Scruffians! Stories of Better Sodomites, page 1
Scruffians!
Stories of Better Sodomites
Hal Duncan
Published by Lethe Press at Smashwords.com
Copyright © 2014 Hal Duncan.
All rights reserved. No part of this work may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, microfilm, and recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Published in 2014 by Lethe Press, Inc.
118 Heritage Avenue, Maple Shade, NJ 08052 USA
lethepressbooks.com / lethepress@aol.com
isbn: 978-1-59021-193-9 / 1-59021-193-6
e-isbn: 978-1-59021-260-8 / 1-59021-260-6
A hardcover Deluxe Edition featuring an additional previously unpublished story, exclusive cover art, and full-colour photographic illustrations is available through the publisher’s website.
These stories are works of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously.
Credits for previous publication appear on page 199, which constitutes a continuation of this copyright page.
Cover and interior design: Alex Jeffers.
Cover images: Rob Lorino (front); Yannis Angel (back).
Library of Congress Cataloging-in-Publication Data
Duncan, Hal, 1971-
[Short stories. Selections]
Scruffians! : stories of better sodomites / Hal Duncan.
pages cm
ISBN 978-1-59021-193-9 (pbk. : alk. paper) -- ISBN 978-1-59021-260-8 (e-book) -- ISBN 978-1-59021-394-0 (deluxe edition with illustrations : alk. paper)
1. Fairies--Fiction. I. Title.
PR6104.U536A6 2014
823’.92--dc23
2014010654
Early praise for Hal Duncan’s Scruffians!
“The Arthurian legend of the Fisher King, the myth of Orpheus, Shakespeare’s Tempest, comic book superheroes, and Twilight are just a few of the tales that Duncan (Ink) deconstructs through a prism of queer sexuality, youthful rebellion, and rage against authority, in this thrilling, funny, and moving collection.”
—Publishers Weekly (starred review)
“Duncan’s voice is uniquely grand, and the stories gathered here reflect his ongoing exploration of both queer experience and mythic/narrative modes of storytelling and meaning-making. Frequently sharp-tongued and a bit dark—I’d even say a little roguish, sometimes—these stories are delightful and provocative, and I’d certainly recommend picking them up for a read.”
—Brit Mandelo for Tor.com
“Inventive, disturbing, witty, and perverted. Hal Duncan is a queer devil and Scruffians! is his dirty little blessing.”
—Jameson Currier, author of The Wolf at the Door and The Forever Marathon
“Hal Duncan’s stories enchant in every sense of the word. In language as magical as the street urchins that give the book its title, these tales conjure up a world in which myths and legends take on flesh, with all the attendant pleasures and dangers that implies. (And he throws in some pirates and fairies for good measure!) Tough, tender and deeply engaging Scruffians! dazzles and delights from beginning to end.”
—Peter Dubé, author of The City’s Gates, Conjure: a Book of Spells and Subtle Bodies
Table of Contents
Table of Contents
How a Scruffian Starts Their Story
How a Scruffian Gets Their Name
The Behold of the Eye
Scruffuan's Stamp
An Alfabetcha of Scruffian Names
Jack Scallywag
The Disappearance of James H—
The Island of the Pirate Gods
The Angel of Gamblers
The Shoulder of Pelops
Bizarre Cubiques
The Origin of the Fiend
Sons of the Law
Sic Him, Hellhound! Kill! Kill!
Oneirica
Publication Credits
About the Author
How a Scruffian Starts Their Story
1.
—I was born under a bad signpost, says Foxtrot Wainscot Hottentot III.
—I was stolen from gypsies, says Puckerscruff of the urchins.
—I was raised by werewolves, says Flashjack of the hellions.
—I ran away from the circus, says Joey Picaroni.
—I bought me soul from the Devil, says Nuffinmuch O’Anyfink, king of the tinkers.
—I was a teenage virgin mum, says Bananastasia Roamin-hopper, rightful Princess of Russia (allegedly).
—I took the King’s shilling and died in all his wars, says Ratatat Dan. But not for the likes of you.
—You see, says Gob, a Scruffian’s story needs a hook.
They sit on the living-room floor of the Scruffian squat—their crib, they call it—in a rough circle round the old fireplace that’s now shrine to a sound system. There’s beer cans and bottles strewn between them, baccy packets, squishy black and gubbins scattered among the booze, chucked from here to there at a gesture or word—skins? The scamp, Foxtrot, is lucky if he looks eleven. Joey must be at least seventeen. Well, they all must be at least whatever they look, and then some. And then maybe a lot.
—You’ve gotta open with swagger, says Gob.
The Scruffian-to-be looks at them as if they’re bonkers, thinking that he can’t really improve much on his opener…and closer really:
I ran away from home cause my dad used to beat the fucking crap out of me.
The truth isn’t quite as simple as that, he supposes, not quite. Maybe the word beat doesn’t do justice to the fucker’s repertoire of tortures, the physical and the psychological, like his fondness for holding a cigarette up to No-Son-of-Mine’s eye, so close he could smell the singed eyelashes. And there’s the whole issue of why…
2.
