Parker?"

  "Yeah."

  "Fine. Thanks." He pushed his empty glass forward. "Another of these."

  He waited twenty-five minutes. If this fell through, if he couldn't find her or she couldn't find out where Mal was, he'd have to wait for Jimmy Delgardo. And if Jimmy didn't work out either, he'd have to try some completely different way. It didn't matter. He had all the time in the world. Mal, the fat cat. What back fence are you sitting on, Mal?

  When the phone in the pay booth rang, he watched Bernie walk slowly and deliberately down the length of the bar, lift the hinged flap at the end and step through, close the flap after himself, step into the booth and close the door. He picked up the phone and spoke, and listened. Then he looked at Parker, and they looked at each other as he spoke again. Giving a description.

  Finally, he put the receiver down on the shelf and opened the door. "It's for you."

  Parker went back and into the phone booth, shutting the door. It was hot in there. Before picking up the receiver, he clicked on the fan. It whirred, and blew air past his neck.

  He said, "Hello."

  A girl's voice said, "Okay, smart boy, who are you?"

  "Hi, Wanda," he said.

  "The name is Rose."

  "It used to be Wanda. This is Parker, like the man said."

  "Try again, smart boy. Parker's dead."

  "I know it. But I couldn't rest easy till I paid you the twenty bucks."

  The line hummed in his ear for a few seconds, and then she said, "Is it really Parker?"

  "I told you it was."

  "But -- I saw Lynn in Stern's, three, four months ago. She said you was dead."

  "She thought I was. I want to talk to you."

  "You're lucky," she said. "This is my monthly vacation. 298 West 65th -- the name is by the bell downstairs."

  "I'll be right there."

  "Wait. Let me talk to the bartender again. I'm supposed to tell him whether you're straight or not."

  "Sure."

  He went out of the phone booth, and it suddenly seemed a lot cooler in the bar. He caught Bernie's eye, and motioned at the phone. "She wants to talk to you again."

  Bernie nodded and came back down the bar. On the way by he said, "Stick around a minute, huh?"

  Parker nodded. Two guys down at the end of the bar by the door were definitely not looking at him.

  Bernie talked briefly on the phone, then hung up and came back. A smile worked its way lugubriously up out of his gut, fading away when it reached his face. "Okay, friend," he said. "Glad I could help you."

  "Thanks again," said Parker. He got off the stool and headed for the door. The two guys at the end of the bar looked at him now.

  Chapter 3

  She hadn't changed. She still looked seventeen, though by now she must be pushing thirty-five. Her smallness helped; she was barely five feet tall and delicately boned. Her eyes were large and round and green, her hair was flaming red, her rosebud mouth was a carmine blossom against a pale clear complexion.

  Her body was beautifully proportioned for her size, with conical well-separated breasts, a fragile waist, low-slung hips. Only her speech gave her away: it was not the speech of a college freshman.

  She flung open the door, wearing a swirling muumuu with at least ten colors on it, and cried, "Come on in here, you lovely bastard -- let me welcome you back to life."

  He nodded, and brushed past her through the foyer and down the two steps into a huge movie set of a living room. Porcelain figures, mostly of frogs, crammed all the table tops.

  "Surly Parker," she said, closing the door and coming down the steps after him. "You're the same as ever."

  "So are you. I want to ask you a favor."

  "I thought you were my long lost brother. Sit down. What are you drinking?"

  "I'll take a beer."

  "I've got vodka."

  "Beer."

  "Oh well, the hell with it. I should have known better. Parker doesn't make social calls. You don't have to have the beer if you don't want it."

  "Good," he said. He sat down on the sofa. "You look good."

  She sat on the leather chair facing him, flouncing into it, one leg dangling over the arm. "Small talk was never your forte," she said. "Go ahead and ask your favor."

  "You know a guy named Mal Resnick?"

  She hunched her shoulders, bit the corner of her lower lip, stared sideways at a fringed lampshade. "Resnick," she said, the name coming out muffled because her teeth still held the corner of her lip. "Resnick." Then she shook her head and bounced to her feet. "Nope, it doesn't ring a bell. Was he one of our crowd? Should I know him from the coast?"

  "No, from here in New York. He's in the syndicate somewhere."

  "The Outfit, baby. We don't say syndicate any more. It's square."

  "I don't care what you call it."

  "Anyway -- oh." Her eyes widened and she stared at the ceiling. "Oh! That bastard!"

  "You know him?"

  "No, of him. One of the girls was bitching to me. He got her for an all night -- it was supposed to be fifty bucks. There was only thirty-five in the envelope. She complained to Irma, and Irma told her there was no sense raising a stink about it, he was in the Outfit. She said he was lousy anyway. All grunts and groans, no real action."

  Parker leaned forward, elbows on knees, and cracked his knuckles. "You can find out where he is?"

  "I suppose he's at the Outfit," she said.

  "What's that, some kind of club?"

  "No, the hotel." She started to say more, then suddenly swirled around, reaching for a carved silver box on the teakwood table. She flipped it open, withdrew a cigarette with a rose red filter, and picked up a heavy silver Grecian-style lighter.

  Parker watched her, waiting till she had the cigarette lit before he said, "Okay, Wanda, what is it?"

  "Call me Rose, will you, dear? I'm out of the habit of answering to the other."

  "What is it?"

  She looked at him a moment, thoughtfully, cigarette smoke misting around her face. Then she nodded and said, "We're friends, Parker. I suppose we're friends, if either one of us could be said to have friends."

