Audacious, p.8

Audacious, page 8

 

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  We rush away.

  EMERGENCY ROOM

  Mom’s going to live

  That’s all I can remember

  About the ER.

  CLEANING SUPPLIES

  Kayli is discharged

  Four hours later.

  Puffy’s mother,

  Who asks me to call her Rachel,

  Comes back to drive us home.

  Kayli feels much better

  They’ve juiced her up with steroids

  So she’s wide awake

  Flip you for cleanup

  Heads you choose, tails you lose.

  I get heads, and choose the bathroom

  Kayli takes the dinner table gratefully.

  Mop and bucket

  Gloves and bleach

  I survey the damage

  Sponging, wiping

  Squeezing pink-tinged water

  After everything looks like nothing

  Happened in here

  I sit down on the toilet lid

  And reach over and lock the door

  I decide I like this little room

  It’s quiet and there are no windows

  I could be anywhere

  Or anyone.

  KAYLI THROUGH THE BATHROOM DOOR

  Are you coming out?

  Ever?

  Great Christmas huh?

  This is totally beyond Britney

  What a family.

  LOCUM SOCIAL WORKER

  How we got through the next day

  I’ll never know

  But on the morning of the twenty-seventh

  A social worker shows up.

  She’s flustered and anxious

  And frequently checks the file

  Asking Dad to leave the room

  And speaks to me alone.

  Where is your mother today? she asks

  I tell her and she scribbles some notes

  How do you feel about that?

  I shrug, and don’t tell her

  I feel terrified

  And helpless

  And guilty

  And angry.

  And also, I realize, bewildered.

  I ask her why she’s come

  She glances at her file

  Because of the pornographic photo.

  It’s art, I say, not pornography

  I was thinking she was here

  Because of Mom

  Apparently not.

  Why did you take the photograph, Ella?

  I barely recognize the failed name

  It’s Raphaelle, I say

  Causing her to check her file

  But she hardly misses a beat

  Do you want to be someone else?

  Yeah, I’d like to be you

  You’re obviously a great success.

  A second goes past

  Before I realize I’ve said this out loud

  Finally she clears her throat and says

  Do you feel like a failure?

  And so our awkward little dance continues.

  I think I might fail art, I say

  Getting my teacher fired, getting arrested

  Not my best work.

  Was all that intentional?

  No.

  You took the photograph by accident?

  No.

  But it’s not a dance is it?

  It’s a hunt, and I’m the prey

  You had some idea of the outcome?

  I guess so, not Ms. Sagal getting fired.

  But you knew you’d be in trouble

  Yes. I suppose.

  You knew it was wrong?

  No. Weird. Not wrong.

  Do people get into trouble for being weird?

  I do, obviously.

  Why do you want to be weird?

  I shrug again and don’t say another word.

  Although of course I know the answer.

  WEIRD

  Because if I’m weird

  And ostracized and friendless

  It’s not personal.

  FALLOUT

  Later the lawyer calls

  And says the social worker

  Told the prosecutor

  That I know right from wrong

  Which is news to me

  Because I thought

  Staying true to your artistic vision

  Was right.

  But I guess I was wrong.

  chapter eleven

  SNOWFLAKES

  IN CASE ANYONE IS WONDERING

  By the way

  Mom has checked in

  It’s a “private clinic”

  She’s going to stay

  Because she’s so thin

  And very sick.

  PHONE CALL

  I heard what happened

  Did you try to call?

  There’s no reception at my uncle’s

  I’m so sorry

  I should have been there for you

  Are you okay?

  His voice is like ambrosia

  It fills me up

  And before I can stop it

  Tears are pouring down my face

  It’s just so good to hear your voice

  I say, trying not to sob.

  Me too

  I wish I could come over

  But

  Well

  I’m hiding in the downstairs bathroom

  Just to make this call.

  This is the worst Christmas ever, I say

  That’s why I don’t celebrate it

  He says, and I laugh.

  That’s the sound I love

  I’m going to sneak out and see you

  I promise.

  Come over anytime, I say

  I’m never leaving the house again.

  I’ll leave the mudroom door unlocked

  You can come right up to my room.

  Then I just listen to him breathe

  Before he says: see you soon.

  REPORT CARDS

  In the midst of it all

  Two letters arrive

  End-of-term report cards.

  Mine is ironic

  Decent grades

  Glowing comments

  Especially in Art.

  Ella has a real gift in art,

  Her technique is excellent

  Her vision is confident and meaningful.

