&&LDIV&&R&&LI&&RFrankenstein&&L/I&&R, by &&LSTRONG&&RMary Shelley&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R * New introductions commissioned from today's top writers and scholars * Biographies of the authors * Chronologies of contemporary historical, biographical, and cultural events * Footnotes and endnotes * Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work * Comments by other famous authors * Study questions to challenge the reader's viewpoints and expectations * Bibliographies for further reading * Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences―biographical, historical, and literary―to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&R&&L/B&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LB&&RMary Shelley&&L/B&&R began writing &&LI&&RFrankenstein&&L/I&&R when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, &&LI&&RFrankenstein&&L/I&&R tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter," Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature?s hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.&&LBR&&R&&LBR&&R&&LI&&RFrankenstein&&L/I&&R, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises rofound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever. &&LBR&&R&&LBR&&R&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LB&&RKaren Karbiener &&L/B&&Rreceived a Ph.D. from Columbia University and currently teaches literature at New York University.&&L/P&&R **

Frankenstein: Or the Modern Prometheus The novel Frankenstein is written in epistolary form, documenting a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton is a failed writer who sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame. During the voyage, the crew spots a dog sled driven by a gigantic figure. A few hours later, the crew rescues a nearly frozen and emaciated man named Victor Frankenstein. Frankenstein has been in pursuit of the gigantic man observed by Walton's crew. Frankenstein starts to recover from his exertion; he sees in Walton the same over-ambitiousness, and recounts a story of his life's miseries to Walton as a warning.

But my father, my beloved and most wretched father... Would he never overcome the fierce passion that now held pitiless dominion over him? With its shocking theme of father-daughter incest, Mary Shelley’s publisher—her father, known for his own subversive books—not only refused to publish Mathilda, he refused to return her only copy of the manuscript, and the work was never published in her lifetime. His suppression of this passionate novella is perhaps understandable—unlike her first book, Frankenstein, written a year earlier, Mathilda uses fantasy to study a far more personal reality. It tells the story of a young woman whose mother died in her childbirth—just as Shelly’s own mother died after hers—and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet. Yet despite characters clearly based on herself, her father, and her husband, the narrator’s emotional and relentlessly self-examining voice lifts the story beyond autobiographical resonance into something more transcendent: a driven tale of a brave woman’s search for love, atonement, and redemption. It took more than a century before the manuscript Mary Shelley gave her father was rediscovered. It is published here as a stand-alone volume for the first time. **The Art of The Novella Series **Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

Frankenstein: Or the Modern Prometheus The novel Frankenstein is written in epistolary form, documenting a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton is a failed writer who sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame. During the voyage, the crew spots a dog sled driven by a gigantic figure. A few hours later, the crew rescues a nearly frozen and emaciated man named Victor Frankenstein. Frankenstein has been in pursuit of the gigantic man observed by Walton's crew. Frankenstein starts to recover from his exertion; he sees in Walton the same over-ambitiousness, and recounts a story of his life's miseries to Walton as a warning.

The Last Man

Frankenstein: Or the Modern Prometheus The novel Frankenstein is written in epistolary form, documenting a fictional correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton is a failed writer who sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame. During the voyage, the crew spots a dog sled driven by a gigantic figure. A few hours later, the crew rescues a nearly frozen and emaciated man named Victor Frankenstein. Frankenstein has been in pursuit of the gigantic man observed by Walton\'s crew. Frankenstein starts to recover from his exertion; he sees in Walton the same over-ambitiousness, and recounts a story of his life\'s miseries to Walton as a warning.