Blood reckoning, p.1

Blood Reckoning, page 1

 

Blood Reckoning
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Blood Reckoning


  BLOOD RECKONING

  A JOHN JORDAN MYSTERY

  BOOK 29

  MICHAEL LISTER

  Copyright © 2022 by Michael Lister

  All rights reserved.

  No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.

  * * *

  This is a work of fiction. Names, characters, business, events and incidents are the products of the author’s imagination. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

  * * *

  (John Jordan Novels)

  Power in the Blood

  Blood of the Lamb

  The Body and the Blood

  Double Exposure

  Blood Sacrifice

  Rivers to Blood

  Burnt Offerings

  Innocent Blood

  (Special Introduction by Michael Connelly)

  Separation Anxiety

  Blood Money

  Blood Moon

  Thunder Beach

  Blood Cries

  A Certain Retribution

  Blood Oath

  Blood Work

  Cold Blood

  Blood Betrayal

  Blood Shot

  Blood Ties

  Blood Stone

  Blood Trail

  Bloodshed

  Blue Blood

  And the Sea Became Blood

  The Blood-Dimmed Tide

  Blood and Sand

  A John Jordan Christmas

  Blood Lure

  Blood Pathogen

  Beneath a Blood-Red Sky

  Out for Blood

  What Child is This?

  Blood Reckoning

  * * *

  (Burke and Blade Mystery Thrillers)

  The Night Of

  The Night in Question

  All Night Long

  * * *

  (Jimmy Riley Novels)

  The Girl Who Said Goodbye

  The Girl in the Grave

  The Girl at the End of the Long Dark Night

  The Girl Who Cried Blood Tears

  The Girl Who Blew Up the World

  * * *

  (Merrick McKnight / Reggie Summers Novels)

  Thunder Beach

  A Certain Retribution

  Blood Oath

  Blood Shot

  (Remington James Novels)

  Double Exposure

  (includes intro by Michael Connelly)

  Separation Anxiety

  Blood Shot

  * * *

  (Sam Michaels / Daniel Davis Novels)

  Burnt Offerings

  Blood Oath

  Cold Blood

  Blood Shot

  (Love Stories)

  Carrie’s Gift

  (Short Story Collections)

  North Florida Noir

  Florida Heat Wave

  Delta Blues

  Another Quiet Night in Desperation

  (The Meaning Series)

  Meaning Every Moment

  The Meaning of Life in Movies

  Sign up for Michael’s newsletter by clicking here or go to

  www.MichaelLister.com and receive a free book.

  For Sarah Burris

  Librarian, artist, and human being extraordinaire!

  CONTENTS

  John Jordan Audiobooks

  Series Sale

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  Chapter 72

  Chapter 73

  Chapter 74

  Chapter 75

  Chapter 76

  Chapter 77

  Chapter 78

  Chapter 79

  Chapter 80

  Chapter 81

  Chapter 82

  Chapter 83

  Chapter 84

  Chapter 85

  Chapter 86

  Chapter 87

  Chapter 88

  Also by Michael Lister

  JOHN JORDAN AUDIOBOOKS

  Most of the John Jordan mystery thrillers are available on audiobook — and all will be soon.

  * * *

  CLICK HERE for more information and audiobook samples.

  SERIES SALE

  For a limited time the entire John Jordan series is on sale!

  * * *

  CLICK HERE to complete your series for the best price EVER!

  * * *

  CHAPTER

  ONE

  “Have you heard from Carla?”

  I immediately recognize the voice as that of Carla and John Paul’s neighbor, Miss Minnie. She’s a retired elementary school lunchroom lady who’s too old and infirm to give John Paul the care he needs, and Carla only uses her when she doesn’t want me to know what she’s doing.

  “Not today,” I say. “Why?”

  Anna’s disapproval and disappointment are palpable. I can feel it even though I’m not looking at her. She had asked me not to answer my phone.

  “She’s running late to pick up John Paul,” Minnie says.

  “How late?” I ask.