  Well done.

  And yet, here I am, under arrest.

  Kayli’s on the other hand

  The perfect normal daughter

  Looks like this:

  Math: F

  Kayli is not grasping the basic concepts

  French: F

  Kayli has not completed any assignments

  History: F

  Kayli rarely hands in work or participates

  English: F

  It’s obvious that Kayli has not done the readings

  Biology: F

  Kayli has not passed any of the quizzes

  Dad studies the reports for a few minutes

  Then goes into his den and closes the door.

  NEW YEAR’S EVE

  Kayli is grounded

  And I’m on self-imposed house arrest

  But Dad’s going to the clinic

  To be with Mom.

  They’re having a little New Year’s thing.

  Before he goes

  We have

  “The talk”

  I have to say

  I’m disappointed

  I thought we’d be happy here

  New house

  New city

  A new beginning

  But instead we’re falling apart

  Something has to be done

  But I don’t know what it is

  And I need you girls

  To help me figure it out

  Because clearly something is not working.

  Then he straightens his tie and leaves.

  Kayli turns to me and says

  He noticed.

  MIDNIGHT: PART TWO

  Popcorn

  And a movie

  Kayli falls asleep

  On the couch

  Boredom

  And cheap champagne

  I tuck a blanket around her

  And go up the narrow stairs to bed

  Midnight

  And fireworks crackle

  In the distance

  The mudroom door clicks open

  Footsteps

  And the stairs creak

  I sit up, listening

  Samir appears in the shadows

  Silence

  And snowflakes in his hair

  He shrugs off his coat

  And lies down next to me

  DESIRE

  We kiss

  And more

  His hands are soft and warm

  And strong.

  Gripping my thighs

  Through flannel pajamas.

  We still haven’t spoken a word

  Since he arrived.

  But he has taken off his sweater

  I caress his bare arms

  And slide my hands inside his T-shirt.

  His muscular body is unexpected

  Dangerously sexy.

  And soon

  We are both breathless

  With desire.

  DECISION

  I have condoms, he whispers

  I note the optimistic plural

  And lean back

  To look into his eyes

  Do you want to?

  He asks, twisting a strand of hair

  Around his thumb.

  Yes. No. Do you?

  Yes. No. Yes.

  I’ve never done it before. Have you?

  Yes. I mean, no!

  Yes or no?

  He’s smiling

  No. I’ve never done it.

  So…

  I’m in enough trouble already.

  Is it okay if we wait?

  No. I mean, yes. Of course.

  I’ve waited sixteen years

  I can wait a little longer.

  Do you want to stay? Do you want to leave?

  Yes. I mean no. What?

  We giggle in the dark

  Tired and happy

  And fall asleep

  Like spoons in a drawer.

  WAFFLES

  This far North, deep in winter

  Dawn arrives late

  Accompanied by the smell of waffles.

  Samir is still curled around my back

  Asleep, his breath on my neck

  I open my eyes

  In the doorway blinking

  Stands my father, in a flowered apron

  Breakfast, he says.

  Samir and I

  Appear in the kitchen

  Five minutes later.

  Bacon? says Dad.

  Just a waffle, thanks, says Samir

  I don’t eat bacon

  Dad serves a waffle

  Are you vegetarian? he asks

  Muslim, sir, says Samir

  Dad freezes over the juicer

  Good, he finally says. I hope that means

  You respect my daughter’s virtue.

  Dad! I say, and Kayli dissolves into giggles

  But Samir is earnest

  Of course, he says.

  VIRTUE

  It’s an old-fashioned word

  That means “asset” or “value”

  Like that’s all a young woman

  Is worth.

  Maybe it came to mean

  What it means

  Because people couldn’t bring themselves

  To say “vir-gin-i-ty.”

  Samir is contrite

  When he heads out into the cold

  I feel bad about bringing condoms

  Your father is right.

  I can take care of my own virtue, thanks

  I say, I don’t need my father’s help,

  Or yours for that matter.

  Though it’s nice that we agree.

  He kisses me

  And clomps off to the bus stop

  Leaving deep footprints

  In the new snow.

  BAD-NEWS DAY

  I expect a lecture

  But instead I get

  The four worst words

  I have bad news

  Dad delivers them gently

  But has the sense to preface them with

  Mom’s okay but

  I have bad news

  Charlotte Connelly died last night

  Who?

  I say.

