<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
<title>Joseph Tirella - Read Free From Internet</title>
<link>https://readfrom.net/</link>
<language>ru</language>
<description>Joseph Tirella - Read Free From Internet</description>
<generator>DataLife Engine</generator><item>
<title>Tomorrow-Land</title>
<guid isPermaLink="true">https://readfrom.net/joseph-tirella/295827-tomorrow-land.html</guid>
<link>https://readfrom.net/joseph-tirella/295827-tomorrow-land.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/joseph-tirella/tomorrow-land.jpg"><img src="https://picture.graycity.net/img/joseph-tirella/tomorrow-land_preview.jpg" class="fr-fic fr-dib" title ="Tomorrow-Land" alt ="Tomorrow-Land"/></a><br//>Motivated by potentially turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses&#8212;New York's "Master Builder"&#8212;brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964-65 World's Fair was a Sixties flashpoint in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime. In an epic narrative, Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the Fair. It fetched Disney's empire from California and Michelangelo's La Pieta from Europe; and displayed flickers of innovation from Ford, GM, and NASA&#8212;from undersea and outerspace colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed); and lured Ken Kesey and the Merry Pranksters...]]></description>
<category><![CDATA[Joseph Tirella]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 20 Nov 2014 09:28:56 +0200</pubDate>
</item></channel></rss>