No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

When I had fished my dinner, and drank the King of France’s health, to satisfy my mind that I bore him no spleen, but, on the contrary, high honour for the humanity of his temper, - I rose up an inch taller for the accommodation. - No - said I - the Bourbon is by no means a cruel race: they may be misled, like other people; but there is a mildness in their blood. As I acknowledged this, I felt a suffusion of a finer kind upon my cheek - more warm and friendly to man, than what Burgundy (at least of two livres a bottle, which was such as I had been drinking) could have produced.