  She froze in the park

  Drunk I suppose

  Who can blame her

  It was New Year’s Eve after all.

  Then I realize

  I never knew her name.

  The Phantom is dead.

  Picture the scene:

  The red socks

  The gaping eye hole

  The smell of whiskey

  I can’t help smiling

  When I think of Father Martinez

  Identifying her

  And finding

  The Koran

  Clutched in her cold dead hand.

  She got the last laugh

  Audacious until the very end.

  FINAL REST

  Mom cries when we tell her

  Dad said that she would

  She’s with Jesus our Lord now

  Mom says, God is good.

  When I tell Samir about it

  He feels basically the same

  But he says, Allhu Akbar

  Same God, different name.

  PARADISE LOST

  And yet looking for

  The Phantom in paradise

  I still see darkness.

  The French get it right

  They have one word to mean both

  Heaven and sky too.

  The Phantom’s last breath

  Rose up in the winter wind

  And made the sky home.

  chapter twelve

  BLACK INK

  PLEA BARGAIN

  Mom’s suit, bought on sale

  Almost fits me

  But My Lawyer makes me change

  You need to look young, she says

  Inscrutably, but not cheap

  Nothing sexy

  I settle on the purple Levi’s

  With a pink T-shirt and gray hoodie.

  It has a duck on the pocket

  Perfect, My Lawyer says

  You look about twelve.

  And mentally challenged.

  Funny.

  That’s exactly how I feel.

  I put on the mismatched shoes.

  The prosecutor

  An assistant of David’s dad

  Has a proposal

  A lesser charge

  Contributing to the delinquency of a minor

  A fine and probation

  My Lawyer thinks I should accept.

  And if I don’t? I ask

  You could do time, she says.

  And leaves me

  To talk to

  My dad.

  IN MY OWN DEFENSE

  No because

  I haven’t done anything wrong

  No because

  I am a minor myself

  No because

  It was David who posted the photo

  No because

  It’s my body to do with what I like

  No because

  The photo isn’t pornographic

  No because

  Ms. Sagal liked it

  No because

  Samir liked it

  No because

  It’s the best and most true thing

  I’ve ever done

  I’m sorry Dad

  But no.

  THE REALITY OF SINGLE PARENTHOOD

  I look up Ms. Sagal on 411.com

  I know she lives near the school

  Because she walks to work

  She’s not hard to find

  Even though I didn’t know

  Her first name is Veronica

  2874, Suite 12

  Gray apartments by the strip mall

  I think for a moment

  This must be the wrong place

  But then I see the hand-built ramp

  Into the ground-floor patio

  She’s surprised to see me

  Behind her, Marika is watching Nova

  Something about the Hubble telescope

  Ms. Sagal invites me in

  And pours tea

  In mismatched cups.

  The lumpy sofa, the vague smell of damp

  The books and art things crammed on shelves

  And medical-looking machines

  Bottles of pills on the counter

  It all coalesces into something:

  Ms. Sagal can’t help me.

  Marika’s school must cost a fortune

  Not to mention her therapy and drugs

  And there’s no Dad to help out

  And Ms. Sagal is just a teacher

  Not a plumber, after all

  Oh my god, what have I done?

  NEGOTIATION

  Can you make them

  Give Ms. Sagal her job back?

  I ask My Lawyer.

  It’s the school’s decision

  The court can pressure them of course

  But in exchange for what?

  JUSTICE

  I want to scream

  But instead I say

  If I accept the plea bargain

  And do whatever community service they want

  And pay the fine

  Will they give her back her job

  Because her daughter is disabled

  And she needs the money?

  I can’t guarantee that

  Says My Lawyer

  They are two separate issues

  So I could accept their offer

  And Ms. Sagal, who is innocent,

  Could still lose everything?

  How is that fair?

  How is any of this fair?

  Says My Lawyer.

  PURGING : PART ONE

  When I get home

  I throw up in my new bathroom

  Which is ironic

  Because Mom comes back today.

  She’s put on weight

  And looks much better

  And hugs us girls

  Like she will never let us go.

  We follow her

  As she moves through the house

  Throwing away secrets

  And bulimic’s accoutrements

  Toothbrushes, Ziploc bags

  Laxatives and diuretics

  Stashes of candy bars

  She lets Kayli eat one; I decline.

  It’s a new start, says Mom

  Hauling the load out to the trash

  Kayli grins and cheers

  But I have heard this before.

  Maybe she doesn’t remember

  The two previous times we did this

 

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