  Anna drops the pen she’s holding onto the kitchen table, closes the notebook and file folder, and stands.

  We had been working on a way to pay for Nash’s college tuition and cover the girls’ growing expenses, which was tense and unpleasant anyway. Me allowing the interruption provided a target for her to focus her frustration and irritation onto.

  “Few hours. Said she’d be here by dark, and I need to—”

  “Want me to come get him?” I ask.

  Anna lets out a sigh and walks out of the kitchen.

  “Could you? I hate to ask again, but . . .”

  “I’m happy to,” I say. “I’ll be there in a few minutes.”

  CHAPTER

  TWO

  “Carla is running late to pick up John Paul, and Minnie asked if I could get him,” I say.

  “And of course you said yes,” Anna says. “Doesn’t matter what we’re in the middle of or what we have planned.”

  After torturing ourselves with bills and budgets, we have a game night planned with the kids.

  “We can still do everything,” I say.

  “No, we can’t. And you don’t care that we can’t.”

  “You know that’s not true. Of course I care. But I can’t leave him with Minnie,” I say.

  “His mama does,” she says.

  “I wish she wouldn’t.”

  “I wish you could see what you’re doing,” she says. “How it makes us feel. You drop everything anytime Carla needs you. She knows you will. She counts on it. She manipulates you and you enable her.”

  It’s true that I try to take care of Carla and John Paul as best I can—especially John Paul, who needs far more than Carla can give him.

  “I . . . I don’t see it that way.”

  “How do you see it? Please tell me.”

  “I feel responsible for them.”

  “You feel responsible for everyone.”

  “That’s not true and not fair.”

  She knows I’ve been working on my co-dependent tendencies to be overly responsible for others and my savior complex. She’s using a vulnerability and weakness of mine against me.

  “Sorry,” she says. “I should’ve said that in a different way. You do so much for so many, but you can’t do everything for everyone.”

  Even in the midst of dealing with challenges, disagreements, or actual arguments, I find Anna intensely alluring, irresistibly captivating, and incredibly attractive.

  I take a moment and really look at her, study her for what seems the billionth time.
< br />   The fine lines on her face are like stanzas from a prose poem that tell a sacred story, and her brandy-brown eyes are deeper and hold more wisdom than even the day before. Her hair is just as thick as it ever was, and she keeps it brown and longish, at least in part because she knows how much I like it that way. And though she takes good care of herself and is vibrant and athletic and still remains stunning, she is aging, as am I, our lives having reached the tipping point where we’re nearly guaranteed to have fewer days ahead than behind us.

  “You don’t feel responsible for John Paul?” I ask.

  “We do so much for that child—more than anyone else. Including his own mother.”

  “We were going to do everything for him.”

  When Carla found out she was pregnant, she had asked Anna and I to adopt her baby when she had it, and we had agreed.

  “Yeah, but she changed her mind about that, didn’t she?”

  “Don’t hold that against John Paul.”

  “I don’t. I’m not. That’s not what this is.”

  “Are you sure?”

  She takes a deep breath. “I’m gonna take a moment before responding to that.”

  Her anger has hit a new level.

  “I just asked you a question,” I say.

  “No, what you did was imply that I’m punishing a child for his mother changing her mind about us adopting him.”

  “Think about all the things you’ve said to me,” I say. “That I’m being manipulated. That I’m enabling bad behavior. That I feel responsible for everyone and put their needs before my family’s. That I’ve ruined tonight by agreeing to go get John Paul. All I did was ask you a question.”

  “Not true,” she says. “And you know it. You told me not to hold Carla’s decision against John Paul, and when I said I don’t you asked if I was sure.”

  “You’re right,” I say. “I didn’t just ask a question, and I shouldn’t have said that’s all I did. I really don’t want to argue about this. We can still do everything and—”

  “How?” she says. “How can we do everything?”

  “You could go with me to get him, and we could continue our budget conversation on the way, and we can still do game night when we get home—and let John Paul join in.”