  "That's why I came to you."

  "Sure. The loyalty of friendship. But I'm an employee, too, Parker. In a business where it pays to have loyalty to the company. And the company wouldn't like me to tell anybody about the Outfit hotel."

  "So you didn't tell me a thing." He cracked his knuckles impatiently. "You know that already, why talk about it?"

  "How strong are you, Parker?" She turned away and walked across the room to the draped windows, talking over her shoulder as she went. "I've often wondered about that. I think you're the strongest man I've ever met." She stopped and looked back at him, one hand on the drapes. "But I wonder if that's enough."

  "Enough for what?"

  She pulled the drape to one side. The window was tall and wide. She stood framed against it, looking out, tiny and shapely. "You want an Outfit man named Resnick," she said. "If I know you, you want him for something he won't like."

  "I'm going to kill him," Parker said.

  She smiled, nodding. "There," she said. "That's something he won't like. But what if something goeHwrbng, and you get grabbed, and they ask you where you found out about the hotel? If they ask you hard?"

  "I got it from a guy named Stegman."

  "Oh? What you got against Stegman?"

  "Nothing, it's just believable. Why, do you know him?"

  "No." She slid the drapes shut again, prowled the room some more, crossing to the opposite side merely to flick ashes into a blue seashell. "All right," she said, "you wait here. I'll make a phone call. I want to know for sure whether that's where he is or not."

  "Fine."

  "If you want a beer after all," she said, "the kitchen is that way."

  She left the room, and he killed time by lighting a cigarette. Then he picked up a green porcelain frog from the nearest table and looked at it. It gleamed and its eyes were black. He turned it over and it was hollow, with a round hole in the bottom, and the words Made in Japan impressed in the porcelain next to the hole. He put the frog back and looked around at the room. She was doing all right these days.

  She came back and said, "He's there. I even got the room number."

  "Fine," he said, getting to his feet.

  She smiled, with a trace of sourness. "You aren't a guy for small talk," she said. "Get what you want, and go."

  "One thing at a time," he said, "that's all I can think about. Maybe I'll come back and see you later?"

  "The hell you will. Here, I wrote it down."

  He took the paper from her and read her small careful script -- Oakwood Arms, Park Avenue and 57th Street. Suite 361. He read it three times, then crumpled the paper and dropped it into a free-form glass ashtray. "Thanks."

  "Anytime, dear heart. We're friends, aren't we?" The sarcasm twisted her mouth.

  He reached into his pocket, dragged out his wallet. "I meant it about the twenty bucks," he said.

  She looked at the two tens he held out to her, hesitating.

  "Oh, go to hell, will you? Get yourself killed, you bastard. Seven years, and you don't even ask me how I've been."

  Parker put the tens back in the wallet, the wallet back in his pocket. "The next time," he said, "I'll bring slides."

  She snatched up a frog, spun around to hurl it at him, and stopped. He stood waiting, looking at her. Her arm dropped. She muttered, "I ought to tell him you're coming."

  "You don't want to do that," he said. He walked to the door.

  Chapter 4

  The waitress kept asking him if he wanted anything else.

  It distracted him from looking out at the street. She had a band on her finger, so finally he said, "What's the matter, don't you get enough from your husband?" So after that she left him alone.

  She glared awhile from the other end of the counter, but he could ignore that. He could look out at the street, and let his fifteen-cent cup of coffee cool. It was a Park Avenue coffee shop, and expensive. Pastrami on rye, eighty-five cents, no butter. Like that.

  Directly across the street was the Oakwood Arms, a gray stone hulk with a modest marquee. A thin tall white-haired guy worked the front steps with a yellow-handled broom for a while, then went back inside. He and the doorman were both in blue uniforms with yellow trim.

  A cab pulled up and two hefty matrons got out, giggling at each other as they pawed through their pocketbooks to pay the cabby. A blue-uniformed bellboy trotted through the revolving door and down the clean steps and the cabby opened the trunk. One matron had light blue luggage, the other light gray.

  The cabby drove away, with a fifteen percent tip on the button, and as the matrons and bellboys were going in a guy in a pale gray suit came out, looking prosperous, followed by a younger guy in a black suit, looking cautious. Parker watched the two of them, ticking them off in his mind. Outfit wheel and bodyguard.

  The wheel flagged a cab, while the bodyguard looked all around, and then they got in and drove away.

  It was getting dark now. The hell of it was, he didn't know whether Mal was out or in. If he was out, then he'd have to wait while he went in and then came back out again. If he was in, it would be simpler.

  Guests arrived, most of them obvious tourists, a few obvious Outfit people, a few others borderline. None of them Mal, and none of them he recognized. Aside from himself, there was no stakeout outside the building.

  But he knew what there'd be inside: two or three guys sitting around in lobby chairs, reading papers, glancing up whenever somebody came in. If the somebody was wrong, a somebody the Outfit didn't want there, the two or three guys would put down their papers and saunter over and book-end him away through a door out of the lobby. They'd take him into a back room where they could ask him what they wanted to or tell him what they wanted to tell him.

  Mal had picked a good place to live. It would be tough to get in there without being spotted. To left and right of the lobby entrance were storefronts with street entrances, a cigar store to the left and a coffee shop to the right. There'd be entrances from them into the hotel, but that wasn't any good. Those entrances would be watched, too.

 

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