An early memory (he must have been even younger than Foxtrot—or younger than Foxtrot looks, of course, given what they’ve told him about Fixing): the boys’ changing rooms at primary school; a smart-arse aiming to best him on street cred because this quiet, sensitive boy was an easy target, asking if he knew what a hard-on was; him saying he knew fine well cause he had one right now; a friend calling him a retard afterwards, telling him you never said that sorta stuff; him asking his Mum why; his Dad going ballistic. No son of mine…
Or a later memory, from when he was the age Puckerscruff is Fixed at, maybe younger—thirteen or so: looking at DIY porn on the Internet with his best mate, Harry, mostly the fucked-up gross-out stuff where hideous old freaks do the weirdest shit; the two of them laughing at each other’s mugged horror and mock-retching; the phwars and nudges when they clicked onto the proper porn; and him knowing fine well it was Harry’s reaction that thrilled him more than anything on screen, the thought of Harry hard.
And then when the actual fooling-around started…
—Don’t watch, says Harry. Gayboy.
He can’t help watching his mate going at it though. And it was Harry who’d fucking decided he was bursting for a wank anyway, while they were lying there in the tent, talking about the girls at school that Harry fancied, and the one he…thought was really pretty, Charlene. Whatever. It was Harry who was totally being the gayboy, pulling his jeans and pants down to play with himself, not even getting into the sleeping-bag first.
Gayboy? No, he’s bi. Like that character in Doctor Who. He’s just really picky about girls, yeah?
3.
—Yeah, he says, fag smoke trailing out in practised exhale.
Dylan’s a year older than him and hot, indie as fuck with his purple and yellow undies showing, jeans dragged down to his hips by the bullet belt. A bit emo maybe with the razor-blade scars on his forearms—the thin type that come from not cutting too deep—but that just makes Dylan think his cigarette burns are impressive.
He says he does it to himself, of course. Said the bruises round his throat were from auto-erotic asphyxiation.
He slips a hand into Dylan’s waistband as they snog.
He’s never really come out. Everyone just knows it—Sarah, Katie and Jennie, who think he’s so cool because of his sexploits; Topher and Stevie, who’re awed at how he can just hit on guys like that; all the straight boys at the parties or piss-ups in the cemetery…who know how much he fancies them because they couldn’t really not know. It’s not really an issue in social circles where everyone has a poster of Conor Oberst on their bedroom wall. He’s lost count of all the guys who’ve said he gives better hand-jobs than their girlfriends.
He’s never really been caught. It’s not like his Dad ever checked the web history on the computer. It wouldn’t have made any difference anyway; he’s not a retard like Topher, whose mum had a Serious Talk With Him when he left Firefox open on fucking Gaydar. It’s not like Dad found a stash of gay porn mags, or heard about him sucking off some schoolmate, cause who the fuck needs mags when you’ve got XTube, and like any of their parents have a clue the shit they get up to.
It’s not like his dad needs the fucking excuse.
4.
He kicks back on the swing, but lets his heels scuff on the rubber of the playpark’s surface, drag him back to a rest. The chain is biting cold in his hand, the plastic wet under his arse, and it’s getting dark; but so fuck? His ribs are still sore and he feels more like jumping in the river than going home. He sniffs, rubs a teary eye. It’s just the cold though, yeah? That
He clocks a shadow over by the trees, knows straight off what it is—here, at this time of night. He just sits on the swing, gazing in the direction of the lurker, until the guy cruising him gets the message, starts strolling forward, unlit fag in hand.
—You got a light?
—Yeah, here.
—Cheers. You want one?
—Thanks.
A pause as the guy studies his bust lip, the bruise on his cheek.
—You scruffying, yeah? he says.
—Huh?
The guy seems to lose nerve, takes a hurried draw of his fag, looks away.
—Never mind. Sorry, I thought…you…
—You’re no son of mine, the fucker says.
The fucker’s hand is thick-fingered, big-boned, not podgy but meaty, like it was made for punching the shit out of him. The skin is rough and ruddy, skin that burns in the sun rather than tanning. It should be covered in black hair, like a fucking troglodyte’s but it’s more freckled than anything. Still, the sovereign rings and the DIY tattoo on the back of it—a crude, biro-and-compasses R.F.C. in block capitals—those give it the right thuggish quality.
It’s weird what you focus on.
5.
It’s weird how people just walk by him as he sits there on the bench, weird how they have no idea that he doesn’t even belong in this city, never mind this park. He just got off a train at King’s Cross, picked a direction and started walking, kept walking until he found a quiet place to sit down, and have a fag, and think; to them he’s probably just another teenager bunking off school.
He trails a finger across the carved-up wood of the bench: names and insults; gang initials; band names.
He’s never heard of the Scruffians.
—Orphans, foundlings, latchkey kids, the children down by the fountain are chanting.