  She shakes her head. “I don’t want to waste our night arguing, but . . . you’re not being . . . Your solution to paying for Nash to go to college and all the girls’ expenses is we’ll figure it out. We just do it and then figure it out. It’s the same thing you’re doing with John Paul. You say yes. Carla or Minnie or whoever asks, and you say yes. You always say yes. Then try to make it work.”

  “And doesn’t it?” I ask.

  “No. We’ve got too much debt and we’re operating on a deficit. We’re overloaded with our own kids and responsibilities, and you’re saying yes to more—more debt, more responsibility, more energy and time we don’t have. We’re operating in a deficit as a couple and a family.”

  “We have to send Nash to college,” I say. “We just have to. And John Paul is family.”

  “So we’re gonna send him to college too?”

  “Figured we would,” I say. “When the time comes. We’ll have plenty of money by then.”

  “We’ll still be paying off Nash’s and the girls’ student loans.”

  “So we’ll add his to it,” I say.

  She shakes her head, but the hint of a small smile begins to twitch on her lips.

  “What else are we gonna do with our money?” I say.

  “Retire,” she says. “Travel. Not leave a mountain of debt for our kids.”

  “You’re saying it’s their debt anyway, but we won’t.”

  “Of course we—”

  “That’s what life insurance is for.”

  “So your grand plan is say yes to everything and maintain good life insurance?”

  I laugh.

  A little of the tension dissipates.

  “I don’t say yes to everything,” I say. “Just to the things the kids need. It’s not like we’re getting ourselves much of . . . anything. But I bet I can live on less than I am.”

  “I can’t imagine how,” she says. “You don’t spend any money on yourself.”

  “I could sell the truck you got me and get a cheaper vehicle,” I say.

  “No. Absolutely not. That was a gift. But you know what would make a huge difference . . .”

  I know what she’s going to say. I pay my ex-wife, Susan, a lot of child support for Johanna each month even though Johanna lives with us and only visits her mom occasionally. It bothers Anna that money meant for Johanna is actually enabling Susan to live in the manner to which she is accustomed.

  “It’s obscene for us to be giving money to Susan each month when Johanna lives with us.”

  “And how long do you think she would live with us if I even brought up the subject with Susan? I’m not going to risk losing Johanna. I can’t.”

  “I know.”

  “Then please don’t bring it up again,” I say. “Just see it as what I have to pay to have my daughter.”

  She nods. “Okay. I won’t bring it up again.”

  “And I’d appreciate it if you could really let it go—not just not mention it but process it so it doesn’t bother you anymore. You know you don’t have to say anything for me to sense that you resent it.”

  She gives me a warm smile and nods again. “My sensitive, empathic husband. Yes, I’ll work on letting it go.”

  “I can get a second job,” I say.

  “You don’t have enough time as it is,” she says. “Neither of us do. We can’t work any more than we already are. Now . . . if you want to get a different job . . .”

  I give her a quizzical look.

  She says, “Have you forgotten what started this conversation?”

  “I’m trying to block it out as we go.”

  “And I don’t mean the drop-everything-every-time-Carla-calls conversation. I mean the original financial conversation.”

  “Nash’s college.”

  “You hating your job and wanting to—”

  “I don’t hate it,” I say. “I just miss Reggie and I . . . don’t care for Fred Miller’s . . . approach to being sheriff.”

  “So look for something else,” she says. “Preferably something with better pay and less hours. Something you can be happy doing for the rest of your life. ’Cause neither of us will ever be able to stop working.”

  CHAPTER

  THREE

  If I’m honest with myself, I don’t just feel responsible for Carla. I feel guilty. And that guilt contributes to my level of care and commitment when it comes to both her and John Paul.

  I used to spend almost all night every night with Carla—back when I was single and trying to get sober. Back before I eventually abandoned her for Anna and a happier life.

  As a teenager, Carla worked the overnight shift at Rudy’s, her dad’s 24-hour diner in Pottersville, where I used to live. Since I didn’t sleep much, I’d sit in the back booth and read, keeping an eye on the place while she slept in between waiting on customers.

 

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