The Scruffian-to-be takes a path curving off to the right and up the hill, towards a statue of a mutton-chopped Victorian gent that nestles in rhododendron bushes. But he keeps his pace to a stroll; the half-dozen chavs he’s taken the turn to avoid aren’t paying him any mind and the park’s busy; no need to advertise himself as a target. It’s just…because he’s trying not to be noticed…he just knows…
—Oi! Check this gaylord out!
Fuck.
—Urchins, changelings, live-by-wits.
— Oi, you! Oi, gaylord!
He knows it’s just giving them what they want, but still… He stops, turns, tells them to fuck off. He’s just fucking had enough. Behind the chavs, the kids at the fountain stop their hopscotch game, nudge each other, point his way. Yeah, yeah, come see the show. Except…they carry on chanting.
—Rascals, scallywags, ruffians, scamps.
A group of punks his own age, sitting on the grass, clamber to their feet. Sweet. A whole fucking audience of—
They start unhooking chains, wrapping them round hands as they join in the chant.
—Scoundrels, hellions, Scruffians STAMP!
6.
He’s not sure what’s happening now; doesn’t seem like the chavs are either, jeers turning to nervous aggro as they clock the chains. They must be off their home turf themselves. But if these other kids are some local gang, they’re…a fucking weird mix for it. Shit, there’s even a couple of skaters with them now.
All of them have weapons—chains, cut-throat razors and fucking—Christ, even the kids have Stanley knives. And all of them advance with slow menace, flourishing chains like nunchuks, thumping weapons against chests, stamping feet. Choreographed in perfect time with the chant.
As the Scruffian-to-be takes the spliff offered by Flashjack, he can’t help studying the perfectly—impossibly perfectly—intact hand, the one the punk had raised when the Scruffians were only a few yards from the chavs, close enough that they could see this wasn’t a trick. The one Flashjack had taken a pair of secateurs to, snipped off the pinky with an expression half grimace, half grin, all fucking madman.
That had sent the chavs running. He’d been too shocked to do anything except gape.
—Fuck me, that hurt, the punk had said. Should see your face though.
He passes the spliff to Gob.
That’s just how his story starts, he thinks. I ran away from home cause my Dad used to beat the fucking crap out of me. I came to London and found the Lost Boys, these Scruffians who have some…thing they stole that makes you like them. Unaging. Indestructible. Fixed. He tries a more twisty opening, turns it over in his mind: I kissed the boys and made them cry…in ecstasy.
Yeah, whatever.
—You want my story? he says eventually. Fuck, it ain’t even begun.
Gob grins.
—Now, that’s way better, he says.
How a Scruffian Gets Their Name
1.
—Eeny, meeny, miny, moe. Catch a nipper by the toe. If he squeals let him go. Eeny, meeny, miny, moe. You are not…
Foxtrot’s finger stops its bouncing.
—Taterdemulligan Jackanips? suggests Bananastasia.
The fresh-Fixed Scruffian—the Scruffian who’s only just become a Scruffian, who knows what he is now but isn’t at all sure about who—rolls the name around in his head awhile, tries to imagine himself answering to it. Hey, Taterdemulligan! Yo, Tat, how’s it going? Not too bad, but…
—Nah, he says eventually. It’s okay, but I dunno that it’s me.
—Tain’t you then, says Gobfabbler.
The fresh-Fixed Scruffian—who was just another boy up until two days ago, when Flashjack and Joey held him down, a folded leather belt between his teeth, and Foxtrot pressed the Stamp to his chest, and it ripped the very soul out of him, carved it on the surface of his skin—looks round at the seven crib-mates gathered for the ceremony by Foxtrot. Foxtrot Wainscot Hottentot III, that is.
Bananastasia Roaminhopper.
Puckerscruff Ragamuff.
Flashjack Scarlequin.
Joey Picaroni.
Ratatat Dan.
Gobfabbler.
And then there’s him. And all he knows is he’s not No-Son-of-Mine, not anymore.
—Eeny, meeny, miny, moe. Catch a nipper by the toe. If he squeals let him go. Eeny, meeny, miny, moe. You are not…
Again Foxtrot’s finger stops, picking out another of the mob sat on the threadbare rug—Puckerscruff this time, who crosses his arms, gives a cold hard glower.
—Tadgerfluff, he says pointedly. Luckpusher Chancelot Tadgerfluff.
—Um… says the fresh-Fixed Scruffian.
—He didn’t know, mumbles Flashjack, the Scruffian of the fluffed tadger in question. And you know I’ve got fuck-all self-control, babe…
He trails off as Puckerscruff’s glare turns to him.
—Moving swiftly on, says Foxtrot.
—Eeny, meeny, miny, moe. Catch a nipper by the toe. If he squeals let him go. Eeny, meeny, miny, moe. You are not…
This time Foxtrot’s finger points at the fresh-fixed Scruffian himself, the Scruffian who gave up his old name even before his old life, who has no sodding clue who he is now, really. A latter-day Lost Boy, sure, a full-fledged Scruffian, Fixed by the Stamp like his crib-mates; but even when he stands at the grimy mirror in the bathroom, staring at his soul carved on his chest…
